DOCSLIB.ORG

Stravinsky: Le Sacre Du Printemps Diszkográfia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stravinsky: Le Sacre Du Printemps Diszkográfia Stravinsky: Le sacre du printemps diszkográfia felvétel felvétel karmester zenekar kiadó s/k ideje helyszíne 1928 Eugene Goossens Hollywood Bowl Orchestra Los Angeles Cambria s Leopold 1929/30 Stokowski Philadelphia Orchestra Philapelphia RCA Victor s Philaharmonic-Symphony Columbia 1940 Igor Stravinsky Orchestra of New York New York Masterworks s Eduard van 1946 Beinum Royal Concertgebouw Orchestra Amsterdam Decca s L'Orchestre de la Suisse 1950 Ernest Ansermet Romande Geneva Decca s 1951 Pierre Monteux Boston Symphony Orchestra Boston RCA Victor s 1951 Igor Markevitch Philharmonia Orchestra London Testament/EMI s RIAS Symphonie-Orchester 1952 Igor Markevitch Berlin Berlin Audite k Minneapolis Symphony Mercury Living 1953 Antal Doráti Orchestra Minneapolis Presence s RIAS Symphonie-Orchester Deutsche 1954 Ferenc Fricsay Berlin Berlin Grammophon s 1954 William Steinberg Pittsburgh Symphony Orchestra Pittsburgh EMI Classics s Columbia 1955 Eugene Ormandy Philadelphia Orchestra Philapelphia Masterworks s 1955 Pierre Monteux Orchestre National de France Strasbourg Music & Arts k 1956 Rudolph Albert Orchestre des Cento Soli Paris Decca s 1956 Pierre Monteux Paris Conservatoire Orchestra Paris Decca s L'Orchestre de la Suisse 1957 Ernest Ansermet Romande Geneva Decca s 1957 Pierre Monteux Boston Symphony Orchestra Boston Guild k New York Philharmonic Columbia 1958 Leonard Bernstein Orchestra New York Masterworks s Minneapolis Symphony Mercury Living 1959 Antal Doráti Orchestra Minneapolis Presence s 1959 Eugene Goossens London Symphony Orchestra London Everest s 1959 Igor Markevitch Philharmonia Orchestra London Testament/EMI s 1960 Igor Stravinsky Columbia Symphony Orchestra New York Columbia Records s 1960 René Leibowitz London Festival Orchestra London Chesky Records s 1962 Igor Markevitch London Symphony Orchestra London BBC Legends k 1962 Igor Markevitch Warsaw Philharmonic Orchestra Warsaw Accord k Herbert von Deutsche 1963 Karajan Berlin Philharmonic Orchestra Berlin Grammophon s 1963 Colin Davis London Symphony Orchestra London Philips s 1963 Karel Ancerl Czech Philharmonic Orchestra Prague Supraphon s 1963 Otmar Suitner Staatskapelle Dresden Dresden Berlin Classics s ICA Classics 1966 Leonard Bernstein London Symphony Orchestra London (DVD) k USSR State Symphony 1966 Evgeny Svetlanov Orchestra Moscow Melodiya/Warner s 1968 Seiji Ozawa Chicago Symphony Orchestra Chicago RCA Red Seal s Los Angeles Philharmonic 1969 Zubin Mehta Orchestra Los Angeles Decca s Columbia 1969 Pierre Boulez Cleveland Orchestra Cleveland Masterworks s New England Conservatory 1971 Gunther Schuller Orchestra Boston Gm Recordings k Michael Tilson Deutsche 1972 Thomas Boston Symphony Orchestra Boston Grammophon s Herbert von 1972 Karajan Berlin Philharmonic Orchestra London Testament k 1973 Leonard Bernstein London Symphony Orchestra London CBS s 1973 Bernard Haitink London Philharmonic Orchestra London Philips s 1974 Erich Leinsdorf London Philharmonic Orchestra London Decca s 1974 Lorin Maazel Vienna Philharmonic Orchestra Vienna Decca s 1974 Georg Solti Chicago Symphony Orchestra Chicago Decca s Deutsche 1975 Claudio Abbado London Symphony Orchestra London Grammophon s 1976 Colin Davis Royal Concertgebouw Orchestra Amsterdam Philips s Herbert von Deutsche 1977 Karajan Berlin Philharmonic Orchestra Berlin Grammophon s New York Philharmonic 1977 Zubin Mehta Orchestra New York CBS s National Youth Orchestra Of 1978 Simon Rattle Great Britain London (?) ASW/Universal s 1978 Eduardo Mata London