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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Factsheet MEDIA Success Stories
Factsheet MEDIA success stories Saul Fia (Son of Saul, 2015) directed by László Nemes (HU) Oscar for Best Foreign Language Film Grand Prix at Cannes Film Festival Support: € 697,585 for its distribution across Europe Son of Saul is a small-budget film – €1.5 million. MEDIA decided to back the project and contributed to distributed it in 24 countries across Europe – a record on its own. La Grande Bellezza (The Great Beauty, 2013) directed by Paolo Sorrentino (IT) Oscar and Golden Globe for Best Foreign Language Film Support: € 491,531 for its development and its distribution across Europe With La Grande Bellezza, Paolo Sorrentino gained international acclaim as a European director who could encapsulate the human dimension of his characters in a perfect shot. Youth (also funded by MEDIA) continued along the same path. In 2016, Sorrentino made a successful foray into television, with The Young Pope which he considers to be a 10 hour-long movie Ida (2013) directed by Pawel Pawlikowski (PL) Oscar for Best Foreign Language Film Lux Prize Support: € 646,282 for its development and its distribution across Europe MEDIA provided seed money for the development of Ida. It also helped foreign distributors to show the film abroad through distribution schemes: Memento Films in France received €29,000 to show Ida to French audiences. France had the highest proportion of admissions for the film across Europe, with 484,000 viewers, one third of its total admissions. Tabu (2012) directed by Miguel Gomes (PT) 18 prizes and 40 nominations Support: € 192,800 for its development and its distribution across Europe Tabu, by Portugese director Miguel Gomes, was developed with the support of MEDIA. -
The Diving Bell and the Butterfly March…
MAGAZINE THE DIVING BELL AND THE BUTTERFLY MARCH… “possibly Britain’s most beautiful cinema...” (BBC) MARCH 2008 Issue 36 www.therexcinema.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-6.30pm To advertise email [email protected] WELCOME Gallery 5 March Evenings 9-17 Coming Soon 18 March Films at a glance 18 March Matinees 19-26 Dear Mrs Trellis 29, 31 SEAT PRICES: Circle £7.00 Concessions £5.50 At Table £9.00 Concessions £7.50 Royal Box (seats 6) £11.00 or for the Box £60.00 BOX OFFICE: 01442 877759 Mon to Sat 10.30 – 6.00 Sun 4.30 – 6.30 (Credit/Debit card booking fee 50p) Disabled and flat access: through the gate on High Street (right of apartments) First moon over Holliday St. Jan 