DOCSLIB.ORG

A'ana WILLIAM JARRET, 62, of Honolulu, Died March 15, 1993. He

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A'ana WILLIAM JARRET, 62, of Honolulu, Died March 15, 1993. He A’ANA WILLIAM JARRET, 62, of Honolulu, died March 15, 1993. He was born in Honolulu. He worked for Oahu Transport Co. and Dole of Castle & Cookie. Survived by wife. Mary E. A’ana; sons, John, Bruce and Keith; daughter, Mrs. Mike (Wilette) Walter; five grandchildren; two great-grandsons; sisters, Beatrice Ogate, Angeline Paikai, and Penny Hajiwara; brother, Charles. Friends may call 6 to 9 p.m. Monday at Borthwick Mortuary; service 7:30 p.m. Cremation. No flowers. Aloha attire. [Honolulu Advertiser 19 March 2010] AARONA, ANNIE KUULEIOKEALALOA, 67, of Honolulu, died Nov. 20, 1993. She was born in Eleele, Kauai, and was a full-blooded Hawaiian retired from Tripler Army Medical Center. Survived by brother, William “Bucky”; sisters, Elizabeth Kepilino, Mrs. Joseph (Bertha K.) Huihui and Mrs. Larry (Isabelle N.) Mariano; aunt and uncle; nieces and nephews; cousins. Friends may call 6 to 9 p.m. Monday at Co-Cathedral of Saint Theresa; Mass 7:30 p.m. Or call 8 a.m. to noon Tuesday. Burial at Diamond Head Memorial Park. Arrangements by Nuuanu Memorial Park Mortuary. [Honolulu Advertiser 27 November 1993] AAU, ITUMALO FALEPULE, 74, of American Samoa, died June 25, 1993. He was born in Faleasao, Manu’atele, American Samoa and was a school teacher and judge in American Samoa. Survived by wife, Vavaifono; son, Iotamo; daughters, Tafaifa, Mataina A.; sisters, Atoaolemasina A. Gordon of American Samoa, Vaeaolemasina, Aofia A. Matautia; nieces and nephews. Friends may call 8 to 9 a.m. Friday at Mililani Downtown Mortuary; service 9 a.m. Burial at Valley of the Temples. Casual attire. [Honolulu Advertiser 30 June 1993] ABABON, ERNESTO, 57, of Honolulu, died Feb. 18, 1993. He was born in Hanamaulu, Kauai. Survived by wife, Adele; sons, Lloyd and Eric; daughter, Mrs. Lani Wieland; a grandson and a granddaughter; four sisters; nieces and nephews. Friends may call 9 a.m. to 12:45 p.m. Tuesday at Borthwick Mortuary; service noon. Interment 1 p.m. at National Memorial Cemetery of the Pacific. No flowers. Casual attire. [Honolulu Advertiser 20 February 1993] Abad, Marcelino N., of Lahaina died Saturday in Maui Hospital. Abad, 81, was born in the Philippines. He is survived by wife Anatalia; sons Loreto, Manuel and Andrew; daughters Gregoria Juan and Carmencita Hartman; sister Celestina Devera; 13 grandchildren; and three great-grandchildren. Wake services from 6 to 9 p.m. tomorrow at Borthwick Mortuary, Bulgo’s. Funeral services: 9 a.m. Saturday at St. Theresa’s Church, Kihei, Maui. Mass: 11:30 a.m. Burial: 12:30 p.m. at Maui Memorial Park. [Honolulu Star Bulletin 25 March 1993] ABAO, RESTITUTO “SPEEDY” HAHALIA, 90, of Waianae, died Aug. 10, 1993. He was born in the Philippines. Survived by wife, Mary Abao; sons, Paul H., Albert W., Raymond S. and Robert B. Patcho; daughters, Rose-marie V. Patcho, Mrs. Ronald (Anne-Jane) Carlson of South Dakota, Deborah P. Aguilar, Darleen L. Patcho, Sandra L. Puahi, Trac Givens; 28 grandchildren; 12 great-grandchildren. Friends may call 8:30 a.m. to 11 a.m. Friday at Mililani Memorial Park; service 11 a.m. Scattering of ashes at sea at a later date. No flowers. Casual