New Vs. Used Cars (10 Minutes) • Student Handbook Pages 164-166, Find Your Car III
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RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf
tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has. -
Pixar's Cars 3 Trivia 1
Pixar's Cars 3 Trivia 1. There are one winner and how many losers according to Lightning Mcqueen’s opening pep talk? a. 42 losers, I eat losers for breakfast 2. Where does the opening race take place? a. Motor Speedway of the South 3. What is the first and last name of the new Dinoco race car? a. Cal Weathers 4. What is the name of Chick Hick’s show? a. Chick’s Picks 5. Who is Natalie Certain? a. Statistical Analyst 6. What number is on Jackson Storm’s car? a. 20 7. Who said, “It’s Futile to resist change man.” a. Fillmore 8. Where is the rookie race car Gabriel from? a. Santa Cecilia, the same place Coco takes place :) 9. Who is the Mistro of Motivation a. Cruz Ramirez 10. What is the name of Cruz Ramirez’s electronic personal assistant on her phone? a. Hamilton 11. Who said, “You could talk a snowmobile into an air conditioner” a. Cruz Ramirez 12. What is Lightning McQueens fake name at Thunder Hollow Speedway? a. Chester Whipplefilter 13. What is McQueen’s probability of beating Jackson Storm according to Natalie Certain? a. 1.2% 14. What is Doc Hudson’s home track? a. Thomasville Speedway 15. Who said, “Lifes a beach, and then you drive” a. Lightning McQueen 16. Who did Lightning and Cruz find at Thomasville Speedway? a. Smokey who was Doc Hudson’s trainer 17. According to Smokey what was the best part of Doc Hudson’s life? a. Coaching Lightning McQueen 18. Who is managing Luigi’s Tire Shop while they are out of town with Lightning McQueen? a. -
Editors All Shook up Over Ears'new Release
Page 8· THE AQUINAS· November 17, 1981 -.. contrast Editors allshook up over ears'new- release Cars mature Cars stagnate BY TONY NICHOLAS BY PAUL MAURER Aquinas C&R Editor Aquinas C&R Editor Panorama, the Cars' last LP, was a mistake The cover design ofthe Car's fourth and that never should have been released. Most Jatest album Shake It Up appears both . Cars' enthusiasts atthat time immediately promising and suspicious. The red and green went down to their local record shops and motif is eithera subliminal sales pitch to the bought the album without hearing it first, Christmas record buyer oran example of the and consequently felt like they got burned. Cars' penchant for gimmicks. "Burn me once, shame on you; burn me .The sexy female on the cover brings back TWICE, shame on me!" memories ofthe group's epi~ debut album. The Cars latest project, Shake It Up, may Does the cover similarity signify a suffer as a result and, this time, critics and renaissance ofthe Cars' musical style~ fans alike might tend to over-scrutinize the Unfortunately, the suggested . new release. foreshadowing ofthe album cover does not Most feel when a w:.:oup like the Cars describe the musical content of the LP. churns out two smasn LP's (The Cars and Gimmicks abound in this nine-song Candy-o), and then release a real stinker, the compilation, but the Package sounds next one better be exactly like the first two or suspiciously similar to lastyear'sanemic scrap the group altoghe.ther. This really isn't third album, Panorama. -
MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
Revis ta de Comunicación Vivat Academia ISSN: 1575-2844 Septiembre 2016 Año XIX Nº 136 pp 82-94 DOI: https://doi.org/10.15178/va.2016.136.82-94 INVESTIGACIÓN/RESEARCH Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 MUSIC AND MOVEMENT IN PIXAR: THE TSU’s AS AN ANALYTICAL RESOURCE Diego Calderón Garrido1: University of Barcelona. Spain [email protected] Josep Gustems Carncier: University of Barcelona. Spain [email protected] Jaume Duran Castells: University of Barcelona. Spain [email protected] ABSTRACT The music for the animation cinema is closely linked with the characters’ movement and the narrative action. This paper presents the Temporary Semiotic Units (TSU’s) proposed by Delalande, as a multimodal tool for the music analysis of the actions in cartoons, following the tradition of the Mickey Mousing. For this, a profile with the applicability of the nineteen TSU’s was applied to the fourteen Pixar movies produced between 1995-2013. The results allow us to state the convenience of the use of the TSU’s for the music comprehension in these films, especially in regard to the subject matter and the characterization of the characters and as a support to the visual narrative of this genre. KEY WORDS Animation cinema, Music – Pixar - Temporary Semiotic Units - Mickey Mousing - Audiovisual Narrative – Multimodality 1 Diego Calderón Garrido: Doctor in History of Art, titled superior in Modern Music and Jazz music teacher and sound in the degree of Audiovisual Communication at the University of Barcelona. -
How Campaign Songs Sold the Image of Presidential Candidates
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain. -
Born to Take the Highway: Women, the Automobile, and Rock N Roll
Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era. -
Randy Newman
Cars Opening Race / Dirt Is Different / Tractor Tipping / Goodbye Pre-Race Pageantry / The Big Race Brass Band Arr.: Michal Worek Adapt.: Bertrand Moren Randy Newman EMR 32544 st 1 Full Score 2 1 B Trombone + nd 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone + 1 Repiano B Cornet 2 B Euphonium 3 2nd B Cornet 3 E Bass 3 3rd B Cornet 3 B Bass 1 B Flugelhorn 1 Drums 2 Solo E Horn 1 Timpani 2 1st E Horn 1 1st Percussion (Glockenspiel / Xylophone 2 2nd E Horn Triangle) 2 1st B Baritone 1 2nd Percussion (Cymbals) 2 2nd B Baritone Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 65 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Funny Cinema Music (Pagans) 5’06 EMR 12871 EMR 32537 2 Yellow Submarine (McCartney / Lennon) 3’04 EMR 12733 EMR 32460 3 Harlem Nocturne (Hagen) 2’22 EMR 12675A EMR 32422 4 Spartacus (LoDuca) 6’42 EMR 12792 EMR 32538 5 Captain Future (Bruhn) 2’30 EMR 12837 EMR 32539 6 Slumdog Millionaire (Lauper / Duplessis / Jean) 3’33 EMR 12692A EMR 32540 7 Of Thee I Sing (Gershwin) 4’34 EMR 12784 EMR 32541 8 Kelly’s Heroes (Schifrin) 5’40 EMR 12809 EMR 32542 9 Exodus (Gold) 3’48 EMR 12709 EMR 32459 10 You Never Can Tell (Berry) 2’46 EMR 12671A EMR 32543 11 Cars (Newman) 4’45 EMR 12885 EMR 32544 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
