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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
De Representatie Van Leraren En Onderwijs in Populaire Cultuur. Een Retorische Analyse Van South Park
Universiteit Gent, Faculteit Psychologie en Pedagogische Wetenschappen Academiejaar 2014-2015 De representatie van leraren en onderwijs in populaire cultuur. Een retorische analyse van South Park Jasper Leysen 01003196 Promotor: Dr. Kris Rutten Masterproef neergelegd tot het behalen van de graad van master in de Pedagogische Wetenschappen, afstudeerrichting Pedagogiek & Onderwijskunde Voorwoord Het voorwoord schrijven voelt als een echte verlossing aan, want dit is het teken dat mijn masterproef is afgewerkt. Anderhalf jaar heb ik op geregelde basis gezwoegd, gevloekt en getwijfeld, maar het overheersende gevoel is toch voldoening. Voldoening om een werk af te hebben waar veel tijd en moeite is ingekropen. Voldoening om een werk af te hebben waar ik toch wel fier op ben. Voldoening om een werk af te hebben dat ik zelfstandig op poten heb gezet en heb afgewerkt. Althans hoofdzakelijk zelfstandig, want ik kan er niet omheen dat ik regelmatig hulp heb gekregen van mensen uit mijn omgeving. Het is dan ook niet meer dan normaal dat ik ze hier even bedank. In de eerste plaats wil ik mijn promotor, dr. Kris Rutten, bedanken. Ik kon steeds bij hem terecht met vragen en opmerkingen en zijn feedback gaf me altijd nieuwe moed en inspiratie om aan mijn thesis verder te werken. Ik apprecieer vooral zijn snelle en efficiënte manier van handelen. Nooit heb ik lang moeten wachten op een antwoord, nooit heb ik vele uren zitten verdoen op zijn bureau. Bedankt! Ten tweede wil ik ook graag Ayna, Detlef, Diane, Katoo, Laure en Marijn bedanken voor deelname aan mijn focusgroep. Hun inzichten hebben ervoor gezorgd dat mijn analyses meer gefundeerd werden, hun enthousiasme heeft ertoe bijgedragen dat ik besefte dat mijn thesis zeker een bijdrage is voor het onderzoeksveld. -
South Park: (Des)Construção Iconoclasta Das Celebridades
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades São Paulo Agosto de 2012 2 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado São Paulo Agosto de 2012 3 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado Comissão examinadora: __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ São Paulo Agosto de 2012 4 AGRADECIMENTOS À CAPES, pelo financiamento parcial da pesquisa. Ao Prof. Dr. José Luis Aidar Prado pela paciência e disponibilidade. Aos meus pais, irmãos e amigos, pela compreensão diante de minhas recusas. Aos meus colegas de curso, em especial, André Campos de Carvalho, Cynthia Menezes Mello e Fabíola Corbucci, Pela amizade e inestimável incentivo. Aos professores integrantes das bancas de qualificação e defesa, pelas orientações e disponibilidade. À Celina de Campos Horvat, por todos os motivos descritos acima. Toda piada é uma pequena revolução. (George Orwell) 5 Resumo O intuito desta pesquisa é estudar a construção social contemporânea das celebridades, bem como o papel que ela exerce na civilização midiática. -
Instructor's Guide
DRAWN TO THE GODS Religion and Humor in The Simpsons, South Park, and Family Guy Instructor’s Guide Dives into a new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park, and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate develops a picture of how each show understands 304 pages | Paper | 978-1-4798-9036-1 Religion and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of Contents: race and ethnicity, stupidity, or danger. From Homer Simpson’s • Chapter Summaries with Discussion Questions spiritual journey during a chili-pepper induced hallucination to and Recommended Episodes South Park’s boxing match between Jesus and Satan to Peter • Questions for Reflection Griffin’s worship of the Fonz, each show uses humor to convey • Supplementary Assignments a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to "Without a doubt, I will use this delightful, well-researched, well-crafted monograph in my media, religion, and popular culture courses. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
Podcast Transcript Version 1.1, 8 December 2017
