Spiritual Cinema Recommendations
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STEPHEN MARK, ACE Editor
STEPHEN MARK, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. DELILAH (series) Various OWN / Warner Bros. Television EP: Craig Wright, Oprah Winfrey, Charles Randolph-Wright NEXT (series) Various Fox / 20th Century Fox Television EP: Manny Coto, Charlie Gogolak, Glenn Ficarra, John Requa SNEAKY PETE (series) Various Amazon / Sony Pictures Television EP: Blake Masters, Bryan Cranston, Jon Avnet, James Degus GREENLEAF (series) Various OWN / Lionsgate Television EP: Oprah Winfrey, Clement Virgo, Craig Wright HELL ON WHEELS (series) Various AMC / Entertainment One Television EP: Mark Richard, John Wirth, Jeremy Gold BLACK SAILS (series) Various Starz / Platinum Dunes EP: Michael Bay, Jonathan Steinberg, Robert Levine, Dan Shotz LEGENDS (pilot)* David Semel TNT / Fox 21 Prod: Howard Gordon, Jonathan Levin, Cyrus Voris, Ethan Reiff DEFIANCE (series) Various Syfy / Universal Cable Productions Prod: Kevin Murphy GAME OF THRONES** (season 2, ep.10) Alan Taylor HBO EP: Devid Benioff, D.B. Weiss BOSS (pilot* + series) Various Starz / Lionsgate Television EP: Farhad Safinia, Gus Van Sant, THE LINE (pilot) Michael Dinner CBS / CBS Television Studios EP: Carl Beverly, Sarah Timberman CANE (series) Various CBS / ABC Studios Prod: Jimmy Smits, Cynthia Cidre, MASTERS OF SCIENCE FICTION (anthology series) Michael Tolkin ABC / IDT Entertainment Jonathan Frakes Prod: Keith Addis, Sam Egan 3 LBS. (series) Various CBS / The Levinson-Fontana Company Prod: Peter Ocko DEADWOOD (series) Various HBO 2007 ACE Eddie Award Nominee | 2006 ACE Eddie Award Winner Prod: David Milch, Gregg Fienberg, Davis Guggenheim 2005 Emmy Nomination WITHOUT A TRACE (pilot) David Nutter CBS / Warner Bros. Television / Jerry Bruckheimer TV Prod: Jerry Bruckheimer, Hank Steinberg SMALLVILLE (pilot + series) David Nutter (pilot) CW / Warner Bros. -
Programming and Award-Winning Work in the Community
Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area. -
To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo. -
Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
Corona-Fastnet-Short-Film-Festival
FASTNET SHORT FILM FESTIVAL OUR VILLAGE IS OUR SCREEN stEErIng coMMIttEE fEstIvAL pAtrons 2012 welcome to schull and CFSFF 2012! MAurIcE sEEzEr tony bArry thanks to all of our sponsors for sticking with us in 2012, and in Chair & Artistic Director stEvE coogAn particular to our title sponsors Michael and kathleen Barry of Barry hELEn wELLs sInéAd cusAck & Fitzwilliam, importers of Corona, who won an allianz Business Co-Chair, Admin & Submissions grEg dykE to arts award for their cheerful and encouraging sponsorship of MArIA pIzzutI JAck goLd CFSFF in 2011. these last years have been enormously stressful Co-Artistic Director JErEMy Irons to festivals around the country as government funding for the arts hILAry McCarthy John kELLEhEr in Ireland dries up, and just when it seemed like it couldn’t get any Public Relations Officer chrIs o’dELL bsc worse, there is a whisper that the sponsorship support that alcohol PauLInE cottEr DavId puttnAM brands give to both arts festivals and sporting events around Ireland Fundraising JIM shErIdAn may be banned by the government within the next two years. If this brIdIE d’ALton kIrstEn shErIdAn goes ahead, it will accelerate the centralization of cultural events Treasurer gErArd stEMbrIdgE in larger population centres already well under way thanks to the economic recession and will consequently put huge pressure on tEchnIcAL dIrEctor for ALL EnquIrIEs all festivals in rural areas, including our own. this will have an MArtIn LEvIs pLEAsE contAct: extremely negative impact on an already under pressure tourism sector and is surely unnecessary at this time. grAphIc dEsIgn FEStIval Box oFFICE JonAthAn pArson @ Your lEISurE last year we developed Distributed Cinema and became a mutegrab.com MaIn StrEEt streaming festival for the short film competition submitters, all PAUL GOODE SChull within the confines of Main Street Schull. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Retrospektive Viennale 1995 FILMMUSEUM
