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Fire Along the Transition Between the Amazon Forest and Cerrado
Fire Along the Transition Between the Amazon Forest and the Cerrado Ecosystems1 Gustavo Hees de Negreiros23, David Sandberg4, Ernesto Alvarado5, Thomas Hinckley4, Daniel C. Nepstad6, and Marcos Pereira7 ABSTRACT Most of the fires in Amazonia happen along an arc of deforestation, which generally follows the transition between the Amazon evergreen forests and the savannas (cerrado). The evergreen primary forest acts as a giant fire break, while the cerrado has adapted to frequent fires. The transitional zone between these two ecosystems is a fragile boundary controlled by very dynamic ecosystem processes. It is also an area with heavy pressures from human settlements that use fire as a way to clear and manage the land. Canopy disturbance of the primary forest due to increased selective logging and deforestation, along with extended droughts, alters the hydrological equilibrium of this ecosystem and therefore, the ecotone. High temperatures and very low relative humidity in disturbed stands increase the flammability of the primary forest. The deep rooting systems have an important role in supplying water during the dry season. As precipitation decreases, the primary forest is able to tap deep soil water; however, if the water supply is interrupted during an exceptionally dry year, the vegetation can dry and suffer leaf loss. Light penetration then increases, fuel moisture decreases, and fuels become dangerously flammable. This paper presents the main ideas of a fire susceptibility model that is being developed for the region. Key words: Fire, Forest Savanna Ecotone, Water Stress, Rooting Depth, GIS, Modeling, Tropics, Brazil. I - INTRODUCTION Fire and tropical rain forest are topics that seem unrelated; however today most of world’s vegetation fires occur in the tropical and subtropical regions (Goldammer and Manan 1996). -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
MSU Dominates State Track
Dayton denies appeal By KEVIN DOLAN she said yesterday that she is not News Editor sure whether or not she will take the Commissioner of Higher Educa final step in the university system's tion Irving Dayton has denied MSU grievance procedure. Attirmative Action Otticer Zaida Giraldo has also filed a formal Giraldo's appeal of a decision not to complaint of discrimination with the renew her contract. Montana Human Rights Commis Giraldo said she would not com sion. She said the commission plans ment on any specific reasons cited to send a fact-finder to the campus by Dayton as to why he denied her later this month. appeal. Giraldo originally appealed Tietz's Her appeal of MSU President Wil Nov. 21 decision to Dayton last fall, liam Tietz's decision to not renew her but Dayton sent it back to MSU so it contract was the third step in her could be dealt with internally before fight to keep her job. he acted on it. Giraldo appealed the decision on On Feb. 10, a grievance hearing the basis that Tietz's decision was was held before the MSU Personnel made in retaliation for performance Board. of her duties as attirmative action The board recommended to Act otticer. ing President Stuart Knapp that Giraldo could appeal her case Tietz's decision be upheld, who further to the Board of Regents, but approved the board's recommendation. Knight resigned over relations with Dayton By KEVIN DOLAN News Editor In his official letter of resignation, former Regent Bob Knight said he resigned from the Board of Regents because of his "deteriorated" relation ship with Commissioner of Higher Education Irving Dayton. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris .. -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
An Account of the English Colony in New South Wales [Volume 1]
An Account of the English Colony in New South Wales [Volume 1] With Remarks on the Dispositions, Customs, Manners &c. of the Native Inhabitants of that Country. To Which are Added, Some Particulars of New Zealand: Complied by Permission, From the Mss. of Lieutenant-Governor King Collins, David (1756-1810) A digital text sponsored by University of Sydney Library Sydney 2003 colacc1 http://purl.library.usyd.edu.au/setis/id/colacc1 © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Prepared from the print edition published by T. Cadell Jun. and W. Davies 1798 All quotation marks are retained as data. First Published: 1798 F263 Australian Etext Collections at Early Settlement prose nonfiction pre-1810 An Account of the English Colony in New South Wales [Volume 1] With Remarks on the Dispositions, Customs, Manners &c. of the Native Inhabitants of that Country. To Which are Added, Some Particulars of New Zealand: Complied by Permission, From the Mss. of Lieutenant-Governor King Contents. Introduction. SECT. PAGE I. TRANSPORTS hired to carry Convicts to Botany Bay. — The Sirius and the Supply i commissioned. — Preparations for sailing. — Tonnage of the Transports. — Numbers embarked. — Fleet sails. — Regulations on board the Transports. — Persons left behind. — Two Convicts punished on board the Sirius. — The Hyæna leaves the Fleet. — Arrival of the Fleet at Teneriffe. — Proceedings at that Island. — Some Particulars respecting the Town of Santa Cruz. — An Excursion made to Laguna. — A Convict escapes from one of the Transports, but is retaken. — Proceedings. — The Fleet leaves Teneriffe, and puts to Sea. -
