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Uninhibited India Eyes Russian Kamov
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years. -
10 Apps That Made India
10 APPS THAT MADE INDIA ‘APPY IN 2017 Delve into the Universe of mobile applications and learn which ones made it to the list of 10 most popular apps of 2017 – Jagrati Rakheja [email protected] ver wondered about the day when your its CEO shaming India by calling ‘poor india’ has got mobile applications became an integral part Snapchat incredible fame. Though, it was still amongst of your life? Or how the small icons on your the favorite mobile applications for youngsters. Its Esmartphone’s display started playing a crucial features like sharing private messages, sharing images, role in your everyday routine? clicking perfect selfies, re-watching stories, limited life Let us ponder over this thought. The applications on of messages, keeping up-to-date news about celebrity your phones are not just mere service providing tools but gossip, following celebrities and the list goes on has made immortal beings who don’t breathe. Checking phone for people crazy for snapchat. It is a must application for your whatsapp message, sending snap on snapchat, sharing phone. photographs over instagram or listening to music on several online applications has become an innate quality Instagram in today’s generation. Also, if we go by the 106-page report shared by Hootsuite and We Are Social, more than one-third of the world’s population has access to mobile applications. Smartphone applications have transformed the way we live. People spend majority time of their day on these apps. Now, without wasting further time, let us discuss about the 10 most popular apps that have created a spe- cial mark in people’s life in the year 2017. -
Indian Stand-Up Comedians and Their Fight Against India's Anti
Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
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' ) C(>6 *"D! "D! D VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( 23/0$&2%#. 45) +*+1 .+ /-0 *+ ,- 9I6#3$I H#:#9#=-I 9,9# # 9#( # ,9I ,(,,96#H,(#9 ==6 3I= (5=(,3 $=#;+0,96 E 3 ($! %F22# %G1 E# #!! 6 ' 46 *7 48 5 ! "$% !& ! " ! "# 9>, “allies or partners.” questions. However, an indus- * “The (CAATSA presiden- try source said the law is n a clear indication that , tial) waiver is narrow, intend- ambiguous about “when a IIndia was not going to buck- ? ed to wean countries off waiver is necessary so this can le under the threat of US sanc- # * Russian equipment and allow be avoided for years”. A police official tasked tion over the S-400 missile deal for things such as spare parts The National Defense with the investigation said with Russia, Army chief Gen for previously-purchased Authorization ACT (NDDA) prima facie it appears that the Bipin Rawat on Sunday said ! equipment,” a White House 2019 gives the president the shuttering was hit by a tractor- the country has an indepen- National Security Council power to waive of the CAAT- trolley carrying construction dent foreign policy and it might - spokesperson told PTI hours SA sanctions if it is a national 9>, material, which led to the inci- go ahead with acquiring the + after the conclusion of the S- security interest. dent but the cause is yet to be Kamov helicopters and other 400 contract. But for the pres- It also mentions several n yet another incident of gross ascertained. weapon systems from Moscow. -
Khushwant Singh Hope Andchallenge AFGHANISTAN ELECTIONS ININDIA Rs
TRIBUTE Khushwant Singh Reg. ss-973 April 2014 www.southasia.com.pk INSIDE PAKISTAN AFGHANISTAN BANGLADESH SRI LANKA Whither Peace Committees? Hope and Challenge Which way, Islamic Radicalism? Time to Move On ELECTIONS IN INDIA A SagaSega of Surprises The biggest election show on earth will soon be underway as the Indians go to the polls. This time it will be more than a two-horse race with many shocks in the pipeline. Afghanistan Afg. 50 Japan ¥ 500 Saudi Arabia SR 15 Australia A$ 6 Korea Won 3000 Singapore S$ 8 Bangladesh Taka 65 Malaysia RM 6 Sri Lanka Rs. 100 Bhutan NU 45 Maldives Rf 45 Thailand B 100 Canada C$ 6 Myanmar MMK10 China RMB 30 Nepal NcRs. 75 Turkey Lira. 2 France Fr 30 New Zealand NZ$ 7 UAE AED 10 Hong Kong HK$ 30 Pakistan Rs. 100 UK £ 3 India Rs. 65 Philippines P 75 USA $ 4.99 COMMENT APRIL 2014 VOL.18 ISSUE 4 Not for Rent hat was really behind all those stories that a large contingent of Paki- stani soldiers may be sent to Syria? Political analysts initially talked of PRESIDENT & EDITOR IN CHIEF a few divisions of the Pakistan Army being sent to the Middle Eastern Syed Jawaid Iqbal W country currently caught in a civil war that does not seem to be ending soon. Then MANAGING EDITOR the figure ballooned to 100,000 troops. It was surmised that since Pakistan had Zeba Jawaid been generous enough to send its soldiers to the Middle East on so many occa- sions before, it would do so again. -
TVF's Arunabh Kumar (Left) Won the Vdonxt Person of the Year Award