10 Top Picks APRIL 2021
10 Top Picks APRIL 2021 For the latest ratings and information, visit These are the most exceptional new cars on the road today. They all shine in CR’s tests and surveys, and each comes standard with key advanced safety features. BY JEFF S. BARTLETT ach year more way onto our list through outstanding Consumer Reports. “That means we than 250 models performance in more than 50 tests at care more about how your next car or compete for the CR’s Auto Test Center, as well as having SUV performs when it comes to safety, hearts, minds, solid marks for reliability and owner comfort, and fuel efficiency than how and driveways satisfaction in our member surveys. All quickly it can circle a race track.” of American car have also scored well in dynamic safety Each Top Pick has an Overall Score shoppers. At tests, such as our challenging accident that’s among the highest in its category. Consumer Reports, we rank the new maneuver, and, if tested, earned And it must come standard with models we buy and evaluate based passing grades in crash assessments forward collision warning (FCW) and on regimented performance tests and conducted by the federal government automatic emergency braking (AEB) survey results from our members. Here, and the insurance industry. with pedestrian detection—proven we highlight the best of the best in our “We put thousands of miles on features that prevent injuries and save annual Top Picks, standouts in popular each test car and evaluate them for lives by reducing collisions. price categories and types. -
Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (Guest Post)*
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (guest post)* George Gerswhin Fred Astaire Adele Astaire In 1927 George Gershwin told an interviewer that, in order to achieve truth or authenticity, music “must repeat the thoughts and aspirations of the people and the time.” “My people are Americans,” he said, “My time is today.” In London the previous year, Gershwin and the stars of “Lady, Be Good!,” Fred and Adele Astaire, made a recording of “Fascinating Rhythm,” a song that seemed boldly to proclaim its modernity and its Americanness. Nearly a century after its composition we can still hear the very things playwright S.N. Behrman experienced the moment Gershwin sat down at a party to play the piano: “the newness, the humor, above all the rush of the great heady surf of vitality.” What is also discernible in the 1926 recording--in Gershwin’s opening flourish on the piano and in the 16-bar verse sung by the Astaires--is the gathering momentum of a steam locomotive, a hypnotic, hurtling movement into the future. Born in 1898 and 1899 respectively, George Gershwin and Fred Astaire were manifestly children of the Machine Age. Astaire was born deep in the Midwest, in Omaha, Nebraska, where his earliest memory was “the rumbling of the locomotives in the distance as engines switched freight cars in the evening when we sat on the front porch and also after I went to bed. That and the railway whistles in the night, going someplace. -
Alan Jackson
COUNCIL FILE NO. /0~051-7 COUNCIL DISTRICT NO. 13 .,/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S 1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* 1. Council Office of the District 2. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ____J Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ___}Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office ofthe City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles > MAR 2 5 211111 Honorable Members: C. -
Studio Action
Studio Action ARTISTS & MUSIC Ocasek Brings Magic To Studio Artist Produces Acts He Can Relate To BY PAUL VERNA Aerosmith, Queen, and the Cars." "I look for lyrics and make sure Similarly, Cars front man Ric they're not stupid," says Ocasek. "1 NEW YORK -Rock journalist Brett Ocasek has proved to be a producer look for general intelligence in the Milano best articulated the Cars' with an uncanny ability to find the band and their music making, some- appeal in the liner magic zone between the mainstream thing that sounds different and notes to the band's and the cutting -edge. To wit, he has unique, something that has artistic 1995 Rhino collec- helped such alt -rock bands as Nada credibility, and not necessarily some- tion, "Just What I Surf and Weezer achieve commercial thing that's commercial. In fact, more Needed: The Cars breakthroughs. He has also made key likely than not, the [projects] are not Anthology." "Dur- albums for acts that have yet to realize commercial." PRO Bringing In The Bacon. Actor Kevin Bacon and his brother Michael, who call ing the late '70s and their market potential, like Suicide, Rather than take a band's music and themselves the Bacon Brothers, mastered their upcoming album, "Forosoco," at early '80s," he Black 47, D Generation, and Johnny rearrange it, Ocasek prefers to work Masterdisk in New York. Shown at the sessions, from left, are producer William wrote, "most rock Bravo. with material that's ready to be record- Derella, Michael Bacon, Kevin Bacon, Masterdisk owner Doug Levine, and mas- fans were split into A selective producer, tends is. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes