DOCSLIB.ORG

RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has. And none has been able to getlo thecore oÍa sitLration,establish a locale,character and mood (with a turnof phraseor loLrch of the truly bizarre), within the framework oÍ a three ninutesong in quitethe way RandyNewman can. Fromhis debut album, Randy Newman, down through í2 Songs, RandyNewman Live,Sail Away andGood Oíd Boys, Newman'swork hasearned both critical acclaim and an evergrowing, ever loyal audience.Little C minalsis no exception.From the titletrack ("lt's abouta junkiewho wantslo go with theseguys on a robberyand theydon't want him to go . ")to "SigmundFreud's lmpersonation Of AlbertEinstein In America"(written for the movieversion of Ragtime),to "ShortPeople" (". they don'tdeserve to live"), Newrnanhas neverbeen in bettertorm - lyricallyas weli as musically.ïhis foliocontains more rock n'rollthan in hisprevrous efÍorts,which should be a pleasantsurprise for long-timeNewman ians. Althoughhe's appearedon MidnightSpeciai and SaturdayNight Llve,Randy Newman's been making himself scarce these past few years.With a nationaltour set, that shouldchange. Like Lltlle &iminalsit s worththe wait. Gontents r,.. e Short People .u.'"t. r,n""."re Littlê Criminals r-u,i"., r,.'"so In Germany BeÍore Th€ WêÍ rv,i":s r*'" soJolly Coppers On Parade ."."on MusicasTexasGirl AtTheFuneral Of HerFatheÍ ,-u,,"o, n"..ta BaltimOÍê ru,;"zo r,.-.'. Old Man On The Farm Lv,ic20 'r*"oosigmund Freud's lmpersonation of Albert EinsteinIn America r--,"+s MLrsics4You Can't Fool ïhe Fat Man Lvr.css '*'"ooKathleen (Catholicism Made Easier) .u,,"u" ,,:.__' r*'" zzRidêr In The Rain '.u,-.,, ,*" ool'll Be Home .u,-o, l" ShortPeople l= \\'ordsarrd \lusic b1. NlediurnJazzlleat - with a J' I feelirrg RANDYNti\\'\IdN B?" B?. (strs) .A ffi ffi ffiff ffi ffim {H -- -2, .) a.- 1 ++ "t I t F t t\\'l rH'ffffi TTtrtlf C-t 1' 1' 87" ffi ffi ffi ftff13 FilT ffi F]lfl copyrightotgz; gtcHtnEE MUSIC InternationalCopyright Secured Madein U.S.A. All RightsReserved a?" 87" ffi ffi ffi tftttilffi t+++s f+trf; 10 (E bas") ffi ffiif Íïln rrFt-Flffi lÍt:t ffi ffi H1+fl Hlt+ ffi FTÈ1N ilrrr",'( l'. bas' ) D,gu;r rri-rr. r'1ttlit+rH1 ffi r1JtN Fqrq r_3,___-__r ils l. .\ll rrrt'ttalc lrrollr- ('rsun - til tltt' rlur r-3---r l).5. al Oodu ffi F++l F nTm ffi t-l-tt+{ ffi H+ffi dffi t-ffil (() bass) rlffi fiïfl ffi ffi FH-fr tll1ll Frrrh t' rrrrn t-+fi{-1 ffi ffi l-ffi Í-H-11 I lm ÍÏrÍT1 ffi H.i4{t ffi htflÍ Hffi H1+# 87. Il.ar? (Ít bass) rrrrn Erm rf1tó ffi H1+-tl ffi ffi ffi ffi rfiïlf ffi 'JJi. Unr? (1,.bass) mrrn l]j-u{ ffi ffi /tt,,g./trsl llttt('t,tt l.