THE RELIGIOUS STUDIES PROJECT 1 Podcast Transcript Version 1.1, 8 December 2017 Drawn to the Gods: Religion, Comedy and Animated Television Programmes Podcast with David Feltmate (11 December 2017). Interviewed by Breann Fallon. Transcribed by Helen Bradstock. Audio and transcript available at: http://www.religiousstudiesproject.com/podcast/drawn-to-the-gods-religion-comedy-and-animated- television-programmes/ Breann Fallon (BF): If you were asked to name the TV programmes that were most religious, had the most religious content and references, which ones would you name? Seventh Heaven, maybe? Or Supernatural? Or perhaps Game of Thrones? Well, I was wondering how many of us would actually name The Simpsons, or Family Guy, or South Park. Because, did you know that 95% of Simpsons episode, 84% of Family Guy episodes and 78% of South Park episodes contain explicit religious references. These animated comedy shows are critically influential in teaching viewers about religious people and about religious institutions. The commentary created by the intersection between humour, satire and religion in these TV shows – and specifically their context of America, creates an interesting image of what is supposedly meant to be a good religious American. To discuss this topic today I have with me Associate Professor David Feltmate, the author of a fantastic new work entitled, Drawn to the Gods: Religion and Humour in the Simpsons, South Park and Family Guy. Dave is Associate Professor of Sociology at Auburn University at Montgomery. He received his PhD in Religious Studies from the University of Waterloo in 2011. His research areas include the Sociology of Religion, religion in popular culture, humour studies, social theory, new religious movements and religions and family. -
Richard Dawkins
Richard Dawkins Clinton Richard Dawkins, FRS, FRSL[1] (* 26. März 1941 in Nairobi, Kenia) ist ein britischer Zoologe, theoretischer Biologe, Evolutionsbiologe und Autor populärwissenschaftlicher Literatur. Von 1995 bis 2008 war er Professor an der University of Oxford.[2] Er wurde 1976 mit seinem Buch The Selfish Gene (Das egoistische Gen) bekannt, in dem er die Evolution auf der Ebene der Gene analysiert. Er führte den Begriff Mem als hypothetisches kulturelles Analogon zum Gen in der biologischen Evolution ein. In den folgenden Jahren schrieb er mehrere Bestseller, unter anderem The Extended Phenotype (1982), Der blinde Uhrmacher (1986), Und es entsprang ein Fluß in Eden (1995), Gipfel des Unwahrscheinlichen (1996), Der Gotteswahn (2006) und Die Schöpfungslüge (2009) sowie weitere kritische Beiträge zu Religion und Kreationismus. Dawkins gilt als einer der bekanntesten Vertreter des „Neuen Atheismus“ und Richard Dawkins (September 2010) der Brights-Bewegung, für die er in Artikeln in großen Zeitungen warb.[3][4] In einer Umfrage des Magazins Prospect wählte eine Auswahl britischer und US-amerikanischer Juroren Dawkins 2013 zum weltweit wichtigsten Denker.[5] Inhaltsverzeichnis Leben Werk Biologie und biologische Evolution Mem Weltanschauung Rezeption Auszeichnungen Gegenpositionen Trivia Werke (Auswahl) Bücher Essays Wissenschaftliche Veröffentlichungen Filme Literatur Weblinks Einzelnachweise Leben Richard Dawkins wurde 1941 in Nairobi geboren, wohin sein Vater Clinton John Dawkins als Angehöriger der Alliierten Streitkräfte versetzt worden war. Er kehrte mit seiner Familie 1949 nach England zurück. Er studierte bei dem niederländischen Ethologen Nikolaas Tinbergen am Balliol College der University of Oxford Biologie. Im Jahr 1966 erlangte er seinen Doktorgrad in Zoologie (D.Phil.). 1967 heiratete er die Autorin Marian Stamp, von der er sich 1984 trennte. -
South Park's Satan: Sympathetic
SOUTH PARK’S SATAN: SYMPATHETIC CHARACTER AND CRITICAL CULTURAL MIRROR by Joshua Casper A thesis proposal submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in Religious Studies Charlotte 2020 Approved by: _________________________ Dr. Sean McCloud _________________________ Dr. Alexandra Kaloyanides _________________________ Dr. Eric Hoenes Del Pinal ii ©2020 Joshua Casper ALL RIGHTS RESERVED iii ABSTRACT JOSHUA CASPER. South Park Satan: Sympathetic Character and Critical Cultural Mirror. (Under the Direction of DR. SEAN MCCLOUD) In this thesis, I argue that Satan in South Park is portrayed as a sympathetic character who acts as both a role model of individuality and responsibility in a manner that supports what religious studies scholar David Feltmate refers to as the "unseen order" proffered by the show's creators. I will support this argument through three case studies that compares Satan to other prominent South Park characters: Jesus, Saddam Hussein, and Mr. Garrison. This thesis engages with several different fields of scholarly work, including religious studies, media studies, and popular culture studies. While this work is influenced by such scholarship, the main subject, South Park’s Satan, has not been the focus of any work on religion, media, and popular culture broadly, or scholarship on South Park specifically. In this manner, I hope to add to the existing literature on South Park and religion and popular culture studies. I will discuss Lisle Dalton, Eric Greene, Jane Iwamura, David Feltmate, and Scott Poole and show how they will help me set up the main arguments of my analysis. -
