DOCSLIB.ORG

Opens Consumer Dialog... Chicago Court Grants Anti - Piracy Decisions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

October 31. 1970 $1.0. Trade Reporting: A Credo (Ed)... Columbia 'Playback' Opens Consumer Dialog... Chicago Court Grants Anti - Piracy Decisions. ..TRO & Carlton Team In Disk -A/V Venture...Lowy Heads Mediarts Pubs...1st USTeldec Shown. .Festival Gets Island/Invictus In Australia THE CARPENTERS: ONLY JUST BEGUN M? AND RECORDINGS DEPARTMENT www.americanradiohistory.com VIS .At(AS Must HAS A NEW LABEL. 50111MB1A. Vic Dana is no stranger to the charts. And now, with his new label, more people will be paying attention to Vic's music than ever before. Vic's new single, "You Gave Me A Reason (To Believe)," will have Columbia Records on it. As well as behind it. Welcome, Vic Dana, to Columbia Records ,e "You Gave Me A Reason (To Believe)"(4-45261) O\-u me G VIC DANA 4-45261 MONO JZSP 153945 VERSION (Intro: :I2) Publisher: Conti and Puna 2:53 Mosinee Co. (WI) YOU GAVE ME A REASON (TO BELIEVE) D. lambert 3. Peter Arranged by Al Capps CpProduced byJgDick Dl MBA N MARCAS REG '4°4'9 A -COLUMBIA." MARCAS REG PRINTED IN U S A. www.americanradiohistory.com duhx. /// \U THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXII - Number 19/October 31, 1970 Address: Cash Box, N.Y. Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN C01231970 Assoc. Editor ED KELLEHER r ERIC VAN LUSTBADER 1^ KENNY KERNER - EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA MARK HODES ADVERTISING STAN SOI FER Advertising Manager ACCOUNT EXECUTIVES ED ADLUM, New York Trade Reporting: A Credo HARVEY GELLER, Hollywood WOODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager JON RAND. Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. 90028 Phone: (213) 465-2129 NASHVILLE JUANITA JONES 806 16th Ave. South, Nashville, Tenn. 37203 Phone: (615) 244.2898 "Have you heard ..." or "we have offer legitimate reason for its use, we CHICAGO to prosper and heard . ." is music to the ears of also want the industry CAMILLE COMPASIO reasons for 29 E. Madison St., Chicago, Ill. Phone: (312) FI 6-7272 a reporter. For it may set in motion be well served, two good the follow-up to a good trade story trade papers to exist in the first place. ENGLAND ITALY that may not only inform the trade, This piece is not intended to be a DORRIS LAND BRUNO POZZA a possible 3 Cork Street 5, Co -so Europa but prove to be an exclusive piece as primer on "how to handle London W1 Milan While exclusive coverage of trade exclusive." For we all feel that indus- Tel. 01-7342374 Tel: 704691 well. GERMANY HOLLAND developments in Cash Box is a nice try developments occur without the TOERSLEFF PAJL ACKET CHRISTIAN have, the rumor -that -could - direct initiative of a trade reporter. A 2 Hamburg 56 Theresiastraat 59-63 thing to Leuchtturmeg 30 The Hague be -true call carries with it certain re- journalism professor once told an as- Tel: 34-91-94-86 Tel: 837700 more tounded class that he estimated that BRAZIL BELGIUM sponsibilities that are, surely, PEDRO FRAZAO ETIENNE SMET important than the possible exclusive. 