January 16-31, 2017 Volume 5, Issue 15 `100 13 DIGITAL VIDEO MASTERS TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s largest convention on the rapidly growing digital video space. Subscriber copy not for resale editorial This fortnight... Volume 5, Issue 15 his publication recently decided to revive an old section called ‘Who’s That’, EDITOR Sreekant Khandekar T a section in which we used to profile the rising stars, on and off screen, in the PUBLISHER January 16-31, 2017 Volume 5, Issue 15 `100 advertising and media industry. A few days back, we made a list of people we could Prasanna Singh kick-start ‘Who’s That - 2.0’ with, and I was amazed to see that eight out of the top EXECUTIVE EDITOR ten names were from the online video business. Actors, scriptwriters, content creators, Ashwini Gangal platform heads… what have you. Evidently, the online video space is where all the ASSOCIATE EDITOR Sunit Roy action lies. PRODUCTION EXECUTIVE Andrias Kisku Over the past 14 months, we’ve published some memorable cover stories around 13 ADVERTISING ENQUIRIES professionals from this promising industry, including a detailed piece on All India Shubham Garg DIGITAL VIDEO MASTERS 81301 66777 (M) TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Bakchod, and an in-depth interview with The Viral Fever’s Arunabh Kumar. Also Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s Apoorv Kulshrestha largest convention on the rapidly growing digital video space. -
Stand-Up Comedy and Caste in India
IAFOR Journal of Media, Communication & Film Volume 7 – Issue 1 – Summer 2020 Humour and the Margins: Stand-Up Comedy and Caste in India Madhavi Shivaprasad, Tata Institute of Social Sciences, Mumbai, India Abstract Stand-up comedy as an art form has been known as one of the most powerful forms of expression to speak truth to power. In India, political satire as stand-up is highly popular. However, there is a serious gap in recognising and critiquing social hierarchies, particularly the Indian caste system. Most comedians, including the women who are known as strong critics of patriarchal structures within Indian society and the comedy industry in India, do not see the lack of representation of a Dalit voice in the industry as a structural problem. When caste is specifically named in the routines performed by them, all of them incidentally are a reference to their upper-caste identities in a non-ironical manner. Through critical discourse analysis, the article analyses stand-up comedy videos by these comedians online videos, as well as other non-humorous critiques they have offered on other platforms such as social media in order to understand the implications of these references. The article argues that these narratives reflect the general dominant caste discourse that the upper-caste comedians are a part of and also reconstitute the same by reiterating their own locations within the caste system. Finally it reflects on the significance of humour and particularly stand-up comedy to effect change. Recognising that humour and laughter are social activities also means to acknowledge that they hold potential to break existing stereotypes. -
Laughing About Caste an Analysis of How Caste Considerations Find Representation in the Genre of English Stand- up Comedy on the Internet in India
Connections: A Journal of Language, Media and Culture Laughing About Caste An analysis of how caste considerations find representation in the genre of English stand- up comedy on the internet in India Shreyashi Ganguly1 1 Department of Sociology, University of Victoria, British Columbia, Canada E-mail: [email protected] Abstract The literature on humour in India has largely evaded the question of how humour intersects with caste stratification. Not much has been written about humour’s potential to discriminate against certain caste groups of the lower social order. Similarly, the traditional media in India has been silent about the issue of caste following which, social media has emerged as the ‘counter publics’ where caste identity can be collectively and freely expressed. Taking the now flourishing brand of English stand-up comedy on the Internet in India as an entry point, this study investigates if the symbolic articulation of caste identities is at all made possible in this genre. Using a combination of discourse analysis and social media analysis, to examine the jokes produced in stand-up shows, in this paper I try to gauge how frequently, and in what ways, caste finds mention in these performances on the Internet. I find that caste identity, and the associated discrimination, are hardly evoked in the comedians’ discourse. And when spoken about, they are often done so in a disparaging light. I conclude this paper by illuminating the ways in which this disparaging humour bolsters caste discrimination, sustains stereotypes and, in the process, conditions the normalized exclusion of lower-caste groupings from the public sphere. -
India's Edgiest Comedy Collective
