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Newsletter from the Performing Arts Section

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Newsletter from the Performing Arts Section Newsletter from the Performing Arts Section Michaelmas 2014 TABLE OF CONTENT Topical Forum Obituaries 100th birthday, Eva Lunde Christel Frankfurt Nora Aanonsen and Sølvi Sørum ..................................... 3 * 5 Dec. 1922 Berlin – † 19 Feb. 2014 Dortmund Volker Frankfurt ............................................................. 22 Articles Anne Marie Loring The long road of Dionysus and Eurythmy * 8 March 1923 Hochstätten – † 4 April 2014 Dortmund Dietmar E. Ziegler, DE-Karlsruhe ................................... 4 Reinhild Brass ................................................................. 24 The Transformation of Thinking and Will as a possible Susanne Lin Starting Point for an Artistic Activity * 19 August 1956 Mannheim, † 19 June 2014 Stuttgart Ulrike Wendt, DE-Apolda ................................................ 7 Ulrike Wendt ................................................................... 25 The Eurythmical Instrument Part II Rosemaria Bock .............................................................. 11 Events of the Section The eurythmy-gesture “O” Eurythmy – Speech – Music – Puppetry ...............................26 Brigitte Schreckenbach .................................................. 13 The Project Speech and Drama in Waldorf Schools Announcements in North America: 20 Years Helen Lubin, Fair Oaks, California ................................ 13 Eurythmy – Speech – Music ................................................. 27 Reports Publications & Reviews Eurythmy Training in Leiden: the First Steps Helga Daniel, NL-Leiden ............................................... 17 Drei eurthmische Weihnachtsspiele [The three eurythmical Christmas plays] De Zalen. “The rooms” of Riouwstraat 1-3 in The Hague Wilfried Hammacher ...................................................... 35 for future eurythmical use! Marcel Sorge, Freiburg ................................................... 17 Eurythmie – Entstehungsgeschichte und Porträts ihrer Pioniere [Eurythmy – history and portraits Segunda formacion professional de Euritmia of its pioneers]................................................................. 37 in Santiago de Chile Gia van den Akker, IT Cortiglione .................................. 18 Explore your own eurythmy: Contributions to eurythmy in education The testimony of the word Werner Barfod, Dornach ................................................ 37 Bettina Mehrtens, Ulrike Poetter ................................... 18 Serge Maintier: Sprache – die unsichtbare Schöpfung Great moments in the Art of Speech. Two recitations in der Luft [“Language – the invisible creation in the air”] at the Goetheanum by Michael Blume Werner Barfod – Dornach .............................................. 38 Johannes Starke, Zurich ................................................. 19 Der Recke im Tigerfell The Achilleis – a student performance of the school [The Reckless Knight of the Tiger Skin] for speech AmWort, Dornach Martin Georg Martens .................................................... 39 Gabriele Schwarz ............................................................ 19 Speech and Drama finals at the Goetheanum in 2014 Miscellaneous Silke Kollewijn ................................................................ 20 The spelling of the word “Eurythmy” Report from the first network working meeting of the Harald Schwaetzer ........................................................ 39 Initiative Network Speech Dorothea Ernst-Vaudaux ............................................... 20 Enhanced Sound Experience – Composers Meeting VII at the Goetheanum Wolfram Graf .................................................................. 21 TOPICAL FORUM 3 FOREWORD Dear Colleagues, the future. Once again the summer and a fourth-year meeting and Werner Barfod has continued to carry responsibility for the finals of the Eurythmy Trainings has come to an end. It is “Section Group for Eurythmy working in the Social Realm” always a pleasure to perceive the many facets of eurythmical that he called into life. Dear Werner, thank you for this. expression. This time something special happened. The My dear friends in the Section Group for Puppetry I thank speech formation training in Harduf, Israel, visited with their most sincerely for the exemplary and fruitful co-operation students and gave us a performance one afternoon. Perhaps during this time. it will be possible in the near future that out of the speech and Through the Section Group for Eurythmy and my col- acting trainings a meeting here at the Goetheanum can hap- leagues in the Fellowship of Eurythmy Trainings much has pen. It would surely enrich us all. emerged. Mutual perception, mutual