ANNUAL REPORT 2000/2001 for Period Ending March 31, 2001
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To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo. -
Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Retrospektive Viennale 1995 FILMMUSEUM
CESTE R R F.ICHISCHES Retrospektive Viennale 1995 FILMMUSEUM 30. September-4. November 1995 THE LAST GREAT AMERICAN PICTURE SHOW NEW HOLLYWOOD 1967-1976 MIT FILMEN VON ROBERT ALDRICH ROBERT ALTMAN • JOSEPH ANTHONY • MICHELANGELO ANTON ION I HAL. ASHBY • PETER BOGDANOVlCH • JOHN BOORMAN JOHN CARPKNTLR JOHN CASSAVETES • LARRY COHEN • FRANCIS FORD COPPOLA • JACQUES DEMY • BRIAN DE PALMA • DARYL DUKE JOHN FL.YNN ROBERT I RANK JOHN FRANKFNHFIMER JAMES FRAWLEY • WILLIAM GREAVES • JAMES WILLIAM GUERCIO BILL GUNN JAMES B. HARRIS MONTE ULI LMAN 1)1 NMS HOPPER JOHN HUSTON • HENRY JAGl.OM l LoNARD KASTLE • ELIA KAZAN • ROBERT KRAMER • BARBARA LODEN • SIDNI Y LUMET» TERRENCI M \LI( K JIM McBRIDE FLQYD Ml 1 RUX JACK NICHOLSON BILL NORTON AI AN ! PAKl LA « IVAN PASSER • SAM PECKINPAH • ARTHUR PENN • ROMAN POLANSKI • BOB RAFELSON • KARL I REISZ MICHA! I RTtCHIE GEÖRÖE A. ROMERO • MARTIN SCORSESE JERRY SCHATZBERG BARRY SHEAR DON SIEGEL MELVIN VAN PEEBLES AGNES VARDA JOHN WATERS HASKF.LL WEXLER • PETER YATES Samstag, 30. September 1995, 17.30 Uhr Montag, 2. Oktober 1995, 21.30 Uhr Donnerstag, 5. Oktober 1995, 17.30 Uhr Samstag, 7. Oktober 1995, 19.30 Uhr Dienstag, 10. Oktober 1995, 17.30 Uhr Donnerstag. 12. Oktober 1995, 21.30 Uhr THE CONVERSATION (1974) FACES (1968) NIGHT MOVES (1975) MEDIUM COOL (1969) SOME CALL IT LOVING (1973) WILD IN THE STREETS (19681 Regie und Drehbuch: Francis Ford Coppola: Ka¬ Regie und Drehbuch": John Cassavetes: Kamera: Regie. Drehbuch und Kamera: Haskeil Wexler; (Sleeping Beauty) mera: Bill Butler; Bauten: Doug von Koss: Musik: AI Ruban; Bauten: Phedon Papamichael; Musik: Regie: Arthur Penn; Drehbuch: Alan Sharp Bauten: Leon Erickson; Musik: Mike Bloomfield; Regie Barry Shear. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
British Columbia Film Foundation Daryl Duke & William Vince Scholarship Program / Guidelines 2016-2017
BRITISH COLUMBIA FILM FOUNDATION DARYL DUKE & WILLIAM VINCE SCHOLARSHIP PROGRAM / GUIDELINES 2016-2017 THE BRITISH COLUMBIA FILM FOUNDATION The British Columbia Film Foundation is a charitable foundation established in 2008, and administered by Creative BC, with the goal of advancing the study and teaching of Canadian film, television and new media studies through the provision of Scholarships to students. OBJECTIVES The British Columbia Film Foundation’s Daryl Duke & William Vince Scholarships are intended to: honour the significant contributions of Daryl Duke and William Vince to the film and television industry; and assist in the advanced training of outstanding BC motion picture and media creators. DARYL DUKE As a director and producer, Daryl Duke’s Emmy Award winning career included successes in feature film, television drama, documentary and television specials. In a professional life that spanned more than half a century, Daryl worked with all of the major North American television networks and for most of the studios in Hollywood. His film and television assignments took him to South America, Asia, China, India, the Middle East and Europe. Daryl began his career as an editor, writer and director at the National Film Board and a director and producer at the CBC. He is best known for having directed “The Thorn Birds”, the 10 hour mini- series from the bestselling book; “Tai-Pan”, based on the novel by James Clavell and “I Heard the Owl Call My Name”, adapted from the novel by Margaret Craven. In the mid-1970’s, Daryl founded the independent television station CKVU in Vancouver. He was the station’s first President, Chief Executive Officer and Chairman of the Board, leading it to be the highest rated station in its market. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Download Download