attire. [Honolulu Advertiser 18 August 1993] ABAYA, FRANCISCO ROSENDO, 90, of Honolulu, died June 19, 1993. He was born in Candon, IIocos Sur. Philippines, and was retired from the U.S. Navy Public Work Center. He was a member of Saranay Club. Survived by son, Gregory; daughters. Nora Escobar of California and Dominga Manog; sisters, Oming Rivas and Emmang Ramirez, both of the Philippines; 13 grandchildren; 16 great-grandchildren. Friends may call 6 to 9 p.m. Friday at Nuuanu Memorial Park Mortuary; service 7 p.m. Or call 8 to 9:45 am. Saturday at St. John the Baptist Church; Mass 9:45 a.m. Burial at Valley of the Temples Memorial Park. [Honolulu Advertiser 7 July 1993] ABE, EDWARD TADAO, 63, of Kaumakani, Kauai, died July 5, 1993. He retired as a service truck driver for Olokele Sugar Plantation Company. Survived by wife, Tormoko Abe; son, Elwin; daughter, Carol, brothers, Yoshio of Japan and Masao of Honolulu; sisters, Chieko Sato and Chiyoko Kupe, both of Japan. Friends may call from 5 p.m. today at Garden Island Mortuary. No flowers. Casual attire. [Honolulu Advertiser 9 July 1993] ABE, GENZO, 78, of Haliimaile, Maui, died March 14, 1993. He was born in Paia. Survived by wife, Mitsu Abe; son, Kenneth K. of Honolulu; daughter, Mrs. Carl (Aileen S.) Corkern of Louisiana; sisters, Yoshino of Maui, Haru Takasawa and Hatsu Sugawara, both of Japan; four grandchildren and two great-grandchildren. Service over ashes 5 p.m. Frieday at Nakamura Mortuary. Casual attire. [Honolulu Advertiser 16 March 1993] ABE, HAZEL TAKIKO, 72, of Honolulu, died Feb. 16, 1993. She was born in Honolulu, and was retired state court clerk. Survived by husband, Masao “Mei”; sons, Lawrence K., Philip M., Kenneth H. and Vernon H.; four grandchildren; brother, James Yamaguchi. Memorial service 6 p.m. Thursday at Hosoi Garden Mortuary. Casual attire; no flowers. [Honolulu Advertiser 22 February 1993] ABE, KUNIO, 75, of Pukalani, Maui, died Dec. 18, 1993. He was born in Keahua, Maui. Survived by wife, Masayo; daughters, Kay S. Abe and Mary M. Okihara, both of Honolulu; brother, Gunji of Pukalani; sister, Fumiyo Suzuki of Paia; grandchild. Private services were held. Arrangements by Nakamura Mortuary. [Honolulu Advertiser 24 December 1993] ABE, LILY YURIKO, 55, of Okinawa, died May 22, 1993. She was born in Hilo. Survived by husband, Carl T.; daughter, Naomi A.; mother, Elise Y. Morikawa; brothers, Wilbert Morikawa and Paul Morikawa; aunts, uncles and cousins. Friends may call from 3 p.m. Saturday at Army Mortuary, Hickam Air Force Base; service 3:30 p.m. Private scattering of ashes. Aloha attire. [Honolulu Advertiser 27 May 1993] ABE, MASAO, 86, Of Wahiawa, died Dec. 27, 1993. He was born on Maui. Survived by wife, Shigeko Abe; son, Harry H. of Mililani; daughter, Mrs. Tsutomu (Alice Y.) Shimabukuro of Pearl City; two grandchildren. Service held. Arrangements by Borthwick Mortuary. [Honolulu Advertiser 31 December 1993] ABE, STANLEY S., 44, of Honolulu, died Jan. 11, 1993. He was born in Honolulu and was an engineer at Fort Shafter. Survived by wife, Jennie Yu; mother, Madeline Abe; brother, Dennis, two nephews. Memorial service 6 p.m. Saturday at Mililani Downtown Mortuary. No flowers. Casual attire. [Honolulu Advertiser 14 January 1993] ABE, TADASHI, 83, of Kawailoa, died June 1, 1993. He was