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Retrospektive Viennale 1995 FILMMUSEUM

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Retrospektive Viennale 1995 FILMMUSEUM CESTE R R F.ICHISCHES Retrospektive Viennale 1995 FILMMUSEUM 30. September-4. November 1995 THE LAST GREAT AMERICAN PICTURE SHOW NEW HOLLYWOOD 1967-1976 MIT FILMEN VON ROBERT ALDRICH ROBERT ALTMAN • JOSEPH ANTHONY • MICHELANGELO ANTON ION I HAL. ASHBY • PETER BOGDANOVlCH • JOHN BOORMAN JOHN CARPKNTLR JOHN CASSAVETES • LARRY COHEN • FRANCIS FORD COPPOLA • JACQUES DEMY • BRIAN DE PALMA • DARYL DUKE JOHN FL.YNN ROBERT I RANK JOHN FRANKFNHFIMER JAMES FRAWLEY • WILLIAM GREAVES • JAMES WILLIAM GUERCIO BILL GUNN JAMES B. HARRIS MONTE ULI LMAN 1)1 NMS HOPPER JOHN HUSTON • HENRY JAGl.OM l LoNARD KASTLE • ELIA KAZAN • ROBERT KRAMER • BARBARA LODEN • SIDNI Y LUMET» TERRENCI M \LI( K JIM McBRIDE FLQYD Ml 1 RUX JACK NICHOLSON BILL NORTON AI AN ! PAKl LA « IVAN PASSER • SAM PECKINPAH • ARTHUR PENN • ROMAN POLANSKI • BOB RAFELSON • KARL I REISZ MICHA! I RTtCHIE GEÖRÖE A. ROMERO • MARTIN SCORSESE JERRY SCHATZBERG BARRY SHEAR DON SIEGEL MELVIN VAN PEEBLES AGNES VARDA JOHN WATERS HASKF.LL WEXLER • PETER YATES Samstag, 30. September 1995, 17.30 Uhr Montag, 2. Oktober 1995, 21.30 Uhr Donnerstag, 5. Oktober 1995, 17.30 Uhr Samstag, 7. Oktober 1995, 19.30 Uhr Dienstag, 10. Oktober 1995, 17.30 Uhr Donnerstag. 12. Oktober 1995, 21.30 Uhr THE CONVERSATION (1974) FACES (1968) NIGHT MOVES (1975) MEDIUM COOL (1969) SOME CALL IT LOVING (1973) WILD IN THE STREETS (19681 Regie und Drehbuch: Francis Ford Coppola: Ka¬ Regie und Drehbuch": John Cassavetes: Kamera: Regie. Drehbuch und Kamera: Haskeil Wexler; (Sleeping Beauty) mera: Bill Butler; Bauten: Doug von Koss: Musik: AI Ruban; Bauten: Phedon Papamichael; Musik: Regie: Arthur Penn; Drehbuch: Alan Sharp Bauten: Leon Erickson; Musik: Mike Bloomfield; Regie Barry Shear. Drehbuch: Robeit Thoro. David Shire; Schnitt: Walter Murch, Richard Kamera: Bruce Surtees; Bauten: Ned Parsons Schnitt Verna Fields; Darsteller: Robert Forster, Regie und Drehbuch: James B. Harris Kamera: Kamera: Rictiard Moore; Bauten: Paul Sylos; Jack Ackermann; Schnitt: Maurice McEndree, Musik. Les Baxter. Schnitt: Fred Feilshane, Eve Chew; Darsteller: Gene Hackman. John Cazale. AI Ruban, John Cassavetes; Darsteller: John Musik: Michael Small. Schnitt: Dede Allen; Verna Bloom. Peter Bonerz Mario Tossi; Musik: Richard Hazard; Song: The Allen Garfield. Harrison Ford, Robert Duvall Darsteller: Gene Hackman. Susan Clark. James Die Membran zwischen Fiktion und Realität ist dünn In dieser Very Thought of You" gesungen von Nsi „Kirig- Newman: Darsteller: Shelley Winters, Christophe» Marley. Gena Rowlands, Lynn Carlin Arbeit' des Karrerar^nns Haske;! Wexler. der sowohl Kino- als Jones. Diane Varsi. Ed Begley. Hai Holbrook Belauschtwerden und Überwachung als Metapher für Amerikas Woods, Melanie Griftith Dokumentarfilme gedreht und gestaltet hat. Chicago. 