\' t{fs tïlFl EHtrf ) 13 ShortPeople Shortpeople got no reason Short peoplegot nobody Shortpeople got no reason Short peoplegot nobody Shortpeople got no reason Short peoplegot nobody To live To love Theygot little hands They got little baby legs Little eyes And they standso low 'em Theywalk around You got to pick up Tellin'great big lies Justto sayhellcl Theygot little noses They got little cars And tiny little teeth That go beep,beep, beep Theywear platform shoes They got little voices On their nastylittle feet Goin' peep,peep, peep They got grubbylittle fingers Well,I don't want no short people And dirty littleminds Don't want no short people They'regonna get you everytime Don't want no short people 'Round here Well,I don't want no shortpeople Don't want no short people Shortpeople are just the same Don't want no shortpeople 'Rouncl As you and I here (A fool suchas l) All menare brothers Until the day they die (lt'sa wonderfulworld) Woíds and Mustc bV R.tndy Ncw.rilan Copyriqht O 197 / t-trqlrtreeMtrsrc Intcfilatrí)nal Cí)pyr tqltt Sccurcd All Rrqirts Rcsefved 14 Baltimore Nor<lsand Nlrrsicbr' llediurn [Jcat- u'ith leeling It\\t)\ Nnu'rtAr-- G c rÍfl+r fffiH ffi ffi l-f++{ |tfin Í-rin rrtrt1 t11itrlffi .+1, -5* r* Ffi{r ffi ffi TTM ffi rrn-n fftrn rrrfn F+++l fi-r-hffiffi rrrÍl fÈ+rFt-j rrffi-rl rrrrn i ri ( C rr+'r+t FFrm hfff.n ffi ffi i-#1 ffi ffi H++t ffi rit-fr rHfn rlt-l1-t dlfH C C ffi *f+r *;-- JJ ffim l.!ll H+l *#f H#ffi ffiH EETff] Ernï ttllfl ri+t-H ffi1 rFh.Hffi CopyrightCl tgtz t-ltcutnEE MUSTC Inti:rnational Coyryright Sr:cured Macle in U.S.A. All Ricthts Reserved G l, ltl G nr+ rrÈ+h ffiTF fffm trm ffi FFT+Ï ffi ffi ffi l-Hj hT-Hff rh-1-tr dlln ttifH ri-ffi rfl-rH G rrl+ï1 rFntr ffi ffi ffifr ffi !g TTFH ffi Ft+{f.t TTTT-] Íïffi d]ï| C t il G ffi TI-Fffi -rrrn rÍ"fti f+++t.l fffrn ffi i.#I ffi il.l-rH ttti ij rfl1-n t-i-ÊH to ( c l.n) G Êr+ rr+È rrnTl F*+1r ffi ffi ffi ffiffi Ftr]]] ffi ffi ffi ffi l-ffi FfiïÍ i rffirn rFFfl LTETI] ffi illr(l tll('v hidt: tlrtir t\'(ir. * ht'r't:tlit' lrl()ttll-lilirl'slliglr. t c l.r, G c nr rrÈih rrïm rïlíft rrrril ffi fiTm TI-fl-I ï+fl+ l-++.{-.1-l H+TR rrrrn ffFFN FFFTF ffi ffi H+t+ trrrrll rrtllll mitll ffi rffftl tÍl \\ Il\ . II ('t'(' rlir'. ,P Brr? HTM.rrrm ffi ffirrlïrt n-fi-n rrrrh 17 'l'o I Double Coda To Coda # l- rl P Lmaj/ I 'T?i+r ffftÏ H#+H t-ffi| ffi ffi l-|-fH ff+H ffi :> hard_ Jusl lir,e. G G A7 rrl++1 lffi ffi ffi F+1+11 ffi rHí-1'l t-ffi1 ffi ffi rrrffl rntil TIIÍI' trtffffi Orxltt D.Sj(X al I)oubkt Cotla llnl G C nrrr{ Tfm F{++r rltt-tí ffi ffi + rï'ffi FlÍ-rrl Frrtt-1ffi t-fl-ffi lielteut und Fade . [. rri C r"1+í Ti++r ffi rrl{+ FfFIïI l-i-aft1 .nTm ffi FtrTN FFTN ffi FrÈfr tffrn rrmï]ffi ffiFrrrË rrffïl 1B OldMan OnTheFarm Wordsand Nlusicby Very Slowly- with much feeling RANDY NEWMAN um D (f; bd.s) F r Li bass) g(0 bass) F íA bass) Cm Hts{+H ffi FF+I{ ffiffiffiffi FFFt-t-Í Frrl.Ft - (- íG bass) Cm p (G bass) eu (G bass) rrlfr |!|'il FFTM ffi ffi ffi H{1# cn, (rru ilrd) I (U ba.s) rfÍfÍl(cba"s) m ffi rlÍfj thc farm. F íI Gm A! Eo (C bass) rr+.m Fm|lTml:C bass) ffi ffi H++H H1# copYrighto 1977HTGHTREE MUSTC InternationalCopyright Secured Madein U.S.A. All RiqhtsReserved (no 3rd) bass) F (C bass) Eo ((i bass) cn'iC F / G qm Bo D? Gm -$i- *n rrrm ffi ffi ffi ffit'o'A)mm ffi Hllil ffi ffi FFRf, ffi rJ-r-r-H rffifi Fr-l-t'H t-fFt-H t-Ft-t-t-t t-l.l-í.Ft l-t-FtH t-t-fr+l t-F'-Ft-l thc barn. Good - night --1- Br ffiR #" dï" # Hïïï1 Fil-t-H ffiffi ffi stal cd So- Í---.)