born in Kawailoa, Hawaii, and was a member of the Wahiawa Ryusenji Soto Mission. Survived by sons, Wallace T., Stanley T., Lawrence N. of California, Francis S. of Korea, Hubert I. and Dennis M.; daughters, Mrs. Doris H. Eguchi, Marion T. of Arizona; sister, Mrs. Shizue Numata; 15 grandchildren; nieces and nephews. Private service held. Arrangements by Mililani Memorial Park Mortuary, Waipio. [Honolulu Advertiser 9 June 1993] ABE, TORAZO, 85, of Aiea, died March 3, 1993. He was born in Ewa and retired from Fort Shafter, where he worked as a construction inspector. Survived by son, Masami; daughter, Mrs. Nee Won (Mildred) Young; four grandchildren: brothers, Kazumi and Masaji; sisters, Mabel Kaneko, Masae Mukai, Teru Koike, Grace; nieces and nephews. Memorial service 7:30 p.m. Tuesday at Mililani Memorial Park Mortuary. No flowers. Casual attire. [Honolulu Advertiser 6 March 1993] ABELLERA, PEDRO TADIJA, 63, of Waipahu, died Sept. 24, 1993. He was born in Binalunan, Philippines. Survived by brother, Laoriano and Camilo, both of the Philippines; sisters, Francisca Dulay of the Philippines, Perea Cabornay of California, Justa Delarosa of the Philippines; nieces. Friends may call from 6 to 9 p.m. Friday at St. Joseph Church, Waipahu; service 7 p.m. or call 11 a.m. Saturday; Mass 12:15 p.m. Burial at Mililani Memorial Park. No flowers. [Honolulu Advertiser 6 October 1993] ABERGAS, LOURDES SANCHEZ, 55, of Haleiwa, died Oct. 9, 1993. She was born in Kona. Survived by son, Robert Jr.; daughters, Debra L. and Marie L. Abergas; mother, Mrs. Leonides Florino of Kona; brothers, Eliceo and Bebencio Florino, both of Kona, Demetrio Florino Jr., Daniel Florino of California, Danny Florino and Manuel Florino of Kona; sisters, Mrs. Leonora Defiesta, Mrs. Eddie (Leona) Cavelo and Mrs. Bill (Laurencia) Rapoza, all of Hilo, Mrs. Gary (Veronica) Nishikawa of Kurtistown, Mrs. Librada Jacobo of Pahoa, Mrs. Glenn (Felisa) Mayeda and Lolita Florino, both of Hilo; nieces and nephews. Private service held. Arrangements by Mililani Memorial Park Mortuary. [Honolulu Advertiser 3 November 1993] ABERGAS, ROSITA BEATE, 69, of Kunia, died Feb. 9, 1993. She was born in Kahuku and was a member of the Luvimi Club. Survived by husband, Anthony Abergas; sons, Francis A. Sr., Ronald Sr., daughters, Mrs. Paul (Rosalie) Sanchez, Mrs. Richard (Geraldine) Pasco, Sr.; brothers, Richard Abing of Molokai, Mamerto and Vincent Beate; sister, Mauricia Pillos; 27, grandchildren, 18 great-grandchildren; nieces, nephews and cousins. Friends mey call from 6 to 9 p.m. Thursday at Mililani Memorial Park Mortuary; service 7p.m. or call from 8:45 to 9:45 a.m. Friday at Our Lady of Sorrows- Church; Mass 9:45 a.m. Burial 11 a.m. at Mililani Memorial Park. Casual attire. [Honolulu Advertiser 23 February 1993] ABEYTA, FELIZ, 77, of Kailua-Kona, died Feb. 2, 1993. He was born in Colorado and was a retired maintenance man. Survived by wife, Clorinda Abeyta; sons, Roger, David, and Larry; daughters, Mrs. Doug (Lucy) Jensen, Mrs. Mike (Patsy) Youngwirth of Nevada, Linda Lopez, and Mrs. Alan (Judy) Dillin of Washington; brother, Tony of New Mexico; sisters, Eva Sisneros, Mrs. Tony (Susan) Atencio, Mrs. Fred (Margie) Jurado and Mrs. Chuck (Betty) Martinez; all of Colorado; 27 grandchildren; 17 great-grandchildren; nieces and nephews.