1-The Journal Issue No
2 In letters from readers, they react to last month’s article about the debate 3 John Sash thinks we’ve not entirely understood the Bible regarding sex 3 Bernie Monsalvo and Reg Killingley TheJournal share their views of the UCG crisis 32 Murray Palmatier reports on a joint News of the Churches of God CGI-UCG feast-day observance Vol. XIV, No. 3 Founded 1997 Issue No. 140 (July 31, 2010) No car, no bicycle and no young Beyond Today man: Must have been an angel on WGN-TV ILFORD, Ohio —The Mrs. Collins, a longtime Church of He did not pay child support for United Church of God God member, lives with her husband, our four preschool children, so for M has contracted with su- Thomas H. Collins, in Anadarko. two years the church supported us by perstation WGN-TV to air its televi- third tithe. sion program, Beyond Today. By Retta Collins Teaching full time As reported Photo by Victor Kubik NADARKO, Okla.—In 1969 in an article by in Oregon I encountered an Then I began to teach full time. Peter Eddington Aangel. But first I’ll mention After a few years teaching in Okla- in United News some background information. homa, I decided to apply for a posi- (members.ucg. In 1956 in Oklahoma, when I was tion in Eugene, Ore. A school hired org), the show almost 20, I was state president of me to teach gifted fourth-graders began airing on Future Teachers of America College across from the campus of the Uni- July 11, 2010, Level. -
Springfield Symphony Orchestra 2021-2022
field Symph Spring ony Orch THIS estra 2021-2022 CONCERT SPONSORED BY Kyle Wiley Pickett, Music Director ALL DATES, TIMES, AND PROGRAMMING ARE SUBJECT TO CHANGE. 1 SPRINGFIELDMOSYMPHONY.ORG | 2021-2022 SEASON In Step With Your Active Lifestyle! Enjoy all inclusive, independent living featuring fine dining, beautiful walking trails, exciting wildlife, and life enrichment programs. 417-831-3828 www.elfindaleretirement.com We’re back to normal and ready to dance! After an unusual year of limited audiences, smaller orchestras, and maybe a lot of time alone on our couches or in front of our screens, it’s time to get back together, get on our feet, and dance! Dance is universal and is an important part of many celebrations and social gatherings. What better way to celebrate a year when we are all gathering again than with a musical collection of dances from around the world? This season is full of energetic and upbeat music that was either written for or inspired by dance. It’s going to have us all tapping our toes and itching to dance along. We’ll be playing familiar selections like Tchaikovsky’s Nutcracker ballet and Strauss’s Voices of Spring Waltz, as well as less familiar but just as danceable pieces like Dances in the Canebrakes by Florence Price and the show-stopping Danzón No. 2 by Arturo Márquez. You will experience Flamenco romances and elegant court minuets in addition to Cuban, Russian, African, and Italian dances. We’ll hear dance styles from across many cultures and see them emerge in many symphonic forms. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
2018 Blues Stroll Performers [Most Acts Will Play Two Or Three Sets]
2018 Blues Stroll Performers [most acts will play two or three sets] Ike Turner, Albert King, and Freddy King taught, fed, and chastised Joe. It was sage wisdom from the masters themselves. Walker soon began to develop his own fiery, melodic, and always unpredictable guitar attack. He became very close friends with the late Mike Bloomfield of the Chi- cago Blues scene, who pushed Joe toward a more Rock-fueled direction. From 1975 to 1985, prior to joining Alligator Records, Joe released some 23 albums and CD’s and toured the world virtually non-stop. He is still regularly working the road today. www.joelouiswalker.com Joe Louis Walker Lonnie @ The Media Theatre Main Stage (8:15–10) Shields Band 2013 Inductee Blues Hall of Fame @ Azie “Legendary boundary-pushing icon (10–1) of Modern Blues.” – NPR 1994 Living With: Lenny Bradford (bass), Dorian Blues Critics Randolph (drums), Bruce Bears (keys) Award: Best This powerhouse guitar virtuoso, singer, Blues CD – and prolific songwriter has toured exten- Self-Portrait sively for over four decades – and earned Media’s a legion of dedicated fans. Joe has per- Official Bluesman-in-Residence formed at the world’s most renowned Blues Festivals. His latest, highly-acclaimed CD 1st Inductee into America’s Music Festival Everybody Wants A Piece on the Provogue/ Series Hall of Fame Mascot label cements his legacy as one of With: Mitch Hunter (guitar), Mark Whren today’s prolific torch bearers of the Blues. (bass), Neil Simpkins (drums), Steve Hoke “I’d like to think that when someone puts (keys), Jesse Lowey (guitar) on one of my records, they would know An extraordinary live performer who from the first notes, ‘That’s Joe Louis feeds off the energy of his audience.