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Curriculum Vitae Euro Pass Personal Information Name/Surname Pintea Ilie Address 103, Iuliu Maniu Bd., Block B, Scale 1, Floor
Curriculum vitae Euro pass Personal information Name/Surname Pintea Ilie Address 103, Iuliu Maniu Bd., block B, scale 1, floor 8, apartment 32, 6th district, Bucharest Telephone 0722.684.314 E-mail [email protected] Citizenship Romanian Birthday 25 January 1969, Bucharest, 5th district Sex Male Professional experience 2016 – present – Teacher, Bucharest University of Economic Studies 1996 - 2016 – Teacher, “Spiru Haret” University Period 2016 - present Occupation or position held Ph.D. Lecturer at Department of Philosophy and Social Sciences Main activities and responsibilities Holder of courses: Philosophy, Business ethics (applied in finances), Ethics and academic integrity. Name and address of employer Bucharest University of Economic Studies, 6, Piaţa Romană, 1st district, Bucharest, Romania Type of activity Teaching and scientific research activities Period 2012 – 2016 Occupation or position held Ph.D. Lecturer at Faculty of Journalism and Communication Sciences (2012–2015) and Faculty of Socio- Human Sciences (2015–2016) Main activities and responsibilities Holder of courses: Romanian Culture and Civilization, Oriental Culture and Civilization, European Culture and Civilization, Intercultural communication, Symbolic Communication, Political Communication, Documentation and research for dissertation thesis, Politology and contemporary political doctrines, Political ideologies. Workshops: Analysis of advertising products, Project - press kit. Seminars: Rhetoric and communication, Research methods and techniques in communication -
Traiectul Lui Lucian Blaga De La Gura Râului La „Bocca Del Rio”
Gând românesc Revistă de cultură, ştiinţă şi artă „De la Roma venim, scumpi şi iubiţi compatrioţi din Dacia Traiană. Ni se cam veştejise diploma noastră de nobleţe, limba însă ne-am păstrat-o.” MIHAI EMINESCU 1 2 GÂND ROMÂNESC REVISTĂ DE CULTURĂ, ŞTIINŢĂ ŞI ARTĂ Anul VIII, Nr. 7 (75) noiembrie 2014 EDITATĂ DE ASOCIAŢIA CULTURALĂ GÂND ROMÂNESC, GÂND EUROPEAN ŞI EDITURA GENS LATINA ALBA IULIA 3 Revistă fondată în 1933 de Ion Chinezu Fondator serie nouă Virgil Şerbu Cisteianu Director general Director: Ironim Muntean Redactor-şef: Terezia Filip Membrii colegiului de redacţie: George Baciu Ioan Barbu Radu Vasile Chialda Aurel Dumitru Galina Furdui Vasile Frăţilă Vistian Goia Elisabeta Isanos Dumitru Mălin Dorin Oaidă Viorel Pivniceru Iuliu Pârvu Anca Sîrghie Ovidiu Suciu Ciprian Iulian Şoptică Traian Vasilcău I.S.S.N.: 1843-21882 Revista este înregistrată la Biblioteca Naţională a României – Bucureşti Depozitul Legal, Legea111//1995 modificată prin Legea/ 594/2004 4 ANCA SÎRGHIE Traiectul lui Lucian Blaga de la Gura Râului la „Bocca del Rio” Conferința pe care am ținut-o ca invitată la o recentă reuniune a Ligii Scriitorilor Români, desfășurată la finele lunii octombrie 2014 la Cluj-Napoca, mi-a prilejuit ocazia să refac un anumit traiect din viața și opera lui Lucian Blaga, cel al popasurilor poetului- filosof la Sibiu și în Mărginimea din vecinătatea orașului de pe Cibin, unde împreună cu ultima lui muză inspiratoare Blaga a trăit o „vară de noiembrie” cu bogate ecouri în creația sa. Este bine știut că în viaţa oamenilor există popasuri care le modelează destinul şi unele locuri par anume înzestrate cu puterea şi cu vraja de a pregăti asemenea împliniri. -
From Periphery to Centre.The Image of Europe at the Eastern Border of Europe
