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The Queer Turn of Video Game Localization 'Fills You With The Queer Turn of Video Game Localization ‘Fills You With Determination’: A Case Study of Undertale Olga Báez Humanes Master’s final project Tutor: Dr. Robert Martínez Carrasco Master’s degree in Translation and Technologies Universitat Oberta de Catalunya June 2021 AGRADECIMIENTOS (ACKNOWLEDGEMENTS) Los agradecimientos expresados a continuación deben comunicarse de forma bilingüe para aquellas personas en el ámbito personal que me han apoyado durante el proceso de una forma u otra. En primer lugar, a Robert, mi tutor, quien mostró fascinación por mis ideas desde el primer momento. Con su ayuda y apoyo he logrado hacer realidad los objetivos que pretendía alcanzar con este trabajo de tanto valor profesional y sentimental. Muchísimas gracias. To Ryan, who never misses out on any of my (non) progress, and who is such an invaluable source of reassurance. I am wholeheartedly grateful for his immense support and all the affection filling my inventory. Finalmente, infinitas gracias a las personas que nunca han dejado de cuidarme: mis padres, a quienes debo mi coraje y determinación, y mi admirable hermana, que además ha sido siempre mi confidente. Dedicated to all the people who fail to be. ABSTRACT Video games are quintessentially queer platforms insofar as they constitute alternative realities that do not stem from solidly presupposed constructs and dynamics. However, only during the last decade has queer game studies become delineated in academia, prompting collaborations across several disciplines. This project aspires to engage with queer game studies from the field of localization, while simultaneously contributing to the sociological and activist turns of translation. For this purpose, a queer turn in video game localization is suggested, which uses the potential of translation for socio-political intervention to thoroughly explore and reproduce the inherent otherness in video games. In doing so, (self)critical and close-reading practices are applied to the queer analysis of the American video game Undertale for its Spanish translation. Such practices would put an end to the common domesticating method in audiovisual translation of resolving the linguistic and socio-political divergences between target and source locales through the erasure of alienness. Keywords: Queer studies, deconstructive theory, video game localization, reflexive translation, close reading, translation turns, translation barriers. RESUMEN Los videojuegos son plataformas queer por antonomasia en la medida en que constituyen realidades alternativas que no se derivan de la presunción de construcciones y dinámicas sólidas. Sin embargo, el estudio académico de los videojuegos desde la perspectiva queer no empezó a tomar forma hasta la década pasada, provocando una corriente de estudios interdisciplinares. Este proyecto aspira a implicarse con la ludología queer desde el campo de la localización, al mismo tiempo que contribuye a los giros sociológico y activista de la traducción. Para ello, se sugiere un giro queer en la localización de videojuegos, el cual utiliza el potencial de intervención sociopolítica propio de la traducción para explorar minuciosamente la otredad inherente a los videojuegos, y reproducirla. De este modo, se aplican prácticas (auto) críticas y de lectura atenta al análisis queer del videojuego estadounidense Undertale para su traducción al español. Tal giro pondría fin a los métodos de domesticación comunes en traducción audiovisual, que consisten en resolver las divergencias lingüísticas y sociopolíticas entre los contextos origen y meta a través de la eliminación de lo ajeno. Palabras clave: Estudios queer, teoría deconstructiva, localización de videojuegos, traducción reflexiva, lectura atenta, giros de la traducción, barreras de la traducción. CONTENTS THEORETICAL FRAMEWORK ............................................................................................. 5 1. A Brief Introduction to Queer Studies ............................................................................ 5 2. Video Games As Quintessentially Queer Platforms ....................................................... 8 3. Too-close Reading, Too Much Questioning ................................................................. 12 3.1. Queer Negativity: Losing and Playing the Wrong Way ........................................... 14 3.2. Queer Game Design: Bonding with Pain .................................................................. 17 3.3. Reading and Recreating Alienness: The Activist Turn of Translation ..................... 18 3.3.1. The Queer Turn of Video Game Localization ....................................................... 21 EMPIRICAL FRAMEWORK ................................................................................................. 25 4. Introduction to the Queer Turn of Video Game Localization....................................... 25 5. Objectives, Research Questions and Hypothesis .......................................................... 25 6. Methodology ................................................................................................................. 27 7. Applying Queer Translation Practices: Too-Close Reading Undertale ........................ 28 7.1. Where Is the Queerness in Undertale? or, Where Is the Queerness? In Undertale .. 28 7.1.1. Non-Productivity ................................................................................................... 30 7.1.2. Failure .................................................................................................................... 31 7.1.3. Pain ........................................................................................................................ 34 7.1.4. Alienness ............................................................................................................... 35 7.1.5. Intimacy ................................................................................................................. 37 7.1.6. Explicit Queer Representation ............................................................................... 39 7.2. Translation Losses: Presentation and Classification of Data .................................... 40 8. Discussion & Conclusions ............................................................................................ 45 References ............................................................................................................................... 49 Appendix ................................................................................................................................. 54 FIGURES Figure 1. Screenshot of a homosexual villain character in Crime Fighters 2 ............................ 8 Figure 2. Screenshot of The Legend of Zelda: Phantom Hourglass ........................................ 10 Figure 3. Screenshot of Detroit Become Human ..................................................................... 11 Figure 4. Screenshot of Flappy Bird ........................................................................................ 12 Figure 5. Screenshot of Super Mario Odyssey ........................................................................ 16 Figure 6. Screenshot of Google Translate by Vargha (2021) .................................................. 20 Figure 7. Screenshots of Animal Crossing: New Horizons .................................................... 22 Figure 8. Screenshot of Undertale (2015). Warning message. ................................................ 29 Figure 9. Screenshot of Undertale (2015). Pixelated and agitating style as characteristic of the game’s interactive mode. ......................................................................................................... 29 Figure 10. Screenshot of Undertale (2015). The gate will only open if all three rocks are in place. ........................................................................................................................................ 36 Figure 11. Screenshot of Undertale (2015). Muffet introducing French in the English lexicon. .................................................................................................................................................. 37 Figure 12. Screenshot of Undertale (2015). Intimate scene with Napstablook. ...................... 38 Figure 13. Screenshots of Undertale (2015). To the left, Mettaton performing cross-dressed. To the right, Mettaton in battle mode using his effeminate android form. ................................... 39 TABLES Table 1. Spanish and English versions of the sixteen extracted texts ...................................... 42 Table 2. Original and translated segments copied from SDL studio bilingual file .................. 56 THEORETICAL FRAMEWORK 1. A Brief Introduction to Queer Studies During the last decade of the 20th century, queer theory was introduced to feminist studies, constituting a prominent part of the Third Wave of feminism (Butler, 2011). Hitherto, it had become evident that the concepts of sex and gender were widely flawed interpretations of a social structure of power (Beauvoir, 2015). In The Second Sex, Beauvoir (2011: 283), addresses this concern and enunciates the words that would become one of the most influential landmarks in the history of feminism: “one is not born, but rather becomes, [a] woman,” with which she drew attention to the social phenomena that situates ‘man’ as an indisputable synonym of ‘human’, and ‘woman’, as the second sex that cannot think itself without ‘man’. The
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