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Sr No. NAME DESIGNATION ORGANIZATION 1 Aparna Purohit Head, India Originals Amazon Prime Video
Sr no. NAME DESIGNATION ORGANIZATION 1 Aparna Purohit Head, India Originals Amazon Prime Video 2 Ashima Avasthi Head of& ViceMarketing President & Corporate Creative DiscoveryZee Studio Communications, Originals 3 Azmat Jagmag Communications India 4 Deepali Naair Chief Marketing Officer IBM 5 Manisha Sharma VP,Chief Head Content (Marketing Officer & Viacom18 6 Manasi Narasimhan Communications), South Asia MasterCard 7 PrathyushaMonika Shergill VP (Content) ZeeNetflix Entertainment Enterprises 8 Agarwal Chief Consumer Officer Limited 9 Sonia Huria Head Communications Amazon Prime Video, India 10 Srishti Behl Arya Director, India Original Films Netflix 11 Aditi Mishra Chief Strategy Officer Lodestar UM 12 Hema Malik COO Delhi Lodestar UM, MD Magna 13 Ashwini Kamath Senior Vice President Lodestar UM 14 Laya Menon Executive Vice President Lodestar UM 15 Jhumka Saha Senior Manager,Vice President Integarted Lodestar UM 16 Asha Sekhar Marketing Communications Coca Cola India 17 Delna Avari Founder Delna Avari & Consultants 18 AshaManeesha Kharga Khanna ExecutiveDirector, Marketing VP & Group Analytics Chief PepsiCo 19 Marketing Officer Axis Bank 20 Rajashree R ExecutiveChief Marketing Director, Officer Incharge TataMullen Consultancy Lintas, President, Services Indian 21 Kavita Lakhani (Lintas Live) Women Chambers of 22 Raga Olga DSilva Head,LGBTQ Human Speaker, Resources Director and Speaking Minds 23 DeepshikhaBindu Jacob Goel CSR UFO Moviez 24 Surendran Head of Communications Tata Trusts 25 Kajol Srinivasan Chief Marketing Officer Stand-up -
Uninhibited India Eyes Russian Kamov
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years. -
10 Apps That Made India
10 APPS THAT MADE INDIA ‘APPY IN 2017 Delve into the Universe of mobile applications and learn which ones made it to the list of 10 most popular apps of 2017 – Jagrati Rakheja [email protected] ver wondered about the day when your its CEO shaming India by calling ‘poor india’ has got mobile applications became an integral part Snapchat incredible fame. Though, it was still amongst of your life? Or how the small icons on your the favorite mobile applications for youngsters. Its Esmartphone’s display started playing a crucial features like sharing private messages, sharing images, role in your everyday routine? clicking perfect selfies, re-watching stories, limited life Let us ponder over this thought. The applications on of messages, keeping up-to-date news about celebrity your phones are not just mere service providing tools but gossip, following celebrities and the list goes on has made immortal beings who don’t breathe. Checking phone for people crazy for snapchat. It is a must application for your whatsapp message, sending snap on snapchat, sharing phone. photographs over instagram or listening to music on several online applications has become an innate quality Instagram in today’s generation. Also, if we go by the 106-page report shared by Hootsuite and We Are Social, more than one-third of the world’s population has access to mobile applications. Smartphone applications have transformed the way we live. People spend majority time of their day on these apps. Now, without wasting further time, let us discuss about the 10 most popular apps that have created a spe- cial mark in people’s life in the year 2017. -
Indian Stand-Up Comedians and Their Fight Against India's Anti
Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
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' ) C(>6 *"D! "D! D VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( 23/0$&2%#. 45) +*+1 .+ /-0 *+ ,- 9I6#3$I H#:#9#=-I 9,9# # 9#( # ,9I ,(,,96#H,(#9 ==6 3I= (5=(,3 $=#;+0,96 E 3 ($! %F22# %G1 E# #!! 6 ' 46 *7 48 5 ! "$% !& ! " ! "# 9>, “allies or partners.” questions. However, an indus- * “The (CAATSA presiden- try source said the law is n a clear indication that , tial) waiver is narrow, intend- ambiguous about “when a IIndia was not going to buck- ? ed to wean countries off waiver is necessary so this can le under the threat of US sanc- # * Russian equipment and allow be avoided for years”. A police official tasked tion over the S-400 missile deal for things such as spare parts The National Defense with the investigation said with Russia, Army chief Gen for previously-purchased Authorization ACT (NDDA) prima facie it appears that the Bipin Rawat on Sunday said ! equipment,” a White House 2019 gives the president the shuttering was hit by a tractor- the country has an indepen- National Security Council power to waive of the CAAT- trolley carrying construction dent foreign policy and it might - spokesperson told PTI hours SA sanctions if it is a national 9>, material, which led to the inci- go ahead with acquiring the + after the conclusion of the S- security interest. dent but the cause is yet to be Kamov helicopters and other 400 contract. But for the pres- It also mentions several n yet another incident of gross ascertained. weapon systems from Moscow. -
American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts. -
TVF's Arunabh Kumar (Left) Won the Vdonxt Person of the Year Award
