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555882 Bk Matsudairaeu 1/11/2004 11:23Am Page 16 555882 bk MatsudairaEU 1/11/2004 11:23am Page 16 Yoritsune DDD MATSUDAIRA 8.555882 (1907-2001) Theme and Variations 17:10 ¡ Preludio 2:00 for Piano and Orchestra (1951) * Yoritsune 1 Theme: Molto lento-Adagio 3:10 Coda: 1:51 2 Variation I: Andante 2:38 ™ Fragment A-1 0:39 3 Variation II: Allegro 1:35 £ 5 0:11 MATSUDAIRA 4 Variation III: Allegro 1:17 ¢ 3 0:14 5 Variation IV: Lento-Agitato-Lento 3:16 ∞ 4 0:13 6 Variation V: Allegro 2:00 § 2 0:14 Bugaku 7 Variation VI: Allegro 3:15 ¶ 6 0:19 (Toccata meccanica): Lento Sa-Mai 21:26 Dance Suite Danza Rituale e Finale (Enbou) 6:40 (1958) (1959) • Introduzione 2:13 Preludietto: 2:50 ª Preludio 3:35 U-Mai 8 Fragment 1 0:12 º Interludio 0:32 9 9 0:13 ⁄ Movimento principale 8:50 0 5 0:14 ¤ Finale 6:15 Sa-Mai ! 12 0:12 @ 8 0:14 U-Mai (1957) 14:20 Danza Rituale # 4 0:15 Danza antica nello stile della $ 2 0:13 Corte Giapponese e Finale % 6 0:15 ‹ I Jo (Piccolo preludio) 2:17 ^ 10 0:11 › II Ha (Movimento principale) 6:10 & 11 0:14 fi III Kyu ( Finale) 5:54 Theme and Variations * 7 0:12 ( 3 0:12 Danza Rituale e Finale 10:37 for Piano and Orchestra ) 13 0:14 (Chogeishi) (1959) fl Danza Finale Ichiro Nodaira, Piano Ichiro Modaira, Piano* Osaka Century Orchestra Osaka Century Orchestra • Ken Takaseki Ken Takaseki 8.555882 16 555882 bk MatsudairaEU 1/11/2004 11:23am Page 2 Yoritsune MATSUDAIRA (1907-2001) Track zusammengefasst, da sie pausenlos ineinander während das wiederum kanonische Finale den Abgang übergehen. der Tänzer (Irute) begleitet. Theme and Variations for Piano and Orchestra • Sa-Mai • U-Mai • Im traditionellen Bugaku folgt auf Enbou zunächst U-Mai basiert auf der Nasori-Tanzmusik in der Danza Rituale e Finale Sa-Mai und anschließend U-Mai. Sa-Mai wird von Ichikotsucho-Tonart des U-Mai und ist mit neun einem rot gewandeten Tänzer aufgeführt, der aus der Blasinstrumenten, diversem Schlagwerk, Harfe, Klavier Yoritsune Matsudaira is descended from the Shogun individualism and liberalism were in fashion, a reaction linken Bühnengasse auftritt, wobei die Bewegungen und Streichquartett besetzt. Nasori soll dem Ursprung family who ruled over Japan from 1603 to 1867, based against the nationalism prevalent since the Sino- vorwiegend von der linken Körperhälfte ausgeführt nach ein chinesischer Hoftanz für zwei spielende in Edo, later changed to Tokyo. The family name of the Japanese and the Russo-Japanese Wars. Repelled by werden. Für Sa-Mai existieren zahlreiche Stücke, von Drachen beiderlei Geschlechts gewesen sein. Dieses Shogun was originally Matsudaira, and only a limited militarism, aristocracy, heroism and Japanese denen die meisten vermutlich aus dem alten China Stück besteht aus drei Teilen: Jo (Einleitung), Ha number of people, who possessed the right of inheriting conventional homogeneity and collectivism, he even übernommen und japanisiert wurden. Die (aufgebrochener Rhythmus, Durchführung) und Kyu the shogunate, were allowed to use the name refused to wear a uniform at elementary school. He Instrumentierung beschränkt sich auf Bläser und (Finale; schnell): jeder dieser Teile entspricht jeweils Tokugawa. Yoritsune’s direct ancestry was from regarded romanticism and sentimentalism as his Schlagzeug, die Streicher fallen fort. Der Klang ist dem Auftritt, dem erregten Spiel und dem Abgang der Yorifusa Tokugawa, the first Shogun’s eleventh son, hypothetical enemy; he never accepted the priority of nobel und anmutig, wobei der Rhythmus des beiden Protagonisten. Der zweite Abschnitt des Kyu- who lived in Hitachi-Fuchu, north-east of Edo. When emotions over theories, sensuality over artificiality and Schlagzeugs vielfach verschwommen bleibt. U-Mai Teils mit der Ritardando-Anweisung begleitet das the Shogun regime came to an end, the imperial family, collective solidarity over individuals. Studying the wird von einem grün kostümierten Tänzer dargeboten, abtretende Tanzpaar; nach seinem Verschwinden who had practically been deprived of powers and had French language under French teachers at Gyosei High der von rechts auftritt und dessen Bewegungen die verstummen die Klänge, denn im Gegensatz zu Sa-Mai existed only as a dignified religious and spiritual School, which was founded by a French Catholic order, rechte Körperhälfte betonen. Auch U-Mai existiert in besitzt U-Mai keine eigens für den Abgang der Tänzer symbol, returned to the forefront of politics for the first he became more and more interested in French culture, verschiedenen Fassungen, von denen die meisten von vorgesehene Musik. Das Ritardando wird im Einklang time in six hundred years. Japan’s rapid westernisation which further fostered his unique character. der koreanischen Halbinsel nach Japan gelangten. Auch mit der szenischen Darbietung improvisiert. Laut and modernisation under the Emperor naturally It was not until Matsudaira entered university that diese Stücke sind lediglich mit Bläsern und Schlagzeug Anweisung des Komponisten kann der Kyu-Abschnitt involved a drastic change in the