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tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has. And none has been able to getlo thecore oÍa sitLration,establish a locale,character and mood (with a turnof phraseor loLrch of the truly bizarre), within the framework oÍ a three ninutesong in quitethe way RandyNewman can. Fromhis debut album, Randy Newman, down through í2 Songs, RandyNewman Live,Sail Away andGood Oíd Boys, Newman'swork hasearned both critical acclaim and an evergrowing, ever loyal audience.Little C minalsis no exception.From the titletrack ("lt's abouta junkiewho wantslo go with theseguys on a robberyand theydon't want him to go . ")to "SigmundFreud's lmpersonation Of AlbertEinstein In America"(written for the movieversion of Ragtime),to "ShortPeople" (". they don'tdeserve to live"), Newrnanhas neverbeen in bettertorm - lyricallyas weli as musically.ïhis foliocontains more rock n'rollthan in hisprevrous efÍorts,which should be a pleasantsurprise for long-timeNewman ians. Althoughhe's appearedon MidnightSpeciai and SaturdayNight Llve,Randy Newman's been making himself scarce these past few years.With a nationaltour set, that shouldchange. Like Lltlle &iminalsit s worththe wait. Gontents r,.. e Short People .u.'"t. r,n""."re Littlê Criminals r-u,i"., r,.'"so In Germany BeÍore Th€ WêÍ rv,i":s r*'" soJolly Coppers On Parade ."."on MusicasTexasGirl AtTheFuneral Of HerFatheÍ ,-u,,"o, n"..ta BaltimOÍê ru,;"zo r,.-.'. Old Man On The Farm Lv,ic20 'r*"oosigmund Freud's lmpersonation of Albert EinsteinIn America r--,"+s MLrsics4You Can't Fool ïhe Fat Man Lvr.css '*'"ooKathleen (Catholicism Made Easier) .u,,"u" ,,:.__' r*'" zzRidêr In The Rain '.u,-.,, ,*" ool'll Be Home .u,-o, l" ShortPeople l= \\'ordsarrd \lusic b1. NlediurnJazzlleat - with a J' I feelirrg RANDYNti\\'\IdN B?" B?. (strs) .A ffi ffi ffiff ffi ffim {H -- -2, .) a.- 1 ++ "t I t F t t\\'l rH'ffffi TTtrtlf C-t 1' 1' 87" ffi ffi ffi ftff13 FilT ffi F]lfl copyrightotgz; gtcHtnEE MUSIC InternationalCopyright Secured Madein U.S.A. All RightsReserved a?" 87" ffi ffi ffi tftttilffi t+++s f+trf; 10 (E bas") ffi ffiif Íïln rrFt-Flffi lÍt:t ffi ffi H1+fl Hlt+ ffi FTÈ1N ilrrr",'( l'. bas' ) D,gu;r rri-rr. r'1ttlit+rH1 ffi r1JtN Fqrq r_3,___-__r ils l. .\ll rrrt'ttalc lrrollr- ('rsun - til tltt' rlur r-3---r l).5. al Oodu ffi F++l F nTm ffi t-l-tt+{ ffi H+ffi dffi t-ffil (() bass) rlffi fiïfl ffi ffi FH-fr tll1ll Frrrh t' rrrrn t-+fi{-1 ffi ffi l-ffi Í-H-11 I lm ÍÏrÍT1 ffi H.i4{t ffi htflÍ Hffi H1+# 87. Il.ar? (Ít bass) rrrrn Erm rf1tó ffi H1+-tl ffi ffi ffi ffi rfiïlf ffi 'JJi. Unr? (1,.bass) mrrn l]j-u{ ffi ffi /tt,,g./trsl llttt('t,tt l.\' t{fs tïlFl EHtrf ) 13 ShortPeople Shortpeople got no reason Short peoplegot nobody Shortpeople got no reason Short peoplegot nobody Shortpeople got no reason Short peoplegot nobody To live To love Theygot little hands They got little baby legs Little eyes And they standso low 'em Theywalk around You got to pick up Tellin'great big lies Justto sayhellcl Theygot little noses They got little cars And tiny little teeth That go beep,beep, beep Theywear platform shoes They got little voices On their nastylittle feet Goin' peep,peep, peep They got grubbylittle fingers Well,I don't want no short people And dirty littleminds Don't want no short people They'regonna get you everytime Don't want no short people 'Round here Well,I don't want no shortpeople Don't want no short people Shortpeople are just the same Don't want no shortpeople 'Rouncl As you and I here (A fool suchas l) All menare brothers Until the day they die (lt'sa wonderfulworld) Woíds and Mustc bV R.tndy Ncw.rilan Copyriqht O 197 / t-trqlrtreeMtrsrc Intcfilatrí)nal Cí)pyr tqltt Sccurcd All Rrqirts Rcsefved 14 Baltimore Nor<lsand Nlrrsicbr' llediurn [Jcat- u'ith leeling It\\t)\ Nnu'rtAr-- G c rÍfl+r fffiH ffi ffi l-f++{ |tfin Í-rin rrtrt1 t11itrlffi .