_-r r (G bass) Er Fr+- ffi HH ffi ffiffi Ffl+ ffitl Iovt: thc way I Dm? # ffi rfl-rFt ffi I l 20 Baltimore OldMan OnTheFarm Beat-uplittle seagull He'swaitin' for somerain to fall On a marblestair He'swaitin' for the mailto come Tryin' to f ind tlre ocean He'swaitin' for the dawn again Lookin'everywhere Old manon the farm Hardtimes in the city Milk the cow,slop the pigs In a hardtown by the sea Sweepingout the chickenhouse Ain't nowhereto run to Drinkin'whiskey in the barn Thereain't nothin' herefor free Goodnightladies Hookeron the corner Sorry if I stayedtoo long Waitin'fora train So longit's been good to know you Drunklyin'on the sidewalk I lovethe way I singthat song Sleepin'in the rain So long it's beengood to know you And they hide their faces I lovethe way I singthat song And they hide their eyes 'Causethe city's dyin' And they don't know why Oh, Baltimore Man,it's hardjust to live Oh, Baltimore Man,it's hard just to live Get my sisterSandy And my little brother Ray Buy a bigold wagon ó To haulus all away Liveout in the country Wherethe mountain'shigh Nevercomin' back here 'Til the day I die Oh, Baltimore Man,it's hard just to live Oh.
Load more

Recommended publications
  • The SPECTRUM., October 3, 2000
    TheThe SPECTRUMSPECTRUM “Achieve the wisdom of knowledge of Truth as this will enable you to wisely follow the Laws of The Creation.” A Non-Profit Educational Corporation Dedicated To Bringing You The Truth VOLUME 2, NUMBER 5 NEWS REVIEW $ 4.50 OCTOBER 3, 2000 From Invisibility To Time -Travel The Montauk Project’s Wild Ride Through History IN THIS ISSUE: What Shall Become Of The SPECTRUM? p.2 9/27/00 RICK MARTIN The News Desk, p.3 UPDATE: The VATICAN ASSASSINS Book “In science fiction, space and time warps are Is Now Scheduled To Ship By The End Of October! p.3 commonplace. They are used for rapid journeys Support Our Advertisers, p.14 & 15 around the galaxy, or for travel through time. But today’s science fiction is often tomorrow’s science CAFRs: The $60 Trillion Secret fact.” (We Need Not Be Paying High Taxes!), p.16 “Rapid space-travel, or travel back in time, can’t Soltec: Awakening To The Miracle, p.19 be ruled out, according to our present understanding.” Stop Ritalin! — Professor Stephen Hawking, author of A Brief 2.5 Million Children Across The Nation Are Being Given History Of Time and Black Holes And Baby “Cocaine” By Their Parents And Doctors Universes, And Other Essays; quotes excerpted from the www.hawking.org website. To Make Them Behave Better, p.21 Praise From Our Readers, p.27 Time travel—the very words evoke exotic images. H.G. Wells found The Homosexual Agenda That Is Quietly himself rocketed to fame soon after he wrote The Time Machine in 1895 Invading Our Schools, p.59 because it struck nerves of curiosity and excitement with the public as Hatonn: On Health, Helping, well as largely introducing the new literary realm of scientific fantasy.