CESTE R R F.ICHISCHES Retrospektive Viennale 1995 FILMMUSEUM 30. September-4. November 1995 THE LAST GREAT AMERICAN PICTURE SHOW NEW HOLLYWOOD 1967-1976 MIT FILMEN VON ROBERT ALDRICH ROBERT ALTMAN • JOSEPH ANTHONY • MICHELANGELO ANTON ION I HAL. ASHBY • PETER BOGDANOVlCH • JOHN BOORMAN JOHN CARPKNTLR JOHN CASSAVETES • LARRY COHEN • FRANCIS FORD COPPOLA • JACQUES DEMY • BRIAN DE PALMA • DARYL DUKE JOHN FL.YNN ROBERT I RANK JOHN FRANKFNHFIMER JAMES FRAWLEY • WILLIAM GREAVES • JAMES WILLIAM GUERCIO BILL GUNN JAMES B. HARRIS MONTE ULI LMAN 1)1 NMS HOPPER JOHN HUSTON • HENRY JAGl.OM l LoNARD KASTLE • ELIA KAZAN • ROBERT KRAMER • BARBARA LODEN • SIDNI Y LUMET» TERRENCI M \LI( K JIM McBRIDE FLQYD Ml 1 RUX JACK NICHOLSON BILL NORTON AI AN ! PAKl LA « IVAN PASSER • SAM PECKINPAH • ARTHUR PENN • ROMAN POLANSKI • BOB RAFELSON • KARL I REISZ MICHA! I RTtCHIE GEÖRÖE A. ROMERO • MARTIN SCORSESE JERRY SCHATZBERG BARRY SHEAR DON SIEGEL MELVIN VAN PEEBLES AGNES VARDA JOHN WATERS HASKF.LL WEXLER • PETER YATES Samstag, 30. September 1995, 17.30 Uhr Montag, 2. Oktober 1995, 21.30 Uhr Donnerstag, 5. Oktober 1995, 17.30 Uhr Samstag, 7. Oktober 1995, 19.30 Uhr Dienstag, 10. Oktober 1995, 17.30 Uhr Donnerstag. 12. Oktober 1995, 21.30 Uhr THE CONVERSATION (1974) FACES (1968) NIGHT MOVES (1975) MEDIUM COOL (1969) SOME CALL IT LOVING (1973) WILD IN THE STREETS (19681 Regie und Drehbuch: Francis Ford Coppola: Ka¬ Regie und Drehbuch": John Cassavetes: Kamera: Regie. Drehbuch und Kamera: Haskeil Wexler; (Sleeping Beauty) mera: Bill Butler; Bauten: Doug von Koss: Musik: AI Ruban; Bauten: Phedon Papamichael; Musik: Regie: Arthur Penn; Drehbuch: Alan Sharp Bauten: Leon Erickson; Musik: Mike Bloomfield; Regie Barry Shear. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
The Top 10 TV Shows of 2012
PAGE 6B PRESS & DAKOTAN n FRIDAY, DECEMBER 21, 2012 The Top 10 TV TelevisionWeek Local Listings For The Week Of December 22-28, 2012 Shows SATURDAY PRIMETIME/LATE NIGHT DECEMBER 22, 2012 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Cook’s The The Prairie Hometime Classic Gospel Memo- The Lawrence Welk Guy Lom- As Time Keeping Last of the New Red The Red No Cover, No Austin City Limits A Under- Sun Studio Globe Trekker The PBS Country Victory Yard & (N) Å ries of Christmas. Å Show Songs from the bardo Goes Up Summer Green Green Minimum “Vince Two 1979 performance by ground Sessions Rijksmuseum in Am- KUSD ^ 8 ^ Garden Garden 1970s. By Å Wine Show Eagles” Tom Waits. Å sterdam. (In Stereo) Of 2012 $ $ Å Å KTIV 4 Boxing Fight Night. From Bethlehem, Pa. Paid News News 4 Insider “Mr. Magoo” WWE Tribute Saturday Night Live News 4 Saturday Night Live Extra (N) 1st Look House Boxing Fight Night. From Bethlehem, Pa. (N) (In Johnny NBC KDLT The Big ›› “Mr. Magoo’s WWE Tribute to the Saturday Night Live KDLT Saturday Night Live Bruno Mars The Simp- According (Off Air) BY CHUCK BARNEY NBC Stereo Live) Å Cash Nightly News Bang Christmas Carol” Troops (N) (In Ste- Martin Short; Paul Mc- News hosts and performs. (In Stereo) Å sons Å to Jim Å KDLT % 5 % News (N) (N) Å Theory (1962, Fantasy) reo) Å Cartney performs. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................