Munich Personal RePEc Archive From Periphery to Centre.The Image of Europe at the Eastern Border of Europe Şipoş, Sorin and Moisa, Gabriel and Cepraga, Dan Octavian and Brie, Mircea and Mateoc, Teodor University of Oradea, Romania, University of Padova, Italy 2014 Online at https://mpra.ub.uni-muenchen.de/59276/ MPRA Paper No. 59276, posted 15 Oct 2014 12:04 UTC Edited by: Sorin Şipoş, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Ivaşca Alexandra Bere Ionuţ Ciorba CONTENTS Sorin ŞIPOŞ, Dan Octavian CEPRAGA, From Periphery to Centre. The Image of Europe at the Eastern Border of Europe ………..………..… 5 I. PERIPHERY VIEWED FROM THE CENTRE …………………..… 13 Lorenzo RENZI, «Terra Romena» ……………………………………..… 15 Ion Alexandru MIZGAN, The Crusades – Cause of Tension between Eastern and Western Europe ………………………………………...…..…21 Florin DOBREI, Transylvanian “Schismatics”, “Heretics” and “Infidels” in the Vision of 13th-16th Century Catholic Europe ……………………..… 47 Ioan-Aurel POP, 16th Century Venetian Bailiffs‟ Reports on Realities in the Ottoman Empire …………………………………………………..… 61 Ion EREMIA, A False Theory Still Persists at the Eastern Border of Latinity .. 76 Delia-Maria RADU, From Centre to the Periphery and the Other Way Round ………………………………………………………..……..… 88 Teodor MATEOC, Identity and Race. The Problem of Otherness in Contemporary Cultural Studies …………………………………...……..…96 II. SELF-IMAGES AT EUROPE’S EASTERN BORDERS -
Les Rebelles Avec Une Cause : La Réception De La Contre-Culture En Europe De L’Est
Revue du Laboratoire Identité Culturelle, Textes et Théâtralité | Avignon Université Éditions Universitaires d’Avignon | https://eua.hypotheses.org ISSN : 2606-5401 | https://ictt.univ-avignon.fr/spheres Les Rebelles avec une Cause : La réception de la contre-culture en Europe de l’Est. Une anthropologie historique Adrian Matus Sorbonne Université – Paris IV Pour citer cet article : Adrian Matus, « Les Rebelles avec une Cause : La réception de la contre-culture en Europe de l’Est. Une anthropologie historique » in Sphères, n° 4, 2019, pp. 9-18. Résumé Cette étude vise à apporter une nouvelle explication d’un phénomène considéré comme marginal. Plus spécifiquement, nous souhaitons savoir dans quelle mesure dans l’espace roumain nous assistons à une contre-culture. Notre but est d’explorer ses particularités, en suivant une anthropologie historique. Nous essayerons d’expliquer par analogie avec le concept rebelle avec une cause (Rebel with a Cause), que le terme de la contre-culture est plus large que la définition académique existante dans l’Europe d’Ouest. Adrian Matus, « Les Rebelles avec une Cause » Introduction : le portrait-robot du Rebelle avec une Cause. Dans l’espace roumain, une contre-culture est née, presque en tandem avec les grands mouvements américains et est-européens. Les causes sont multiples : la libéralisation du système, le changement de génération et la visibilité plus grande de la littérature américaine. Dans le domaine littéraire, la vraie réception se situe seulement dans les années 1980, à cause d’institutions sclérosées encore après la déstalinisation. Dans le domaine social, dans une société totalitaire, la perméabilité est beaucoup plus élevée en raison d’une transition entre les générations. -
Timeline / 1870 to After 1930 / ROMANIA
Timeline / 1870 to After 1930 / ROMANIA Date Country Theme 1871 Romania Rediscovering The Past Alexandru Odobescu sends an archaeological questionnaire to teachers all over the country, who have to return information about archaeological discoveries or vestiges of antique monuments existing in the areas where they live or work. 1873 Romania International Exhibitions Two Romanians are members of the international jury of the Vienna International Exposition: agronomist and economist P.S. Aurelian and doctor Carol Davila. 1873 Romania Travelling The first tourism organisation from Romania, called the Alpine Association of Transylvania, is founded in Bra#ov. 1874 Romania Rediscovering The Past 18 April: decree for the founding of the Commission of Public Monuments to record the public monuments on Romanian territory and to ensure their conservation. 1874 Romania Reforms And Social Changes Issue of the first sanitation law in the United Principalities. The sanitation system is organised hierarchically and a Superior Medical Council, with a consultative role, is created. 1875 - 1893 Romania Political Context Creation of the first Romanian political parties: the Liberal Party (1875), the Conservative Party (1880), the Radical-Democratic Party (1888), and the Social- Democratic Party of Romanian Labourers (1893). 1876 Romania Reforms And Social Changes Foundation of the Romanian Red Cross. 1876 Romania Fine And Applied Arts 19 February: birth of the great Romanian sculptor Constantin Brâncu#i, author of sculptures such as Mademoiselle Pogany, The Kiss, Bird in Space, and The Endless Column. His works are today exhibited in museums in France, the USA and Romania. 1877 - 1881 Romania Political Context After Parliament declares Romania’s independence (May 1877), Romania participates alongside Russia in the Russian-Ottoman war. -