1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek. -
Representations of Abortion in Adult Animated Television Comedy
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Brrap Brrap Pew Pew: Representations of Abortion in Adult Animated Television Comedy Erika A. Byrnison The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3003 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BRRAP BRRAP PEW PEW: REPRESENTATIONS OF ABORTION IN ADULT ANIMATED TELEVISION COMEDY by ERIKA A. BYRNISON A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 i © 2019 ERIKA A. BYRNISON All Rights Reserved ii Braap Brrap Pew Pew: Representations of Abortion in Adult Animated Comedy by Erika A. Byrnison This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Dr. Jean Halley Thesis Advisor Date Dr. Elizabeth Macaulay-Lewis Acting Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Braap Brrap Pew Pew: Representations of Abortion in Adult Animated Comedy by Erika A. Byrnison Advisor: Dr. Jean Halley This thesis charges that representation of abortion in American adult animated comedy is under- examined and significant because representation on television in other genres has traditionally been absent or misleading. -
New Atheism As a Case of Competitive Postsecular Worldviews
New Atheism as a Case of Competitive Postsecular Worldviews Alan G. Nixon 98061264 A dissertation submitted to the School of Social Sciences and Psychology The University of Western Sydney In part fulfilment of the requirements for the degree of Doctor of Philosophy Social Sciences 2014 Acknowledgements I would firstly like to thank my interview participants for their time, as I would not have been able to have a well-rounded thesis without their views. Secondly, my family and friends for their support throughout this long process. I would especially like to thank my mother Kim for her tireless editing. I would also like to thank my primary supervisor Adam Possamai for his efforts in helping this project to come to completion. Last, but certainly not least, my partner Megan, who supported me through all the ups and downs that such a large project entails. I could not have done it without all of you. Statement of Authorship The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part for a degree at this or any other institution. Alan Nixon Date: …………………………………………. Signature: ………………………………….. Table of Contents LIST OF TABLES ................................................................................................................................................ V LIST OF FIGURES .............................................................................................................................................VI -
Snappy Lunch Owner Dies at 84 Surry County Board of Edu- School Program Has Been Cation’S Regular Meeting on Supplying School Cafeterias Mondee Tilley Tuesday Night
A1 log onto www.mtairynews.com for archive • games • features • e-edition • polls & more The Mount Airy News Serving Surry County since 1880. INSIDE STORY WEATHER SPORTS ONLINE surry democrats scattered storms hounds beat rival enter your pet in the open headquarters today. high 83, Bears .... A6 cutest pet contest at .... A2 low 69........ A2 mtairynews.com Vol. 132, Issue 226 WEDNESDAY, SEPTEMBER 5, 2012 50 cents Board approves Land Use Plan 2020 Keith Strange minute changes to the document. of recent and ongoing projects fore the board a couple of months rent economic factors, Bates said. staf reporter The action came as the board met and a few corrections in the table ago, after county planners held The current plan, Land Use for its regular meeting at the county of contents. public meetings for discussion of Plan 2015, was adopted by the DOBSON — Surry County government center in Dobson. Bates said he is comfortable the document. board of commissioners in Oc- now has a new land use plan, one Addressing the board, County that the plan can be used as a During its Aug. 20 meeting, the tober 2006, and Bates has noted which county oficials say will Planner Kim Bates said the plan guide for future land use within board decided to punt action on that frequent updates to the doc- pave the way for effective land use changed little from the original the county. the plan in order to have a week ument are encouraged in order for the next several years. document. “We’re satisied that this plan to review changes made by Bates.