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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
The Miracle of Tekir Produced by Elefant Films Hors Saison Visuel
A RUXANDRA ZENIDE feature film The Miracle of Tekir Produced by Elefant Films Hors Saison Visuel Mara The Miracle of Tekir synopsis In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away Dorotheea Petre from her village because of her mysterious pregnancy, Mara finds herself employed at the Eu- ropa Hotel, providing treatment for infertile women using this miraculous mud. As she meets Madame Lili the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship be- tween the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity. Elina Lowensohn The Miracle of Tekir The Inspiration - The Legend At the banks of the Black Sea, starting long time ago, there was a salty land, filled with muds where vegetation barely grows. The legend says that once upon a time, an old Turkish man, blind and crippled, riding his donkey, got lost and slipped on the edge of a lake here. The old man tryed relentlessly for hours to escape from the mud, but the stubborn donkey wouldn’t move. With great surprise, the old man discovered that his eyes could discern a strand of light and that he could move his feet at will. When the word got out, plenty of believeres started invading that place by the lake, bathing in the muds to get cured. Many miracles hap- pened there. Crippled started walking normally, old men became young again and women regained their fertility. -
Euffestival-Liste Des Films
1 Support to EU Film Festivals List of available films Updated: 10 February 2020 TO REQUEST A FILM, PLEASE CONTACT VALERIO CARUSO [email protected] In November 2018, the European Commission has started a project to support the creation and enhance the quality of European film festivals organised by the delegations of the European Union. The project is managed by a consortium formed by Goethe-Institut, Institut français and Cineuropa, the portal for the promotion of the European cinema. The initiative is operational from November 2018 to November 2020. Among the services available for the delegations, the Consortium will create a repository of 30 films and secure their worldwide non-commercial rights, including the production and distribution of DCPs and Blu-Rays to the delegations. The following films have been already selected and rights are available. NOTE: Sold territories means that the film has a local distributor in the country. If you want to project the film, you need to find an agreement with the local distributor. A CIAMBRA by Jonas Carpignano (2018) Countries: Italy, Brazil, United States, France, Germany, Sweden Sales Agent: Luxbox Synopsis: In A Ciambra, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the region’s factions – the local Italians, the African refugees and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he’s ready to step into his big brother’s shoes but soon finds himself faced with an impossible decision that will show if he is truly ready to become a man. -
Film Literacy Initiatives 2014
Film Literacy Initiatives 2 OREGON 32 Vision Kino: Publikationen 46 INITIATIVES Contents Filmmagasinet Ekko 33 Vision Kino: Kongresse 47 Danish Film Institute: Filmpilot 34 Treffpunkt FILMKULTUR e.V. c/o ARRI LITERACY Filmfabrikken (The Film Factory) 34 Kino 48 AUSTRIA BULGARIA FILM Salaam Film Festival 35 SchülerFilmStadt 49 Schools in the Cinema, Focus Film and Sofia Film Fest for Students 21 Vision Kino: SchulKinoWochen 49 Summer School 6 Vision Kino 50 FINLAND Cinema Next – Young Austrian Cinema 7 CROATIA Eine STADT Ein Film 8 Koulukino 36 ITALY Schools in the Cinema, Focus Film and School of Media Culture ‘PhD Ante Summer School 9 Peterlić’ 22 How to work with cinema? 51 FRANCE KIFITA – Kinderfilmtage Steiermark 10 Kinderkinowelten 10 Collège au cinéma 37 CYPRUS LATVIA E U XXL KimiK – Kino mit Klasse 11 École et cinema 37 KINO AUF RÄDERN (Cinema on Wheels) 11 Children’s Film Festival of Cyprus: ICFFCY 23 L’éductation à l’image, au cinéma ‘Diagnosis – Cinema’ at Rīgas Kinomuzejs 52 media literacy award [mla] 12 et à l’audiovisuel 38 Lecture ‘What is Cinema?’ at Rīgas One World Film Clubs 13 Passeurs d’images 38 Kinomuzejs 52 CZECH REPUBLIC Internationales Kinderfilm festival Kinogalerija/Cinema K.Suns 53 Steiermark 14 Pastiche Filmz o.s. 24 Kinoskola 53 GERMANY YOUKI international Youth Media Splendid Palace 54 Festival/Media Space 14 Deutsches Filminstitut/ Deutsches DENMARK Filmmuseum 39 LITHUANIA Station Next 25 Film+Schule NRW 40 BELGIUM Animated Learning – Centre for Education Kids Film – Kinder ins Kino 40 Film school for youngsters -
Romanian and Hungarian Film Cultures at the Transilvania International Film Festival
EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Romanian and Hungarian film cultures at the Transilvania International Film Festival NECSUS 6 (1), Spring 2017: 219–225 URL: https://necsus-ejms.org/romanian-and-hungarian-film-cul- tures-at-the-transilvania-international-film-festival/ Keywords: culture, film festival, Hungary, Romania, Transilvania An arguably late arrival in the film festival circuit (first organised in 2002), the Transilvania International Film Festival[1] has been a significant date on the FIAPF calendar since 2011. The medium-sized and competitive Roma- nian film festival has its focus on first and second feature films by filmmakers from virtually all around the globe while also paying hommage to acclaimed personalities of European cinema. Furthermore, it serves as a hub for all things related to Romanian cinema and as such has become a staple in the Central and Eastern European region for both local audiences and interested film professionals.[2] A confusion surrounding its acronymic abbreviation is rather telling: at the regional or country level most people refer to it as ’TIFF’, irrespective of the language they speak – though this acronym by and large is reserved for the Toronto International Film Festival. Therefore, in this essay ’Transilvania IFF’ will be used. Another linguistic issue relates to its official naming, where instead of ’Transylvania’ the Romanian spelling of the region has been pre- ferred – reminiscent of a national (i.e. Romanian) component which reasserts, in my view, its country-affiliation and thereby denigrating any confusion re- lated to both the historical region and the festival concept as well. -
“I Do Not Care If We Go Down in History As Barbarians”
“I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” written and directed by Radu Jude PRESS KIT “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” written and directed by RADU JUDE LOGLINE: director of photography MARIUS PANDURU (RSC) editing CĂTĂLIN CRISTUȚIU “I do not care if we go down in history as sound JEAN UMANSKI sound designer DANA BUNESCU mixing CRISTINEL ȘIRLI barbarians.” These words, spoken in the production and costume design IULIANA VÎLSAN costume supervisor CIREȘICA CUCIUC Council of Ministers of the summer of 1941, make-up PETYA SIMEONOVA hairstyling DOMNICA BODOGAN assistant director CRISTINA ILIESCU started the ethnic cleansing on the Eastern historical consultant ADRIAN CIOFLÂNCĂ associate producer HOLGER STERN Front. The film attempts to comment on this co-producers JIŘÍ KONEČNÝ, SERGE LALOU, CLAIRE DORNOY, ROSSITSA VALKANOVA, JONAS DORNBACH, JANINE JACKOWSKI, MAREN ADE statement. producer ADA SOLOMON world sales BETA CINEMA CAST IOANA IACOB (Mariana) LILIANA GHIȚĂ (Mrs. Racoviță) ALEXANDRU DABIJA (Movilă) ION ARCUDEANU (Lăcustă) ALEX BOGDAN (Traian) MIHAI NICULESCU (Lupu) ILINCA MANOLACHE (Oltea) GABRIEL SPAHIU (the Romanian soldier) ȘERBAN PAVLU (Ștefan) EDUARD CÎRLAN (Barbu) ION RIZEA (Alexianu) LARISA CRUNȚEANU (the Romanian soldier) CLAUDIA IEREMIA (the vice-mayor) TUDOREL FILIMON (Laiotă) BOGDAN COTLEȚ (Decebal) RAREȘ HONTZU (priest) a HI FILM production in co-production with ENDORFILM, LES FILMS D’ICI, KLAS FILM, KOMPLIZEN FILM, ZDF/ARTE, TVR with the support of ROMANIAN FILM CENTRE, CZECH FILM FUND, L’AIDE AUX CINÉMAS DU MONDE, CENTRE NATIONAL DU CINÉMA ET DE L’IMAGE ANIMÉE – INSTITUT FRANÇAIS, BULGARIAN NATIONAL FILM CENTER and EURIMAGES SYNOPSIS: with the financial support of DR. -
Krzysztof Kieslowski Scripteast Award Sandra Buchta 2021 at a Ceremony During the Festival to the Best Script Amongst These 12 Projects
Strip your script. STRIP YOUR SCRIPT. MAKE IT BETTER. WE WILL IT TAKE WORLDWIDE 12 BEST CCE SCRIPTS DEVELOPED WITHIN XV SCRIPTEAST Dear Friends, After what has been a truly difficult year for the film business in Europe, we are finally ALMOST HAPPY MARIJA’S SILENCE seeing light at the end of the tunnel. As of now, production is ramping up, cinemas are Ewa Podgórska, Sebastian Wasiński Dāvis Sīmanis opening up again across the continent, and film festivals and markets are again taking POLAND LATVIA place with the physical presence of film lovers, critics, buyers and sellers, and filmmak- AN ENEMY MISS KEBAB ers. The XV ScripTeast edition has so far only happened online since the writers joined the Teresa Zofia Czepiec, Kamila Czul, Natalia Koryncka-Gruz program in October last year, but we are so happy to be able to welcome them in person Maciej Sobieszczański POLAND POLAND to this year’s Cannes Film Festival. A SENSITIVE MAN THE BORDER We are delighted to present 12 scripts covering a multitude of different genres, illus- Eryk Lenartowicz, Yvette Underwood trating the diversity of scripts emerging from the region. They include various forms of Tomas Klein, Kateřina Traburová, POLAND, AUSTRALIA drama, such as culture clash, psychological, immigration, ensemble, and historical, as Lucie Vaňková well as different kinds of comedy and comedy-dramas covering social realism, crime, CZECH REPUBLIC THE CASE OF E.E. coming-of-age and ecological themes. GROUND ZERO Paweł Grajnert, Maja Costa, The ScripTeast Artistic Board will present the Krzysztof Kieslowski ScripTeast Award Sandra Buchta 2021 at a ceremony during the Festival to the best script amongst these 12 projects. -
