Folk Roots, Urban Roots
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Chloë Hanslip, Violin Royal Philharmonic
559302 bk Adams US 7/14/06 12:41 PM Page 5 Charles Owen Royal Philharmonic Orchestra AMERICAN CLASSICS Charles Owen began his musical studies at the Yehudi Menuhin The Royal Philharmonic Orchestra was established in 1946 by Sir Thomas Beecham, who set about creating a world- School with Seta Tanyel and continued at the Royal College of class ensemble from the finest musicians in Britain. Since his death in 1961 the orchestra has continued under a Music under the guidance of Irina Zaritskaya. There he won all the number of very distinguished conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir major piano prizes before completing his studies with Imogen Ashkenazy, followed in 1996 by their present Music Director, Daniele Gatti. Based in London, with a resident series Cooper. He received the Silver Medal at the Scottish International at both the Royal Albert Hall and Cadogan Hall, the orchestra also has a comprehensive United Kingdom and JOHN ADAMS Piano Competition (1995) and was a finalist in the 1996 London overseas touring programme. Recent highlights have included playing for the late Pope John Paul II in the Vatican, Philharmonic/Pioneer Young Soloist of the year competition. In for the President of China in Tiananmen Square and at the tenth anniversary celebration of Kazakhstan’s 1997 he won the prestigious Parkhouse award in partnership with independence, in addition to touring regularly throughout Europe and the United States. The orchestra has made the violinist Katharine Gowers. His concert activities are diverse many recordings and has a commitment to community and education projects, as well as to contemporary composers. -
Baltimore Symphony Orchestra Announces 2019 New Music Festival
Media contacts Linda Moxley, VP of Marketing & Communications 410.783.8020 [email protected] Devon Maloney, Director of Communications 410.783.8071 [email protected] For Immediate Release Baltimore Symphony Orchestra Announces 2019 New Music Festival Baltimore (April 18, 2019) Under the leadership of Music Director Marin Alsop, the Baltimore Symphony Orchestra (BSO) announces the 2019 New Music Festival. Launched by Alsop and the BSO in 2017, the New Music Festival brings contemporary classical music to Baltimore from June 19-22. The 2019 New Music Festival celebrates women composers ahead of the BSO’s 2019-20 season, which highlights women in music in conjunction with the 100th anniversary of women’s suffrage in the U.S. Performances include the Baltimore premiere of Jennifer Higdon’s Low Brass Concerto, a BSO co- commission, as well as the world premiere of Anna Clyne’s cello concerto, Dance, with Inbal Segev. “I’m thrilled that this year’s New Music Festival features such an outstanding group of contemporary composers, who happen to be women!” said Alsop. “Each piece of music that we’ve programmed tells a unique and compelling story, and we are proud to present a range of voices and perspectives that showcases some of the most inspired work happening in classical composition today.” The 2019 New Music Festival kicks off on Wednesday, June 19 when composer Sarah Kirkland Snider participates in a discussion on her composition process at Red Emma’s Bookstore Café. On Thursday, June 20, Associate Conductor Nicholas Hersh leads members of the BSO and Shara Nova, also known as My Brightest Diamond, in a free concert at the Ottobar. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