Load more

Recommended publications
  • To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo.
    [Show full text]
  • Missions and Film Jamie S
    Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre.
    [Show full text]
  • A Canadian Perspective on the International Film Festival
    NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Retrospektive Viennale 1995 FILMMUSEUM
    CESTE R R F.ICHISCHES Retrospektive Viennale 1995 FILMMUSEUM 30. September-4. November 1995 THE LAST GREAT AMERICAN PICTURE SHOW NEW HOLLYWOOD 1967-1976 MIT FILMEN VON ROBERT ALDRICH ROBERT ALTMAN • JOSEPH ANTHONY • MICHELANGELO ANTON ION I HAL. ASHBY • PETER BOGDANOVlCH • JOHN BOORMAN JOHN CARPKNTLR JOHN CASSAVETES • LARRY COHEN • FRANCIS FORD COPPOLA • JACQUES DEMY • BRIAN DE PALMA • DARYL DUKE JOHN FL.YNN ROBERT I RANK JOHN FRANKFNHFIMER JAMES FRAWLEY • WILLIAM GREAVES • JAMES WILLIAM GUERCIO BILL GUNN JAMES B. HARRIS MONTE ULI LMAN 1)1 NMS HOPPER JOHN HUSTON • HENRY JAGl.OM l LoNARD KASTLE • ELIA KAZAN • ROBERT KRAMER • BARBARA LODEN • SIDNI Y LUMET» TERRENCI M \LI( K JIM McBRIDE FLQYD Ml 1 RUX JACK NICHOLSON BILL NORTON AI AN ! PAKl LA « IVAN PASSER • SAM PECKINPAH • ARTHUR PENN • ROMAN POLANSKI • BOB RAFELSON • KARL I REISZ MICHA! I RTtCHIE GEÖRÖE A. ROMERO • MARTIN SCORSESE JERRY SCHATZBERG BARRY SHEAR DON SIEGEL MELVIN VAN PEEBLES AGNES VARDA JOHN WATERS HASKF.LL WEXLER • PETER YATES Samstag, 30. September 1995, 17.30 Uhr Montag, 2. Oktober 1995, 21.30 Uhr Donnerstag, 5. Oktober 1995, 17.30 Uhr Samstag, 7. Oktober 1995, 19.30 Uhr Dienstag, 10. Oktober 1995, 17.30 Uhr Donnerstag. 12. Oktober 1995, 21.30 Uhr THE CONVERSATION (1974) FACES (1968) NIGHT MOVES (1975) MEDIUM COOL (1969) SOME CALL IT LOVING (1973) WILD IN THE STREETS (19681 Regie und Drehbuch: Francis Ford Coppola: Ka¬ Regie und Drehbuch": John Cassavetes: Kamera: Regie. Drehbuch und Kamera: Haskeil Wexler; (Sleeping Beauty) mera: Bill Butler; Bauten: Doug von Koss: Musik: AI Ruban; Bauten: Phedon Papamichael; Musik: Regie: Arthur Penn; Drehbuch: Alan Sharp Bauten: Leon Erickson; Musik: Mike Bloomfield; Regie Barry Shear.
