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Sylvia Earle Background Information
Sylvia Earle Background Information Birth and Childhood Home She was born in Gibbs town, NJ on August 30, 1935. Her early childhood years were on a farm where there were many woods to explore. One of her favorite places was a pond. Her parent, particularly her mother was very influential in teaching her respect for animals. She always emphasized putting animals back where they were found after observing them. Sylvia took notes as a young child on the things that she observed. They also taught her not to fear the unknown. Horseshoe Crab Story Sylvia as a little girl at the beach was curious about the horseshoe crabs and how they moved. She was also concerned that they were stranded on the beach. She tried to pick them up, turn them around and sent them back to the ocean, not realizing that they were coming up on shore to lay their eggs and that she was really interfering with their mating. (see additional notes on horseshoe crabs) Reading As a child she liked to read. She liked science fiction, fairy tales, and animal stories. As she got a little older, she found that she liked non-fiction books even better. One of her favorite books was by William Beebe name Half Mile Down. He wrote about going down in the ocean in a vehicle like a submarine. In her book Sea Change and some of her other writings and interviews she refers to it frequently. After reading that book she started reading more non-fiction books and began liking the encyclopedia. -
Historic Context Statement City of Benicia February 2011 Benicia, CA
Historic Context Statement City of Benicia February 2011 Benicia, CA Prepared for City of Benicia Department of Public Works & Community Development Prepared by page & turnbull, inc. 1000 Sansome Street, Ste. 200, San Francisco CA 94111 415.362.5154 / www.page-turnbull.com Benicia Historic Context Statement FOREWORD “Benicia is a very pretty place; the situation is well chosen, the land gradually sloping back from the water, with ample space for the spread of the town. The anchorage is excellent, vessels of the largest size being able to tie so near shore as to land goods without lightering. The back country, including the Napa and Sonoma Valleys, is one of the finest agriculture districts in California. Notwithstanding these advantages, Benicia must always remain inferior in commercial advantages, both to San Francisco and Sacramento City.”1 So wrote Bayard Taylor in 1850, less than three years after Benicia’s founding, and another three years before the city would—at least briefly—serve as the capital of California. In the century that followed, Taylor’s assessment was echoed by many authors—that although Benicia had all the ingredients for a great metropolis, it was destined to remain in the shadow of others. Yet these assessments only tell a half truth. While Benicia never became the great commercial center envisioned by its founders, its role in Northern California history is nevertheless one that far outstrips the scale of its geography or the number of its citizens. Benicia gave rise to the first large industrial works in California, hosted the largest train ferries ever constructed, and housed the West Coast’s primary ordnance facility for over 100 years. -
Treasury of Olympus
IONIA Treasury of Olympus A Supplement for ZENOBIA by Günter D'Hoogh Written by Günter D'Hoogh © 2004 Additional material and assistance from Paul Elliott. Illustrations by Paul Elliott Acknowledgements It was a pleasure working on this project, being a history teacher it’s a fantastic feeling that it’s quite well possible to merge history and roleplaying together. I hope that the reader as much enjoys playing it as I enjoyed writing this little “Campaign Guide”. I especially want to thank Paul Elliott, the creator of the wonderful ZENOBIA. He has been my mentor, my great help and especially a very good friend who encouraged me when the spirit was low. Thanks Paul for letting me take part in your great adventure, for the editting work, for the maps and drawings, and for the fine articles you wrote in this book! I really hope we’ll see each other someday face-to-face my friend! Günter D’Hoogh 2 THE CONTENTS I INTRODUCTION II THE WORLD OF IONIA III CHARACTER CREATION IV GODS OF OLYMPUS V THE THESSALIAN WITCH VI MONSTERS & WILD ANIMALS VII PHILOSOPHY VIII TREASURES IX LABYRINTHS OF IONIA 3 I INTRODUCTION Ionia is a sleepy mountainous land steeped in history, a land of ancient cities that are home to philosophers, academics, poets and playwrights. Lost and forgotten beneath Ionia are the artefacts and treasures of the Olympian gods, harkening back to the Age of Heroes when Zeus, Ares and Athena walked the earth in disguise, when heroes like Achilles fought with magical invulnerability, when witches like Medea ruled secret enchanted islands. -
Orth. Hor - ' a Retirement Hotet 1611 Chicago Ave., Evanston,IL 6020-J 847-448-0104
