Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft
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Systematische Musikwissenschaft Marija Dumnić Vilotijević Ivana Medić Editors Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft Reihe herausgegeben von Jan Hemming, Kassel, Deutschland [email protected] Systematische Musikwissenschaft richtet ihr Erkenntnisinteresse häufg auf Zeitpunkte statt auf Zeiträume. Dies ermöglicht es, Prozesse musikalischer Pro- duktion und Rezeption detailliert in den Blick zu nehmen – von akustischen Messungen am Instrument bis zur Hirnforschung am Musikhörer, von einer Prob- lematisierung des Begriffs der „Musikalität“ bis zur Einbeziehung musikbezoge- ner Geschlechter- oder Globalisierungsforschung. Entsprechend vielfältig sind die Anforderungen an methodische, häufg empirische Innovationen sowie an die dazugehörige Theorieentwicklung. Zugleich werden bevorzugt aktuelle oder gesellschaftsrelevante musikkulturelle Phänomene thematisiert. Die Reihe Sys- tematische Musikwissenschaft hat es sich zur Aufgabe gemacht, durch Veröffen- tlichung von Überblickswerken, Monographien und Diskussionsbänden das Spannungsfeld zwischen Theorie und Empirie in der Systematischen Musikwis- senschaft mit neuen Inhalten zu bereichern. Weitere Bände in der Reihe http://www.springer.com/series/14363 [email protected] Marija Dumnić Vilotijević · Ivana Medić Editors Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 [email protected] Editors Marija Dumnić Vilotijević Ivana Medić Institute of Musicology Institute of Musicology Serbian Academy of Sciences and Arts Serbian Academy of Sciences and Arts Belgrade, Serbia Belgrade, Serbia ISSN 2570-0367 ISSN 2570-0383 (electronic) Systematische Musikwissenschaft ISBN 978-3-658-25252-6 ISBN 978-3-658-25253-3 (eBook) https://doi.org/10.1007/978-3-658-25253-3 Library of Congress Control Number: 2019930705 Springer VS © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. This Springer VS imprint is published by the registered company Springer Fachmedien Wiesbaden GmbH part of Springer Nature The registered company address is: Abraham-Lincoln-Str. 46, 65189 Wiesbaden, Germany [email protected] Table of contents ………………………………………………………………………………………………… DumnićVilotijević, Medić …………………………….………………. “historical ” …………………………… – ! " !# ! ………………………………………………………………………………………………………… $ %" ! &" '! ( )" century…………………………………………………… * DumnićVilotijević + " …………………………………………………………………………………………. 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[email protected] Table of contents 7 " + …………………………………………………………………… 0" = ……………….……………………. * /+ ( )" <> " + ……………………………………………. 3* % ) 0' 1 “Sing & song”: + … * 2)$ : @1 2 + música — @1 + …………… …… $5* 3 3 & " …………………………………………………………………………… $* A ! 4 )" 5 ;" …. $ Medić B + 9+ ………………………… $$ 4 5 2+ 4 “voice” ……………… $* % Hörner " ……………………………………………………………………… $8 A 4 ……………………… $ 6 -7 # + ! > ………………………….…………………………………………………………………………… $ [email protected] 8 Table of contents 7 …………………………………………………………… $, ; C 0+ ! # " ……………………………………………………………………………………… $, ' ) ………………………………………. $ )$ “Party music”, > # 2 ………………………………………………………………………………………. $3 % $ ………………………………………...……………………………………………………… $ [email protected] Introduction Marija Dumnić Vilotijević, Ivana Medić Serbian Academy of Sciences and Arts, Institute of Musicology, Belgrade, Serbia [email protected], [email protected] This chapter provides introductory remarks to the book and overviews all papers – including their methodologies and examples – with respect to the editors’ divi- sion into particular themes (history and theory of popular music, education and popular music, punk, electronic dance music, popular music ensembles, popular music video, popular music festivals, new issues and approaches). Their posi- tioning within the framework of the 19th Biennial Conference of the Internation- al Association for the Study of Popular Music (Kassel, 26–30 June 2017) is con- sidered, as well as their contribution to contemporary popular music studies. Keywords: popular music studies, history of popular music, theory of popular music, popular music and education, issues in popular music studies The volume Contemporary Popular Music Studies: Proceedings of the 19th Conference of the International Association for the Study of Popular Music (Kassel, Germany, 26–30 June 2017) presents the continuation of the publishing activity within Springer’s series “Systematische Musikwissenschaft” (edited by Jan Hemming) related to the 19th Biennial IASPM conference held in Kassel in 2017. The present volume includes twenty six technically and stylistically edited papers, whose abstracts were approved by the IASPM Academic Committee, even though several of them were not presented at the conference (cf. Merrill and Hemming 2017). This volume ends with the “Erratum” section containing one correction/addition which refers to the previous volume in this series (Mer- rill 2017). The IASPM conference was organized by the University of Kassel at the in- teresting building of Kulturbahnhof – an old train station transformed into a venue for cultural events. It was an excellent opportunity for approximately 300 popular music scholars from five continents to engage in intellectual exchange, to present their research (in the form of panels or individual papers) and to learn about recent achievements of popular music studies from the perspectives of © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019 M. Dumnić Vilotijević und I. Medić (Hrsg.), Contemporary Popular Music Studies, Systematische Musikwissenschaft, https://doi.org/10.1007/978-3-658-25253-3_1 [email protected] 10 Marija Dumnić Vilotijević, Ivana Medić humanities and music performance. This was an especially fruitful occasion to familiarize with the activities of the members of IASPM D-A-CH (German- speaking branch). There were six conference streams: researching popular music, analysing popular music, teaching and learning popular music, remapping popular music, narrating popular music, technology and popular music; and all of them were divided into subthemes. Almost one half of papers in this volume belong to the first theme, but since other papers also contribute to the research of popular mu- sic in general, we conceived another thematic conception of the book. Definition and conceptualization of the notion of “popular” are still among the topics of popular music studies, especially in