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Editors All Shook up Over Ears'new Release
Page 8· THE AQUINAS· November 17, 1981 -.. contrast Editors allshook up over ears'new- release Cars mature Cars stagnate BY TONY NICHOLAS BY PAUL MAURER Aquinas C&R Editor Aquinas C&R Editor Panorama, the Cars' last LP, was a mistake The cover design ofthe Car's fourth and that never should have been released. Most Jatest album Shake It Up appears both . Cars' enthusiasts atthat time immediately promising and suspicious. The red and green went down to their local record shops and motif is eithera subliminal sales pitch to the bought the album without hearing it first, Christmas record buyer oran example of the and consequently felt like they got burned. Cars' penchant for gimmicks. "Burn me once, shame on you; burn me .The sexy female on the cover brings back TWICE, shame on me!" memories ofthe group's epi~ debut album. The Cars latest project, Shake It Up, may Does the cover similarity signify a suffer as a result and, this time, critics and renaissance ofthe Cars' musical style~ fans alike might tend to over-scrutinize the Unfortunately, the suggested . new release. foreshadowing ofthe album cover does not Most feel when a w:.:oup like the Cars describe the musical content of the LP. churns out two smasn LP's (The Cars and Gimmicks abound in this nine-song Candy-o), and then release a real stinker, the compilation, but the Package sounds next one better be exactly like the first two or suspiciously similar to lastyear'sanemic scrap the group altoghe.ther. This really isn't third album, Panorama. -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
2018 Blues Stroll Performers [Most Acts Will Play Two Or Three Sets]
2018 Blues Stroll Performers [most acts will play two or three sets] Ike Turner, Albert King, and Freddy King taught, fed, and chastised Joe. It was sage wisdom from the masters themselves. Walker soon began to develop his own fiery, melodic, and always unpredictable guitar attack. He became very close friends with the late Mike Bloomfield of the Chi- cago Blues scene, who pushed Joe toward a more Rock-fueled direction. From 1975 to 1985, prior to joining Alligator Records, Joe released some 23 albums and CD’s and toured the world virtually non-stop. He is still regularly working the road today. www.joelouiswalker.com Joe Louis Walker Lonnie @ The Media Theatre Main Stage (8:15–10) Shields Band 2013 Inductee Blues Hall of Fame @ Azie “Legendary boundary-pushing icon (10–1) of Modern Blues.” – NPR 1994 Living With: Lenny Bradford (bass), Dorian Blues Critics Randolph (drums), Bruce Bears (keys) Award: Best This powerhouse guitar virtuoso, singer, Blues CD – and prolific songwriter has toured exten- Self-Portrait sively for over four decades – and earned Media’s a legion of dedicated fans. Joe has per- Official Bluesman-in-Residence formed at the world’s most renowned Blues Festivals. His latest, highly-acclaimed CD 1st Inductee into America’s Music Festival Everybody Wants A Piece on the Provogue/ Series Hall of Fame Mascot label cements his legacy as one of With: Mitch Hunter (guitar), Mark Whren today’s prolific torch bearers of the Blues. (bass), Neil Simpkins (drums), Steve Hoke “I’d like to think that when someone puts (keys), Jesse Lowey (guitar) on one of my records, they would know An extraordinary live performer who from the first notes, ‘That’s Joe Louis feeds off the energy of his audience. -
Studio Action