1968. Purtel¬ Cole; Schnitt: Paul Jastukonis: Darsteller: Zaiman Walergate-Aia Ein Abhörspezialist wird Zug um Zug in einen (Originalfassung mit deutschen Untertiteln) tag der Demokraten Realität Bürgeimeister Daley fordert die King. Carol White, Tisa Farrow. Richard Pryor, Millie Perkins, Richard Pryor Mahlstrom dubioser Bedrohung gezogen Einem Mordkompiott aul Die Trümmer und grotesken Schmerzen einer Ehe die zerbricht Eine Detektivgeschichte, in deren Verlauf banale Abgründe im gar Nationalgarde an um gegen die Anti-Vietnam-Demonstranten vor¬ Veronica Andeison der Spur, vermag et weder die Zeichen zu deuten noch das Tölen Bestünden Filme aus Themen' wäre .Faces" nichts als ein abge¬ nicht schönen Sunshme-State Florida durchmessen werden. De' zugehen Das In-Zaum-Halten artet m brutale Obergriffe aus Fik¬ Treue ktinen uoer 30 Der Film erhobt den Anspruch. ,-,aWi T)ie- (das ein anderes ist. als er wähn]) zu vereitele Alles oteibt un- tragener Hut. Cassavetes jedoch zerbricht alle ästhetischen Nor Private Eye aber begreift an ihnen so wenig wie er an seinem ei¬ Vielleicht fc!oi3 ein Traum oder aber eine Wejf, tri dar nur die pa" so aus der Vorzert zu wlrterkyjen Der Heios «jirengj n« elWr^he greilbaf. unklar, im Vagen umso bedrohlicher. Völlig isoliert durch genen Schlamassel kapiert - am weidwunder Heavy. dem Ehe tion einem News-Kameramann des lokalen TV-Senders wird das roxystische Sohnsucht der Tröume witkSöi isL Eir. Film erfüllt von Auto, in die t.iitf. verMftt die Fumttiß dea» mjt i.SD wttn Hrv*slar die Natur seines Jobs findet der professionelle Lauscher sich men, auf die das alte Hollywood geschworen hat. Er dreht mit licht¬ und Leben unter den Fingern wie Sand zerrinnen. Erna Charade, gefilmte Material entzogen, um r-s dem FBt zum Zweck von Aus¬ der Intensität und verrückten Logik dor Marchon Keine Marcben Millionär verhüft einem PotruKar. der da? Wahlangr auf 14 ser.Ker selbst überwacht vor. Er zerstört sein Apartment aut der vergebli¬ empfindlichem Rm leichter Kameia und Direktton. dem gleicher. an der weniges autgelost wird, vieles und wesentliches (edoch forschungen zu übergeben Gekündigt droht rr in emon: Fro-?-lan- ledoch für kleine vikKmanie.:tio Mädchen, sondern solche, ilio nin- •nrtchte Jüm Posten rtns Senators und wird US PrAMdont chen Suche nach Abhörgeraten, um im Finale rattos tn den Trüm¬ Material und beweglichem Equipmer.t, mit dem das DrracfCinema mcht In der Schtußelnstellung ein fuhrertos kreisendes Motorboot: ce-Jöb weiter Reaiit/it plus Fiktion: filmend wird er Zeuge der ablauchen zu den VuyeunsiMm. ckirtklon Spiegeln der üimialitat Nich« lange, dprip diu Not.h-'Jöngwen löwlrferen gegen jeder der mern seines Herms und Lebens zu hocken und verstört Saxophon vor 8 Jahren einen Quantensprung im Dokumentansmus herbei¬ die Metapher des Vorangeganenor Nochmals: verpackt in kran¬ Schlacht zwischen Polizei und Demonstranten im Granj Patk. Ge¬ und erotischen Phantasmen mnes Reichs, n dem Ems'sich InLie¬ »Ii wie 14 aussiehl. Das was niati eine politische S.itin> ;<u neiifler. zu spielen, eine Ikone totaler Konfusion. Unter Coppolas Arbeiten geführt hat Solcherweise belauert, belagert, umkreist,, urnsaugt kes Genrekino ein Fitm überrWalergateW Suchen Finden. Im-Dut\- dreht wahrend dor Ereignisse, die Handlung zu Teilen gaspldt, zu be nnch Thanatos ver-ehrt Ein Jflzzmuslker Kault eine suH acht tifwgi. eine der sublimsten. Em Film über Angst und den Verlust der Pri- das mobile Kinoauge die Schauspieler mit penetrierender Inbrunst, kol-8leiban Scheitern, Teilen improvisiert inmitten dor Situation, sind die realen