59 Romanian (1893-1936)
PASSION, DUTY, AND FAME: WOMEN TRANSLATORS OF CUORE INTO ROMANIAN (1893-1936) PAIXÃO, DEVER E FAMA: AS TRADUTORAS DE CUORE PARA O ROMENO (1893-1936) Iulia COSMA* West University of Timișoara Timișoara, Romania University of Padua Padua, Padua, Italy Abstract: The second half of the nineteenth century saw a proliferation of translations from romance languages into Romanian as a consequence of the economic and cultural development of the Romanian society. In this context, 1893 saw the publication of the first Romanian translation of De Amicis’s Cuore (Heart): An Italian Schoolboy’s Journal, by Clelia Bruzzesi (1836-1903). The twentieth century brought five other versions, two of them signed by women translators: Sofia Nădejde (1856-1946) in 1916 and Mia Frollo (1885-1962) in 1936. Until recently, 59 Cuore was part of the primary school curriculum in Romania, so the text left a mark on the cultural history of the country. This paper aims to raise awareness of the often neglected translation activity of women and to reveal Bruzzesi, Nădejde and Frollo’s place in society as well their motivations and the public reception of their translations. Keywords: Women translators. De Amicis’s Cuore (Heart): An Italian Schoolboy’s Journal in Romanian translation. Literary translation into Romanian. Retranslation. History of literary translation. Resumo: A segunda metade do século XIX viu uma proliferação de traduções de línguas românicas para o romeno como consequência do desenvolvimento econômico e cultural da sociedade romena. Neste contexto, em 1893 foi publicada a primeira tradução romena de Cuore (Heart): An Italian Schoolboy’s Journal [Coração: Diário de um aluno], de Amici, feita por Clelia Bruzzesi (1836-1903). -
Christian Church8
www.ssoar.info From periphery to centre: the image of Europe at the Eastern Border of Europe Şipoş, Sorin (Ed.); Moisa, Gabriel (Ed.); Cepraga, Dan Octavian (Ed.); Brie, Mircea (Ed.); Mateoc, Teodor (Ed.) Veröffentlichungsversion / Published Version Konferenzband / collection Empfohlene Zitierung / Suggested Citation: Şipoş, S., Moisa, G., Cepraga, D. O., Brie, M., & Mateoc, T. (Eds.). (2014). From periphery to centre: the image of Europe at the Eastern Border of Europe. Cluj-Napoca: Ed. Acad. Română. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-400284 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Edited by: Sorin §ipo§, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Iva^ca Alexandra Bere IonuJ Ciorba Romanian Academy Center for Transylvanian Studies Cluj-Napoca 2014 Descrierea CIP a Bibliotecii Nationale a României From periphery to centre : the image of Europe at the Eastern border of Europe/ Sorin Çipoç, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie (ed.). - Cluj-Napoca : Editura Academia Românâ. Centrul de Studii Transilvane, 2014 ISBN 978-973-7784-97-1 I. Çipoç, Sorin (ed.) II. Moisa, Gabriel (ed.) III. Cepraga, Dan Octavian (ed.) IV. Brie, Mircea (ed.) 930 Volume published with the support of Bihor County Council The volume gathers the papers presented at the international symposium From Periphery to Centre. -
Petrica Mogos MA Thesis 415170
