“I Do Not Care If We Go Down in History As Barbarians”
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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Bakhtinian Study
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A Polyphonic Reading of Asghar Farhadi's A Separation : Bakhtinian Study Abdol Hossein Joodaki 1, Maryam Eskandarzadeh 2 1. Associate Professor , Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] / [email protected] 2.M.A. Student, Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] Abstract A Separation film, written and directed by Asghar Farhadi, is a modern and provoking film worth consideration. Asghar Farhadi has always tried to depict conflict ideas and discourses throughout the society, and that's the reason why his movies always penetrate through different social classes and become epidemic; his recent film: A Separation is not an exception. In this article we have carefully examined the term “polyphony” and its application in a descriptive-analytical manner throughout the film, while explaining this term according to Bakhtin. We have tried first to answer the question “what are the components or factors of a polyphonic work and how is it embodied or manifested in the film”. Accordingly, in this article, the emphasis is on the components of polyphony, including the structure of conflict components, polyphony among social strata, change in viewpoint, heteroglossia, Intertextuality, etc. These factors are then examined and analyzed in the film. The result of this article is that the polyphonic film, with the tools it provides to the audience, leads them to a new perception of the text. Keywords : Mikhail Bakhtin, Polyphony, A separation, social classes, heteroglossia, intertextuality Volume XIII, Issue 4, 2021 Page No: 100 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Introduction In the present article, we will first explain the term Polyphony. -
Press Release 23/5/2018
THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film. -
Worlds Apart: Bosnian Lessons for Global Security
Worlds Apart Swanee Hunt Worlds Apart Bosnian Lessons for GLoBaL security Duke university Press Durham anD LonDon 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Charis by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. To my partners c harLes ansBacher: “Of course you can.” and VaLerie GiLLen: “Of course we can.” and Mirsad JaceVic: “Of course you must.” Contents Author’s Note xi Map of Yugoslavia xii Prologue xiii Acknowledgments xix Context xxi Part i: War Section 1: Officialdom 3 1. insiDe: “Esteemed Mr. Carrington” 3 2. outsiDe: A Convenient Euphemism 4 3. insiDe: Angels and Animals 8 4. outsiDe: Carter and Conscience 10 5. insiDe: “If I Left, Everyone Would Flee” 12 6. outsiDe: None of Our Business 15 7. insiDe: Silajdžić 17 8. outsiDe: Unintended Consequences 18 9. insiDe: The Bread Factory 19 10. outsiDe: Elegant Tables 21 Section 2: Victims or Agents? 24 11. insiDe: The Unspeakable 24 12. outsiDe: The Politics of Rape 26 13. insiDe: An Unlikely Soldier 28 14. outsiDe: Happy Fourth of July 30 15. insiDe: Women on the Side 33 16. outsiDe: Contact Sport 35 Section 3: Deadly Stereotypes 37 17. insiDe: An Artificial War 37 18. outsiDe: Clashes 38 19. insiDe: Crossing the Fault Line 39 20. outsiDe: “The Truth about Goražde” 41 21. insiDe: Loyal 43 22. outsiDe: Pentagon Sympathies 46 23. insiDe: Family Friends 48 24. outsiDe: Extremists 50 Section 4: Fissures and Connections 55 25. -
Premios Ciudad De Alcalá De Cortometraje
Área de Gobierno de Cultura, Bienestar Social y Servicios Públicos Concejalía de Cultura, Turismo y Universidad. Casco Histórico. Festejos Servicio Municipal de Archivo PREMIOS “CIUDAD DE ALCALÁ” CORTOMETRAJE Fecha de actualización: Octubre de 2020 Documentación y realización: Ángel Luis Calvo Sotillos Servicio Municipal de Archivo Dirección: José-M. Nogales Herrera Jefe del Servicio Municipal de Archivo Fuentes: Ballesteros Torres, Pedro: Alcalá y el cine: una aproximación al desarrollo cinematográfico de la ciudad. González, Luis Mariano: Historia del Festival de Cine. Alcalá de Henares: Festival de Cine [etc.], imp. 1995. ALCINE 32: Festival de Cine de Alcalá de Henares-Comunidad de Madrid [32 edición, del 8 al 16 de noviembre de 2002] Alcalá de Henares: Fundación Colegio del Rey, [2002]. Web de Alcine https://alcine.org/palmares.php Consultada 03/12/2019 Concejalía de Cultura, Turismo y Universidad. Casco Histórico. Festejos Jefatura de Servicio de Archivo. Archivo Municipal. Plaza de san Julián nº 1 28801 