90% of all news coverage is the result DE VASCONCELOS Postbus 56 is fine, but it of handouts, including important po- Rua Frei Caneca, 11, Apt. 13 B-2700 Sint-Niklaas Reporter initiative Sao Paulo, S.P., Brazil Tel. (03) 76.54.39 should mean an awareness that com- litical and social news. Cash Box feels Tel: 257 15 58 AUSTRALIA limits that the fact that it receives an im- ARGENTINA PETER SMITH ments off-the-record remain off MIGUEL SMIRNOFF 40 Winter; Way to his typewriter. When a member of portant news item directly from the Belgrano 3252, Piso 4 "B" Doncaster 3108 individual or company involved does Buenos Aires, Argentina Victor -a, Australia the trade informs a reporter that what Tel: 89-6796 MEXICO he is saying is not for print, and that not automatically relegate it to obscu- CANADA SALVADOR ARREGUIN rity in favor of the "exclusive" with WALT GREALIS ANTONIO SENS desire is not adhered to, it constitutes RPM Tiber 100 -7 y 8 Pisos a breach of journalistic ethics. When minor trade importance. If these re- 1560 Bayview Ave. Mexico 5 D.F. are not press -time rushes, Toronto 17, Ontario Tel: 525-39-52 11-62-96 to the best of his ability and the cir- leases Tel: (416) 89-2166 JAPAN cumstances involved a reporter fails there should be an attempt to dig and FRANCE Adv. Mgr. on FRANC G. LIFSIC SACHIO SAITO to check out a rumor to its ultimate make evaluations the "hand-out." 32 Rue Du Moulin Joly 1-11 2 -Choree Shinbashi source of confirmation or fails to get But, even with superficial re -write Paris XI Minato -Ku, Tokyo a Tel. 023-90-06 Tel: 504-1651 both sides of comment, it is a breach based on the time element, major SPAIN Editorial Mgr. of one's concern for the trade, since trade development is major whether JOAQUIN MERINO FUMIYO TACHIBANA Monday Presidente Carmona, 11 1-11 2-Chome Shinbashi the "exclusive" story with the facts or not it's going to be read Madrid 20, Spain Minato -Ku, Tokyo all messed -up can result in the ter- morning in all the trades. Tel. 270-2915 Tel: 504-1651 mination of an important industry deal "Responsibility," then, is the key SUBSCRIPTION RATES $30 per year anywhere in the kind of report- U.S.A., Published weekly at 10 McGovern Avenue, Lan- and with it the loss of a great deal of word in reporting, any caster, Pa. by Cash Box, 1780 Broadway, New York, N.Y. honor its 10019. Second class postage paid at Lancaste-, Pa. 17604 money. ing. Cash Box attempts to U.S.A. to a better industry Copyright © 1970 by The Cash Box Publishing Co., Inc. We, as part of the trade press, not commitment All rights reserved. Copyright under Universal Copyright Convention. only want a good story when we can through responsibility. www.americanradiohistory.com !4.712,347 CushIoxTOP1OO ' 1 I'LL BE THERE 35 (I KNOW) I'M LOSING YOU STAND BY ME The Jackson Five -Motown 1171 1 2 Rare Earth -Rare Earth 5017 (Dist: Motown) 18 8 David & Jimmy Ruffin -Soul 35076 80 - 2 WE'VE ONLY JUST BEGUN 36 CLOSER TO HOME 69 LOVE UPRISING Carpenters-A&M 1217 2 4 Grand Funk 2877 -Capital 27 31 Otis Leaville-Dakar 620 (Dist: Atlantic) 73 80 3 ALL RIGHT NOW 37 DO WHAT YOU WANNA DO 70 ONE LESS BELL TO ANSWER Free-A&M 1206 4 5 5 Flights Up -TA 202 (Dist: Bell) 29 32 Fifth Dimension -Bell 940 76 87 WANTS ME 4 INDIANA 38 SWEETHEART 71 FRESH AIR R. Dean Taylor -Rare Earth 5013 (Motown) 5 6 Engelbert Humperdinck-Parrot 40054 (London) 38 41 Quicksilver -Messenger Service -Capitol 2920 78 84 5 GREEN EYED LADY YELLOW RIVER I NEED HELP Sugarloaf -Liberty 56183 6 7 Christie -Epic 10626 50 60 Bobby Byrd -King 6323 6 FIRE & RAIN HEED THE CALL BE MY BABY James Taylor -Warner Bros. 7423 7 15 Kenny Rogers & First Edition -Reprise 0953 52 61 Andy Kim -Steed 729 (Dist: Paramount) 7 CRACKLIN' ROSIE 41 AND THE GRASS WON'T 74 JERUSALEM Neil Diamond -Uni 55250 3 1 PAY NO MIND Herb Alpert & Tijuana Brass-A&M 1225 81 86 8 LOLA Mark Lindsay -Columbia 45229 46 50 Kinks -Reprise 0930 8 14 75 INDIAN LADY 42 I JUST WANNA KEEP IT TOGETHER Lou Christie-Buddah SOMEBODY'S BEEN SLEEPING Davis -Bang 579 47 57 192 82 89 100 Proof -Hot Wax 7004 (Dist: Buddah) 14 19 PART TIME LOVEPaul SIMPLY CALL IT LOVE 10 LOOK WHAT THEY'VE DONE TO Ann Peebles -Hi 2178 (Dist: London) 56 66 Gene Chandler -Mercury 73121 88 - MY SONG MA 44 AS YEARS GO BY 77 CAROLINA IN MY MIND New Seekers-Elektra 45699 10 - Mashmakhan-Epic 10634 49 54 Crystal Mansion -Colossus 128 79 85 11 IT'S ONLY MAKE BELIEVE SO CLOSE 78 LOSERS WEEPERS Glen Campbell -Capital 2905 12 13 Jake Holmes-Polydor 14041 54 63 Etta James-Cadet 5676 85 91 12 STILL WATER (LOVE) 5-10-15-20 (25-30 YEARS OF LOVE) NO MATTER WHAT Four Tops -Motown 1170 13 17 Presidents -Sussex 207 (Dist: Buddah) 57 67 Badfinger-Apple 1822 89 92 IT DON'T MATTER TO ME 47 TIME WAITS FOR NO ONE 80 THIS IS MY LOVE SONG Bread-Elektra 45701 16 21 Friends of Distinction -RCA 0385 48 51 Intruders -Gamble 4007 86 - 14 EL CONDOR PASA 48 UNGENA ZA ULIMWENGU 81 WOODSTOCK Simon & Garfunkel -Columbia 45237 11 12 (UNITE THE WORLD) Assembled Multitude -Atlantic 2764 84 78 I THINK I LOVE YOU Temptations -Gordy 7102 30 34 KING OF ROCK & ROLL Partridge Family -Bell 010 34 52 I AM SOMEBODY Crow-Amaret 125 94 100 SUPER BAD Johnnie Taylor-Stax 0078 70 83 83 I'M BETTER OFF WITHOUT YOU James Brown -King 24 33 50 MONGOOSE Main Ingredient -RCA 0382 87 17 GOD LOVE & ROCK & ROLL Elephants Memory -Metromedia 182 53 56 STONED LOVE Teegarden & Van Winkle -Westbound 170 (Janus) 19 24 51 SNOWBIRD Supremes-Motown 1172 SEE ME, FEEL ME Anne Murray -Capitol 2738 26 10 Who -Decca 32729 23 30 SHARE THE LAND GROOVE ME King Floyd-Chimneyville 435 (Cotillion/ATL) 19 LUCRETIA MAC EVIL Guess Who -RCA 0388 77 90 Blood Sweat & Tears -Columbia 45235 22 27 53 LET ME BACK IN 86 STONEY END 20 OUR HOUSE Tyrone Davis-Daker 621 (Dist: Atlantic) 55 58 Barbra Streisand -Columbia 45236 90 98 Crosby, Stills, Nash & Young -Atlantic 2760 21 25 54 JULIE, DO YA LOVE ME WHERE DID ALL THE GOOD TIMES GO THE TEARS OF A CLOWN Bobby Sherman -Metromedia 194 32 22 Dennis Yost & The Classics IV -Liberty 56200 98 - Smokey Robinson & Miracles-Tamla 54199 40 55 LET'S WORK TOGETHER 88 TIME TO KILL 22 DEEPER, DEEPER Canned Heat -Liberty 56151 65 76 Band -Capitol 2870 93 96 Freda Payne-Invictus 9080 (Dist: Capitol) 25 28 I DON'T WANNA CRY SUNSET STRIP STAND BY YOUR MAN Ronnie Dyson -Columbia 45240 66 77 Ray Stevens-Barnaby 2021 (Dist: Epic) Candi Staton-Fame 1472 28 36 57 IT'S A SHAME 90 THE TAKER CRY ME A RIVER Spinners-V.I.P.
Recommended publications
  • Record Dedicated to Serving the Needs of the Music & Record Worldindustry