! Between denigrating nonconformity and eulogising the proletariat: Strategies of representation of intellectual figures in Romanian film (1960-1989) ! Student name: Petric" Mogo# Student number: 415170! Student email: [email protected] ! ! Supervisor: Dr. Jiska Engelbert ! Second Reader: Dr. Ericka Menchen-Trevino ! ! Media & Business! Erasmus School of History, Culture and Communication! Erasmus University, Rotterdam! ! ! Master Thesis! June, 2015! ! Between denigrating nonconformity and eulogising the proletariat: strategies of representation of intellectual figures in Romanian film (1960-1989) ! ! ! ! ! ! ! ! “We need art, we need to have the movie industry and theatres depict the essence and the model of the man we have to shape […], so that the young people will understand and know that this is how they should be!” ! ! Nicolae Ceauşescu (in Tismăneanu, 2003, p.225) ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! #2 Abstract ! The present thesis aims to offer a valuable and authentic insight into the discursive construction of representations of intellectual figures in Romanian cinema from the early 1960s until the late 1980s. By taking into account the importance of the freedom of creation within a totalitarian geographical space, the main interest of this thesis is to reveal the hidden and latent meanings that stand behind cinematic representations of intellectuals during such a political regime. In this sense, as a result of uncovering the modes of representation employed in Romanian cinema under Communism, this research aims to trace -
Nuevas Perspectivas En La Recepción Cinematográfica De La Historia Antigua: El Ejemplo De Dacii / Les Guerriers (Sergiu Nicolaescu, Rumania / Francia 1966)
NUEVAS PERSPECTIVAS EN LA RECEPCIÓN CINEMATOGRÁFICA DE LA HISTORIA ANTIGUA: EL EJEMPLO DE DACII / LES GUERRIERS (SERGIU NICOLAESCU, RUMANIA / FRANCIA 1966) New perspectives in film reception of Ancient History: the example of «Dacii / Les guerriers» (Sergiu Nicolaescu, Romania / France 1966) Óscar LAPEÑA MARCHENA Universidad de Cádiz Fecha de recepción: 27-X-2010; aceptación definitiva: 2-XI-2010 RESUMEN: El presente trabajo analiza una película que se ocupa de un episodio de la historia del Imperio Romano prácticamente ignorado por el cine: las campañas militares emprendidas por el emperador Domiciano en la provincia de la Dacia. Palabras clave: Recepción, Cine, Historia Antigua. ABSTRACT: This paper analyzes a film that deals with an episode in the history of the Roman Empire practicaly ignored by the cinema: the military campaigns undertaken by the emperor Domitian in the province of Dacia. Keywords: Reception, Cinema, Ancient History. © Ediciones Universidad de Salamanca Stud. hist., H.ª antig., 28, 2010, pp. 155-178 156 ÓSCAR LAPEÑA MARCHENA NUEVAS PERSPECTIVAS EN LA RECEPCIÓN CINEMATOGRÁFICA DE LA HISTORIA ANTIGUA: EL EJEMPLO DE DACII / LES GUERRIERS I. INTRODUCCIÓN El presente trabajo pretende realizar un análisis histórico de la pelí- cula Dacii / Les Guerriers (Sergiu Nicolaescu, Rumanía / Francia 1967), que traslada a las imágenes cinematográficas las campañas militares lleva- das a cabo a finales del siglo I d. C. en la región de Dacia, que se corres- ponde aproximadamente con los territorios de la actual Rumanía, y que fueron comandadas por Domiciano, el último representante imperial de la dinastía Flavia (69-96 d. C.) Además, estas páginas se circunscriben en una serie de estudios que tienen como objeto la recepción de la Historia Antigua en la cultura de masas, en particular en el cine y en el género concreto denominado péplum. -
Centrul National Al Cinematografiei Tab. 3 Nr. Crt. Specificatie Specta
CENTRUL NATIONAL AL CINEMATOGRAFIEI TAB. 3 PRAGURILE DE REFERINTA, TARIF MEDIU ,TARIF MEDIU PONDERAT SI NUMAR DE SPECTACOLE - PREMIERE SI TITLURI - 2000 TARIF PONDERE MEDIU / SPECTACOLE/FILM TARIF PRAG NR. SPECTA - SPECTA- FILM IN TOTAL PONDERAT REFERINTA CRT. SPECIFICATIE COLE TORI INCASARI -RON- SPECTACOLE -RON- -SPECTATORI- TOTAL AN 2000 5,183 161,092 118,098.94 0.733 X X X TOTAL PREMIERE DIN CARE: *NU AU FOST FILME IN PREMIERA 0 0 0.00 X X X X TOTAL REST FILME DIN CARE: 5,183 161,092 118,098.94 0.733 X 0.716 1,046 1 E PERICOLOSO SPORGERSI 1 6 5.49 0.915 0.000 0.000 X 2 PREA TARZIU 1 2 2.35 1.175 0.000 0.000 X 3 CRAII DE CURTEA VECHE 6 269 171.57 0.638 0.001 0.001 X 4 EU SUNT ADAM 5 119 80.79 0.679 0.001 0.001 X 5 HOTEL DE LUX 20 488 206.97 0.424 0.004 0.002 X 6 PEPE SI FIFI 4 53 49.80 0.940 0.001 0.001 X 7 TERENTE, REGELE BALTILOR 20 164 149.80 0.913 0.004 0.004 X 8 LICEENII IN ALERTA 59 899 513.73 0.571 0.011 0.007 X 9 OGLINDA - INCEPUTUL ADEVARULUI 1 28 21.96 0.784 0.000 0.000 X 10 PATUL CONJUGAL 24 147 104.12 0.708 0.005 0.003 X 11 SENATORUL MELCILOR 1 28 27.06 0.966 0.000 0.000 X 12 CRUCEA DE PIATRA - ULTIMUL BORDEL 69 526 529.41 1.006 0.013 0.013 X 13 DESTINUL MARESALULUI 28 703 348.24 0.495 0.005 0.003 X 14 TERMINUS PARADIS 23 378 245.69 0.650 0.004 0.003 X Page 1 of 6 TARIF PONDERE MEDIU / SPECTACOLE/FILM TARIF PRAG NR. -