life of the Shogun he decided to become a professional musician. In 1925, besetzt; im Gegensatz zu Sa-Mai fehlt hier jedoch das in der Mitte beendet werden; in dieser Einspielung family. Matsudaira’s estate in Hitachi-Fuchu was when he was specialising in French literature at Keio Sho, das die typisch sphärischen Klänge erzeugt. erklingt die vollständige Musik. confiscated by the new government and the head of the University, he went to a six-evening concert series held Folglich werden Komabue und Hichiriki in einem In Bugaku-Aufführungen ist es üblich, Chogeishi in family, Yoritsune’s grandfather, was given the title of in Tokyo by the French composer and pianist Henri Gil- eindeutig perkussiven Ostinato-Rhythmus gespielt. In der Taishikicho-Tonart ohne Tanz zu spielen, und zwar viscount in return, following the newly introduced Marchex, who presented an overview of music history dieser Hinsicht ist U-Mai einfacher, kraftvoller und nach U-Mai und Sa-Mai. Es ist ein prächtiges Stück des aristocracy, modelled on the European system. The next from Bach to Stravinsky. He was strongly impressed scherzohafter als Sa-Mai. In Matsudairas Sa-Mai und Komponisten Hiromasa Minamaota, eines im zehnten head of the family, Yoritaka Matsudaira, Yoritsune’s and stimulated by this, and finally made up his mind to U-Mai spiegelt sich eindrucksvoll die Links-Rechts- Jahrhundert lebenden Adligen. Während es gespielt father, served the Emperor as manager of the hunting become a composer, despite his limited musical Charakteristik des Bugaku. wird, verlässt das Publikum den Saal. Danza Finale field and was to leave behind a reputation as an experience. He had been no more than an average music Sa-Mai basiert auf der Genjo-Raku-Tanzmusik in basiert auf diesem Chogeishi und ist für ornithologist and a collector of rare stuffed birds. lover, had tried playing the piano his sister was der Taishikicho-Tonart des Sa-Mai und ist mit zehn unterschiedliche Bläserbesetzungen geschrieben, Yoritsune Matsudaira was born in Tokyo on 5th studying, and had been moved by Leopold Godowsky’s Blasinstrumenten (einschließlich Saxophon), diversem einschließlich Sopran- und Altsaxophon. Die Musik May 1907, the first son of the “Viscount of Birds” and interpretations of Chopin, during his visit to Japan in Schlagwerk, Celesta, Harfe, Klavier und vierzehn besitzt reichere Klangfarben und größere Flexibilität als heir to the title. On his mother’s side he was descended 1922. Streichinstrumenten (die hauptsächlich die Sho- Sa-Mai und U-Mai. Das phantastische Bugaku-Ritual from the Fujiwara family, who had been the most Now awakened to music, Matsudaira started his Akkorde imitieren) besetzt. Genjo-Raku soll seinen findet mit dieser sphärischen, geradezu mikroskopisch powerful nobility at the imperial court from the seventh studies of the piano and music theory under Kosuke Ursprung im frühzeitlichen China gehabt haben und feingliedrigen Musik einen großartigen Abschluss. to the twelfth century and practically governed Japan. Komatsu, a former pupil of Vincent d’Indy in Paris, and stellt schlangenfressende Barbaren aus dem Westen dar. These surroundings imbued him with a peculiar of Charles Loutrup and Heinrich Werckmeister, then In der Introduzione wird Enbou aus der Danza Rituale character. He loved artificial things, partly because he teaching in Tokyo. Starting late, but showing wiederholt. Das kanonische Preludio begleitet den Morihide Katayama grew up surrounded by stuffed birds, and he detested remarkable progress in a short period, he began to Auftritt der Tänzer (Derute); im Interludio stimmen die every kind of nationalistic element, because he had publish his own works as early as late 1920s. He was Spieler ihre Instrumente (Netori) für den Haupttanz, Deutsche Fassung: Bernd Delfs spent his childhood between 1910 and 1920, when also active as a pianist around 1930, playing Debussy 8.555882 2 15 8.555882 555882 bk MatsudairaEU 1/11/2004 11:23am Page 14 Trommel (mit Schnarrsaiten) und Basstrommel erzeugt aufgeführt werden, da ihnen eine einzige Reihe (Ais-H- and Satie, his favourite composers. generation. During this period, he studied with werden. In Variation I (Andante) übernimmt die Violine A-Gis-G-D-Cis-C-E-Dis-F-Fis) zu Grunde liegt. Diese Matsudaira’s interest in this period was directed to Tcherepnin in Tokyo and was inspired by his idol die melodischen Gagaku-Figurationen. Variation II Reihe besteht lediglich aus vier für das Gagaku strong attachment to artificial things, anti-romanticism Tansman, who visited Japan at this time. (Allegro) ist bitonal, wie etwa bei Tansman oder essentiellen Intervallen (kleine Sekunde, große Sekund, and French style neo-classicism, as was to be expected During World War II, Matsudaira was largely Milhaud. Die zahlreichen Arpeggien im Klavier große Terz, Quarte), aus denen sich endlose Muster from the French-orientation of his thinking. His idols silent. The trend of the times required patriotic, entstehen durch Brechung der Sho-Akkorde.
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