    Record Dedicated to Serving the Needs of the Music & Record Worldindustry

    record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing.
  • Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf

    Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf

    II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning.
  • Radovi Na Sceni

    Radovi Na Sceni

    SAMO(IZ)GRADNJA: SRBIJA NA PRAŠKOM KVADRIJENALU SCENSKOG DIZAJNA I SCENSKOG PROSTORA 2019. SELF(UP)BRINGING: SERBIA AT THE PRAGUE QUADRENNIAL OF PERFORMANCE DESIGN AND SPACE 2019 Samo(iz)gradnja: Republika Srbija na Praškom kvadrijenalu scenskog dizajna i scenskog prostora 2019. Katalog Self(up)bringing: Republic of Serbia at the Prague Quadrennial of Performance Design and Space 2019 Exhibition Catalogue Urednici / Editors: Ljiljana Miletić Abramović i/and Tatjana Dadić Dinulović Izdavači / Publishers: Muzej primenjene umetnosti, Beograd / Museum of Applied Art, Belgrade Scen – Centar za scenski dizajn, arhitekturu i tehnologiju (Oistat Centar za Srbiju) Fakulteta tehničkih nauka Univerziteta u Novom Sadu, Novi Sad / Scen – Centre for Scene Design, Architecture and Technology (OISTAT Centre for Serbia), Faculty of Technical Sciences, University of Novi Sad Za izdavača / For the publisher: mr Ljiljana Miletić Abramović, direktor Muzeja primenjene umetnosti / Ljiljana Miletić Abramović (MSc), Director, Museum of Applied Art prof. dr Rade Doroslovački, dekan Fakulteta tehničkih nauka / Prof. Rade Doroslovački (PhD), Dean, Faculty of Technical Sciences Grafičko oblikovanje i tehnička obrada / Graphic design and pre-press: Mia David Prevod na engleski / Translation into English: Dragana Rašić Vuković Lektura i korektura za srpski jezik / Proofreading for the Serbian language: Milica Ševkušić Recenzije / Reviews: dr Jelena Atanacković Jeličić i dr Slađana Milićević / Jelena Atanacković Jeličić, PhD and Slađana Milićević, PhD Stručna redakcija Pojmovne mape i hronologije na srpskom jeziku / Expert’s review of the Conceptual Map and Chronology in the Serbian language: SCEN tim / SCEN team Štampa / Printing: Grafički centar „Grid“ Fakulteta tehničkih nauka u Novom Sadu / Graphic centre “Grid”, Faculty of Technical Sciences, Novi Sad septembar 2019 / September 2019 Tiraž / Circulation: 300 ISBN 978-86-6022-205-5 Štampanje kataloga omogućilo je Ministarstvo kulture i informisanja Republike Srbije.
  • Ibro Mangafić Kompozitor, Muzičar, Pedagog

    Ibro Mangafić Kompozitor, Muzičar, Pedagog

    IBRO MANGAFIĆ KOMPOZITOR, MUZIČAR, PEDAGOG DIJAMANTNI DRAGULJ NAŠE NARODNE MUZIKE Jedan od najvećih živućih kompozitora u BiH Ibro Mangafić danas ima 62 godine i živi u Sarajevu, gradu u kojem je rođen i u kojem je stasao kao umjetnik i otišao u legendu za života kao jedan od najplodonosnijih kompozitora na našim prostorima u drugoj polovini 20. vijeka. Rođen je 13.10.1951. godine na sarajevskoj Baščaršiji, u Halačima, baš tamo gdje je nikla “Kuća sevdaha”, u kojoj je nanizana niska najvećih bh. sevdalijskih dragulja. Po opredjeljenju muzičar, kao trinaestogodišnjak se počeo družiti sa gitarom. kao u najljepšoj bajci počeo je svirati sa djecom iz čaršijske mahale, a sa petnest godina je imao svoj bend. Grupa se zvala “Plavi dijamanti”! Ko je tada mogao pretpostaviti da je to simboličan naziv za rađanje “dijamantnog dragulja” bh. narodne draguljarnice. Nakon raspada ove grupe, u novembru 1967. godine Ibro kompletira orkestar u kojimu je pored njega bio i Ljubo Kešelj (harmonikaš), Čurkan Durić (bubnjar) i Paša Bikić (pjevačica). Jedno vrijeme su nastupali i “pekli zanat” po restoranima širom tadašnje Jugoslavije, a ponajviše u Sarajevu. Nakon odsluženja vojnog roka 1973- godine ozbiljnije i angažovanije ulazi u svijet muzike, estrade i komponovanja. Tada nastaju stihovi za prvu njegovu pjesmu "Ti kraljice moga srca" koju je otpjevao Nedžad Imamović, u pratnji orkestra RTV BIH. Noseći u sebi od djetinjstva dah sevdaha, melodije rodnog Sarajeva i Bosne, Ibro kreće na višedecenijsku misiju stvaranja muzike za narod i lansiranja mladih pjevačkih snaga u svijet slavnih. Njegova profesionalna muzička karijera je imala kontinuiranu tendenciju uspona. Od 1973. godine da danas, komponovao je preko 700 pjesama (LP-ploča, muzičkih kaseta, kompakt diskova i DVD albuma) za različite diskografske kuće (Diskoton Sarajevo, RTV Beograd, Diskos iz Aleksandrovca, Jugoton iz Zagreba, RTV Ljubljana, Jugodisk Beograd, Sarajevo Disk).
  • Popular Music and Narratives of Identity in Croatia Since 1991