2008 Some of the girls and boys you see at the Box Office and Bar: THE RECEIVING OF CHEESE… ’ve been asked to mention this on behalf of the ushers. If expectant of Rosie Abbott Linda Moss Henry Beardshaw Louise Ormiston cheese, please be alert when you see plates approaching, especially in Julia Childs Izzi Robinson the dark and particularly upstairs. Lindsey Davies I Georgia Rose Of late there have been some tragic incidents of cheese. Some has been Holly Gilbert Diya Sagar Becky Ginn Miranda Samson delivered into the wrong hands, leaving those awaiting the presence of Tom Glasser Tina Thorpe cheese bereft and likely to fidget. Beth Hannaway Olivia Wilson If you are guilty of ‘wrong hands’ cheese please own up immediately and Luke Karmali Calum Wood Jo Littlejohn Keymea Yazdanian report to cheddar monitor Adolf. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Premios Ciudad De Alcalá De Cortometraje
Área de Gobierno de Cultura, Bienestar Social y Servicios Públicos Concejalía de Cultura, Turismo y Universidad. Casco Histórico. Festejos Servicio Municipal de Archivo PREMIOS “CIUDAD DE ALCALÁ” CORTOMETRAJE Fecha de actualización: Octubre de 2020 Documentación y realización: Ángel Luis Calvo Sotillos Servicio Municipal de Archivo Dirección: José-M. Nogales Herrera Jefe del Servicio Municipal de Archivo Fuentes: Ballesteros Torres, Pedro: Alcalá y el cine: una aproximación al desarrollo cinematográfico de la ciudad. González, Luis Mariano: Historia del Festival de Cine. Alcalá de Henares: Festival de Cine [etc.], imp. 1995. ALCINE 32: Festival de Cine de Alcalá de Henares-Comunidad de Madrid [32 edición, del 8 al 16 de noviembre de 2002] Alcalá de Henares: Fundación Colegio del Rey, [2002]. Web de Alcine https://alcine.org/palmares.php Consultada 03/12/2019 Concejalía de Cultura, Turismo y Universidad. Casco Histórico. Festejos Jefatura de Servicio de Archivo. Archivo Municipal. Plaza de san Julián nº 1 28801 Alcalá de Henares. Telf: 91 877 08 84 ó 91 888 33 00 Ext.: 6702 / 6706 / 6708 / 6713 C.el.: [email protected] http://www.ayto-alcaladehenares.es 1 PREMIOS “CIUDAD DE ALCALÁ” DE CORTOMETRAJE 1 EDICIÓN MIEMBROS DEL JURADO / SECCIONES PALMARÉS AGOSTO 1968 Certamen organizado por el Ayuntamiento para CERTAMEN LOCAL DE CINE AFICIONADO 1969 *** fomentar y resaltar la labor de los aficionados al AGOSTO 1969 cine amateur. *** CORTOS 8 MM. Organización: FÉLIX GONZÁLEZ PAREJA Excmo. Ayuntamiento Ambas ediciones de 1968 y 1969 se celebraron con “Vieja historia de una ciudad nueva” de Alcalá de Henares motivo de las Ferias y Fiestas de Alcalá, en el mes (Documental sobre Alcalá) Patrocina: de agosto. -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
