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Petja Kolenko, Magistrsko Delo, Pedagoška Fakulteta, Ljubljana 2021

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Petja Kolenko, Magistrsko Delo, Pedagoška Fakulteta, Ljubljana 2021 UNIVERZA V LJUBLJANI PEDAGOŠKA FAKULTETA POUČEVANJE, SMER LIKOVNA PEDAGOGIKA PETJA KOLENKO VPLIV DRUŽBENIH RAZMER NA VIZUALNO PODOBO NOVEGA VALA MAGISTRSKO DELO Ljubljana, 2021 UNIVERZA V LJUBLJANI PEDAGOŠKA FAKULTETA POUČEVANJE, SMER LIKOVNA PEDAGOGIKA PETJA KOLENKO VPLIV DRUŽBENIH RAZMER NA VIZUALNO PODOBO NOVEGA VALA THE IMPACT OF SOCIAL SITUATION ON THE VISUAL IMAGE OF THE NEW WAVE MUSIC MAGISTRSKO DELO Mentorica: doc. mag. Zora Stančič Somentor: doc. dr. Robert Potočnik Ljubljana, 2021 Petja Kolenko, magistrsko delo, Pedagoška fakulteta, Ljubljana 2021 ZAHVALA Iskreno se zahvaljujem doc. mag Zori Stančič, ki je znova sprejela vlogo mentorice in me pri raziskovalnem delu usmerjala, podpirala ter spodbujala z nasveti in idejami. Prav tako se za vso pomoč in podporo pri raziskovalnem delu iskreno zahvaljujem so-mentorju doc. dr. Robertu Potočniku. Brez njune spremljave bi moje svojevrstno magistrsko delo bilo nepopolno. Zahvale izrekam Goranu Lisici Foxu in Etbinu Stefančiču, ki sta mi skozi pisane razgovore in izmenjavo idej naslikala ozadje motivov mojih večnih idolov ter dopustila, da preko skrivnosti podob najljubših albumov za trenutek zaživim zgodbo, ki jo sanjam že od malih nog. Ne smem pozabiti na zahvalo Karin za lektoriranje, Roberti in Ericu za prevod, ekipi Unterhunda in Jalle Jalle ter vsem ostalim, ki so mi tokom pisanja naloge kakorkoli pomagali pri reševanju vprašanj in premagovanju tehničnih ovir. Najlepše se želim zahvaliti svoji družini, ki me ves čas spodbuja in stoji ob strani ter vsem prijateljem, ki z zanimanjem spremljajo moj umetniški razvoj. Hvala junakom mojih najljubših pesmi, da me, ko je potrebno osrečujejo ali tolažijo, mi bodrijo domišljijo in soustvarjajo fantazijski svet mojih likovnih del. Hvala tudi vsem, ki me vedno znova seznanjalo z novo glasbo in širijo obzorja. ''Moj život je bezveze otkad su me rodili. Nisam tome ja kriv, nego moji roditelji! Moj život je novi val!'' Paraf – Moj život je novi val ''Moje su nebo vezali žicom, po mome mozgu crtaju šeme. Žele još jedno kopiju svoju da njome vrate nestalo vreme. A ne dam svoje ja ideale, i ješču snove umesto hleba. Ja svoju sreću nosim sa sobom, ona je parče slobodnog neba.'' Električni Orgazam – Nebo Petja Kolenko, magistrsko delo, Pedagoška fakulteta, Ljubljana 2021 IZJAVA O AVTORSTVU Podpisana Petja Kolenko, rojena 31. 5. 1994, študentka Pedagoške fakultete Univerze v Ljubljani smeri Poučevanje: likovna pedagogika, izjavljam, da je magistrsko delo z naslovom Vpliv družbenih razmer na vizualno podobo novega vala, izdelano pod mentorstvom doc. mag. Zore Stančič, v celoti avtorsko delo. V magistrskem delu so viri in literatura ustrezno navedeni, prav tako so v besedilu ustrezno navedeni avtorji. ___________________________________ (podpis študentke) Petja Kolenko, magistrsko delo, Pedagoška fakulteta, Ljubljana 2021 Vpliv družbenih razmer na vizualno podobo novega vala POVZETEK Magistrska naloga raziskuje jugoslovansko družbeno in glasbeno gibanje novi val in naslovnice (platnice) gramofonskih plošč, ki so v okviru tega izšle. Delo podrobneje preučuje odnos med svojevrstno družbeno-politično situacijo bivše Jugoslavije in vizualno podobo novega vala, ugotovitve pa predstavlja na primerih izbranih likovnih oprem ter motivov albumov. Teoretični del naloge zajema definicije in opredelitve fenomena novega vala, pojasnjuje njegov pomen ter razvoj znotraj jugoslovanskega družbenega konteksta, predstavlja krajši zgodovinski pregled jugoslovanske moderne glasbe ter se osredotoča na medij gramofonske plošče, njegov razvoj in plat vizualnosti. Skozi izbrane primere naslovnic vinilnih albumov novega vala je na zgledu motivov prikazano, kako je na njihovo snovanje vplivalo družbeno stanje, v katerem so nastajali. V procesu raziskovanja sem sodelovala z dvema oblikovalcema ter akterjema scene novega vala – Goranom Lisicom Foxom ter Etbinom Stefančičem; tako skozi razlago njunih spominov predstavljam direkten vpogled v delovanje same scene ter v ozadje oblikovanja izbranih naslovnih motivov. Na koncu teoretičnega dela se predstavljam z avtoportretnimi deli, ki so nastala kot citati nekaterih predstavljenih ter osebno priljubljenih naslovnic. Raziskovalni problem naloge predstavlja recipročnost okolja in likovne podobe, zato empirični del naloge predstavlja potek ter rezultate kvalitativne raziskave, ki preiskuje odnos in vlogo pojava novega vala v okviru današnje družbe. V okviru te je bila izvedena likovna delavnica oblikovanja naslovnic glasbenih albumov, na podlagi katere preučujem, kako takšen pojav dojemajo udeleženci znotraj konteksta sodobnih družbenih razmer. Z opravljenimi intervjuji z udeleženci ugotavljam njihovo osebno mnenje, razumevanje pojava