    [Show full text]
  • Pixar's Cars 3 Trivia 1
    Pixar's Cars 3 Trivia 1. There are one winner and how many losers according to Lightning Mcqueen’s opening pep talk? a. 42 losers, I eat losers for breakfast 2. Where does the opening race take place? a. Motor Speedway of the South 3. What is the first and last name of the new Dinoco race car? a. Cal Weathers 4. What is the name of Chick Hick’s show? a. Chick’s Picks 5. Who is Natalie Certain? a. Statistical Analyst 6. What number is on Jackson Storm’s car? a. 20 7. Who said, “It’s Futile to resist change man.” a. Fillmore 8. Where is the rookie race car Gabriel from? a. Santa Cecilia, the same place Coco takes place :) 9. Who is the Mistro of Motivation a. Cruz Ramirez 10. What is the name of Cruz Ramirez’s electronic personal assistant on her phone? a. Hamilton 11. Who said, “You could talk a snowmobile into an air conditioner” a. Cruz Ramirez 12. What is Lightning McQueens fake name at Thunder Hollow Speedway? a. Chester Whipplefilter 13. What is McQueen’s probability of beating Jackson Storm according to Natalie Certain? a. 1.2% 14. What is Doc Hudson’s home track? a. Thomasville Speedway 15. Who said, “Lifes a beach, and then you drive” a. Lightning McQueen 16. Who did Lightning and Cruz find at Thomasville Speedway? a. Smokey who was Doc Hudson’s trainer 17. According to Smokey what was the best part of Doc Hudson’s life? a. Coaching Lightning McQueen 18. Who is managing Luigi’s Tire Shop while they are out of town with Lightning McQueen? a.
    [Show full text]
  • MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
    Revis ta de Comunicación Vivat Academia ISSN: 1575-2844 Septiembre 2016 Año XIX Nº 136 pp 82-94 DOI: https://doi.org/10.15178/va.2016.136.82-94 INVESTIGACIÓN/RESEARCH Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 MUSIC AND MOVEMENT IN PIXAR: THE TSU’s AS AN ANALYTICAL RESOURCE Diego Calderón Garrido1: University of Barcelona. Spain [email protected] Josep Gustems Carncier: University of Barcelona. Spain [email protected] Jaume Duran Castells: University of Barcelona. Spain [email protected] ABSTRACT The music for the animation cinema is closely linked with the characters’ movement and the narrative action. This paper presents the Temporary Semiotic Units (TSU’s) proposed by Delalande, as a multimodal tool for the music analysis of the actions in cartoons, following the tradition of the Mickey Mousing. For this, a profile with the applicability of the nineteen TSU’s was applied to the fourteen Pixar movies produced between 1995-2013. The results allow us to state the convenience of the use of the TSU’s for the music comprehension in these films, especially in regard to the subject matter and the characterization of the characters and as a support to the visual narrative of this genre. KEY WORDS Animation cinema, Music – Pixar - Temporary Semiotic Units - Mickey Mousing - Audiovisual Narrative – Multimodality 1 Diego Calderón Garrido: Doctor in History of Art, titled superior in Modern Music and Jazz music teacher and sound in the degree of Audiovisual Communication at the University of Barcelona.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • How Campaign Songs Sold the Image of Presidential Candidates
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain.