Symphony Orchestra London RCA Japan k 1978 Riccardo Muti Philadelphia Orchestra Philapelphia EMI Classics s 1979 Seiji Ozawa Boston Symphony Orchestra Boston Philips s 1980 Lorin Maazel Cleveland Orchestra Cleveland Telarc s 1981 Antal Doráti Detroit Symphony Orchestra Detroit Decca s Deutsche 1982 Leonard Bernstein Israel Philhamonic Orchestra Tel Aviv Grammophon k 1982 Andrew Davis Toronto Symphony Orchestra Toronto Orpheum Masters s Orchestre Symphonique de 1984 Charles Dutoit Montréal Montréal Decca s 1985 Riccardo Chailly Cleveland Orchestra Cleveland Decca s 1985 Zubin Mehta Vienna Philharmonic Orchestra Salzburg Orfeo k 1986 Daniel Barenboim Orchestre de Paris Paris Erato/Warner k Charles 1987 Mackerras London Philharmonic Orchestra London EMI Classics s 1987 Sixteen Ehrling Swedish Radio Symphony Stockholm BIS s Orchestra Gennady 1987 Rozhdesvensky London Symphony Orchestra London Nimbus Records s City of Birmingham Symphony 1987 Simon Rattle Orchestra Warwick EMI Classics s 1988 Yuri Temirkanov Royal Philharmonic Orchestra London RCA Red Seal s Esa-Pekka 1989 Salonen Philharmonia Orchestra London Sony Classical s Rafael Frühbeck London Symphony Orchestra London s 1989 de Burgos Collins/Alto 1990 Kent Nagano London Philharmonic Orchestra London Virgin/EMI s Alexander Belgian Radio & TV 1990 Rahbari Philharmonic Orchestra Brussels Naxos s 1990 Gerard Schwarz Seattle Symphony Seattle Naxos k 1990 New York Philharmonic New York s Zubin Mehta Orchestra Teldec/Warner 1990 Leonard Slatkin Saint Louis Symphony Orchestra St Louis RCA Red Seal s 1990 Eliahu Inbal Philharmonia Orchestra London Teldec/Warner s 1991 Cleveland Orchestra Cleveland Deutsche s Pierre Boulez Grammophon 1991 Georg Solti Royal Concertgebouw Orchestra Amsterdam Decca s 1991 Eduardo Mata Dallas Symphony Ochestra Dallas Dorian k 1991 Yoel Levi Atlanta Symphony Orchestra Atlanta Telarc s 1992 The MET Orchestra New York Deutsche s James Levine Grammophon 1992 Mariss Jansons Oslo Philharmonic Orchestra Oslo EMI Classics s 1994 Vladimir Deutsches Sinfonie-Orchester, Berlin s Ashkenazy Berlin Decca 1995 Semyon Bychkov Orchestra de Paris Paris Philips s 1995 Bernard Haitink Berlin Philharmonic Orchestra Berlin Philips s 1995 Robert Craft London Symphony Orchestra London Koch/Naxos s Reference 1995 Eiji Oue Minnesota Orchestra Minneapolis Recordings k 1996 Michael Tilson San Francisco Symphony San Francisco k Thomas Orchestra RCA Red Seal 1996 Yuri Simonov Royal Philharmonic Orchestra London Regis s 1997 Pierre Boulez BBC Symphony Orchestra London Euroarts (DVD) k 1997 Zubin Mehta Israel Philharmonic Orchestra Tel Aviv Helicon k 1999 Valery Gergiev Kirov Orchestra, St Petersburg Baden-Baden Philips s Symphonieorchester de 1999 Lorin Maazel Bayerischen Rundfunks Munich BR Klassik k 2000 James De Priest Oregon Symphony Newberg Delos s 2000 Daniel Barenboim Chicago Symphony Orchestra Chicago Teldec/Warner k 2003 Simon Rattle Berlin Philharmonic Orchestra Berlin Naive k 2004 Péter Eötvös Junge Deutsche Philharmonie Leipzig BMC k 2004 Paavo Järvi Cincinnati Symphony Orchestra Cincinnati Telarc s Esa-Pekka Los Angeles Philharmonic Deutsche 2006 Salonen Orchestra Los Angeles Grammophon s Sylvain SWR Sinfonieorchester Baden- 2006 Cambreling Baden und Freiburg Baden-Baden Hänssler s Netherlands Radio Philharmonic 2006 Jaap van Zweeden Orchestra Hilversum Exton s 2007 Robert Craft Philharmonia Orchestra London Naxos s 2007 Jonathan Nott Bamberg Symphony Orchestra Bamberg Tudor Records s 2007 Mariss Jansons Royal Concertgebouw Orchestra Amsterdam RCO Live k BBC National Orchestra of 2008 Thierry Fischer Wales Swansea Signum s Myung-Whun Orchestre Philharmonique de Deutsche 2009 Chung Radio France Paris (?) Grammophon k 2009 Simon Rattle Berlin Philharmonic Orchestra Berlin Euroarts (DVD) k 2009 Andrew Litton Bergen Philharmonic Orchestra Bergen BIS s Simón Bolívar Youth Orchestra Deutsche 2010 Gustavo Dudamel of Venezuela Caracas Grammophon k Brussel Phil. 2010 Michel Tabachnik Brussels Philharmonic Orchestra Paris Recordings k (?) 