Retrospektive Viennale 1995 FILMMUSEUM
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo. -
Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
British Columbia Film Foundation Daryl Duke & William Vince Scholarship Program / Guidelines 2016-2017
BRITISH COLUMBIA FILM FOUNDATION DARYL DUKE & WILLIAM VINCE SCHOLARSHIP PROGRAM / GUIDELINES 2016-2017 THE BRITISH COLUMBIA FILM FOUNDATION The British Columbia Film Foundation is a charitable foundation established in 2008, and administered by Creative BC, with the goal of advancing the study and teaching of Canadian film, television and new media studies through the provision of Scholarships to students. OBJECTIVES The British Columbia Film Foundation’s Daryl Duke & William Vince Scholarships are intended to: honour the significant contributions of Daryl Duke and William Vince to the film and television industry; and assist in the advanced training of outstanding BC motion picture and media creators. DARYL DUKE As a director and producer, Daryl Duke’s Emmy Award winning career included successes in feature film, television drama, documentary and television specials. In a professional life that spanned more than half a century, Daryl worked with all of the major North American television networks and for most of the studios in Hollywood. His film and television assignments took him to South America, Asia, China, India, the Middle East and Europe. Daryl began his career as an editor, writer and director at the National Film Board and a director and producer at the CBC. He is best known for having directed “The Thorn Birds”, the 10 hour mini- series from the bestselling book; “Tai-Pan”, based on the novel by James Clavell and “I Heard the Owl Call My Name”, adapted from the novel by Margaret Craven. In the mid-1970’s, Daryl founded the independent television station CKVU in Vancouver. He was the station’s first President, Chief Executive Officer and Chairman of the Board, leading it to be the highest rated station in its market. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
ANNUAL REPORT 2000/2001 for Period Ending March 31, 2001
ANNUAL REPORT 2000 - 2001 ANNUAL REPORT 2000/2001 For period ending March 31, 2001 Page 1 BRITISH COLUMBIA FILM YEAR IN REVIEW 2000/2001 continued to be a period of growth for the British Columbia film and television industry. For the second year in a row, the province surpassed $1 billion in total production activity. This represents the largest level of production across Canada, and retains British Columbia’s place as the busiest North American production centre outside of Los Angeles and New York. Contributing to the overall growth of the film and television sector has been the establishment of an increasingly strong indigenous independent production community. The sustained rise in B.C. owned and controlled production over the past five years marks a significant shift in the traditional structure of the B.C. industry. In 2000, indigenous production represented 30% of total production whereas in 1995 it represented only 8%. British Columbia can be confident that it has developed a strengthened domestic sector alongside its active service production industry. In October 2000, Minister of Canadian Heritage, Sheila Copps announced the long awaited Canada Feature Film Fund to be administered by Telefilm Canada. The fund will provide $100 million each year for five years through performance and selective envelopes to Canadian feature filmmakers. The Canadian broadcasting landscape was set for dramatic changes as a result of key ownership shifts brought before the CRTC for approval. BCE sought the purchase of CTV, Global vied for the assets of WIC, and a new television station license was slated for Victoria. British Columbia Film put forward written submissions and made presentations at the CRTC hearings related to these broadcast changes, seeking to ensure that benefits flowed to British Columbia’s independent production sector. -
2007-2008 Annual Report
07_08 ANNUAL REPORT 07_08 ANNUAL REPORT LETTER FROM EXECUTIVE DIRECTOR Dear Friends: The 2007-08 season at YBCA has once again proven to be one of Not to be overlooked, the financial figures that are here will dem- significant accomplishment. onstrate the fiscal responsibility that is the hallmark of our work at As you will see by looking through this annual report, our artistic YBCA. We take very seriously the responsibility invested in us not endeavors continue unabated. While it is always difficult to select only by the San Francisco Redevelopment Agency but also by the only a few highlights from any given season, I would certainly be foundations, individuals and corporations who believe in the work remiss if I did not point to exhibitions such as The Missing Peace: that we do and make their contributions accordingly. I am particularly Artists Consider the Dalai Lama, Anna Halprin: At the Origin of proud to note a major gift from the Novellus Systems, Inc. to name Performance and Dark Matters: Artists See the Impossible, as true the theater at YBCA. This is an amazing gift that will come to us over achievements for YBCA. Bill T. Jones/Arnie Zane Dance Company, the next ten years and will be invested in programs at YBCA. Faustin Linyekula and Ilkhom Theatre brought us extraordinary I can say without hesitation that the staff of YBCA are dedicated, performance from around the world and Marc Bamuthi Joseph, a committed and enthusiastic about the work that we do. Without their Bay Area artist with whom we have a long-standing relationship, extraordinary effort, we would not be able to accomplish as much as opened his new piece, the break/s, here at YBCA and it has gone we do. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