    [Show full text]
  • PRESSBOOK COMPLETO in ITALIANO Di
    La matricola Mike Wazowski ha sognato di diventare uno spaventatore sin da quando era un piccolo mostro e sa meglio di chiunque altro che i migliori spaventatori vengono dalla Monsters University (MU). Ma durante il primo semestre proprio alla MU, i suoi piani vengono sconvolti dall’incontro con lo spocchioso James P. Sullivan, detto “Sulley”, uno spaventatore dal talento naturale. Il loro spirito competitivo fuori controllo li farà cacciare dall’esclusivo programma per spaventatori dell’Università e, come se ciò non bastasse, si renderanno conto che l’unico modo per rimettere le cose a posto sarà quello di lavorare insieme, facendo squadra con un gruppo di mostri scapestrati. Ricco di risate e divertimento, il nuovo capolavoro Disney•Pixar Monsters University è diretto da Dan Scanlon (Cars, Mater and the Ghostlight, Tracy), prodotto da Kori Rae (Up, Gli incredibili, Monsters & Co.) e vanta le musiche del compositore premio Oscar® Randy Newman (Monsters & Co., Toy Story 3), che da quest’anno entrerà a far parte della Rock and Roll Hall of Fame, di Axwell & Sebastian Ingrosso, degli Swedish House Mafia e di Mastodon Il film arriverà nelle sale italiane il 21 agosto 2013, in Disney Digital 3D™. BENVENUTI ALLA MU Gli sceneggiatori riportano i personaggi indietro nel tempo “Volevamo che Monsters University fosse la storia di Mike” afferma il regista Dan Scanlon. “La sua sincerità e il suo spirito d’iniziativa sono irresistibili, la sua ricerca è così personale”. Fin dall’inizio Scanlon era attratto dall’idea di un personaggio alla scoperta di sé. “Impostando la storia nel periodo in cui Mike si avventura per la prima volta nel mondo da solo ci ha permesso di esplorare a fondo questo viaggio di autoconsapevolezza, sperimentando insieme a lui il divertimento, gli alti e bassi, le amicizie e le rivelazioni che si susseguono nella crescita.
    [Show full text]
  • Born to Take the Highway: Women, the Automobile, and Rock N Roll
    Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era.
    [Show full text]
  • Randy Newman Stereo Pop Special-72 Mp3, Flac, Wma
    Randy Newman Stereo Pop Special-72 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Stereo Pop Special-72 Country: UK Released: 1974 Style: Classic Rock MP3 version RAR size: 1874 mb FLAC version RAR size: 1936 mb WMA version RAR size: 1704 mb Rating: 4.7 Votes: 144 Other Formats: FLAC VQF MPC VOC AC3 MOD MP2 Tracklist A1 –Randy Newman Don’t Send Me Nobody 1:52 A2 –Randy Newman Give Me A Reason To Live 2:33 A3 –Randy Newman Marie 2:28 A4 –Randy Newman Simon Smith And His Amazing Dancing Bear 1:48 A5 –Randy Newman I’ll Be Home 2:30 A6 –Randy Newman Downtown Birmingham 2:13 A7 –Randy Newman Maybe 2:33 A8 –Randy Newman My Old Kentucky Home 1:40 A9 –Randy Newman Let’s Drop The Big One 1:58 A10 –Randy Newman Dayton Ohio 1:40 A11 –Randy Newman I Think It’s Gonna Rain Today 2:30 B1 –Queen Father To Son 6:00 B2 –Queen Son And Daughter 6:40 B3 –Queen Ogre Battle 4:37 B4 –Queen Liar 7:02 Companies, etc. Recorded At – Paris Theatre, London – A1 to A11 Recorded At – Golders Green Hippodrome, London – B1 to B4 Credits Presenter – Alan Black Notes The Randy Newman concert was recorded at the Paris Theatre, London, UK 1973 or 1974 The Queen concert was recorded at the Golders Green Hippodrome, London, UK 1973-September-13 and first broadcast on BBC Radio 1 - 1973-October-20 Side 1: 28:57 min. Side 2: 26:29 min. Barcode and Other Identifiers Matrix / Runout (Side 1): 135600-S Matrix / Runout (Side 2): 135601-S Related Music albums to Stereo Pop Special-72 by Randy Newman Randy Newman - Live Randy Newman & Paul Simon - The Blues Randy Newman - Naked Man Randy Newman / Arno Hintjens - You've Got A Friend In Me / Je Bent Een Vriend Van Mij Randy Newman - A Bug's Life Various - As Favoritas da Disney Pixar Randy Newman And Paul Simon - The Blues Various - To Infinity And Beyond! (Songs From And Inspired By Toy Story 1 & 2) Randy Newman - The Best Of Various - The Princess And The Frog.