2011 Iván Fischer Budapest Festival Orchestra Budapest Channel Classics s Orchestre National du Capitole 2011 Tugan Sokhiev de Toulouse Toulouse Naive k 2011 Daniele Gatti Orchestre National de France Paris Sony Classical s 2012 Simon Rattle Berlin Philharmonic Orchestra Berlin EMI Classics s Orchestre de l'Opéra National de 2012 Philippe Jordan Paris Paris Naive k (?) SWR Sinfonieorchester Baden- 195? Jascha Horenstein Baden und Freiburg Baden-Baden (?) Vox s Stanislaw 197? Skrowaczewski Minnesota Orchestra Minneapolis Vox s Rafael Frühbeck 197? de Burgos New Philharmonia Orchestra London EMI Classics s Vladimir All-Union Radio Large 198? Fedoseyev Symphony Orchestra Moscow Melodiya s (?) 199? Dobrin Petkov Plovdiv Philharmonic Orchestra Plovdiv Castle Pulse s 199? Dobrin Petkov Philharmonia Bulgarica Sofia ? s Orchestre Philharmonique de 200? Yakov Kreizberg Monte-Carlo Monte-Carlo OPMC Classics k Roman Brogli- 200? Sacher Lübeck Philharmonic Orchetsra ? Musicaphon ? Balázs Miklós - Café Momus (2013).
Load more

Recommended publications
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • First Weekend's Programme Available HERE!
    ENG 1 16.07.–18.07.2021. 4 www.riga-jurmala.com Dzintari Great Hall, Jurmala Latvian National Opera and Ballet, Riga Welcome to the 2021 Riga Jurmala Music Festival! It is a distinct pleasure, more than usual, After only one year, the Riga Jurmala Music to welcome you to the Riga Jurmala Music Festival has arguably marked its territory on Festival. We sincerely hope that the return to the map of summer festivals. One reason is the live performance experience will grant you that few festivals are able to invite so many some respite from what we have all endured distinguished international symphonic over the past 15+ months. orchestras each season. The other may be the We are very proud of the four weekends Festival team’s innovation, as evidenced by its we have put together for you this summer. Four creative responses to the pandemic: Musical orchestras, remarkable soloists (including Soirées, the online Riga Jurmala Academy, a some of the top singers in the world today) and documentary with a new perspective on the many young artists to discover – practically all life of conductor Mariss Jansons. of them making their debut at the Festival. Another such response is the unexpected The concept we introduced with the creation of the Mariss Jansons Festival Riga Jurmala Music Festival in 2019 remains Orchestra. In the face of a last-minute a singular one in the landscape of Europe’s cancellation that could have had seismic summer classical music festivals. It is a consequences on the programming of modular event, composed of weekends a weekend, the team managed with the anchored around a visiting international invaluable help of the orchestra musicians to orchestra and its music director.
    [Show full text]
  • Season 2014-2015
    27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage.
    [Show full text]
  • Gustavo Dudamel 2020/21 Season (Long Biography)
    GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The ​ New York Times to herald the LA Phil as “the most important orchestra in America – period.” ​ With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a ​ ​ socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles).