Studia Politica: Romanian Political Science Review, 14(2), 261-274
www.ssoar.info The english political model in Barbu Catargiu's public discourse Vlad, Laurenţiu Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Vlad, L. (2014). The english political model in Barbu Catargiu's public discourse. Studia Politica: Romanian Political Science Review, 14(2), 261-274. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-446330 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The English Political Model in Barbu Catargiu’s Public Discourse ∗∗∗ LAUREN ŢIU VLAD INTRODUCTION Local historiography has often insisted on the models that have influenced Romanian civilization in the 19 th and 20 th centuries, in its various manifestations, cultural, economic, social or political. In a brief article of 1993, Lucian Boia outlined the destinies of some Western models which had come in contact with the Romanian culture; a Belgian model, seen as an appendage of the French, an English one, which in his opinion was completely marginal, and others that enjoyed a more or less brilliant fate (German, Italian, etc.) 1. Please note that each of the topics mentioned above enjoyed special attention in Romanian historiography; see for instance the studies authored by Aurel Filimon, Gheorghe Platon and even my own, dedicated to the Romanian- Belgian relations; those by Dan Berindei, Pompiliu Eliade, Nicolae Iorga and Nicolae Isar for the French case; those by Zigu Ornea regarding the German influences on the political and literary thought of the Junimea group; those by Eugen Denize and George L ăzărescu, on the cultural and political interferences between Italy and Romania, etc. -
Romanian Spirituality in Vatican Radio Broadcasts (1969-1970)21
ROMANIAN SPIRITUALITY IN VATICAN RADIO BROADCASTS (1969-1970)21 Carmen Ionela BANTA, PhD Lecturer, Faculty of Letters University of Craiova Abstract: This study brings into focus some thematic programs where Romanian spirituality is present in the Romanian language program of Vatican Radio during the years 1969-1970. Much of the lectures are supported by Monsignor Octavian Bârlea, priest Flavius Popan or teacher Mircea Popescu. The themes are current, meditative, and full of spiritual meanings. Key words: Vatican Radio, spirituality, Romanian. Vatican Radio was founded to be in the service of the Pope, the Church and humanity. Therefore, it has a function of religious communication intended for religious Catholic Church, but his service always covered much wider horizon of issues, with particular attention to the issue of peace, religious freedom, human rights, dialogue between religions and the Christian confessions. Being a bridge of communication with the world, Vatican Radio is a "forum for meeting and exchange of views in which people have to find their own place so they can speak." The primary purpose of Vatican Radio is to promote the biblical message in social plan in the whole world, to highlight and contextualize shades reported to cases, specific events of communities, countries, regions of the Christian world, constantly emphasizing the authority of the Holy See through the legitimate voice of the Pope. Romanian spirituality emerges through the programs which were broadcasted on Vatican Radio ever since March, 1947, when it is established the department in Romanian. It was among the top ten linguistic programs which transmitted religious programs, but also programs which promoted Romanian socio cultural subjects.