Boston Symphony Orchestra Concert Programs, Season 21,1901
INFANTRY HALL, PROVIDENCE. Boston Symphony Orchestra, Mr. WILHELM GERICKE, Conductor. Twentieth Season in Providence. PROGRAMME OF THE FIRST CONCERT Wednesday Evening, November J 3, At 7*45 sharp. With Historical and Descriptive Notes by Philip Hale. PUBLISHED BY C. A. ELLIS, MANAGER. (1) 'Established Established 1823 1823 PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated Instruments are To-day better than ever REPRESENTED BY GOFF AND DARLING 276 Westminster Street • Providence, R. I (2) : DOStOn INFANTRY HALL, Symphony f providence. A Twenty-first_Season, 1901-1902. Orchestra Twentieth Season in Providence. Mr. WILHELM GERICKE, Conductor. First Concert Wednesday Evening, November \ 3 At 7.45 sharp PROGRAMME. " Robert Volkmann . Overture, Richard III.," Op* 6S Edouard Lalo Concerto for Violoncello and Orchestra Prelude. Allegro maestoso. * Intermezzo. Introduction. Rondo. " tt Franz Liszt . Symphonic Poem, No. 7, Festklaengfe Hermann Gbtz Symphony in F major, Op* 9 I. Allegro moderato (F major) II. Intermezzo : Allegretto (C major) III. Adagio, ma non troppo lento (F minor IV. Finale : Allegro con fuoco (F major) SOLOIST Mr. JEAN GERARDY. (3) Co. Gabrilowitsch to the Everett Piano EVERETT PIANO CO., NEW YORK. I take the first oppor- just reached St. Petersburg, Gentlemen,Cextlemen- Havingnavi g j roncemine the pianos you furnished for my to express to a tunity £^ !^ ££££££ heartiest "hanks for the same. Am belongs to the superior oof tl "enormous share which TamI am ouTtequite conscifconscious pleasure ot me much qualities of your piano for tiie success y , ^ There js ^ess ty J ^ to say so openly ^^^ ^ra«^, and its of the ^ attainments Ew*'"*^ enthusiastic friends among aZ number o£ future ,s eno s I S g this short time. -
Abendprogramm
2019 20:00 08.03.Grand Auditorium Vendredi / Freitag / Friday Grands rendez-vous Orchestre Philharmonique du Luxembourg Gustavo Gimeno direction Katia Labèque, Marielle Labèque piano résonances 19:15 Salle de Musique de Chambre Artist talk: Markus Brönnimann in conversation with Matthew Studdert-Kennedy (E) Ce concert est enregistré par radio 100,7 et sera diffusé le 10 avril 2019. Henri Dutilleux (1916–2013) Métaboles. Cinq pièces pour orchestre (1964) N° 1: Incantatoire: Largamente N° 2: Linéaire: Lento moderato, attacca: N° 3: Obsessionnel: Scherzando, attacca: N° 4: Torpide: Andantino, attacca: N° 5: Flamboyant: Presto 16’ Francis Poulenc (1899–1963) Concerto pour deux pianos et orchestre en ré mineur (d-moll) FP 61 (1932) Allegro ma non troppo Larghetto Allegro molto 20’ — Sergueï Rachmaninov (1873–1943) Symphonic Dances op. 45 (1940) N° 1: Non allegro N° 2: Andante con moto (Tempo di valse) N° 3: Lento assai – Allegro vivace – Lento assai. Come prima – Allegro vivace 34’ Den Houschtejang an d’Houschteketti Le célèbre caricaturiste allemand Der renommierte deutsche Karika- Martin Fengel (connu notamment turist Martin Fengel (bekannt u. a. pour ses contributions dans le aus dem Zeit-Magazin) begleitet Zeit-Magazin) ponctue les pro- die Abendprogramme der Saison grammes du soir de la saison 2018/19 mit Momentaufnahmen 2018/19 d’instantanés sur le thème zum Thema geräuschvollen Stö- des nuisances sonores dans les rens im Konzertsaal. Lassen Sie salles de concert. Laissez-vous sich durch die vergnügliche Dar- inspirer par cette présentation stellung zu rücksichtsvollem Musik- ludique, pour savourer la musique genuss inspirieren. en toute tranquillité. Trois grands classiques Jacques Amblard Henri Dutilleux (1916–2013) s’est peu à peu imposé, au cours de sa carrière, principalement comme un grand symphoniste. -