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Stravinsky, the Fire-Bird, "The Fire-Bird's Dance,"
    /N81 AI2319 Ti VILSKY' USE OF IEhPIAN IN HIS ORCHESTRAL WORKS THE IS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of M1- JiROF JU.SIC by Wayne Griffith, B. Mus. Conway, Arkansas January, 1955 TABLE OF CONTENT4 Page LIST OF ILLUSTRATIONS . ,.. , , * . Chap ter I. THE USE OF PIANO1E A' Al ORCTHE TL I:ThUERIMT BEFOR 1910 . , , . , , l STRAICY II. S U6 OF 2E PIANO S E114ORCHES L ORK HIS OF "RUSIA PERIOD . 15 The Fire-Bird Pe~trouchka Le han u hossignol III. STAVIL C ' 0 USE OF TE PI 40IN 9M ORCHESTRAL .RKS OF HIS "NEO-CLASSIO" PERIOD . 56 Symphonyof Psalms Scherzo a la Russe Scenes IBfallet Symphony~in Three Movements BIIORPHYy * - . 100 iii 1I3T OF ILLUSTRATIONS Figure Page 1. Berlioz, Leio, Finale, (from Berlioz' Treatise on Instrumentation, p . 157) . 4 2. Saint-Saena, ym phony in 0-minor, (from Prof. H. Kling's Modern Orchestration and Instrumentation, a a.~~~~*f0" 0. 7 p. 74) . 0 0 * * * 3. Moussorgsky, Boris Godunov, "Coronation Scene,'" 36-40 mm.f . -a - - --. " " . 10 4. oussorgsky, Boris Godunov, "Coronation :scene," mm. 241-247 . f . * . 11 5. imsky-Korsakoff, Sadko , (from rimkir -Korsakoff' s Principles of 0rchtiration, Lart II, p. 135) . 12 6. ximsky-Korsakoff, The Snow aiden, (from Zimsky torsatoff'c tTTrin~lecs ofhOrchestration, Part II, . 01) . - - . - . * - - . 12 7 . i s akosy-. o Rf, TVe <now %aiN , (f 0r 1;i s^ky Korsaoif ' s Prciniles of Orchestration, Part II, 'p. 58) . aa. .a. .a- -.-"- -a-a -r . .". 13 8. Stravinsky, The Fire-Bird, "The Fire-Bird's Dance," 9.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • A Music Documentary with the Deutsches Symphonie
    UNITEL and CLASSICA present Kent naganoconducts Classical Masterpieces A Music Documentary bruckner with the mozart Deutsches beethoven Symphonie- strauss Orchester schumann Berlin brahms Kent nagano conducts Classical Masterpieces The main element of each episode is the live recording of a concert from the Berlin Philharmonie. The works presented in this documentary series are: Anton Bruckner ix great composers, six landmark symphonies, a top Symphony No. 8 in C minor WAB 108 (approx. 80') Sorchestra and its star conductor – these are the components of an extraordinary classical-music television event. Shot in Wolfgang Amadeus Mozart High Definition, it takes a bold and innovative approach to the Symphony No. 41 in C major K. 551 “Jupiter“ (approx. 29') recording of classical music. Boom and tracking shots, quick Ludwig van Beethoven cuts, remote-controlled cameras – stylistic means previously Symphony No. 3 in E flat major op. 55 “Eroica“ (approx. 48') used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 Richard Strauss specialists makes sure that viewers enjoy a truly cinematic An Alpine Symphony op. 64 (approx. 42') experience. Robert Schumann The programs also go new ways by featuring entertaining, Symphony No. 3 in E flat major op. 97 “Rhenish“ (approx. 31') historically founded animated sequences illustrating episodes Johannes Brahms from the lives of the composers. Backstage interviews with Symphony No. 4 in E minor op. 98 (approx. 40') the musicians and excerpts from their rehearsals let us share in the spirit of their music-making. Conductor Kent Nagano also relates what is of special importance to him in each work, Conductor Kent Nagano and offers fascinating insights on the origin and context of the Orchestra Deutsches Symphonie-Orchester work in question.
    [Show full text]
  • Michael Volle Baritone
    Michael Volle Baritone Michael Volle has established himself as Michael Volle dedicates also a great part of one of the leading baritones, receiving the his career to lied recitals and to concert important German Theatre Award "Faust" commitments with the world's finest and awarded "Singer of the Year" by the orchestras and with important conductors opera magazine "Opernwelt". He studied such as Daniel Barenboim, Zubin Mehta, with Josef Metternich and Rudolf Piernay. Maurizio Pollini, Seiji Ozawa, Charles Dutoit, Riccardo Muti, Franz Welser-Möst, Antonio His first permanent engagements were at Pappano, Philippe Jordan, Valerij Gergiev, Mannheim, Bonn, Düsseldorf and Cologne. Kent Nagano, Wolfgang Sawallisch, Mariss From 1999 until 2007 Michael Volle was a Jansons, Thomas Hengelbrock, Philippe member of the ensemble of the Zurich Opera Herreweghe, James Conlon, James Levine. House where he sang various roles in new productions, including Beckmesser Die Alongside TV appearances on ARTE, Michael Meistersinger von Nürnberg, Eugene Volle has recorded CD and DVD releases for Onegin , Golaud Pelléas et Mélisande, the EMI, Harmonia Mundi, Arthaus, Naxos Marcello La Bohème, Count Le Nozze di and Philipps labels, including a film Figaro and Barak Die Frau ohne Schatten production of Der Freischütz in 2009. (2009), Wolfram Tannhäuser (2011) and Michael Volle is recipient of the important Hans Sachs Die Meistersinger von Nürnberg German Theatre Award "Faust" and "Singer (2012). of the Year" by the opera magazine "Opernwelt" (in 2008 and 2014). Since
    [Show full text]
  • NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
    Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Guest Artist Recital, Luby Symposium
    2016 Luby Violin Symposium Guest Artist Recital Kevork Mardirossian, violin Lee Phillips, piano Wednesday, May 18, 2016 7:30 PM Person Recital Hall Program Sonata in D Major, HWV 371 (1681) George Frideric Handel Affetuoso (1685-1759) Allegro Larghetto Allegro Violin Sonata No. 2 in A Major, Op. 100 Johannes Brahms Allegro amabile (1833-97) Andante tranquilo – Vivace – Andante Allegretto grazioso Intermission Sonata No. 1 in G Minor for violin solo, BWV 1001 J.S. Bach Adagio (1685-1750) Fuga Suite Populaire Espagnole (1926) Manuel De Falla/arr. Paul Kochanski El paño moruno (1876-1946/1887-1934) Nana Canción Polo Asturiana Jota Tzigane (1924) Maurice Ravel (1875-1937) Special thanks to the UNC Summer School and Dean Jan Yopp, the UNC Music Department and Chair Louise Toppin, and Susan Klebanow. About the Luby Violin Symposium Named in honor of its founder, violinist and former UNC professor Richard Luby, the Symposium offers participants an intensive one-week immersion focused on individual instrumental and musical growth within the context of a supportive and nurturing atmosphere. Previously directed by Richard Luby and Fabian Lopez, the Symposium is in its eighth summer. The Symposium includes private lessons masterclasses student performances faculty performances guest artist performances HIP Bach perspectives body awareness methods practice techniques performance psychology All course activities take place on the beautiful campus at the University of North Carolina at Chapel Hill in the Kenan Music Building and Person Hall. The Symposium is supported by the UNC Music Department, sponsored as a course by the UNC Summer School, and by donations which support student scholarships, activities, and artists.
    [Show full text]
  • Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr
    BRUCKNER SYMPHONIE NR. 3 Mariss Jansons Symphonieorchester des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr. 3 d-Moll, WAB 103 (3. Fassung von 1889) 01 Mehr langsam, misterioso 22:06 02 Adagio, bewegt, quasi Andante 13:51 03 Ziemlich schnell – Trio 7:13 04 Allegro 13:09 Total time: 56:19 Symphonieorchester des Bayerischen Rundfunks Mariss Jansons Dirigent / conductor Live-Aufnahme / live recording: München, Philharmonie im Gasteig, 20./21.01.2005 Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Recording Engineer: Klemens Kamp Schnitt / Editing: Elisabeth Panzer, Susanne Wocker Remastering: Marie-Josefin Melchior Mastering Engineer: Christoph Stickel Verlag / Publisher: Musikwissenschaftlicher Verlag Wien, vertreten durch Alkor-Edition Kassel Photos: C Peter Meisel Design / Artwork: [ec:ko] communications Editorial: Thomas Becker · Lektorat: Dr. Vera Baur Eine CD-Produktion der BRmedia Service GmbH. P 2005 C 2019 BRmedia Service GmbH MARISS JANSONS SYMPHONIEORCHESTER _ DES BAYERISCHEN RUNDFUNKS Mariss Jansons wurde 1943 in Riga als Sohn des Dirigenten Arvıds Jansons geboren. Er studierte am Leningrader Konservatorium die Fächer Violine, Klavier Schon bald nach seiner Gründung 1949 entwickelte sich das Symphonieorchester und Dirigieren und vervollständigte seine Ausbildung bei Hans Swarowsky in Wien des Bayerischen Rundfunks zu einem international renommierten Orchester. und Herbert von Karajan in Salzburg. 1971 wurde er Preisträger beim Karajan- Besonders die Pflege der Neuen Musik hat eine lange Tradition, so gehören die Wettbewerb in Berlin und begann seine enge Zusammenarbeit mit den heutigen Auftritte im Rahmen der 1945 von Karl Amadeus Hartmann gegründeten musica St. Petersburger Philharmonikern, zunächst als Assistent von Jewgenij Mrawinskij, viva von Beginn an zu den zentralen Aufgaben des Orchesters.
    [Show full text]