An Seinemtodestag Wollte Er Nach Dresden Fliegen. Im Lglender Stand:,,Chris Leaves."

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An Seinemtodestag Wollte Er Nach Dresden Fliegen. Im Lglender Stand:,,Chris Leaves. Die Resonanzist durch die Bank po- te Belgien-Episodewieder einfallen.Denn sitiv nicht nur in Zeitschriften wie dem das war, neben einem ersten Versuch, An seinemTodestag 'Wurzeln RoLLINCIsroNE. Ein Song des Albums, zu schlagen, ebenso Ausdruck ,,ICckThe Stones",gelangt in den Sound- einer Affinität zt Europa - die sich von wollte er nach Dresden trackzu fudley Scotts Roadmovie ,,Thel- da an immer häufiger in Anleihen bei ma €dLouise". avantgardistischenKunstformen des f rü- fliegen. Im lGlender Ailes bestens eigentlich, Chris \Vhit- hen zo. Jahrhunderts manifestiert. Die iey könnte zufrieden sein. Er ist es aber nämlich kannte \Ä4ritley - bei seinem nicht, denn das eine will nicht recht zum Künstlerelternhaus kaum überraschend, stand:,,Chris leaves." anderen passen. Vorne auf dem Cover genauso gut wie archaischen Blues. von ,,LiuingWithThe Lau)"; er, Eine Verschmelzung beider Bereiche be- zwar nicht übertrieben, aber schäftigt ihn bis zu seinem Tod. eben doch gestyltwie ein Retor- ,,PerfectDay", erschienen zooo und tenclown. Die Musik dagegen: oberflächiich betrachtet wirklich nur ausgesprochendüster. SeineNa- ein Album mit Liebesliedernberühmter tional Steel Guitar scheppert Songschreiberkollegenwie Dylan oder den staubigen Blues-Highway Lou Reed, entstand nach der Lektüre ei- entlang, einem erlösendenSon- nes Buches über Max Ernst und dessen nenaufgangim Death Valley ent- Lebensgefährtin Leonora Carrington. gegen.In den Songtextenjagt 2oor, unterstützt von DJ Logic, läßt er eine Panikattacke die nächste. sich bei ,,Roc(etHouse"erstmals von der Bei,,Phone Call From Leaven- aus dem Unterbewußtsein schöpfenden worth" erhält der Ich-Erzähler Technik des .Äutomatischen Schreibens" nachts in einer Zelle desberüch- der Surrealisten inspirieren. Die Musik tigten US-Gefdngnisses Besuch entsteht auf Improvisationsbasis,wird von Jesus. Das erwähnte ,,Kick dann am digitalen Schneidetisch ediert The Stones" thematisiert sexu- und überwindet konventionelle Song- elleVersagensängste. formen. Drei Jahre später ist dann zoo3 schließlichdas grandiose,,Hotel wohl endgültig klar, daß Whit- Vast Horizor?",mit den deutschen Mu- Iey derletzte ist, der sich kommer- sikern Heiko Schramm und Matthias ziell anbiedern will. Irritierend Macht als perfekte Rhythmusgruppe. Der für viele. erweist sich das zwei- Albumtitei bezreht sich in erster Linie te Album nicht als problemlos auf das verschwiegene Domizil bedeu- verwertbare Wiederholung des tenderAvantgardisten zu r Zert desZwei- Erstlings. r995 erschienen,läßt ten'Weltkriegs in Südfrankreich.,,Man ,,Din Of Ecstasy" die Gitarren Ray realisiertedort seinen letzten Film. brettern. so daß manche an Hen- Max Ernst, Picasso, Salvador Dali, sie drix denken, andere Schnittmen- alle kamen mit ihren Liebschaften dort gen mit dem noch grassierenden hin. Eine romantische, aber gleichzeitig Grunge-Rock erkennen. Damit auch vitale Szeneriein unheilsschwange- sich sein Publikum auf erneutes rerZerte:t'', so W-hitley. Einer der Songs, Betreten unerforschten Terrains ,,BluesForAndr6", istAndrd Breton, ei- gefaßt