Philippe Herreweghe
Philippe Herreweghe A Conversation with Camille De Rijck Philippe Herreweghe A Conversation with Camille De Rijck Contents / Sommaire Philippe’s Musical Choice Foreword - A Question of Time A Conversation with Philippe Herreweghe Biographies EN Avant-propos - Le temps qui reste Conversation avec Philippe Herreweghe Biographies FR Vorwort - Die Zeit, die uns noch bleibt Gespräch mit Philippe Herreweghe Biografien DE Voorwoord - De tijd die nog rest Gesprek met Philippe Herreweghe biografieën NL Distribution Credits Philippe Herreweghe in Colour Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, Philippe’s Musical Choice BWV 105 22 Coro. Herr, gehe nicht ins Gericht mit deinem Knecht ____________04’59 23 Recitativo. Mein Gott, verwirf mich nicht (Alto) __________________00’55 24 Aria. Wie zittern und wanken (Soprano) __________________________ 05’31 25 Recitativo. Wohl aber dem, der seinen Bürgen weiß (Bass) _______ 01’57 DISC 1 26 Aria. Kann ich nur Jesum mir zum Freunde machen (Tenor) _______05’35 27 Choral. Nun, ich weiß, du wirst mir stillen ________________________ 01’45 Carlo Gesualdo Madrigali a cinque voci, Libro sesto (1611) TOTAL ____________________________________________________________ 74’16 1 Se la mia morte brami ____________________________________________ 03’37 2 Beltà, poi che t’assenti ___________________________________________03’03 3 Tu piangi, o Filli mia ______________________________________________ 03’10 DISC 2 4 Resta di darmi noia _______________________________________________ 02’57 5 Chiaro risplender suole ___________________________________________03’43 Ludwig van Beethoven 6 Mille volte il dì moro e voi, empi sospiri ___________________________ 03’12 Missa solemnis in D Major, Op. 123 7 O dolce mio tesoro _______________________________________________ 02’47 8 Io pur respiro in così gran dolore _________________________________02’44 1 I. -
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
Sir Colin Davis Anthology Volume 1
London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii. -
557981 Bk Szymanowski EU
570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 16 Karol Also available: SZYMANOWSKI Harnasie (Ballet-Pantomime) Mandragora • Prince Potemkin, Incidental Music to Act V Ochman • Pinderak • Marciniec Warsaw Philharmonic Orchestra and Choir • Antoni Wit 8.557981 8.570721 8.570723 16 570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 2 Karol SZYMANOWSKI Also available: (1882-1937) Harnasie, Op. 55 35:47 Text: Karol Szymanowski (1882-1937) and Jerzy Mieczysław Rytard (1899-1970) Obraz I: Na hali (Tableau I: In the mountain pasture) 1 No. 1: Redyk (Driving the sheep) 5:09 2 No. 2: Scena mimiczna (zaloty) (Mimed Scene (Courtship)) 2:15 3 No. 3: Marsz zbójnicki (The Tatra Robbers’ March)* 1:43 4 No. 4: Scena mimiczna (Harna i Dziewczyna) (Mimed Scene (The Harna and the Girl))† 3:43 5 No. 5: Taniec zbójnicki – Finał (The Tatra Robbers’ Dance – Finale)† 4:42 Obraz II: W karczmie (Tableau II: In the inn) 6 No. 6a: Wesele (The Wedding) 2:36 7 No. 6b: Cepiny (Entry of the Bride) 1:56 8 No. 6c: Pie siuhajów (Drinking Song) 1:19 9 No. 7: Taniec góralski (The Tatra Highlanders’ Dance)* 4:20 0 No. 8: Napad harnasiów – Taniec (Raid of the Harnasie – Dance) 5:25 ! No. 9: Epilog (Epilogue)*† 2:39 Mandragora, Op. 43 27:04 8.557748 Text: Ryszard Bolesławski (1889-1937) and Leon Schiller (1887-1954) @ Scene 1**†† 10:38 # Scene 2†† 6:16 $ Scene 3** 10:10 % Knia Patiomkin (Prince Potemkin), Incidental Music to Act V, Op. -