    [Show full text]
  • MONSTERS INC 3D Press Kit
    ©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor .
    [Show full text]
  • December 9, 1977 No
    MAC. > Vol. LV James Madison University Friday, December 9, 1977 No. 26 Spaces designated in X lot for commuter parking By MARK DAY1SON commuter student committee The proposal was passed Commuters were given 199 chairman. unanimously by the parking parking spaces, some of which "G" is the designation committee, according to Dr. are in the campus end of X lot, given to the Godwin parking John Mundy, vice president on a "trial basis" beginning lot, which is used only by for academic affairs, and next semester. commuters. chairman of the parking The proposal, made by the The proposal for commuter advisory committee. commuter student committee, parking spaces was presented was passed by the Parking to the parking committee on Criticism voiced Advisory Committee Monday. Nov. 15, and was based on a The spaces designated for report prepared by a com- commuter use are "the first muter task force which three lanes in X lot and the 21 sh-died the X lot parking by residents spaces in the small lot just patterns. south of the main X lot, as well At the parking committee as the 13 spaces along the road meeting on Dec. 5, commuters on proposal through X lot." and members_of thelnter Hall Also, "the road behind the Council met to discuss the By MARK DAVISON N-complex dorms and the proposal. Many N-complex dorm JMU'S TYRONE SHOULDERS (ID fights for a rebound against spaces along the road to the —Council President Gary senators have received VMI's center Dave Montgomery (45). Shoulders lost this fight tunnel under 1-81" will be Hallowell and senators from negative feedback concerning and the Dukes lost the game to the Keydets 86-68 in the Pit at redes ignated "G"parking.
    [Show full text]
  • Coffee House Cabaret
    THE ARTS at ST. MARGARET’S PRESENTS THE 2019 PLEASE JOIN US FOR THESE UPCOMING PERFORMANCES FEB 8 MS Tartan Jam MAR 13-16 LS Grades 1-3 Musical, Magic Tree House: Pirates Past Noon MAR 20-23 US Musical, Into the Woods APR 15 Spring Orchestra Concert Coffee House Cabaret APR 16 MS/US Spring Band Concert APR 17 MS/US Spring Vocal Concert APR 26 MS/US Spring Dance Concert APR 27 Dance Conservatory Spring Concert MAY 9-11 MS Play, The Miraculous Journey of Edward Tulane MAY 16-18 LS Grades 4-5 Musical, Peter Pan, jr. TICKETS: www.smes.org/boxoffice SPECIAL APPRECIATION St. Margaret’s would like to thank all of the student and parent volunteers, the Gerayli family, the PTF Arts Alliance, the Coffee House Cabaret Event Chairs Elizabeth Plumb and Susan Giusto, and the PTF Arts Alliance Chair Valerie Jones. PLEASE FOLLOW US ON SOCIAL MEDIA: McGregor Family Theater SMESArts The Arts at St. Margaret’s smesarts THURS., JAN. 31, 6:30 P.M. SAT., FEB. 2, 1:30 P.M. FRI., FEB. 1, 6:30 P.M. SAT., FEB., 2 6:30 P.M. PERFORMERS PIECE CREDITS Nicholas Jacome “Almost There” COFFEE HOUSE CABARET BAND from The Princess and the Frog Randy Newman Director/Arranger: Chris Carbajal Grace Zhou Jazz Etude No. 6, “Pastoral” Nicholai Kapustin Claire Sele “Talking to the Moon” Bruno Mars Piano and Keyboard: Lex Leigh Jaden Rosenhain, Will Weiss “Purple Rain” Prince Electric Bass: Chris Carbajal Layla Shakerin, Sarah Thurin “Jubilate Agno” Christopher Smart Chrissy Powell, Shea Tomaselli “Falling Slowly” from Once Glen Hansard, Markéta Irglová Guitar: Tony Cinquini Lulu
    [Show full text]