DOCSLIB.ORG

MAURICE STEGER Flutist, Conductor & Lecturer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MAURICE STEGER Flutist, Conductor & Lecturer MAURICE STEGER Flutist, Conductor & Lecturer He has been celebrated as the "the Paganini of the dedicates himself to a continuously updated reper- recorder" by music critics and been succinctly de- toire of Early music. He also performs with artist scribed as "the world’s leading recorder virtuoso" colleagues such as Cecilia Bartoli, Andreas Scholl, (the Independent) – today Maurice Steger is one Pablo Heras-Casado, Laurence Cummings, Nuria of the most fascinating recorder players, conductors Rial, Bernard Labadie, Sandrine Piau, Diego Fasolis and musical professors working in the sphere of and Sol Gabetta. Along with early music, Maurice Early music. In these different capacities, he thrills Steger also engages with new concert formats and audiences around the world with a variety of concert contemporary compositions. formats. Tours of Asia and Australia have led to performan- Maurice Steger is an incredibly charismatic ces with the Australian Brandenburg Orchestra, the musician: spontaneous, captivating and full of ener- Malaysia Philharmonic Orchestra, the Taipei Sym- gy. With his vibrant manner, intense and full instru- phony among others. He was the first recorder play- mental sound and amazing technique, this "recorder er from the West to perform with the Traditional wizard" has managed to bring to prominence the re- Taipei Chinese Orchestra. He also regularly per- corder as an instrument in all its fascinating forms. forms in North and South America. The 2015 ECHO Classic Award which he received as " Instrumentalist of the Year" is testimony to his His commitment to musical education is also ex- success. tremely important to him: in order to encourage young children to playfully engage with classical In his concerts, Maurice Steger takes listeners on music, he invented the character of "Tino Flautino", a spellbinding musical journey, with every piece of and has performed hundreds of children's concerts music offering something to discover. As a soloist, in this role. For his latest musical fairytale, he in- conductor or both at once, he regularly performs vented "Pinocchio and the recorder player". Maurice with the top period instrument ensembles, such as Steger also gives various master classes each year, the Akademie für Alte Musik Berlin, the Venice and in 2013 took over the directorship of the Gstaad Baroque Orchestra, the English Concert, La Cetra, Baroque Academy at the Menuhin Festival Gstaad. the Lautten Compagney and I Barocchisti. He also performs with leading modern orchestras such as the 'Mr. Corelli in London', 'Una Follia di Napoli', ' Vivaldi: Zurich Chamber Orchestra, the hr-Sinfonieorches- Concerti per flauto' and 'Telemann: Recorder Works' ter Frankfurt, the Musikkollegium Winterthur, the with The English Concert, I Barocchisti and the Aka- Berlin Baroque Soloists (Berlin Philharmonic), the demie für Alte Musik Berlin: numerous award-win- Canadian Violons du Roy, the Chamber Orchestra ning CD recordings published by harmonia mundi, Basel or the NDR Radiophilharmonie. most of them with highly imaginative thematic con- cepts, are a long-standing testament to the unique Chamber music plays a notable role in the rich- prominence achieved by this artist. ly varied spectrum of Maurice Steger's artistic endeavours. With fellow musicians and friends The current music project "Souvenirs d'Italie" with such as Hille Perl, Marco Postinghel, Xenia Löff- exciting new discoveries from the Naples of the ler, Daniele Caminiti, Naoki Kitaya, M auro Valli, early 18th century has already won many of the most Sebastian Wienand and Fiorenza de Donatis, he important international record awards. Vers. 03.2017 www.mauricesteger.com | www.vivaldi2014.com | www.tinoflautino.ch | www.harmoniamundi.com | www.ks-schoerke.de.