'An Audience with Duke Aryl Duke Is an Internationa:#St Who Draws on Images from Cultures Around the World to Expt'ess His Fervent Canp4ian D
, = • F I L M I B R o A D c A 5 I N G • /'An Audience with Duke aryl Duke is an internationa:#st who draws on images from cultures around the world to expt'esS his fervent Canp4ian D. m;Jtionalism. His impt'esslve 30,,),ea,. ca,.~er in film;making and broadcasting here and in the U.S. has et;6lved partly from ~~ his insatiable curiosity a,bout life and his seemingly ceaseless t-----------...... energy, and partly from his stubborn unwillingness to he, categorized. Prom .his early days as a documtmtary filmmaker 'with the National Film Board, through heading CBe's Vancouvet" station (CBUT) at its inception in 1953, producing public a11i#rs , programs and dramas forCBC Toronto and directing several Canadian features, he built a reputation Jor protljic but exact· ing work in fI wide range ofgenres and subjects. He went to the by Kathryn Allison US. in the '60S, and spent many years producing maj~,. variety non-national productions is a really big shows and television dramas in New York and Los Angeles as he question, I don't see it proper that they Cinema Canada: For 10 years you've pursued a directing career that ranged Jrom quiet reflective start diminishing Canadian content. had a unique perspective on Canadian pieces like I Heard the Owl Call My Name to big-budget spectacu content, being both a producer and a lars such as The Thoro Birds and the recently released Taipan. Cinema Canada: But how can an in· buyer of Canadian and US, programs, His low tolerance for slOPPiness has earned,him the.nickname ' dependent television station siay What is your perception of the require· "The Iron Duke" from some quarters, though few co-workers afloat financially with Canadian con· ments that the CRTC puts forth - too question his integrity or his personal capacity for excellence. -
A'ana WILLIAM JARRET, 62, of Honolulu, Died March 15, 1993. He
A’ANA WILLIAM JARRET, 62, of Honolulu, died March 15, 1993. He was born in Honolulu. He worked for Oahu Transport Co. and Dole of Castle & Cookie. Survived by wife. Mary E. A’ana; sons, John, Bruce and Keith; daughter, Mrs. Mike (Wilette) Walter; five grandchildren; two great-grandsons; sisters, Beatrice Ogate, Angeline Paikai, and Penny Hajiwara; brother, Charles. Friends may call 6 to 9 p.m. Monday at Borthwick Mortuary; service 7:30 p.m. Cremation. No flowers. Aloha attire. [Honolulu Advertiser 19 March 2010] AARONA, ANNIE KUULEIOKEALALOA, 67, of Honolulu, died Nov. 20, 1993. She was born in Eleele, Kauai, and was a full-blooded Hawaiian retired from Tripler Army Medical Center. Survived by brother, William “Bucky”; sisters, Elizabeth Kepilino, Mrs. Joseph (Bertha K.) Huihui and Mrs. Larry (Isabelle N.) Mariano; aunt and uncle; nieces and nephews; cousins. Friends may call 6 to 9 p.m. Monday at Co-Cathedral of Saint Theresa; Mass 7:30 p.m. Or call 8 a.m. to noon Tuesday. Burial at Diamond Head Memorial Park. Arrangements by Nuuanu Memorial Park Mortuary. [Honolulu Advertiser 27 November 1993] AAU, ITUMALO FALEPULE, 74, of American Samoa, died June 25, 1993. He was born in Faleasao, Manu’atele, American Samoa and was a school teacher and judge in American Samoa. Survived by wife, Vavaifono; son, Iotamo; daughters, Tafaifa, Mataina A.; sisters, Atoaolemasina A. Gordon of American Samoa, Vaeaolemasina, Aofia A. Matautia; nieces and nephews. Friends may call 8 to 9 a.m. Friday at Mililani Downtown Mortuary; service 9 a.m. Burial at Valley of the Temples. -
Les Films Étrangers Tournés À Montréal Pour Une Poignée De Dollars Yves Lafontaine
Document généré le 26 sept. 2021 20:41 24 images Les films étrangers tournés à Montréal Pour une poignée de dollars Yves Lafontaine Montréal cinéma Numéro 39-40, automne 1988 URI : https://id.erudit.org/iderudit/22235ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer cet article Lafontaine, Y. (1988). Les films étrangers tournés à Montréal : pour une poignée de dollars. 24 images, (39-40), 74–77. Tous droits réservés © 24 images inc., 1988 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ LES FILMS ETRANGERS TOURNES POUR UNE POIGNEE DE DOLLARS par Yves Lafontaine u'est-ce qui pousse les cinéastes étrangers à venir tourner à Montréal? «Le taux de change», répondait Qprosaïquement, il y a deux a__s, l'Américain Jerry Schatzberg, en train de filmer Street Smart sur la rue Sainte- Catherine, maquillée en bas-fonds newyorkais pour l'occasion. Cela dit, il ajoutait que Montréal n'était pas seulement un paradis pour producteurs en quête d'économies budgétaires, mais aussi un lieu où se trouvaient rassemblés des techniciens très compétents et un décor naturel pouvant facilement passer Christopher Reeve duns Street Smart, le film de Jerry Schatzberg aurait coûté 9 millions de dollars s'il avait été réalisé à New York, il en pour n'importe quelle grande ville.