novega vala ter stališče do stanja sodobne družbe. Nastala dela iz delavnice so primerjana s predstavljenimi naslovnicami iz teoretičnega dela, izpostavljene so podobnosti ter razlike med njimi in vzporednice z vsebino odgovorov iz intervjuja. KLJUČNE BESEDE: Novi val, platnica, gramofonske plošče, oblikovanje, družbeno gibanje Petja Kolenko, magistrsko delo, Pedagoška fakulteta, Ljubljana 2021 Impact of the Social Situation on the Visual Image of the New Wave Music ABSTRACT This master's thesis investigates the Yugoslav music and social movement called the New Wave and gramophone record covers that were published as a part of this movement. The thesis examines in detail the relationship between the unique sociopolitical situation of the former Yugoslavia and the visual image of the New Wave. It presents the findings on the examples of selected art equipment and album motifs. The theoretical part of the thesis covers the definitions of the phenomenon of the New Wave, explains its meaning and development within the Yugoslav social context, presents a brief historical overview of Yugoslav modern music, and essentially focuses on gramophone records and their development and visual aspect. The motifs of selected examples of New Wave vinyl album covers will show how their design was influenced by the social situation in which they were created. In the research process, I personally collaborated with two participants in facilitating the New Wave scene - Goran Lisica Fox and Etbin Stefančič. From their memories, I present a direct insight into the work within the scene and the background of album art. At the end of the theoretical part, my self-portrait works are presented, which were created as quotations from some of the presented and personal favorite covers. The research problem of the thesis was the reciprocity of the environment and artistic image, so the empirical part of the thesis is the course and results of qualitative research that investigates the relationship and role of the emergence of New Wave in today's society. As a part of this, an art workshop on the design of music album covers was conducted, which helped me study how participants perceive such a phenomenon within the context of modern social conditions. I conducted short interviews with the participants, which helped me establish their personal opinions, their understanding of the phenomenon of the New Wave and their attitude to the state of modern society. I compare the resulting works from the workshop with the presented covers from the theoretical part. In the comparison, I highlighted the similarities, differences and parallels with the responses from interviews. KEY WORDS: New Wave, cover, gramophone records, design, social movement Petja Kolenko, magistrsko delo, Pedagoška fakulteta, Ljubljana 2021 KAZALO VSEBINE 1. UVOD ________________________________________________________________ 1 2. TEORETIČNI DEL _____________________________________________________ 2 2.1 ZAHOD, POPUŠČANJE IDEOLOŠKEGA VIJAKA IN PUNK _______________ 2 2.2 ''MOJ ŽIVOT JE NOVI VAL'' __________________________________________ 6 2.3 ''IGRA ROCK'N'ROLL CELA JUGOSLAVIJA'' __________________________ 16 2.3.1 ''LUBLANA JE BULANA'' _______________________________________ 18 2.3.2 ''ZAGREB JE HLADAN GRAD'' ___________________________________ 21 2.3.3 ''ŽIVIM U RIJECI, U DIVNOME GRADU'' __________________________ 24 2.5.4 '' VELIKA BELA LUDNICA, GRAD BEOGRAD'' _______________________ 27 2.4 OBLAST, CENZURA IN KOMISIJA ZA ŠUND ____________________________ 29 2.5. GRAMOFONSKE PLOŠČE ____________________________________________ 33 2.5.1 PLATA, VINILKA, LONGPLEJKA, ELPEJKA IN SINGLCA ______________ 33 2.5.2 DUALIZEM VINILNEGA MEDIJA IN OVITKA ________________________ 34 2.5.3 OVITEK KOT PRIZORIŠČE DRUŽBENEGA BOJA IN ESTETIKA GLASBENIH ŽANROV _________________________________________________ 44 2.5.4 MIRKO ILIĆ IN RAYMOND PETTIBON ______________________________ 49 2.5.6 RETRO SIMBOLIZEM IN POVRATEK ANALOGNIH MEDIJEV __________ 52 2.6 VIZUALNA PODOBA IN MOTIVI NOVEGA VALA _______________________ 56 2.6.1 PRLJAVO KAZALIŠTE ____________________________________________ 57 2.6.2 SVI MARŠ NA PLES _______________________________________________ 62 2.6.3 DRŽAVNI LJUBIMCI ______________________________________________ 70 2.6.4 LEPO JE.. ________________________________________________________ 73 2.6.5 A DAN JE TAKO LIJEPO POČEO… __________________________________ 79 2.6.6 ODBRANA I POSLJEDNJI DANI ____________________________________ 88 3. NOVI VAL IN AVTOPORTRET __________________________________________ 93 3.1 PETJA&PETJA – ČUVAJ SE ___________________________________________ 93 3.2 PETJA KOLENKO – PETJA KOLENKO __________________________________ 98 3.3 VSI MARŠ! _________________________________________________________ 103 3.4 PETJA – LOKALNA LJUBIMKA _______________________________________
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