+1, -5* r* Ffi{r ffi ffi TTM ffi rrn-n fftrn rrrfn F+++l fi-r-hffiffi rrrÍl fÈ+rFt-j rrffi-rl rrrrn i ri ( C rr+'r+t FFrm hfff.n ffi ffi i-#1 ffi ffi H++t ffi rit-fr rHfn rlt-l1-t dlfH C C ffi *f+r *;-- JJ ffim l.!ll H+l *#f H#ffi ffiH EETff] Ernï ttllfl ri+t-H ffi1 rFh.Hffi CopyrightCl tgtz t-ltcutnEE MUSTC Inti:rnational Coyryright Sr:cured Macle in U.S.A. All Ricthts Reserved G l, ltl G nr+ rrÈ+h ffiTF fffm trm ffi FFT+Ï ffi ffi ffi l-Hj hT-Hff rh-1-tr dlln ttifH ri-ffi rfl-rH G rrl+ï1 rFntr ffi ffi ffifr ffi !g TTFH ffi Ft+{f.t TTTT-] Íïffi d]ï| C t il G ffi TI-Fffi -rrrn rÍ"fti f+++t.l fffrn ffi i.#I ffi il.l-rH ttti ij rfl1-n t-i-ÊH to ( c l.n) G Êr+ rr+È rrnTl F*+1r ffi ffi ffi ffiffi Ftr]]] ffi ffi ffi ffi l-ffi FfiïÍ i rffirn rFFfl LTETI] ffi illr(l tll('v hidt: tlrtir t\'(ir. * ht'r't:tlit' lrl()ttll-lilirl'slliglr. t c l.r, G c nr rrÈih rrïm rïlíft rrrril ffi fiTm TI-fl-I ï+fl+ l-++.{-.1-l H+TR rrrrn ffFFN FFFTF ffi ffi H+t+ trrrrll rrtllll mitll ffi rffftl tÍl \\ Il\ . II ('t'(' rlir'. ,P Brr? HTM.rrrm ffi ffirrlïrt n-fi-n rrrrh 17 'l'o I Double Coda To Coda # l- rl P Lmaj/ I 'T?i+r ffftÏ H#+H t-ffi| ffi ffi l-|-fH ff+H ffi :> hard_ Jusl lir,e. G G A7 rrl++1 lffi ffi ffi F+1+11 ffi rHí-1'l t-ffi1 ffi ffi rrrffl rntil TIIÍI' trtffffi Orxltt D.Sj(X al I)oubkt Cotla llnl G C nrrr{ Tfm F{++r rltt-tí ffi ffi + rï'ffi FlÍ-rrl Frrtt-1ffi t-fl-ffi lielteut und Fade . [. rri C r"1+í Ti++r ffi rrl{+ FfFIïI l-i-aft1 .nTm ffi FtrTN FFTN ffi FrÈfr tffrn rrmï]ffi ffiFrrrË rrffïl 1B OldMan OnTheFarm Wordsand Nlusicby Very Slowly- with much feeling RANDY NEWMAN um D (f; bd.s) F r Li bass) g(0 bass) F íA bass) Cm Hts{+H ffi FF+I{ ffiffiffiffi FFFt-t-Í Frrl.Ft - (- íG bass) Cm p (G bass) eu (G bass) rrlfr |!|'il FFTM ffi ffi ffi H{1# cn, (rru ilrd) I (U ba.s) rfÍfÍl(cba"s) m ffi rlÍfj thc farm. F íI Gm A! Eo (C bass) rr+.m Fm|lTml:C bass) ffi ffi H++H H1# copYrighto 1977HTGHTREE MUSTC InternationalCopyright Secured Madein U.S.A. All RiqhtsReserved (no 3rd) bass) F (C bass) Eo ((i bass) cn'iC F / G qm Bo D? Gm -$i- *n rrrm ffi ffi ffi ffit'o'A)mm ffi Hllil ffi ffi FFRf, ffi rJ-r-r-H rffifi Fr-l-t'H t-fFt-H t-Ft-t-t-t t-l.l-í.Ft l-t-FtH t-t-fr+l t-F'-Ft-l thc barn. Good - night --1- Br ffiR #" dï" # Hïïï1 Fil-t-H ffiffi ffi stal cd So- Í---.)_-r r (G bass) Er Fr+- ffi HH ffi ffiffi Ffl+ ffitl Iovt: thc way I Dm? # ffi rfl-rFt ffi I l 20 Baltimore OldMan OnTheFarm Beat-uplittle seagull He'swaitin' for somerain to fall On a marblestair He'swaitin' for the mailto come Tryin' to f ind tlre ocean He'swaitin' for the dawn again Lookin'everywhere Old manon the farm Hardtimes in the city Milk the cow,slop the pigs In a hardtown by the sea Sweepingout the chickenhouse Ain't nowhereto run to Drinkin'whiskey in the barn Thereain't nothin' herefor free Goodnightladies Hookeron the corner Sorry if I stayedtoo long Waitin'fora train So longit's been good to know you Drunklyin'on the sidewalk I lovethe way I singthat song Sleepin'in the rain So long it's beengood to know you And they hide their faces I lovethe way I singthat song And they hide their eyes 'Causethe city's dyin' And they don't know why Oh, Baltimore Man,it's hardjust to live Oh, Baltimore Man,it's hard just to live Get my sisterSandy And my little brother Ray Buy a bigold wagon ó To haulus all away Liveout in the country Wherethe mountain'shigh Nevercomin' back here 'Til the day I die Oh, Baltimore Man,it's hard just to live Oh.