Load more

Recommended publications
  • Maurice Steger E Julia Lezhneva
    Chiesa di San Nicolao Lugano Besso I Barocchisti Domenica 11 novembre Diretti da Diego Fasolis I Barocchisti sono internazionalmente apprezzati quale complesso di riferimento per Ore 15.00 l’esecuzione del repertorio antico su strumenti storici. Unitamente al Coro della Radiotelevisione svizzera hanno realizzato numerose produzioni concertistiche e discografiche dedicate a Bach, Cavalli, Galuppi, Gossec, Händel, Mozart, Scarlatti, Paisiello, Pergolesi, Piccinni, Purcell, Concerto barocco con i flauti di Vivaldi. Le incisioni strumentali dedicate a Bach – pubblicate dall’etichetta Arts – sono ritenute pietre miliari del catalogo bachiano. Di grande successo i dischi vivaldiani pubblicati per Claves. L’ensemble diretto da Diego Fasolis si esibisce regolarmente nei maggiori festival musicali in Austria, Belgio, Croazia, Francia, Germania, Italia, Portogallo, Spagna, Svizzera e Stati Uniti, collaborando con i maggiori interpreti della musica barocca tra i quali Phlippe Jaroussky, Cecilia Bartoli, Max Emanuel Cenčić, Maurice Steger e Julia Lezhneva. I Barocchisti sono stati insigniti dei maggiori premi della critica internazionale (Echo Preis, Nomination ai Grammy Maurice Steger Awards) e nel 2014 per l’album Pergolesi (Stabat Mater, ERATO) hanno vinto l’International Classical Music Awards (ICMA). Diego Fasolis è riconosciuto nel mondo come uno degli interpreti di riferimento per la musica storicamente informata. Unisce rigore stilistico, ispirazione e virtuosismo. Ha studiato a Zurigo, Parigi e Cremona, conseguendo quattro diplomi con distinzione. Ha iniziato la sua carriera come concertista d’organo, eseguendo più volte l’integrale delle opere di Bach, Buxtehude, Mozart, Mendelssohn, Franck e Liszt. Nel 1993 è stato nominato Direttore stabile dei complessi vocali e strumentali della Radiotelevisione svizzera con cui ha realizzato una monumentale produzione con duecentocinquanta titoli dal Rinascimento al ‘900.
    [Show full text]
  • MAURICE STEGER Flutist, Conductor & Lecturer
    MAURICE STEGER Flutist, Conductor & Lecturer He is hailed as "the Paganini of the recorder" and Tours of Asia and Australia have led to performan- "the world’s leading recorder player" – today Maurice ces with the Australian Brandenburg Orchestra Steger is one of the most fascinating recorder play- and the Malaysia Philharmonic Orchestra, among ers, conductors and music teachers working in the others. He was the first recorder player from the sphere of early music. In these different capacities, West to perform with the traditional Taipei Chinese he thrills audiences around the world with a variety Orchestra. He also regularly performs in North and of concert formats. South America. Maurice Steger is an incredibly charismatic musician: His commitment to musical education is also spontaneous, captivating and full of energy. With extremely important to him: in order to encourage his vibrant manner, intense tonality and amazing young children to playfully engage with classical technique, this "recorder wizard" has managed to music, he invented the character of "Tino Flautino", bring to prominence the recorder as an instrument and has performed hundreds of children's concerts in all its fascinating forms. The 2015 ECHO Klassic in this role. For his latest musical fairytale, he in- Award which he is to receive as "Instrumentalist of vented "Pinocchio and the recorder player". Maurice the Year" is testimony to his success. Steger also gives various master classes each year, and in 2013 took over the directorship of the Gstaad In his concerts, Maurice Steger takes listeners on a Baroque Academy. spellbinding musical journey, with every piece of mu- sic offering something to discover.