UN Woman Week 2019 Brochure Copy
ًوﻓﻘﺎ ﻟﻠﺘﻘﻠﻴﺪﻧﺎ اﻟﺴﻨﻮي، ﻳﺴﻌﺪ ًﺟﺪا أن أرﺣﺐ ﺑﻜﻢ ًﺟﻤﻴﻌﺎ ﰲ أﺳﺒﻮع ﻓﻴﻠﻢ اﳌﺮأة ﺑﺪورﺗﻪ اﻟﺴﺎﺑﻌﺔ ﻟﻼﺣﺘﻔﺎل ﺑﺎﻟﻴﻮم اﻟﺪوﱄ ﻟﻠﻤﺮأة! ¢ﺜﻞ ﻫﺬه اﳌﺒﺎدرة ﻓﺮﺻﺔ ﻟﻌﺮض ﻗﺼﺺ اﻟﻨﻀﺎل وﻧﺠﺎح اﻟﻨﺴﺎء واﻟﻔﺘﻴﺎت ﻣﻦ ﺟﻤﻴﻊ أﻧﺤﺎء اﻟﻌﺎ® ﻣﻦ ﺧﻼل ﻣﺎ ﻧﺴﻤﻴﻪ "اﻟﻔﻦ اﻟﺴﺎﺑﻊ". ﻧﺮﻛﺰ ﻫﺬا اﻟﻌﺎم ﻋﲆ ﻣﻮﺿﻮع " ﻧﻄﻤﺢ ﻟﻠﻤﺴﺎواة، ﻧﺒﻨﻲ ﺑﺬﻛﺎء، ﻧﺒﺪع ﻣﻦ أﺟﻞ اﻟﺘﻐﻴ±" ، ﻟﻮﺿﻊ اﻻﺑﺘﻜﺎر ﰲ ﻗﻠﺐ اﻟﺠﻬﻮد اﻟﺮاﻣﻴﺔ إﱃ ﺑﻨﺎء اﻟﺤﻠﻮل اﳌﺒﺘﻜﺮة واﻟﺘﻲ ﻣﻦ ﺷﺄﻧﻬﺎ أن ﺗﻌﻤﻞ ﻟﺼﺎﻟﺢ اﻟﻨﺴﺎء واﻟﻔﺘﻴﺎت وﺗﺤﻘﻴﻖ اﳌﺴﺎواة ﻣﻦ اﻟﻨﻮع اﻻﺟﺘ¹ﻋﻲ. ﻣﻦ ﺧﻼل اﻷﻓﻼم اﻟﺴﻴﻨ¹ﺋﻴﺔ واﻷﻓﻼم اﻟﻮﺛﺎﺋﻘﻴﺔ اﻟﺘﻲ اﺧﱰﻧﺎﻫﺎ ﻟﻬﺬا اﻟﻌﺎم ، ﺳﻴﻨﻄﻠﻖ اﻟﺠﻤﻬﻮر ﰲ رﺣﻠﺔ ﻣﻦ ﺷﺄﻧﻬﺎ أن ﺗﺘﻄﺮق اﱃ اﻟﻜﺜ± ﻣﻦ اﻟﻌﻮاﺋﻖ واﻟﺘﺤﺪﻳﺎت اﻟﺘﻲ ﺗﻮاﺟﻪ اﳌﺮأة ﰲ ﺣﻴﺎﺗﻬﺎ اﻟﻴﻮﻣﻴﺔ. ﻣﻦ اﻹﻗﺼﺎء اﻻﺟﺘ¹ﻋﻲ إﱃ اﻟﻘﻴﻮد اﻟﺜﻘﺎﻓﻴﺔ ، وﻣﻦ اﻟﺘﻤﻴﻴﺰ إﱃ اﻻﻓﺘﻘﺎر إﱃ اﻟﻔﺮص ، ﺳÂى ﺑﻄﻼﺗﻨﺎ ﻳﺤﺎوﻟﻮن ﺗﺨﻄﻲ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺤﻮاﺟﺰ ﻣﻦ ﺣﻮﻟﻬﻦ ﺑﻄﺮق ﻣﺒﺘﻜﺮة ﻟﻠﻮﺻﻮل اﱃ ﺗﻄﻠﻌﺎﺗﻬﻦ اﻟﺨﺎﺻﺔ. وﻣﻊ ذﻟﻚ ، ﺳÂى أﻧﻪ ﻻ ﺗﻮﺟﺪ ﻗﻮة ﺑﺎﻟﻌﺎ® أﺷﺪ ﻋﺰÅﺔ ﻣﻦ اﻣﺮأة ﺣﺮﻳﺼﺔ ﻋﲆ ﺗﺤﻘﻴﻖ أﺣﻼﻣﻬﺎ و ﻃﻤﻮﺣﺎﺗﻬﺎ. ﻫﺬه اﻟﺮﺳﺎﻟﺔ اﻟﻘﻮﻳﺔ ﺗﻌﻜﺲ اﻟﻮاﻗﻊ اﻟﻔﻌﲇ ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﻨﺴﺎء اﻷردﻧﻴﺎت ، وﺧﺎﺻﺔ اﻟﺸﺎﺑﺎت ، اﻟﻠﻮاÊ ﻳﺒﺤÉ ﺑﺤ¹س ﻋﻦ ﻃﺮق ﻣﺒﺘﻜﺮة ﻟﻠﺘﻐﻠﺐ ﻋﲆ اﻟﻌﻮاﺋﻖ اﻟﻘﺎÏﺔ ﻋﲆ اﻟﻨﻮع اﻻﺟﺘ¹ﻋﻲ ﰲ ﻣﺨﺘﻠﻒ اﳌﺠﺎﻻت. واﺿﻌÔ ﰲ اﻻﻋﺘﺒﺎر ﻣﻮﺿﻮع ﻫﺬا اﻟﻌﺎم ، اﻧﻀﻤﻮا إﻟﻴﻨﺎ ﺣﻴﺚ ﻧﺤﺘﻔﻞ Òﺴﺘﻘﺒﻞ ﻳﻬﻴﺊ ﻓﻴﻪ ااﻟﺒﺘﻜﺎر واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ ﻓﺮ ًﺻﺎ ﻏ± ﻣﺴﺒﻮﻗﺔ ﻟﻠﻤﺮأة واﻟﻔﺘﺎة ﻟﺘﺄدﻳﺔ دور ﻧﺎﺷﻂ ﰲ ﺑﻨﺎء اﳌﺰﻳﺪ ﻣﻦ اﻟﻨﻈﻢ اﻷﻛÕ ًﺷﻤﻮﻻ وﺗﺤﻘﻴﻖ اﳌﺴﺎواة ﻣﻦ اﻟﻨﻮع اﻻﺟﺘ¹ﻋﻲ. ﻏﺎدة ﺳﺎﺑﺎ اﳌﺪﻳﺮة اﻟﻔﻨﻴﺔ As per our consolidated tradition, I’m very pleased to welcome you all to the 7th Edition of the Women’s Film Week to commemorate together International Women’s Day! This initiative represents an opportunity to showcase the stories of struggle and success of women and girls from all over the world through what we call the ‘seventh art’. -
Presseheft (Pdf)
ONE FLOOR BELOW UN ETAJ MAI JOS von Radu Muntean Rumänien / Frankreich / Deutschland / Schweden 2015, 93 Minuten, cinemascope, OV/df KINOSTART: 21. April Verleih Presse Gasometerstrasse 9 – 8005 Zürich Prosa Film – Rosa Maino Tel: 044 440 25 44 [email protected] [email protected] – www.looknow.ch office 044 296 80 60 – mobile 079 409 46 04 Synopsis Als Pătrașcu nach Hause kommt, hört er hinter der Tür im zweiten Stock seines Wohnhauses einen heftigen Beziehungskrach. Ein paar Stunden später wird die Leiche einer Frau entdeckt. Sein Verdacht fällt auf Vali, den Nachbarn vom ersten Stock. Trotzdem geht Pătrașcu nicht zur Polizei... auch dann nicht, als Vali sich in sein und das Leben seiner