    [Show full text]
  • Modus Operandi Films and High Point Media Group Present
    Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten.
    [Show full text]
  • March 21–25, 2016
    FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk,
    [Show full text]
  • British Columbia Film Foundation Daryl Duke & William Vince Scholarship Program / Guidelines 2016-2017
    BRITISH COLUMBIA FILM FOUNDATION DARYL DUKE & WILLIAM VINCE SCHOLARSHIP PROGRAM / GUIDELINES 2016-2017 THE BRITISH COLUMBIA FILM FOUNDATION The British Columbia Film Foundation is a charitable foundation established in 2008, and administered by Creative BC, with the goal of advancing the study and teaching of Canadian film, television and new media studies through the provision of Scholarships to students. OBJECTIVES The British Columbia Film Foundation’s Daryl Duke & William Vince Scholarships are intended to: honour the significant contributions of Daryl Duke and William Vince to the film and television industry; and assist in the advanced training of outstanding BC motion picture and media creators. DARYL DUKE As a director and producer, Daryl Duke’s Emmy Award winning career included successes in feature film, television drama, documentary and television specials. In a professional life that spanned more than half a century, Daryl worked with all of the major North American television networks and for most of the studios in Hollywood. His film and television assignments took him to South America, Asia, China, India, the Middle East and Europe. Daryl began his career as an editor, writer and director at the National Film Board and a director and producer at the CBC. He is best known for having directed “The Thorn Birds”, the 10 hour mini- series from the bestselling book; “Tai-Pan”, based on the novel by James Clavell and “I Heard the Owl Call My Name”, adapted from the novel by Margaret Craven. In the mid-1970’s, Daryl founded the independent television station CKVU in Vancouver. He was the station’s first President, Chief Executive Officer and Chairman of the Board, leading it to be the highest rated station in its market.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • DMAAC – February 1973
    LUNAR TOPOGRAPHIC ORTHOPHOTOMAP (LTO) AND LUNAR ORTHOPHOTMAP (LO) SERIES (Published by DMATC) Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Scale: 1:250,000 Projection: Transverse Mercator Sheet Size: 25.5”x 26.5” The Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Series are the first comprehensive and continuous mapping to be accomplished from Apollo Mission 15-17 mapping photographs. This series is also the first major effort to apply recent advances in orthophotography to lunar mapping. Presently developed maps of this series were designed to support initial lunar scientific investigations primarily employing results of Apollo Mission 15-17 data. Individual maps of this series cover 4 degrees of lunar latitude and 5 degrees of lunar longitude consisting of 1/16 of the area of a 1:1,000,000 scale Lunar Astronautical Chart (LAC) (Section 4.2.1). Their apha-numeric identification (example – LTO38B1) consists of the designator LTO for topographic orthophoto editions or LO for orthophoto editions followed by the LAC number in which they fall, followed by an A, B, C or D designator defining the pertinent LAC quadrant and a 1, 2, 3, or 4 designator defining the specific sub-quadrant actually covered. The following designation (250) identifies the sheets as being at 1:250,000 scale. The LTO editions display 100-meter contours, 50-meter supplemental contours and spot elevations in a red overprint to the base, which is lithographed in black and white. LO editions are identical except that all relief information is omitted and selenographic graticule is restricted to border ticks, presenting an umencumbered view of lunar features imaged by the photographic base.