und fikti¬ Jahren unter Drogenwirkung schlafende jung© Frau und bringt sie, vatheit in einer Gesellschaft des Mißtrauens. Auch ein Film über die von einem wahren Heißhunger nach realistischer, abge¬ ven Vorgänge an den Nahtstellen kaum menr zu unterscheiden Inkarnation de r Reinheit und persongewortiene Projektion eigener Gewalt, die nie Segenwart wird und doch allzeit, allerorts Mögiictv schminkter Wahrheit getrieben Ist .Faces" stellt sich euch als Freitag, 13. Oktober 1995, 17.30 Uhr Cinäma-Verite-StOck über Akteure und improvisierendes methoef Samstag, 7. Oktober 1995, 21.30 Uhr Träume in die barocke KaMpmisOin V'ii,i in dor e» mit zwei .verte actingdar über gehemmte Gesten. Ersatzworte, quälende BeilSu Donnerstag, 5. Oktober 1995, 19.30 Uhr ren Frauen leb!, ai. se-ne besessen artoitende imagin-uion n\ EASY RIDER (1969) THE KING OF MARVIN GARDENS (1972) Spiele umse!2e.n .Dornröschen" oder .Sleuping Beaiity-. beim Samstag, 30. September 1995. 19.30 Uhr figkeit und tausend andere Nebensachen des Lebens, die dank WANDA (1971) '.Von genommen in perverse Bildpracbt fianspoa^rt. uirgoschne- Cassavetes zur Hauptsache des Films geworden sind Regie: Bob Rafelson, Drehbuch: Jacob Brack- Den ir. ein zuhöchst sonderbares Tochntcotof-Miichen .-on der Regie: Dennis Hopper Drehbuch: Peter Fnndit TAXI DRIVER (1976) Regie und Drehbuch. Barbara Loden; Kamera man; Kamera: Laszlo Kovacs; Bauten: Toby Carr Zerstörung de. Unschuld" Dennis Hopper. Terry Southern,. Kameia Lazio Regie: Martin Scorsese; Drehbuch: Paul Schrä¬ Dienstag, 3. Oktober 1995, 17.30 Uhr Rafelson; Schnitt: John F. Link II; Darsteller: Jack Kovacs; Bauten: Jerry Kay: Musik und Songe: und Schnitt: Nicholas T. Proferes; Darsteller: Dienstag, 10. Oktober 1995, 19.30 Uhr der; Kamera: Michael. Chapman; Bauten: Charles FIVE EASY PIECES (1970) Barbara Loden, Michael Higgins, Charles Dosinan Nicholson, Bruce Dem, EHen Burstyn Hoyt Axton. Mars Bonfire, Jerry Qoffin. Carole Rosen; Musik: Bernard Herrmann; Schnitt: Marcia Nochmals Rafelson mit Nic.holsdn, dem Sta' der Zerrissenheit THE OUTFIT (1973) King, Jaime Robbie Robertson, Antonia Düren. Regie: Bob Rafelson; Drehbuch: Adrien Joyce; Ein hinreißend sprooer, nie der Konvention irgendeines Lagers Winter in Atlantic City mit gramem Meer und einer Kulisso zer¬ Elliot Ingber, Larry Waner. 3fmi Hondrix. ,lark Lucas, Tom Rolf, Melvin Shapiro; Darsteller: Kamera: Laszlo Kovacs; Musik: Bach, Chopin, verfallender 16-mm-Fitm, aufgeblasen in körnige, lartstienige bröckelnder Domo einstigen Reiclitumä. Zwei Bruder hemmungs¬ Regie und Drehbuch: John Plynn; Kamera: Bruce Robert De Niro. Cybill Shepherd, Jodie Foster, Mozart, Billy Sherill, Tammy Wynette, Bobby 35-mm-Häßiichkeit. die sich in den sova/ines als ästhetisch unkor- lose Träumer beide, d-• eine skeptisch, in sich horchend. Radio- Keller. David Axelrod, Mike öloomfieid, Bob Harvey Keitel rumpierter Pfad zur Wahrheit anempfiehlt Erster, einer, einziger Talkmaster, über den Sinn des Lebans grubema, der andere ex Surtees; Bauten. Tambj. Larsen; Musik Jerry Dylan, Roger McGuinn. gesungen von Steppen¬ Vielleicht der Höhepunkt dessen, was man amorph New Hol¬ Braddock, Merle Kilgore, Sonny Williams, Claude Film Barbara Lodens, damaliger
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