    Popular Music and Narratives of Identity in Croatia Since 1991

    Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
  • Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft

    Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft

    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/331236297 Heart of glass: Gender and domination in the early days of punk in Portugal: Proceedings of the International Association for the Study of Popular Music 2017 Chapter · January 2019 DOI: 10.1007/978-3-658-25253-3_12 CITATIONS READS 2 410 2 authors, including: Paula Guerra University of Porto 229 PUBLICATIONS 743 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: KISMIF Conference 2016 View project Transglobal Underground View project All content following this page was uploaded by Paula Guerra on 10 February 2020. The user has requested enhancement of the downloaded file. Systematische Musikwissenschaft Marija Dumnić Vilotijević Ivana Medić Editors Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft Reihe herausgegeben von Jan Hemming, Kassel, Deutschland [email protected] Systematische Musikwissenschaft richtet ihr Erkenntnisinteresse häufg auf Zeitpunkte statt auf Zeiträume. Dies ermöglicht es, Prozesse musikalischer Pro- duktion und Rezeption detailliert in den Blick zu nehmen – von akustischen Messungen am Instrument bis zur Hirnforschung am Musikhörer, von einer Prob- lematisierung des Begriffs der „Musikalität“ bis zur Einbeziehung musikbezoge- ner Geschlechter- oder Globalisierungsforschung. Entsprechend vielfältig sind die Anforderungen an methodische, häufg empirische Innovationen sowie an die dazugehörige Theorieentwicklung. Zugleich werden bevorzugt aktuelle oder gesellschaftsrelevante musikkulturelle Phänomene thematisiert. Die Reihe Sys- tematische Musikwissenschaft hat es sich zur Aufgabe gemacht, durch Veröffen- tlichung von Überblickswerken, Monographien und Diskussionsbänden das Spannungsfeld zwischen Theorie und Empirie in der Systematischen Musikwis- senschaft mit neuen Inhalten zu bereichern.
  • 'Standardized Chapel Library Project' Lists

    'Standardized Chapel Library Project' Lists

    Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian.
  • Tom Waits Foreign Affairs Mp3, Flac, Wma

    Tom Waits Foreign Affairs Mp3, Flac, Wma

    Tom Waits Foreign Affairs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Foreign Affairs Country: US Style: Blues Rock MP3 version RAR size: 1143 mb FLAC version RAR size: 1140 mb WMA version RAR size: 1896 mb Rating: 4.9 Votes: 347 Other Formats: MPC XM WMA APE MMF VOC DMF Tracklist Hide Credits A1 Cinny's Waltz 2:16 A2 Muriel 3:33 I Never Talk To Strangers A3 3:37 Featuring [Co-starring] – Bette Midler Medley (5:00) A4a Jack & Neal California Here I Come A4b Written-By – Al Jolson, Buddy G. De Sylva, Joseph Meyer A6 A Sight For Sore Eyes 4:39 Potter's Field B1 8:38 Clarinet, Soloist – Gene CiprianoMusic By – Bob AlcivarWords By – Tom Waits B2 Burma Shave 6:32 B3 Barber Shop 3:52 B4 Foreign Affair 3:46 Companies, etc. Recorded At – Filmways/Heider Recording Mastered At – Elektra Sound Recorders Published By – Warner Bros. Music Ltd. Published By – B. Feldman & Co. Ltd. Phonographic Copyright (p) – Elektra/Asylum Records Copyright (c) – Elektra/Asylum Records Made By – WEA Musik GmbH Pressed By – Record Service GmbH Lacquer Cut At – Strawberry Mastering Credits Arranged By [Orchestra], Conductor – Bob Alcivar Art Direction, Design – Glen Christensen Bass – Jim Hughart Drums – Shelly Manne Engineer [2nd] – Geoff Howe Management [Orchestra Managers] – Edgar Lustgarten , Jim Robak Mastered By [Disc Mastering] – Terry Dunavan Photography By – George Hurrell Piano, Vocals – Tom Waits Producer, Other [Sound By], Engineer – Bones Howe Tenor Saxophone, Soloist – Frank Vicari Trumpet, Soloist – Jack Sheldon Written-By – Tom Waits (tracks: A1 to A4a, A6, B2 to B4) Notes Sleeve: ℗&© 1977 Elektra/Asylum Records Made in Germany by WEA Musik GmbH A Warner Communications Company Inner Sleeve: A Mr.
  • Theorising Return Migration