Ottawa 1996 By Gerald Pratley Spring 1997 Issue of KINEMA IN OTTAWA, ONE WEEK LATER, came the Summer Institute of Screen Writing, now in its sixteenth year, and where, on its opening night we heard that its enthusiastic and determined founder, Tom Shoebridge, has decided to move upstairs to the position of Chairman bringing in Tim O’Brien to be the programmer. This event is not so much a festival as a work place forum where the paying participants are introduced to the ”intensive, focused, career-boosting” workshops and where, in just five days ”you will realize your highest potential” in screen writing and direction. As introductions to crafts and careers however, with descriptions of methods to follow and moves to make, they are revealing and valuable. Few leave without feeling that they have trodden at last the paths to discovery. Among those leading the way were Sandy Wilson, Gerald Wexler, Anna Sandor, Nancy Trites Bodkin, Bill Gough, Tantoo Cardinal, Murray Battle, Leon Marr and Stephen Williams, who all gave generously of their experiences and working procedures. There were times when it seemed that these groups of eager Canadians were actually learning more about how to make American films, but no one seemed to be bothered about this. And why should they be? We are so Americanised in our daily cinema and tv watching that to make American films would be the obvious thing to do. And so we do! Of the evening films screened theone premiere was that of Swann, an Anglo-Canadian co-production based on the novel by Carol Shields. -
V I T O V I S C O
VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist. -
Television December 24 Ð December 30 Saturday, December 24 Sunday, December 25 Monday, December 26 Tuesday, December 27 7:00 PM Much Desired Air Rifle
BSpg12TVDec24 23/12/05 11:16 AM Page 1 12 THE PARRY SOUND BEACON★STAR Saturday, December 24, 2005 Parry Sound Television December 24 – December 30 Saturday, December 24 Sunday, December 25 Monday, December 26 Tuesday, December 27 7:00 PM much desired air rifle. 7:00 PM g\ Fries With That? 7:00 PM U\ Friends 7:00 PM Startling New Evidence 2\ Grandma Got Run Peter Billingsley, Darren 2\ h\ Spirit Connection *\ McGavin Men of the Deeps c\ 2\ Corner Gas 8:30 PM 2\ Corner Gas American Justice Over by a Reindeer 3\ Malcolm in the Mid- Big Hollywood 3\ Entertainment 3\ Entertainment E\ 3\ Santa Claus Parade 8:15 PM dle Countdown 3\%\ Arrested Develop- Birth Stories 4\ Access Hollywood $\ 4\9\ ,\ Football Minnesota Tonight Canada Tonight Canada U\ Friends Part 2 of 2 Weekend 8 Simple Rules for America’s Funni- 4\ Who Wants to Be A ment 4\ Who Wants to Be A 6\ ++++ Dating My Teenage est Home Videos Vikings vs. Baltimore from Dec 26 Movie It’s a Daughter 6\ Holiday Festival On Ravens NFL Live Millionaire? 7\k\ How I Met Your Millionaire? Wonderful Life (1946) An E\ 6\ Coronation Street 6\ Winter Tales 8:30 PM angel shows a suicidal 8:30 PM Ice Renovate My 7\k\ Mother 7\k\ banker how important he g\ Sabrina, The Teenage 7\ 60 Minutes Wardrobe The Insider The Insider 9\ Rodney has been to the lives of 8\ 8\ Shipwrecked g\ Sabrina, The Teenage 8\ Animal Tracks Witch Movie +++ 8:40 PM 9\ Action News 9\ g\ Sabrina, The Teenage others. -
31 Août 2005 1,25$ + T.P.S
Une affaire de coeur avec nos lecteurs depuis 30 ans ! À L’INTÉRIEUR Nettoyage de la rivière.........HA2 «Poilu» en specta- cle.............HA10 Lodin l’emporte au golf.........HA28 Vol. 30 No 24 Hearst On ~ Le mercredi 31 août 2005 1,25$ + T.P.S. PenséePensée PenOpérationsée embellissement! Le bonheur n'est Ppas equelquens échosee que l'on vit, c'est quelquePen chosesé donte on se souvient. POscaren Levantsée Pensée Veuillez noter que les bureaux du journal Le Nord Dans une initiative bien particulière visant à assainir les et de la Librairie Le Nord eaux de la rivière Mattawishkwia, ces quatre jeunes filles seront fermés le lundi 5 ont retiré pas moins de 14 pneus dans le secteur communé- septembre, dans le ment appelé «Creek à Giroux». On reconnaît : Chloé cadre de la Fête du Travail. Gagnon et Alexa Fleury à l’avant du canot et Samantha Les heures de tombée pour la Fleury et Daphné Gagnon à l’arrière. (Voir texte et photo en publicité demeurent les page HA2) mêmes. Le dépotoir fermé pendant seulement quelques minutes MÉTÉO Les ours continuent d’envahir HEARST(AB) - Les ours conti- provoqués par des jeunes et cette tant de ne pas provoquer les bêtes ses rejetons. MERCREDI nuent de faire sentir leur présence dernière a fait un geste qui lais- lorsque les gens se rendent au D’autres ours ont été observés à l’intérieur des limites de la ville sait croire qu’elle semblait prête à dépotoir. dans divers secteurs de la muni- Ciel variable Min 12; Max 21 alors qu’encore la semaine attaquer», mentionne Réal «Mais ce n’est malheureuse- cipalité au cours des derniers PdP 20% dernière, plusieurs cas ont été Gagnon. -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p.