    [Show full text]
  • Concerto Köln Allegro Yves Bertin, Bassoon
    CAL PERFORMANCES PRESENTS PROGRAM Saturday, November 3, 2012, 8pm Vivaldi Concerto for Bassoon and Orchestra First Congregational Church in E minor, R. 484 Allegro poco Andante Concerto Köln Allegro Yves Bertin, bassoon PROGRAM Dall’Abaco Concerto for Strings and Continuo in D major, Op. 5, No. 6 George Frideric Handel (1685–1759) Concerto Grosso in G major, Op. 6, No. 1 Allegro A tempo giusto Cantabile Allegro Ciaccona Adagio Rondeau Allegro Allegro Allegro Georg Philipp Telemann (1681–1767) Concerto for Concerto for Recorder, Transverse Evaristo Felice Dall’Abaco (1675–1742) Concerto for Two Flutes, Strings, and Flute, Strings, and Continuo in E minor Continuo in E minor, Op. 5, No. 3 Largo Allegro Allegro Adagio cantabile Largo Presto assai — Adagio — Prestissimo — Presto Adagio — Cordula Breuer, recorder Largo Marion Moonen, transverse flute Passepied I and II Antonio Vivaldi (1678–1741) Concerto for String Orchestra and Continuo This project has been funded with support from the European Commission. (Concerto a Quattro) in G minor, R. 156 This publication reflects the views only of its author, and the Commission cannot be Allegro held responsible for any use which may be made of the information contained therein. Adagio Allegro Concerto Köln gratefully acknowledges the generous support of MBL High End Audio and TÜV-Rheinland. Vivaldi Concerto for Sopranino Recorder and Orchestra in C major, R. 443 Allegro Largo Allegro molto Cal Performances’ 2012–2013 season is sponsored by Wells Fargo. Cordula Breuer, sopranino recorder INTERMISSION 10 CAL PERFORMANCES CAL PERFORMANCES 11 ORCHESTRA ROSTER PROGRAM NOTES Concerto Köln George Frideric Handel (1685–1759) that could be used either as intermission features Concerto Grosso in G major, Op.
    [Show full text]
  • CANTATAS of the BACH FAMILY Benjamin Appl BERLINER BAROCK SOLISTEN Reinhard Goebel CANTATAS of the BACH FAMILY KANTATEN Der BACH-FAMILIE
    hänssler CLA SSIC CANTATAS of the BACH FAMILY Benjamin Appl BERLINER BAROCK SOLISTEN Reinhard Goebel CANTATAS of the BACH FAMILY KANTATEN der BACH-FAMILIE Carl Philipp Emanuel Bach 1714 – 1788 Johann Christoph Friedrich Bach 1732 – 1795 Wilhelm Friedemann Bach 1710 – 1784 Benjamin Appl, Bariton „Ich bin vergnügt mit meinem Stande“ „Pygmalion“ Sinfonie B-Dur Falck 71/C5 für Streicher & Basso Kantate für Bass, Streicher & Basso Continuo Kantate auf einen Text von K. W. Ramler Continuo Berliner Barock Solisten Wq/HWV deest (um 1770) – G 50 World Premiere / Weltersteinspielung Reinhard Goebel World Premiere / Weltersteinspielung für Bass, Streicher & Basso Continuo 18. Allegro 4:44 1. Arie 2:52 7. Recitativ 2:10 19. Andante 4:01 2. Recitativ 1:09 8. Arie Allegro 7:56 20. Presto 1:39 3. Arie 5:17 9. Recitativ 0:39 10. Andante 1:52 11. Accomp 1:40 Johann Sebastian Bach 1685 – 1750 „Mons. Bach de Berlin“ 12. Adagio 2:44 „Ich habe genug“ (CPhE ?) Bach 13. Andante 3:38 Kantate BWV 82 für Bass, Oboe, Sinfonie in F-Dur für Streicher & Basso continuo 14. Larghetto 3:02 Streicher & Basso Continuo Wq/HWV deest 15. Arie Allegretto 6:38 (Fassung Leipzig ca. 1747) World Premiere / Weltersteinspielung 16. Recitativ 0:26 21. Arie 6:11 4. (Allegro) 3:37 17. Arie Larghetto 2:55 22. Recitativ 1:17 5. Adagio 2:00 23. Arie 6:22 6. Allegro assai 1:40 24. Recitativ 0:46 25. Arie 3:40 Christoph Hartmann Oboe & Oboe da caccia Gesamtspielzeit / Total time: 79:45 2 3 Bach-Familie Dreißig Jahre lang hatte er durch sein Wirken und den war, daß nicht nur in der Wohnung in der Welt um ihn herum ausgesetzt – und reagierte Allzu leicht gerät bei der Reflexion über Johann Schaffen nolens-volens bestimmt, wo in Sachsen Thomas-Schule oben links die Wände wackelten, auch darauf.