    [Show full text]
  • ANNUAL REPORT 2000/2001 for Period Ending March 31, 2001
    ANNUAL REPORT 2000 - 2001 ANNUAL REPORT 2000/2001 For period ending March 31, 2001 Page 1 BRITISH COLUMBIA FILM YEAR IN REVIEW 2000/2001 continued to be a period of growth for the British Columbia film and television industry. For the second year in a row, the province surpassed $1 billion in total production activity. This represents the largest level of production across Canada, and retains British Columbia’s place as the busiest North American production centre outside of Los Angeles and New York. Contributing to the overall growth of the film and television sector has been the establishment of an increasingly strong indigenous independent production community. The sustained rise in B.C. owned and controlled production over the past five years marks a significant shift in the traditional structure of the B.C. industry. In 2000, indigenous production represented 30% of total production whereas in 1995 it represented only 8%. British Columbia can be confident that it has developed a strengthened domestic sector alongside its active service production industry. In October 2000, Minister of Canadian Heritage, Sheila Copps announced the long awaited Canada Feature Film Fund to be administered by Telefilm Canada. The fund will provide $100 million each year for five years through performance and selective envelopes to Canadian feature filmmakers. The Canadian broadcasting landscape was set for dramatic changes as a result of key ownership shifts brought before the CRTC for approval. BCE sought the purchase of CTV, Global vied for the assets of WIC, and a new television station license was slated for Victoria. British Columbia Film put forward written submissions and made presentations at the CRTC hearings related to these broadcast changes, seeking to ensure that benefits flowed to British Columbia’s independent production sector.
    [Show full text]
  • Asteroid Regolith Weathering: a Large-Scale Observational Investigation
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2019 Asteroid Regolith Weathering: A Large-Scale Observational Investigation Eric Michael MacLennan University of Tennessee, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation MacLennan, Eric Michael, "Asteroid Regolith Weathering: A Large-Scale Observational Investigation. " PhD diss., University of Tennessee, 2019. https://trace.tennessee.edu/utk_graddiss/5467 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Eric Michael MacLennan entitled "Asteroid Regolith Weathering: A Large-Scale Observational Investigation." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Geology. Joshua P. Emery, Major Professor We have read this dissertation and recommend its acceptance: Jeffrey E. Moersch, Harry Y. McSween Jr., Liem T. Tran Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Asteroid Regolith Weathering: A Large-Scale Observational Investigation A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Eric Michael MacLennan May 2019 © by Eric Michael MacLennan, 2019 All Rights Reserved.
    [Show full text]
  • Ancient Lamps in the J. Paul Getty Museum
    ANCIENT LAMPS THE J. PAUL GETTY MUSEUM Ancient Lamps in the J. Paul Getty Museum presents over six hundred lamps made in production centers that were active across the ancient Mediterranean world between 800 B.C. and A.D. 800. Notable for their marvelous variety—from simple clay saucers GETTYIN THE PAUL J. MUSEUM that held just oil and a wick to elaborate figural lighting fixtures in bronze and precious metals— the Getty lamps display a number of unprecedented shapes and decors. Most were made in Roman workshops, which met the ubiquitous need for portable illumination in residences, public spaces, religious sanctuaries, and graves. The omnipresent oil lamp is a font of popular imagery, illustrating myths, nature, and the activities and entertainments of daily life in antiquity. Presenting a largely unpublished collection, this extensive catalogue is ` an invaluable resource for specialists in lychnology, art history, and archaeology. Front cover: Detail of cat. 86 BUSSIÈRE AND LINDROS WOHL Back cover: Cat. 155 Jean Bussière was an associate researcher with UPR 217 CNRS, Antiquités africaines and was also from getty publications associated with UMR 140-390 CNRS Lattes, Ancient Terracottas from South Italy and Sicily University of Montpellier. His publications include in the J. Paul Getty Museum Lampes antiques d'Algérie and Lampes antiques de Maria Lucia Ferruzza Roman Mosaics in the J. Paul Getty Museum Méditerranée: La collection Rivel, in collaboration Alexis Belis with Jean-Claude Rivel. Birgitta Lindros Wohl is professor emeritus of Art History and Classics at California State University, Northridge. Her excavations include sites in her native Sweden as well as Italy and Greece, the latter at Isthmia, where she is still active.
    [Show full text]