January 16-31, 2017 Volume 5, Issue 15 `100 13 DIGITAL VIDEO MASTERS TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s largest convention on the rapidly growing digital video space. Subscriber copy not for resale editorial This fortnight... Volume 5, Issue 15 his publication recently decided to revive an old section called ‘Who’s That’, EDITOR Sreekant Khandekar T a section in which we used to profile the rising stars, on and off screen, in the PUBLISHER January 16-31, 2017 Volume 5, Issue 15 `100 advertising and media industry. A few days back, we made a list of people we could Prasanna Singh kick-start ‘Who’s That - 2.0’ with, and I was amazed to see that eight out of the top EXECUTIVE EDITOR ten names were from the online video business. Actors, scriptwriters, content creators, Ashwini Gangal platform heads… what have you. Evidently, the online video space is where all the ASSOCIATE EDITOR Sunit Roy action lies. PRODUCTION EXECUTIVE Andrias Kisku Over the past 14 months, we’ve published some memorable cover stories around 13 ADVERTISING ENQUIRIES professionals from this promising industry, including a detailed piece on All India Shubham Garg DIGITAL VIDEO MASTERS 81301 66777 (M) TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Bakchod, and an in-depth interview with The Viral Fever’s Arunabh Kumar. Also Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s Apoorv Kulshrestha largest convention on the rapidly growing digital video space. -
Stand-Up Comedy and Caste in India
IAFOR Journal of Media, Communication & Film Volume 7 – Issue 1 – Summer 2020 Humour and the Margins: Stand-Up Comedy and Caste in India Madhavi Shivaprasad, Tata Institute of Social Sciences, Mumbai, India Abstract Stand-up comedy as an art form has been known as one of the most powerful forms of expression to speak truth to power. In India, political satire as stand-up is highly popular. However, there is a serious gap in recognising and critiquing social hierarchies, particularly the Indian caste system. Most comedians, including the women who are known as strong critics of patriarchal structures within Indian society and the comedy industry in India, do not see the lack of representation of a Dalit voice in the industry as a structural problem. When caste is specifically named in the routines performed by them, all of them incidentally are a reference to their upper-caste identities in a non-ironical manner. Through critical discourse analysis, the article analyses stand-up comedy videos by these comedians online videos, as well as other non-humorous critiques they have offered on other platforms such as social media in order to understand the implications of these references. The article argues that these narratives reflect the general dominant caste discourse that the upper-caste comedians are a part of and also reconstitute the same by reiterating their own locations within the caste system. Finally it reflects on the significance of humour and particularly stand-up comedy to effect change. Recognising that humour and laughter are social activities also means to acknowledge that they hold potential to break existing stereotypes. -
Analysis of Changes in Basic Cable TV Programming Costs
Analysis of Changes in Basic Cable TV Programming Costs Prepared by: Robert Gessner President Massillon Cable TV, Inc. Massillon, OH Phone: 330-833-5509 Email: [email protected] November 5, 2013 1 Analysis of Changes in Basic Cable TV Programming Costs It is important to note that all of this information is specific to MCTV. Our costs are unique to the extent that we offer our customers a set of networks and channels that differs from others. We also may have different costs for program content due to different outcomes of negotiations. However, I am confident you will find that the facts presented are an accurate representation of the current costs of Basic Cable TV programming, the increase in costs expected in 2014 and the rest of this decade for any independent cable TV company in the US. I believe any other cable TV company will report similar increases in cost, contract terms and conditions, and expectations for the future. 2 Analysis of Changes in Basic Cable TV Programming Costs Contents Executive Summary ........................................................................................................ 4 Expect Large Increases ............................................................................................... 4 There Are No “Local” TV Stations in NE Ohio ............................................................. 4 Seven Major Media Companies Control US TV ........................................................... 4 Contracts Are Becoming More Restrictive .................................................................. -
Awards Best Use of Social Media by a Brand (Content Promotion) #Pmkochitthi Digi Osmosis BRONZE
Category Sub Category Winner Nominated By Trophy Sony Music for the campaign Agency Awards Best Use of Social Media by a brand (Content Promotion) #PMkoChitthi Digi Osmosis BRONZE Agency Awards Best Use of Social Media by a brand (Content Promotion) Voot Digitas India SILVER Agency Awards Best Use of Social Media by a brand (Content Promotion) Comicstaan PivotRoots Digital GOLD Sector Awards Best Romance show on web Flames The Viral Fever GOLD Cyrus Sahukar & Mini Mathur for Popular Awards Adgully Editor's Choice - Jodi in Hindi Web Originals Mind the Malhotras Applause Entertainment GOLD Sayandeep Sengupta & Samridhi Popular Awards Popular Jodi in Hindi Web Originals Dewan for The Office Applause Entertainment GOLD Popular Awards Popular - Regional Comedy Web Series (MARATHI) PADDED KI PUSHUP Hungama Digital GOLD Popular Awards Popular - Regional Comedy Web Series - (BENGALI) SIDE HERO EROS NOW GOLD Popular Awards Adgully Editor's Choice - Hindi Comedy Series CHACHA VIDHAYAK HAI HUMARE OML Entertainment GOLD Popular Awards Popular - Hindi Comedy Series COMICSTAAN SEASON 1 OML Entertainment GOLD Agency Awards Best Use of Social Media by a brand (User Activation) AajTak BRONZE SonyLIV for the campaign #LIVfor Agency Awards Best Use of Social Media by a brand (User Activation) FIFA Magnon Solutions SILVER Publicis Media - Performics Agency Awards Best Use of Social Media by a brand (User Activation) Hotstar Premium Digital GOLD CYRUS SAHUKAR for Mind the Popular Awards Popular Actor (MALE) in Comic Role in a Hindi Web Original Malhotras