    Theorising Return Migration

    MAX WEBER PROGRAMME EUI Working Papers MWP 2011/20 MAX WEBER PROGRAMME THE SILENT REPUBLIC: POPULAR MUSIC AND NATIONALISM IN SOCIALIST CROATIA Dean Vuletic EUROPEAN UNIVERSITY INSTITUTE, FLORENCE MAX WEBER PROGRAMME The Silent Republic: Popular Music and Nationalism in Socialist Croatia DEAN VULETIC EUI Working Paper MWP 2011/20 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1830-7728 © 2011 Dean Vuletic Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract This paper explores the development of popular music and its relationship to the political situation in Croatia and Yugoslavia from 1945 to 1991, and how global musical trends were used to construct and reinvent Croatian and Yugoslav cultural and political identities. It begins with a discussion of the suppression of patriotic music in the early decades of socialist Yugoslavia, when the regime attempted to create a supranational culture that would unify Yugoslavia’s constituent nations. It then analyses the national cultural revival in Croatia in the late 1960s that prompted a political movement known as the Croatian Spring, when the pop singer Vice Vukov incorporated Croatian patriotic themes into his songs. In the years following the crushing of the Croatian Spring in 1971, Croatian nationalism was again suppressed in politics and music, and because of this stifling of political opposition Croatia was dubbed “the silent republic.” For the rest of the 1970s the political function of pop and rock music was reflected in its glorification of Yugoslavia and its leader, Josip Broz Tito.
  • 1970-05-23 Milwaukee Radio and Music Scene Page 30

    1970-05-23 Milwaukee Radio and Music Scene Page 30

    °c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area.
  • The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles

    The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles

    http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S.
  • Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON

    Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON

    - i&£S* mmWM i WSmm I ; , .s>» r A:/ sM| iflauM , /// . KB jjo./ '** - 7 : •• •. Artist Mriiy GRITTY DIRT BAND 'Senderling Testifies In 2nd Week-of Payola Hearings £ Capitol Raises List on Key Catalogue, Classics / Securities Analysts' View industry K'.- S *. AS(gA& ’76'Revenues Hit $94 Million Proliferate / V NeilDiastion’b Ads - AlexandeHs Expands; A&S Closes ? , Ex.fiansio&l(t Hoqsfon Retail Market * y >$f.98 For^fJj^Cdn^ume^oves Closer (Ed) . March 5, 1977 Weeks Weeks Weeks On On On 2/26 2/19 Chart 2/19 Chart 2/26 2/19 Chart LOVE THEME FROM “A DISCO LUCY (! LOVE LUCY FANCY DANCER STAR IS BORN” THEME) COMMODORES (Motown 1408) 63 63 11 WILTON PLACE STREET BAND (Island 078) 41 48 7 THIS SONG (EVERGREEN) GEORGE BARBRA STREISAND (Columbia 3-10450) 4 5 13 35 HARD HARRISON LUCK WOMAN (Dark Horse/WB DRC 8294) 61 53 16 TORN BETWEEN TWO KISS (Casablanca 873) 25 24 12 36 DAZZ BABY DON’T YOU KNOW LOVERS WILD CHERRY (Sweet City/Epic 8-50306) 68 67 9 MARY MACGREGOR BRICK (Bang 727) 26 25 20 IT (Ariola America/Capitol 7638) 1 1 17 37 CAR COULDN’T GET RIGHT WASH CLIMAX BLUES BAND (Sire/ABC SAA 736) 87 93 4 FLY LIKE AN EAGLE ROSE ROVCE (MCA 40615) 31 29 18 STEVE MILLER (Capitol 4372) 3 3 12 38 !’VE GOT LOVE MY YOU KNOW LIKE I KNOW ON OZARK MOUNTAIN DAREDEVILS (A&M 1888) 75 78 7 S LIKE DREAMIN’ MIND KENNY NOLAN (20th Century 2287) 5 6 17 YOU + ME = LOVE NATALIE COLE (Capitol 4360) 50 59 5 UNDISPUTED TRUTH YEAR OF THE CAT 39 ALL STRUNG OUT ON YOU (Whitfield/WB WHI 8306) 76 79 5 AL STEWART (Janus J266) 6 7 13 JOHN TRAVOLTA HEY (Midland Inti /RCA MB 10907)