Art Cinema = Action + Management 2012 Booklet
INDEX PRESENTATION OF THE INT. CONFEDERATION OF ART CINEMAS -------------------------------------3 APPLICATION FORM-------------------------------------------------------------------------------------------------4 SPONSORS, PARTNERS & CO-ORGANIZERS-------------------------------------------------------------------5 PROGRAMME- --------------------------------------------------------------------------------------------------------9 DAY-BY-DAY PROGRAMME ------------------------------------------------------------------------------------- 17 MONDAY 27/08 ----------------------------------------------------------------------------------------------------------------19 TUESDAY28/08 ----------------------------------------------------------------------------------------------------------------22 WEDNESDAY 29/08 ----------------------------------------------------------------------------------------------------------------28 THURSDAY 30/08 ----------------------------------------------------------------------------------------------------------------40 FRIDAY 31/08 ----------------------------------------------------------------------------------------------------------------50 SATURDAY 01/09 ----------------------------------------------------------------------------------------------------------------56 SUNDAY 02/09 ----------------------------------------------------------------------------------------------------------------59 WHO IS WHO-------------------------------------------------------------------------------------------------------- -
1547736487Filecatalogue25euff
FOREWORD This year we celebrate the 25th anniversary of the European Film Festival in Lebanon. Thank you for joining us on this special occasion! Over the years thousands of people from all walks of life have attended hundreds of film screenings showcasing European cinema in Lebanon. The festival has become a landmark in Beirut's cultural agenda and across all major cities in Lebanon. And we are proud of this! This year this is even more special for us as we mark twenty-five years of the European Film Festival in Lebanon. The world has changed a lot over these years, the European Union has grown and expanded with new countries joining the Union and much change has happened in Lebanon as well. Throughout these years, the festival never ceased to be a platform for dialogue and exchange. Year in and year out, the film festival continues not only to be a cultural appointment but a platform to promote freedom of expression. With a wide range of films from European Member States, film makers and special visiting guests, the festival allows us to meet and engage on many different subjects relevant to our societies both in Europe and Lebanon. At times this is through laughter, other times it is with tears… Cinema is one thing which undoubtedly has the power to touch us all. Whether it's your first time at the festival or you have been following the festival for many years, thank you for joining us and I hope you enjoy the programme of the 25th European Film Festival anniversary! Christina Lassen Ambassador of the European Union 6.9 on the RichteR -
AFERIM! Press
bigworldpictures.org presents Booking contact: New York and Los Angeles Press Contact: Jonathan Howell Sasha Berman Big World Pictures Shotwell Media Tel: 917-400-1437 Tel: 310-450-5571 [email protected] [email protected] SYNOPSIS AFERIM! Dir. Radu Jude Romania/Bulgaria/Czech Republic / 2015 / 106 min / B&W / DCP! (shot on 35mm) In Romanian, with English subtitles Aspect ratio: 2.35:1 Sound: Dolby Digital 5.1 Silver Bear – Best Director – Berlin International Film Festival; Grand Prize City of Lisboa – IndieLisboa International Independent Film Festival; Official Selection – Tribeca Film Festival; selected to represent Romania for the 2016 Academy Awards Eastern Europe, 1835. Two riders cross a barren landscape in the middle of Wallachia. They are the gendarme Costandin and his son. Together they are searching for a gypsy slave who has run away from his nobleman master and is suspected of having an affair with the noble's wife. While the unflappable Costandin comments on every situation with a cheery aphorism, his son takes a more contemplative view of the world. On their