Studio Action ARTISTS & MUSIC Ocasek Brings Magic To Studio Artist Produces Acts He Can Relate To BY PAUL VERNA Aerosmith, Queen, and the Cars." "I look for lyrics and make sure Similarly, Cars front man Ric they're not stupid," says Ocasek. "1 NEW YORK -Rock journalist Brett Ocasek has proved to be a producer look for general intelligence in the Milano best articulated the Cars' with an uncanny ability to find the band and their music making, some- appeal in the liner magic zone between the mainstream thing that sounds different and notes to the band's and the cutting -edge. To wit, he has unique, something that has artistic 1995 Rhino collec- helped such alt -rock bands as Nada credibility, and not necessarily some- tion, "Just What I Surf and Weezer achieve commercial thing that's commercial. In fact, more Needed: The Cars breakthroughs. He has also made key likely than not, the [projects] are not Anthology." "Dur- albums for acts that have yet to realize commercial." PRO Bringing In The Bacon. Actor Kevin Bacon and his brother Michael, who call ing the late '70s and their market potential, like Suicide, Rather than take a band's music and themselves the Bacon Brothers, mastered their upcoming album, "Forosoco," at early '80s," he Black 47, D Generation, and Johnny rearrange it, Ocasek prefers to work Masterdisk in New York. Shown at the sessions, from left, are producer William wrote, "most rock Bravo. with material that's ready to be record- Derella, Michael Bacon, Kevin Bacon, Masterdisk owner Doug Levine, and mas- fans were split into A selective producer, tends is. -
Johnny Heaton, (Guitar, Bass, Banjo & Vocals)
Johnny Heaton, (Guitar, Bass, Banjo & Vocals) I work in several areas of music – live performance, production, songwriting, recording, mastering and graphic design for CD's album covers, and promotional items. My main instrument is acoustic guitar but I also play electric guitar, bass, dobro and just enough banjo, drums and percussion to be somewhat comical. I am a guitarist, performing musician, producer, songwriter and artist. I have been playing professionally since 1971 Being born and raised in Waterford, Michigan (just outside of Detroit) has had a big influence on my style and music. From the early local rock scene featuring Michigan bands like the Bob Seger System, The Amboy Dukes, and The Frost, to Motown from the beginning with Little Stevie Wonder, the Supremes and the Funk Brothers this music all left it’s impression on me. During my career, I have performed with bands that have opened shows for Bob Seeger and the Silver Bullet Band, Spirit, Ten Years After, The Rockets, and The MC5. While living in California I played and recorded with Jeff Gold and the Travelers, Raspin Stewart and the Restless Rhythms as well as playing solo shows at places like the Troubadour, and Mommas Pajamas As a singer / songwriter I sing from the depth of my heart, and my songs tell of this incredible journey through life. And whether playing electric guitar, bass or acoustic guitar, the music has power and energy. From sensitive to insane, my approach is to support the lyrics with the power of the music. Johnny Heaton – Song list • 16 Tons - VOC -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J. -
Filmmakers Hope to Shed Light on Amazing Musician
Inside Theater: MST’s awesome Utopia. E4 Houston Chronicle |chron.com | Wednesday, February 29,2012 | Section E xxx le ic n ro h C / is ll E en K LEAP YEAR Extraday requires no leapoffaith There’s solid math behind to keep the seasons and the calendar in sync,years By thenumbers calendar in sync.Ayear is thatend in “00” are aleap 1 Thechances of aleap the addition everyfour years, measured by the amount year onlyifthey are divis- birthdayare 1in1,461 —long of time it takes the sunto ible by 400.So2000 odds for getting the short and pop-culture trivia, too return to the spot directly wasaleapyear,but 1900 end of the stick. Imagine above the Earth’s equator. wasnot. waiting four years for your McCLATCHY-TRIBUNE the details about 2012’s extra Althoughitactuallytakes Julius Caesar is said to real birthdayand hearing INFORMATION SERVICES day. 365.2422 days,weround be the “father of leapyear” endless jokes about being 3 it to 365for practical pur- because he introduced afix when you’re really12. Whydoweadd 24 hours The whyofit poses. Butthatresults in to the 355-dayRoman calen- 1 Thegap between to our calendar everyfour Aleapyear is ayear in an error of 0.2422 days,or dar with his 365-dayJulian twoleapyears can be eight years?And whydowedo the Gregorian calendar with almost6hours, per year. calendar.His astronomer, years at the turn it in February? What are one extra dayadded to the After 100 years the calendar Sosigenes, addedthe extra of mostcenturies. It your chances of having a end of February, making the would be off by 24 days, daytoevery fourth Febru- happened between 1896 and leap-year baby,and what shortestmonth of the year but aleapday everyfour ary. -