Alcalá de Henares. Telf: 91 877 08 84 ó 91 888 33 00 Ext.: 6702 / 6706 / 6708 / 6713 C.el.: [email protected] http://www.ayto-alcaladehenares.es 1 PREMIOS “CIUDAD DE ALCALÁ” DE CORTOMETRAJE 1 EDICIÓN MIEMBROS DEL JURADO / SECCIONES PALMARÉS AGOSTO 1968 Certamen organizado por el Ayuntamiento para CERTAMEN LOCAL DE CINE AFICIONADO 1969 *** fomentar y resaltar la labor de los aficionados al AGOSTO 1969 cine amateur. *** CORTOS 8 MM. Organización: FÉLIX GONZÁLEZ PAREJA Excmo. Ayuntamiento Ambas ediciones de 1968 y 1969 se celebraron con “Vieja historia de una ciudad nueva” de Alcalá de Henares motivo de las Ferias y Fiestas de Alcalá, en el mes (Documental sobre Alcalá) Patrocina: de agosto. -
A FILM by Götz Spielmann Nora Vonwaldstätten Ursula Strauss
Nora von Waldstätten Ursula Strauss A FILM BY Götz Spielmann “Nobody knows what he's really like. In fact ‘really‘ doesn't exist.” Sonja CONTACTS OCTOBER NOVEMBER Production World Sales A FILM BY Götz Spielmann coop99 filmproduktion The Match Factory GmbH Wasagasse 12/1/1 Balthasarstraße 79-81 A-1090 Vienna, Austria D-50670 Cologne, Germany WITH Nora von Waldstätten P +43. 1. 319 58 25 P +49. 221. 539 709-0 Ursula Strauss F +43. 1. 319 58 25-20 F +49. 221. 539 709-10 Peter Simonischek E [email protected] E [email protected] Sebastian Koch www.coop99.at www.matchfactory.de Johannes Zeiler SpielmannFilm International Press Production Austria 2013 Kettenbrückengasse 19/6 WOLF Genre Drama A-1050 Vienna, Austria Gordon Spragg Length 114 min P +43. 1. 585 98 59 Laurin Dietrich Format DCP, 35mm E [email protected] Michael Arnon Aspect Ratio 1:1,85 P +49 157 7474 9724 Sound Dolby 5.1 Festivals E [email protected] Original Language German AFC www.wolf-con.com Austrian Film Commission www.oktober-november.at Stiftgasse 6 A-1060 Vienna, Austria P +43. 1. 526 33 23 F +43. 1. 526 68 01 E [email protected] www.afc.at page 3 SYNOPSIS In a small village in the Austrian Alps there is a hotel, now no longer A new chapter begins; old relationships are reconfigured. in use. Many years ago, when people still took summer vacations The reunion slowly but relentlessly brings to light old conflicts in such places, it was a thriving business. -
HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Editor Recommended Texts Here Are Some Ideas for Texts and Films That
Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: Monsieur Ibrahim et les fleurs du coran, Eric Schmitt Stupeur et tremblements, Amélie Nothomb Le Petit Prince, Antoine de Saint Exupéry Boule de Suif, Guy de Maupassant Oran, langue morte Assia Djebar (collection of short stories) Le Silence de la mer, Vercors (Jean Bruller) (A-level) Candide, Voltaire (A-Level) o FILMS: Entre les murs, Laurent Cantet (15) https://www.imdb.com/title/tt1068646/ Portrait de la jeune fille en feu, Céline Sciamma (15) https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1 -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
The Commoner Issue 13 Winter 2008-2009
In the beginning there is the doing, the social flow of human interaction and creativity, and the doing is imprisoned by the deed, and the deed wants to dominate the doing and life, and the doing is turned into work, and people into things. Thus the world is crazy, and revolts are also practices of hope. This journal is about living in a world in which the doing is separated from the deed, in which this separation is extended in an increasing numbers of spheres of life, in which the revolt about this separation is ubiquitous. It is not easy to keep deed and doing separated. Struggles are everywhere, because everywhere is the realm of the commoner, and the commoners have just a simple idea in mind: end the enclosures, end the separation between the deeds and the doers, the means of existence must be free for all! The Commoner Issue 13 Winter 2008-2009 Editor: Kolya Abramsky and Massimo De Angelis Print Design: James Lindenschmidt Cover Design: [email protected] Web Design: [email protected] www.thecommoner.org visit the editor's blog: www.thecommoner.org/blog Table Of Contents Introduction: Energy Crisis (Among Others) Is In The Air 1 Kolya Abramsky and Massimo De Angelis Fossil Fuels, Capitalism, And Class Struggle 15 Tom Keefer Energy And Labor In The World-Economy 23 Kolya Abramsky Open Letter On Climate Change: “Save The Planet From 45 Capitalism” Evo Morales A Discourse On Prophetic Method: Oil Crises And Political 53 Economy, Past And Future George Caffentzis Iraqi Oil Workers Movements: Spaces Of Transformation 73 And Transition