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    ©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor .
  • December 9, 1977 No

    December 9, 1977 No

    MAC. > Vol. LV James Madison University Friday, December 9, 1977 No. 26 Spaces designated in X lot for commuter parking By MARK DAY1SON commuter student committee The proposal was passed Commuters were given 199 chairman. unanimously by the parking parking spaces, some of which "G" is the designation committee, according to Dr. are in the campus end of X lot, given to the Godwin parking John Mundy, vice president on a "trial basis" beginning lot, which is used only by for academic affairs, and next semester. commuters. chairman of the parking The proposal, made by the The proposal for commuter advisory committee. commuter student committee, parking spaces was presented was passed by the Parking to the parking committee on Criticism voiced Advisory Committee Monday. Nov. 15, and was based on a The spaces designated for report prepared by a com- commuter use are "the first muter task force which three lanes in X lot and the 21 sh-died the X lot parking by residents spaces in the small lot just patterns. south of the main X lot, as well At the parking committee as the 13 spaces along the road meeting on Dec. 5, commuters on proposal through X lot." and members_of thelnter Hall Also, "the road behind the Council met to discuss the By MARK DAVISON N-complex dorms and the proposal. Many N-complex dorm JMU'S TYRONE SHOULDERS (ID fights for a rebound against spaces along the road to the —Council President Gary senators have received VMI's center Dave Montgomery (45). Shoulders lost this fight tunnel under 1-81" will be Hallowell and senators from negative feedback concerning and the Dukes lost the game to the Keydets 86-68 in the Pit at redes ignated "G"parking.
  • Coffee House Cabaret

    Coffee House Cabaret

    THE ARTS at ST. MARGARET’S PRESENTS THE 2019 PLEASE JOIN US FOR THESE UPCOMING PERFORMANCES FEB 8 MS Tartan Jam MAR 13-16 LS Grades 1-3 Musical, Magic Tree House: Pirates Past Noon MAR 20-23 US Musical, Into the Woods APR 15 Spring Orchestra Concert Coffee House Cabaret APR 16 MS/US Spring Band Concert APR 17 MS/US Spring Vocal Concert APR 26 MS/US Spring Dance Concert APR 27 Dance Conservatory Spring Concert MAY 9-11 MS Play, The Miraculous Journey of Edward Tulane MAY 16-18 LS Grades 4-5 Musical, Peter Pan, jr. TICKETS: www.smes.org/boxoffice SPECIAL APPRECIATION St. Margaret’s would like to thank all of the student and parent volunteers, the Gerayli family, the PTF Arts Alliance, the Coffee House Cabaret Event Chairs Elizabeth Plumb and Susan Giusto, and the PTF Arts Alliance Chair Valerie Jones. PLEASE FOLLOW US ON SOCIAL MEDIA: McGregor Family Theater SMESArts The Arts at St. Margaret’s smesarts THURS., JAN. 31, 6:30 P.M. SAT., FEB. 2, 1:30 P.M. FRI., FEB. 1, 6:30 P.M. SAT., FEB., 2 6:30 P.M. PERFORMERS PIECE CREDITS Nicholas Jacome “Almost There” COFFEE HOUSE CABARET BAND from The Princess and the Frog Randy Newman Director/Arranger: Chris Carbajal Grace Zhou Jazz Etude No. 6, “Pastoral” Nicholai Kapustin Claire Sele “Talking to the Moon” Bruno Mars Piano and Keyboard: Lex Leigh Jaden Rosenhain, Will Weiss “Purple Rain” Prince Electric Bass: Chris Carbajal Layla Shakerin, Sarah Thurin “Jubilate Agno” Christopher Smart Chrissy Powell, Shea Tomaselli “Falling Slowly” from Once Glen Hansard, Markéta Irglová Guitar: Tony Cinquini Lulu