odyssey they encounter people of different nationalities and beliefs: Turks and Russians, Christians and Jews, Romanians and Hungarians. Each harbors prejudices against the others which have been passed down from generation to generation. And even when the slave Carfin is found, the adventure is far from over... Radu Jude’s third feature has been aptly compared to films as diverse as THE SEARCHERS, THE LAST DETAIL and PULP FICTION (the latter for its rambling, coarse and endlessly entertaining dialogues), but the film is ultimately a moving parable about late-feudal Europe developed from historical documents and songs: its power structures and hierarchies, people's ideas of themselves and others, interaction with minorities and the resulting conflicts. -
Strip Your Script. Make It Better. We Will Take It Worldwide. Dear Friends
2021 Strip your script. Make it better. We will take it worldwide. Dear Friends, For a year now, the whole world, including all of us filmmakers, has been struggling with this virus. A universal experience which, with all the drama, and sometimes tragedy, goes painfully to the heart of filmmaking: in a large group and with a lot of effort, at a high pace and with large groups of people, right next to each other. We are all affected by this, though perhaps less so for the scriptwriters. As our friend and one of the best scriptwriters we know says: “Nothing has particularly changed for me, I always utilize my imagination alone in a room, and now I have more topics, and when I go out with my dog, there are fewer people on the streets, which helps me to think.” And that’s what we’ve seen in the latest versions of the scripts from our ScripTeasters this year: tremendous focus, application of feedback from great advisors, and wonderful progress in the scripts. That’s great, because we’re all waiting for good scripts, for that moment when we defeat the virus and make movies out of our scripts. In these films you will certainly see the accumulated energy, the explosive creative discharge. And today let us rejoice, because we are meeting in Berlin, just as if we were physically there, for the screenwriters are not lacking in imagination, simply to see Der Himmel über Berlin. Violetta Kamińska Dariusz Jabłoński Izabela Wójcik ScripTeast ScripTeast Independent Film Managing Director President Foundation, Director Bruno Ganz in Wings of Desire (West Germany/France 1986/87) by Wim Wenders © Wim Wenders Stiftung – Argos Films A SENSITIVE MAN TOMAS KLEIN – CZECH REPUBLIK ALMOST HAPPY EWA PODGÓRSKA, SEBASTIAN WASIŃSKI – POLAND WI AN ENEMY TH TERESA ZOFIA CZEPIEC, MACIEJ SOBIESZCZAŃSKI – POLAND D I E N GROUND ZERO ZHANNA OZIRNA – UKRAINE P X O INCIDENT V TOMASZ WOLSKI, KATARZYNA TYBINKA – POLAND L MARIA’S SILENCE DAVIS SIMANIS – LATVIA E LEARN TO CRY S DENIJAL HASANOVIĆ – POLAND MS. -
Presskit CHILD's POSE
presents CHILD’S POSE Directed by Călin Peter Netzer Starring Lumini a Gheorghiu, Bogdan Dumitrache, Ilinca Goia, Nata ¡a Raab, Florin Zamfirescu, Vlad Ivanov Produced by Ada Solomon Producer Parada Film in coproduction with Hai-Hui Entertainment Supported by Romanian Centre of Cinematography, Media Programme of the European Union, Odyssey Communication Bv, McCann Erikson, Real Top Media, Etno Media, Teleclub, Soti Cable Neptun, with the participation of HBO ROMÂNIA CONTACT INTERNATIONAL PRESS Beta Film, Dorothee Stoewahse Tel: + 49 89 67 34 69 15 Cell: + 49 170 63 84 627 [email protected] , www.betacinema.com CONTACT ROMANIAN PRESS Florentina Ciuverca Tel: +40 729 729 483 [email protected] CONTACT WORLD SALES Beta Cinema, Dirk Schuerhoff / Thorsten Ritter / Tassilo Hallbauer Tel: + 49 89 67 34 69 828 Fax: + 49 89 67 34 69 888 [email protected] , www.betacinema.com 2 For further information: Beta Film Press, Dorothee Stoewahse, Tel: + 49 89 67 34 69 15, Mobile: + 49 170 63 84 627 [email protected] , www.betacinema.com . Pictures and filmclips available on ftp.betafilm.com , username: ftppress01, password: 8uV7xG3tB CAST Lumini ¢a Gheorghiu Cornelia Bogdan Dumitrache Barbu Ilinca Goia Carmen Nata £a Raab Olga Cerchez Florin Zamfirescu Aurelian F ăgără ¤anu Vlad Ivanov Dinu Lauren tiu CREW Director Călin Peter Netzer Script Răzvan R ădulescu Călin Peter Netzer Photography Andrei Butic ă Sound Cristian Tarnove ¥chi Editing and Sound Design Dana Lucre ¦ia Bunescu Costume Designer Irina Marinescu Make §up Artist Dana Roseanu Production Designer Mălina Ionescu Producers Călin Peter Netzer Ada Solomon Co ¨Producer Oana Giurgiu Line Producer Valentino Rudolf TECHNICAL DETAILS Format: DCP, 35 mm, 1:2.35 Sound: Dolby Digital Length: 112 min Romania, 2013 3 For further information: Beta Film Press, Dorothee Stoewahse, Tel: + 49 89 67 34 69 15, Mobile: + 49 170 63 84 627 [email protected] , www.betacinema.com .