Sergiu Celibidache Michael Nyman Antón García Abril Primera De Brahms
REVISTA DE MÚSICA Año XXVII - Nº 271 - Febrero 2012 - 7 € Año XXVII - Nº 271 Febrero 2012 DOSIER Sergiu Celibidache ENCUENTROS Antón García Abril ACTUALIDAD Michael Nyman referencias Primera de Brahms Próximos conciertos Madrid Jueves, 02 de febrero de 2012 Sala de Cámara del Auditorio Nacional de Música · 19:30h Príncipe de Vergara, 146 · Madrid Reserva de invitaciones: [email protected] Ciclo de Conciertos de Música Contemporánea Fundación BBVA 2011-2012 PluralEnsemble Retrato IV Mauricio Kagel / Matthias Pintscher Director invitado: Matthias Pintscher Madrid Sábado, 11 de febrero de 2012 Sala Sinfónica del Auditorio Nacional de Música · 19:30h Príncipe de Vergara, 146 · Madrid Final Tercer Concurso Internacional de Composición Auditorio Nacional de Música Bilbao Martes, 14 de febrero de 2012 Sede de la Fundación BBVA · 20:00h Plaza de San Nicolás, 4 · Bilbao Ciclo de Conciertos de Música Contemporánea Fundación BBVA Bilbao 2011-2012 Ensemble Kuraia / Elena Gragera Obras de Stravinsky, Gubaidulina y Erkoreka Madrid Sábado, 18 de febrero de 2012 Sede de la Fundación BBVA · 19:30h Paseo de Recoletos, 10 · Madrid Ciclo de Conciertos de Solistas Fundación BBVA 2011-2012 Recital de Alberto Rosado y Carlos Apellániz (dos pianos) Entrada libre hasta completar aforo · Imprescindible confirmar asistencia:[email protected] · 91 374 54 00 · 94 487 52 52 Para informarse sobre otras actividades o darse de alta en el sistema de alertas de la Fundación BBVA, visite www.fbbva.es 271-Pliego 1 24/1/12 17:44 Página 1 AÑO XXVII - Nº 271 - Febrero -
Vilde Frang, Violin
VILDE FRANG, VIOLIN Vilde is the recipient of the 2012 Credit Suisse Young Artists Award and will perform with the Vienna Philharmonic and Bernard Haitink at the Lucerne Summer Music Festival in September 2012. Noted particularly for her superb musical expression, as well as her well- developed virtuosity and musicality, Vilde Frang has established herself as one of the leading young violinists of her generation since she was engaged by Mariss Jansons at the age of twelve to debut with Oslo Philharmonic Orchestra. Highlights among her recent and forthcoming engagements include performances with Mahler Chamber Orchestra, Kremerata Baltica, Academy of St. Martin in the Fields, BBC Symphony, Symphonieorchester des Bayerischen Rundfunks, Konzerthausorchester Berlin, HR- Sinfonieorchester Frankfurt, Tonhalle-Orchester Zurich, Russian National Orchestra, Rotterdam Philharmonic, the NHK Symphony in Tokyo and Orchestre Philharmonique de Monte-Carlo, with conductors including Ivan Fischer, Paavo Järvi, Vladimir Ashkenazy, Mariss Jansons, David Zinman, Vassily Sinaisky, Esa-Pekka Salonen and Gianandrea Noseda. She appears as a recitalist and chamber musician at festivals in Schleswig- Holstein, Mecklenburg-Vorpommern, Rheingau, Lockenhaus, Gstaad, Verbier and Lucerne. Amongst her collaborators were Gidon Kremer, Yuri Bashmet, Martha Argerich, Julian Rachlin, Leif Ove Andsnes and Maxim Vengerov, and together with Anne-Sophie Mutter she has toured in Europe and the US, playing Bach's Double Concerto with Camerata Salzburg. After her 2007 debut with London Philharmonic Orchestra, Vilde was immediately re-engaged for a concert with the orchestra and Vladimir Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Jurowski at the Royal Festival Hall in the 2009 season, followed by a recital at Wigmore Hall.