    [Show full text]
  • Mozart Serenades
    hänssler CLA SSIC MOZART SERENADES BERLINER BAROCK SOLISTEN REINHARD GOEBEL Als im Dezember 1812 der französische Geiger geiles Aufbauschen und dauerndes Nachdudeln Pierre Rode (1774 – 1830) erstmalig nach Wien bittere Realität im strengsten Indikativ geworden (1756 1791) WOLFGANG AMADEUS MOZART – kam, schrieb Beethoven für dessen Auftritt vor ist: Kitsch und Karikatur. Zur öffentlichen Meinung den „Assoziierten Cavaliers“ im Palais Lobkowitz erstarrt und im Feuilleton mit den immer gleichen die Violinsonate op. 96, die mit dem Erzherzog Worthülsen „spannend, neu, interessant“, nie aber „Serenata Notturna“ „Eine kleine Nachtmusik“ Rudolph am Klavier ihre Premiere erlebte: Men- dem langweiligen „richtig“ befeuerwerkt, türmen Serenade für Streicher und Pauken Serenade für Streicher schenfreund und Völker-Verständiger Beethoven sich insonderheit Vivaldis „Jahreszeiten“ und Bee- D-Dur KV 239 G-Dur KV 525 zog es vor, schmollend zu Hause zu bleiben, ver- thoven-Zyklen en masse – es ist zwar längst al- 1. I Marcia: Maestoso . 3:42 inkl. eines Menuetts vor der Romanze mutlich um nicht einem berühmten Kollegen les gesagt, nur noch nicht von Jedem – auf den 2. II Menuetto/Trio . 4:06 von Thomas Attwood, korrigiert und die Hand reichen zu müssen. Im Großen Redou- Reste-Rampen. Sie katalogmäßig zu erfassen, 3. III Rondeau: Allegretto ..................4:32 ergänzt von W. A. Mozart 1791 ten-Saal, in dem wenig später das öffentliche hat man längst als Sisyphus-Arbeit erkannt und 7. Allegro..................................7:48 Debut stattfand, spielte Rode hingegen eigene aufgegeben: Bielefeld kennt man jetzt nur noch „Adagio & Allegro für eine Orgelwalze 8. Menuetto...............................2:30 Werke. Während sich der Korrespondent der AMZ vom Durch – und Dranvorbeifahren.
    [Show full text]
  • 2016/17 Season Preview and Appeal
    2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No.
    [Show full text]
  • JOHANN SEBASTIAN BACH HORN CONCERTOS RADEK BABORÁK BERLINER BAROCK SOLISTEN Liebe Musikfreunde, Oder Dynamikangaben
    hänssler CLA SSIC JOHANN SEBASTIAN BACH HORN CONCERTOS RADEK BABORÁK BERLINER BAROCK SOLISTEN Liebe Musikfreunde, oder Dynamikangaben. Ich denke, er musste sich sicher gewesen sein, dass seine Musik überleben JOHANN SEBASTIAN BACH (1685 – 1750) Johann Sebastian Bach hat für Waldhorn weder ein Konzert noch ein Solo-Stück komponiert. und nach seinem Tod lebendig bleiben wird. Dass Natürlich hat er hier und da einige wunderbare die Ausdrucksstärke und Emotion seiner Musik HORNKONZERTE Partien für Horn geschrieben – das Brandenbur- nicht verlorengehen kann. Es gibt hier und da nur gische Konzert Nr. 1, in der h-Moll-Messe und Sopran, Alt, Tenor, Bass oder eine Orgelregistrie- rung, alte und neue Instrumente. Wir haben es Konzert für Horn, Streicher und B.c. Es-Dur Konzert für Horn, Streicher und B.c. B-Dur auch in ein paar wenigen Kantaten. Ich wollte mit ganz unterschiedlichen Klangfarben zu tun, (Rekonstruktion nach BWV 169, 49 und 1053) (Rekonstruktion nach Konzert für Oboe d’ amore, mich aber seinem musikalischen Kosmos noch aber das Wichtigste bleibt: Es spielt keine große Streicher und B.c. A-Dur BWV 1055R) weiter annähern. Vor ungefähr 20 Jahren habe 1. I (Allegro) ...............................8'16 ich angefangen, die Cello-Suiten auf dem Horn Rolle, ob wir auf Barockrepliken spielen oder ein 2. II Siciliano ...............................5'25 7. I (Allegro) ...............................4'25 zu spielen und sie sehr behutsam angefasst. Es modernes Instrumentarium benutzen, Bach war 3. II Allegro ................................6'52 8. II Larghetto .............................5'51 war die erste Herausforderung und hornistische uns immer mehrere Schritte voraus. Ich hoffe, der 9. III Allegro ma non tanto .................4'33 Begegnung mit dem großen Meister.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]