INDIA’S EDGIEST COMEDY COLLECTIVE AUSTRALIAN TOUR 2016 MELBOURNE THE FORUM FRIDAY 6 MAY Book at Ticketmaster 136 100 www.ticketmaster.com.au SYDNEY ENMORE THEATRE SUNDAY 8 MAY Book at Festival Box Office 9020 6966 www.sydneycomedyfest.com.au or Ticketek 132 849 www.ticketek.com.au TICKETS ON SALE NOW All IndiA BAkchod (AIB) is India's edgiest, most infamous comedy collective. They are the biggest selling stand-up ACt in India and are famous for sketches released on their wildly popular YouTube chAnnel with over 1.4 million subscribers. They executed India's first celebrity roast in 2015, the video for which garnered 11 million views in 3 days. Apart from performing all across India, they have toured their irreverent brand of comedy in Singapore and Dubai. This will be their first tour of Australia. The 60-minute show will feature stand-up, songs and sketches. TAnmAy BhAt, GursimrAn KhAmbA, Rohan Joshi and Ashish ShAkyA, AIB are widely regarded as India’s premier comedic tour-de-force across multiple forms of media. Gursimran is the co-founder of AIB and has been a standup comic since 2009. He enjoys talking about things people don't like talking about. “Perhaps the most outrageous comic” Deccan Herald. Tanmay Bhat is one of India’s brightest comedians. He is also a television writer and feature film writer, humour columnist with First Post and Time Out MumbAi. His television credits include India’s first English sketch comedy special Ripping The DeCAde on StAr World. “Tanmay is such an exciting tAlent thAt you need more thAn just your hAnds to clAp for him. -
Blurring the Lines Between the Cmo
WEEKLY ADVERTISING, MEDIA & MARKETING NEWS - VOLUME 15, ISSUE 10 - 19 AUGUST 2018 ` 1 0 0 Now that he has complete control of Rediffusion again, Diwan Arun Nanda says he will expand digital prowess, focus on business growth and take the Group ‘fearlessly’ forward ROUNDTABLE INTERVIEW BLURRING ‘WE WILL EXPAND OUR TV THE LINES OFFERINGS, BUT WON’T BETWEEN THE ENTER THE GEC SPACE’ CMO AND CTO DD PURKAYASTHA P.32 Managing Director & CEO, ABP P.40 THE FEARLESS DIWAN n our cover this week is Diwan Arun Nanda, Brand Strategist & Founder, Brand-Building.com. Chairman and MD of the Rediffusion Group, who *** is very much in the news this week for buying back Ananda Bazar Patrika (ABP) which launched in 1922 with OWPP-owned Y&R and Dentsu’s 40% share in the a four-page Bengali daily, is just four years shy of its centennial company, along with Co-founder Ajit Balakrishnan, to regain celebrations. In our Interview section this week, we speak to complete control of India’s oldest independent advertising DD Purkayastha, Managing Director & CEO, ABP Group, agency. Now, Messrs Nanda and Balakrishnan each own 50% about the company’s performance, expansion plans for its stake in the Rediffusion Group. In an extensive interview, television channels, its Digital foray, ABP Weddings and how Nanda tells IMPACT that he will regional language media continues to drive now expand digital prowess, focus growth for the group. on business growth and take the *** Group ‘fearlessly’ forward. We also According to an Ormax Media study, interview the newly elevated Joint Facebook has played an instrumental role in Presidents of the Group – Rahul generating buzz for Hindi movie marketing. -
Freedom of Speech in Comedy: Political 26
Seminar Paper Freedom of speech in comedy: political 26. correctness versus political censorship Mihika Samant Guided By: Ms. Ketaki Hate EDited by: SARA MARIA VARGHESE Political correctness today is understood to be a social mechanism that discourages the use of disparaging speech in order to protect subjugated sections of the society. It aims to empower these groups through sensitive discourse. The term however, has been misinterpreted by some to mean restriction of discussion on sensitive topics like race, gender, sexuality, and the like. This paper differentiates between banning certain words resulting from an expectation of respectful discourse and prevention of problems from being addressed. Further, it differentiates between political correctness and political censorship, with the former being necessary to maintain order in society and the latter being a form of institutional hindrance to freedom of expression. Introduction While valid, this fails to address the illusory nature of PC Comedians have always been afforded with more leeway and also its stress on group membership (Dyson et al., when it comes to their right to freedom of speech and 2018). expression as compared to the ordinary citizen, at least in the Global West. There are several sensitive topics that Illusion of correctness one is allowed to broach under the pretext of comedy Critics of the likes of Fry (Dyson et al., 2018) and Žižek which they would not be permitted to approach otherwise. (Big Think, 2015) disapprove of this argument on Although the objective meaning of political correctness the grounds that it promotes an illusion of equality in remains a matter of debate, the Oxford Dictionary society.