respect, collegial colla- The conversion of the large stage at the Goetheanum is boration, and direct response to difficult issues are some of coming to an end. It is a race against time, so that the opening the qualities that we have developed. can take place on September 26th. One year for such a large Marcel Sorge wrote the minutes most carefully for all sessi- undertaking is little time. The preparatory work and imple- ons during the initial years. Though he has to withdrawn mentation by those responsible for the stage has been very from this work, to my great joy he still continues attending to successful. We eagerly look forward to the opening. the Newsletter. You too, dear Marcel, from the heart a big Stefan Hasler is responsible for the next Newsletter. As thank-you for the many years of fruitful co-operation! already announced, he will take over the work as leader of the Finally, warm thanks to Alan and Maren Stott who see to it Section in January. Our co-operation and the transfer of that the Newsletter also appears in English. responsibilities have already begun. Looking back over these seven years, I see how many peop- In the musical field Stefan Hasler can build on the compe- le in all areas have contributed that the work takes place tence, initiative and creativity of Michael Kurtz. At this point within our Section, and continues to take place. The conti- a heartfelt thanks should be addressed to Michael. He has the nuation of the work, with new accents and priorities, with ability to bring together people of different musical styles for Stefan Hasler will be in the best of hands. a deepening of the work. Warm greetings, Silke Kollewijn should also be sincerely thanked. In this short time she has already called several initiatives to life in collaboration with colleagues, created links to many col- leagues and produced impulses that will come to fruition in TOPICAL FORUM 100th Birthday Faust, where she was able to work well under the direction of Marie Steiner. Eva Lunde For Eva Lunde eurythmy was closely connected with poetry, and she found that the poems of the Norwegian poets The Norwegian eurythmist Eva Lunde like Henrik Ibsen would be a good celebrated her 100th birthday on 12 basis for the art of eurythmy, which April 2014. was also true for the Norwegian folk- tales. For Eva Lunde it became a large Nora Aanonsen, Oslo (NO), and Sølvi and important task to elaborate Sørum (NO) eurythmy in the Norwegian language. During the Second World War Eva Eva Lunde was born into a large fami- Lunde lived in Sweden and worked in ly in Lillehammer, as the seventh of special needs education in Järna. Even ten children. Already as a 15-year-old before the War, with Elena Zuccoli, she she was sent to Dornach to the Fried- participated in the first eurythmy per- wart School. After four years, she formance in Mikaelgården in Järna. In began in the Eurythmy School. After the autumn/ fall of 1946, she started completing her training, she remai- her work as a eurythmy teacher at the ned for a time in Dornach actively Rudolf Steiner School in Oslo. After participating in the work on stage, work she gave courses for adults. Tog- also in performances of Goethe’s ether with the eurythmist Meta TOPICAL FORUM 4 Aukrust and some amateurs she undertook a series of euryth- may mention that she participated for many years in the my performances. She also taught in several state schools – puppet show at the Christmas fair at school. there she was even offered a position as eurythmist which As a pensioner Eva Lunde – together with Jürgen Kraft – she declined because of her other commitments. founded the Norwegian Eurythmy School. After a few years Speech eurythmy was Eva Lunde’s largest professional Margrethe and Trond Solstad came, taking over the leader- task. She had a special love for and special interest in allitera- ship and much of the teaching. Eva Lunde still gave lessons, tion and wrote a book about it, which has been translated particularly in alliteration. Her interest in and her insight into into German. alliteration and the EDDA epic made ​​her a sought-after tea- From Dornach actors came from time to time to Oslo and cher of European stage-groups and Eurythmy Schools. worked on Steiner’s Mystery Dramas with a group of lay Congratulations to Eva Lunde on her birthday in deep gra- people. Eva Lunde played Maria. Ruth Unger continued this titude for the tremendous and important work that she has work for many years. done for eurythmy, both educationally and artistically. She In the later years Eva Lunde worked as a eurythmy thera- celebrated the day with her friends and family. pist. As an example of her versatility, we Published in ANTHROPOSOPHY WORLDWIDE 05/2014 ARTICLES The long road of Dionysus and Eurythmy Zagreus – the Dismembered one Bukeros – the one with the Bull’s
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