When Beyoncé and Jay-Z Buy Art, They Br...Ut Down the Whole
Related: Jay-Z Finally Reveals the Meanings Behind the Twins Sir and Rumi's Names Fergie Quietly Made Her Why Linda Hamilton and Jamie Go Behind the Scenes with Beyoncé on Her W Cover Shoot:Comeback in Brooklyn Last N… Lee Curtis Returning t… Victoria Beckham Says Wearing Color Instead of Her … Keywords Beyonce Jay Z Sadie Barnette YOU MIGHT LIKE Recommended by Tom Selleck's Daughter 7 Outrageous Credit A beginner’s guide to Kate Moss is Proudly Chrissy Teigen, Lily How Models Ended Up Finally Broke Her Cards If You Have Las Vegas dayclubs Naked at 43 and Going Aldridge and 8 Having Actual Sex in Silence About The… Excellent Credit Strong as Fashion's… Supermodels Show a… Eckhaus Latta's… 52 Stories | Sponsored HorizonTimes | Sponsored NextAdvisor | Sponsored W Magazine W Magazine W Magazine YOU MAY ALSO LIKE What Divorcees Want You To Know 9 Things You Should Never Say to Duchess Kate's Chic Style Before She The Untold Truth of 'Say Yes to the About Marriage Your Spouse Became a Royal Dress' R E L AT E D SUBSCRIBE PEOPLE Beyoncé and Jay-Z Have Been on an Art-Buying Romp All Around New York by Stephanie Eckardt September 19, 2017 5:36 pm JayZ and Beyoncé performing at their "On The Run Tour: Beyoncé And JayZ." Larry Busacca/PW/Getty Images Congratulations are in order for Beyoncé and Jay-Z, as the pair seems to have found an excellent babysitter for their three children, which include, of course, two newborns. In the space of less than a week, Beyoncé went backstage at Dear Evan Hansen, then crashed Rihanna's Diamond Ball along with her husband and Leonardo DiCaprio, which included taking in a performance by Kendrick Lamar (and presumably the glorious sight of Rihanna working her angles to get a good selfie with him in the background). -
Sasquatch Sighted on Campus! Promoting Business Values at Kennedy
Spring 2014 Vol. 5 No. 4 TitanTribune.Tumblr.com Build Vanity, Build Greed, Achieve Indolence @JfkTitanTribune (510) 657-1070 Ext. 27352 *The following articles are completely true, therefore, should not be taken seriously. CJ’s Liquor: Sasquatch Sighted on Campus! Promoting Business Values at Kennedy By Kim Reisler CJ Liquors is an area of contention for many in the Kennedy zoning. Some argue that it is not acceptable to have such a blatant symbol of alcoholism and tobacco ad- diction by a school, but per- haps CJ‛s is more than this. CJ‛s exhibits a smart way to do business. Whoever placed CJ‛s across from Kennedy shows solid business sense. DECA club members could certainly learn a lesson from CJ‛s advertising and loca- tion. CJ‛s owners show eco- nomic sense; plus, we cannot begrudge the employees of the store their jobs, just be- cause CJ‛s may have a nega- tive impact on the kids who will someday run our country. And what about those politicians who passed the By Charlie Darwin The mysterious Sas- of physical evidence. “Ac- spite the authenticity of the zoning for CJ‛s, they must quatch (Bigfoot, Abominable cording to the picture, this evidence, principals Greg Bai- really be proud. On April 1st, 2014, Snowman, Yeti) has kindled thing is pretty hairy. Why, ly and Bob Moran of American Who is to say that a large, hairy creature was the imaginations of people then, was there no fur or and Washington respectively, CJ‛s even has a negative im- seen roaming around the Ken- across the globe, as well as hair left behind? We had an claim that this is just another pact? High school students nedy campus.