  • Cecilia Bartoli, Mezzo-Soprano Me Voglio Fa ’Na Casa, from Soirées D’Automne À Sergio Ciomei, Piano L’Infrascati (1837)
    Cal Performances Presents Program Sunday, February 22, 2009, 3pm Gaetano Donizetti (1797–1848) Il barcaiolo, from Nuits d’été à Pausilippe (1836) Zellerbach Hall Amore e mortea, from Soirées d’automne à L’Infrascati (1837) La conocchia, from Soirées d’automne à L’Infrascati (1837) Cecilia Bartoli, mezzo-soprano Me voglio fa ’na casa, from Soirées d’automne à Sergio Ciomei, piano L’Infrascati (1837) Rossini From Péchés de vieillesse (1857–1868) PROGRAM Ariette à l’ancienne L’opheline du Tyrol La grande coquette Maria Malibran’s Salon Romantique Pauline Viardot-García (1821–1910) Havanaise Gioacchino Rossini (1792–1868) La regata veneziana, from Péchés de vieillesse Hai luli! (Three songs in Venetian dialect) Manuel del Pópulo Vicente (1857–1868) Rodríguez García (1775–1832) Yo que soy contrabandista, from I. Anzoleta avanti la regata El poeta calculista (1804) II. Anzoleta co’ passa la regata Maria Malibran (1808–1836) Rataplan (1836) III. Anzoleta dopo la regata Vincenzo Bellini (1801–1835) L’abbandono (1835) Cecilia Bartoli appears by arrangement with IMG Artists, New York, New York. Il fervido desiderio (aft. 1827) Vaga luna Cecilia Bartoli records exclusively for Decca. La farfalletta (1813) This concert is made possible, in part, by Bank of America and Patron Sponsors Margot and John Clements, in honor of Robert Cole. Bellini Dolente immagine (1821) Malinconia, ninfa gentile, from Sei Ariette (1829) Cal Performances’ 2008–2009 season is sponsored by Wells Fargo Bank. Ma rendi pur contento Rossini Or che di fiori adorno (1831) Rossini Beltà crudele (1821) Canzonetta spagnuola (1821) La danza, from Les soirées musicales (1835) INTERMISSION 4 CAL PERFORMANCES CAL PERFORMANCES 5 About the Artists About the Artists with.
    [Show full text]
  • DANIEL HOPE and FRIENDS AIR—A BAROQUE JOURNEY Thursday, October 25, 2018, at 7:30Pm Foellinger Great Hall PROGRAM DANIEL HOPE and FRIENDS AIR—A BAROQUE JOURNEY
    DANIEL HOPE AND FRIENDS AIR—A BAROQUE JOURNEY Thursday, October 25, 2018, at 7:30pm Foellinger Great Hall PROGRAM DANIEL HOPE AND FRIENDS AIR—A BAROQUE JOURNEY Daniel Hope, violin Simos Papanas, violin Nicola Mosca, cello Emanuele Forni, lute Naoki Kitaya, harpsichord Michael Metzler, percussion Diego Ortiz Ricercata segunda (1510-1570) Georg Friedrich Händel Sarabande HWV 437 (1685-1759) (arrangement Olivier Fourés) Andrea Falconieri La suave melodia (1585/6-1656) Johann Paul von Westhoff Imitazione delle campane (1656-1705) Nicola Matteis Diverse bizzarrie sopra la Veccia Sarabanda o pur Ciaccona (1650-après 1713) Antonio Vivaldi Sonata for 2 Violins, “La Follia” (1678-1741) 20-minute intermission 2 Andrea Falconieri Passacaglia à 3 (1585/6-1656) Johann Paul von Westhoff La guerra così nominata di sua maestà (1656-1705) Traditionnel Greensleeves Jean-Marie Leclair Le Tambourin (1697-1764) Marco Uccelini Aria Sopra la Bergamasca (1603 ou 1610-1680) Nicola Matteis Ground after the Scotch Humour (1650-après 1703) Johann Paul von Westhoff Imitazione del liuto (1656-1705) Andrea Falconieri Ciaccona (1585/6-1656) Johann Sebastian Bach Air (1685-1750) From soloists to quartets to chamber ensembles, the Classical Mix series creates a varied blend of outstanding musical experiences. The 2018-19 series includes Jupiter String Quartet and Jasper String Quartet with Michael Cameron, bass (October 4), Daniel Hope and Friends (October 25), Eroica Trio (November 13), Andersson Dance and Scottish Ensemble (April 2), and Canadian Brass (April 7). For more information about these events, please visit KrannertCenter.com/calendar. Daniel Hope appears by arrangement with: David Rowe Artists 24 Bessom Street, Suite 4 Marblehead, Massachusetts 01945 (781) 639.2442 3 THANK YOU FOR SPONSORING THIS PERFORMANCE With deep gratitude, Krannert Center thanks all 2018-19 Patron Sponsors and Corporate and Community Sponsors, and all those who have invested in Krannert Center.