Familie einzumischen beginnt. Ein höchst subtiles und gekonnt inszeniertes psychologisches Drama über einen Mann, der mit seinem Gewissen im Unreinen ist. Von spröder Poesie, spannend bis zur letzten Minute. Knapper packender Anti-Thriller. Variety ONE FLOOR BELOW oder die Hölle der Feigheit. Radu Muntean bringt einen intelligenten beinahe gleichmütigen Film heraus, in welchem die Kunst des Understatements auf die Spitze getrieben wird, eine moralische Geschichte, deren Pessimismus in ihrer Hellsichtigkeit Entsprechung findet. Le Monde Ein atemberaubender Psychothriller über die Schuldhaftigkeit - von einer der Schlüsselfiguren der rumänischen Nouvelle-Vague. Les Inrockuptibles Die Subtilität des Charakterzuges ist der Art geschuldet, mit welcher der Schauspieler Teodor Corban seiner Verkörperung der Figur Pătrașcus intime Schattierungen verleiht. Libération Einnehmendes Sozialdrama (...) starkes Kino der Digression, in dem sich die spannendsten Dinge ausserhalb der Leinwand ereignen. FRAME Radu Muntean, Meister des falschen Scheins, legt einen verstörenden und einzigartigen Krimi vor. Le Figaro Eine intensive, minimalistisch inszenierte Psychostudie der erstarrten und um ihre Besitzstände bangenden rumänischen Mittelschicht. -
Hypothesis on Tararira, Benjamin Fondane's Lost Film
www.unatc.ro Academic Journal of National University of Theatre and Film “I.L. Caragiale” – Vol. 2, No. 1, 2018 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale“ publishes original papers aimed to analyzing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on cover no 3 and at the Internet address: www.unatc.ro Editor in chief: Dana Duma Deputy editor: Andrei Gorzo [email protected] [email protected] [email protected] Managing Editor: Anca Ioniţă [email protected] Copy Editor: Andrei Gorzo, Anca Ioniță Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Ovidiu Georgescu, Marius Nedelcu, Radu Nicoară Advisory Board: Dominique Nasta (Université Libre de Bruxelles) Christina Stojanova (Regina University, Canada) Tereza Barta (York University, Toronto, Canada) UNATC PRESS ISSN: 2343 – 7286 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Vlad Ivanov in Dogs by Bogdan Mirică Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 2, No. 1, 2018 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 2, No. 1, 2018 Christina Stojanova Some Notes on the Phenomenology of Evil in New Romanian Cinema 7 Dana Duma Hypothesis on Tararira, Benjamin Fondane’s Lost Film 19 Andrei Gorzo Making Sense of the New Romanian Cinema: Three Perspectives 27 Ana Agopian For a New Novel.