macht, heißt das rggT ver- nem der Protagonisten des Automati- öffentlichte dritte Album vor- schen Schreibens,gewidmet. sorglich ,,TerraIncognita". Das Wenn er so nachhaltig von besagten Luftbild einer nicht näher be- Avantgardisten beeinflußt wurde - wa- nannten Stadt auf der Cover- rum dann das beschaulicheDresden als Rückseite erklärt sich aus sei- Wohnsitz und nicht etwa Paris, das Epi- nem wachsenden Interesse für zentrum jener Bewegung? Architektur. Beeindruckt von Das wiederum erklären die Ereignis- der Bauhaus-Bewegung, wollte se um sein grundlich vergeigtesKonzert- Whitleyan der Lutherkirchein Acht Jahre verbringt er in Belgien, Whitley,,nützliche Musik entwerfen, debut an der Elbe. Whitley, Ende De- derDresdner Neustadt - undbei nimmt dort als Mitglied von A Noh Ro- durch Kunst die Lebenswelt der Men- zember zooo im Dresdner Kulturzen- einemseiner letzten Auftritte (u.) deo beziehungsweise Kuruki sogar Plat- schenverändern".'Woraufer hinauswoll- trum,,Scheune" gebucht, kommt einen ten auf - und wird Vater einer Tochter. te, wirdvielleicht verständlich,wenn sich ganzen Täg zu spät. Und auch am darauf Zurück in New York, ergibt sich endlich der Hörer beim rotierenden Sound von folgenden Abend läßt er wieder endlos Geboren am 3r. August 196o in Hou- die Chance zum eigenen Debütalbum ,,StillPoint" eben an jenen Ort wünscht, auf sich warten. Als es dann endlich los- ston/Texasals Sohn eines Künstlerehe- durch die übliche Verkettung kurioser auf den der Songtitel hinweist. geht, gelingt der erste Song noch passa- paars,lernt Christopher Becker Whit- Zuf;IIe. Einen von mehreren Tägesjobs Spätestensjetzt konnte einem die in bel. Der zweite hört sich schon ver- ley von I(ndesbeinen, was ein unstetes hat Chris Whitley in einer Werkstatt, Pressetextenals Fußnote mitgeschlepp- dächtig nach unfreiwilligem Free Jazz Leben ist. Auf häufige Ortswechsel im die Bilderrahmen herstellt. an. Beim dritten Song fällt Südwesten der USA folgt die Tiennung Dre befreundete Fotografin Whitley vom Stuhl und der Eitern. Er, damals elf, geht mit der Karen Quewen (,,National beschimpft das murrende Mutter via Mexiko nach Vermont. Plat- Geographic") bittet ihn zu Publikum. ten desschwarzen Bluesmusikers Elmo- einer Fotosession, mit Gi- Tägs darauf, beim Inter- re Jameswecken den Wunsch, Gitarre tarre. Bei dieser Gelegenheit view mit dem Schreiber dre- zu spielen.Jimi Hendrix wird eine wei- ebenfalis anwesend: Daniel ser Zellen, weiß Whitley: tere, noch lange ergiebige Quelle der In- Lanois. Er hört ChrisWhit- Halbwahrheiten hätten in spiration.Den allesentscheidenden Im- leyspielen und ist begeistert. dieser Situation kurze Bei- puls aber gibt Johnny Winter mit dem Auf Betreiben des namhaf- ne. Also eine rückhaltlose Song,,Dallas".Von der eingesetztenNa- ten Produzenten (Uz, Peter Beichte: Er hat sich auf dem tional Steei Guitar ist Chris \Ä,4ritleybe- Gabriel) entsteht in New Tiansatlantikfl ug beim Kif- geistert.Er besorgt sich selbst eine und Orleans das r99r veröffent- fen auf dem Klo erwischen macht den blechernen Sound des Instru- lichte und hochgelobte,,Li- lassenund wurde in Brüs- mentszu seinemMarkenzeichen. uingWithThe Law". sel an die Luft gesetzt.Aus Rot-t-rncSrorur, JANUAR, 2OO6.
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