    [Show full text]
  • Dezember 2018 Facebook
    Berliner Barock Solisten Stand : Dezember 2018 www.berlinerbarocksolisten.de facebook The Berlin Baroque Soloists ensemble was founded in 1995 by Rainer Kussmaul, Raimar Orlovsky, and other members of the Berlin Philharmonic, alongside early music specialists. Their aim was to present high-level performances of early music on modern instruments. This concept does not contradict the idea of historical performance practice. The size of the ensemble varies according to the requirements of each programme. Rainer Kussmaul (1946-2017), with his established international experience and great expertise in Baroque Music, led the ensemble until 2010. Since 2010, the Berlin Baroque Soloists has adapted its leaders to each project: Bernhard Forck, Daniel Gaede, Frank Peter Zimmermann, Gottfried von der Goltz, Daniel Hope, Daishin Kashimoto and Daniel Sepec were among the few leaders over the past decade. The ensemble focuses on unjustly forgotten masterpieces, especially those by Georg Philipp Telemann and more unknown composers. The ensemble has performed with renowned singers and soloists such as Christine Schäfer, Anna Prohaska, Dorothea Röschmann, Christiane Oelze, Sandrine Piau, Sybilla Rubens, Bernarda Fink, Genia Kühmeier, Thomas Quasthoff, Mark Padmore, Michael Schade, Andreas Staier, Kristian Bezuidenhout, Frank Peter Zimmermann, Emmanuel Pahud, Jacques Zoon, Albrecht Mayer, Jonathan Kelly, Radek Baborak, Maurice Steger, Reinhold Friedrich, Christine Schornsheim. Prominent german actors, such as Christian Ehring, Burghart Klaußner und Armin Müller- Stahl, have joined them for concerts as well. In 2014, the Berlin Baroque Soloists held their first performance with a conductor, in which early music specialist Reinhard Goebel directed a C.P.E. Bach - Jubilee Concert at the Berlin Philharmonie. The concert was recorded by Sony and well received by critics.
    [Show full text]
  • Cecilia Bartoli & Sol Gabetta
    Cecilia Bartoli & Sol Gabetta: Dolce duello Friday 1 December 2017 7.30pm, Hall Hasse Il Ciro riconosciuto – overture Caldara Nitocri – ‘Fortuna e speranza’ Albinoni Il nascimento dell’Aurora – ‘Aure, andate e baciate’ Gabrielli San Sigismondo, re di Borgogna – ‘Aure, voi de’ miei sospiri’ Pollarolo Ariodante – overture Handel Il Trionfo del Tempo e del Disinganno – ‘Lascia la spina’ Raupach Siroe, re di Persia – ‘O placido il mare’ Handel Ode for St Cecilia’s Day – ‘What passion cannot Music raise and quell!’ interval 20 minutes Boccherini Cello Concerto No 10 in D major, G483 Gluck Orfeo ed Euridice – ‘Dance of the Furies’ Boccherini ‘Se d’un amor tiranno’, G557 Cappella Gabetta Andrés Gabetta leader Esther Haase Cecilia Bartoli mezzo-soprano Sol Gabetta cello Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome A warm welcome to this evening’s concert, What is not in doubt is that there given by two of the music world’s most will be plenty of thrills along the charismatic artists: mezzo-soprano way, as singer and cellist indulge in Cecilia Bartoli and cellist Sol Gabetta.
    [Show full text]