Nues SERVING NILES SINCE 1951 $2.00Herdd I THURSDAY, JULY14, 2011 A CHICAGO SUN-TIMES PUBUCATIONSpe rtator24/7 AT PIONEERLOCAL.COM t, I - The i : orth. hor - ' A Retirement Hotet 1611 Chicago Ave., Evanston,IL 6020-j 847-448-0104. www.reIjrementhQteIconi CELEBRATE 1j BASTILLE DAY S, Vive la ratatouille! PAGE 28 .., j MOMMY ON A 4;;:. SHOESTRING t 4 , Fun T-shirt trans- formations PAGE 22 I- t AlLen Nilsen replaces a string of beads while attending the bead-and-jeweLry show with his wife, Diane, on July 9 at White Eagle HUNG JEWELRY Banquets in Hites. PAGE 10. I DAN LUEDERT-SUN-TIMES MEDIA TO YOU WITH ' SHARE THEIR GROWTiI.. SHARE THEth JOY SHARE THEIR IMAGjNATI' SOE-jLOg . lI S1IN AND MOST MPORTANTL .LS NO..L>iØ t0969 J.:to AèPßèl8I1OI1EJnd SHARE': THE WORLJ , e8OOOoo AèI'èJ8I-iOIIEIfld S1IN 6TO-1l:OOOOOO 5T03 8O6O9 PION ER 'CALCOM J,5THURSDAY. LUCY iU 20 CII L T. ISDa U I!!' Ov..i..L s The fastest Internet speeds. U-VERSE CAN'T. XFINITY° CAN XFINITY's fastest Internet speeds are more than twice as list as U-verse's, which means you can download music qarnes and HD movies fasterAnd if you're watching two HD shows at the same time and try to go online, U-verse's fastest Internet speeds can't even be reached They just don't have the bandwidth SS I, Nose, onto!, O4 EsII, If you want more room, don't settle forless than Airoom. Since 1958, Aboom has delivering projects on time, on budget, and backed by XFPNITY TRIPLE PLAY i 0-year installationand 1 h-year construction warrantlesThat's the Airoom guarantee. -
Marine Biology and Oceanography
Marine Science Marine Biology and Oceanography Thursday, August 22, 13 Exploring the Oceans • 1.1 The Unsinkable Ship • Buoyancy • Greek Scientist Archimedes • Discovered floating objects are supported by an upward force called buoyancy Thursday, August 22, 13 Exploring the Oceans • 1.1 The Unsinkable Ship • Buoyancy • Archimedes Principle: • (1.) Buoyant force on any object is equal to the weight of the liquid that the object displaces, or pushes aside Thursday, August 22, 13 Exploring the Oceans • 1.1 The Unsinkable Ship • Buoyancy • Archimedes Principle: • (2.) A body immersed in a liquid seems to lose weight is equal to the weight of the liquid displaced Thursday, August 22, 13 Exploring the Oceans • Buoyancy Equation: • Buoyancy force = weight of liquid displaced = loss of weight in liquid • Buoyancy force = weight of object in air - weight of object in liquid Thursday, August 22, 13 Exploring the Oceans Thursday, August 22, 13 Exploring the Oceans • Titanic ship construction • Ship floats because air-filled compartments • Air weighs less than water • Weight of air and steel in the ship is less than the weight of the water displaced by the ship so the ship floats • Titanic collision caused water tight compartments to fill • Combined weight of the water and weight of the ship became greater than the buoyant force supporting the ship Thursday, August 22, 13 Exploring the Oceans • 1.2 Voyages of Discovery • Oceans used for transport and travel • Humans settle along ocean or along waterways leading to the sea • Earliest boats: • Log rafts -
Conservation Bulletin 71
A BULLETIN OF THE HISTORIC ENVIRONMENT Issue 71: Winter 2013 RIGHT-HANDCHAPTER R/HEAD HEAD Caption set in 71: Winter 2013 9/11pt Gill Sans light Issue Photo:Conservation set in 7/11pt bulletin 2 Editorial 3 Impact on England The First World War 3 Drill halls 4 Trenches of the Home Front 5 Coast defence 7 Airfields 9 The first Blitz 10 Tank banks 11 Imperial War Museum 13 National factories 14 Bedford le Mere and Company 16 Forested landscapes 17 Graffiti objects to its conditions 18 The Fovant badges 20 Beyond our Shores 20 Approaching the Unknown Warrior 22 Commonwealth War Graves Commission 23 Canadian National Vimy Memorial: 25 Archaeological research in the Westhoek 26 Defending the East Coast 28 SS Mendi 29 Surrendered and sunk 31 Legacy and Remembrance 31 The Cenotaph 32 Wrest Park 34 Life beyond blindness 36 Village memorial halls 37 The donation of Great Gable 38 Rievaulx Abbey 41 Towards the Centenary 41 Perpetual remembrance 42 War memorials online 43 The National Trust 45 Heritage Lottery Fund 46 Great War archaeology 47 Operation Nightingale 48 Legacies of the Home Front 50 News from English Heritage 52 National Heritage The remains of the First World War are all around us, but we do not always Collections know how to see them – or how to connect with the millions of personal stories 54 Legal Developments with which they are inextricably linked. 55 New Publications First World War practice trenches and shell holes on Salisbury Plain in Wiltshire. Official records are largely silent about these rehearsals for the reality of the front line, but aerial reconnaissance and archaeological field survey can reveal their survival in the English landscape. -
Freiberg Online Geoscience FOG Is an Electronic Journal Registered Under ISSN 1434-7512
FOG Freiberg Online Geoscience FOG is an electronic journal registered under ISSN 1434-7512 2021, VOL 58 Broder Merkel & Mandy Hoyer (Eds.) FOG special volume: Proceedings of the 6th European Conference on Scientific Diving 2021 178 pages, 25 contributions Preface We are happy to present the proceedings from the 6th European Conference on Scientific Diving (ECSD), which took place in April 2021 as virtual meeting. The first ECSD took place in Stuttgart, Germany, in 2015. The following conferences were hosted in Kristineberg, Sweden (2016), Funchal, Madeira/Portugal (2017), Orkney, Scotland/UK (2018), and Sopot, Poland (2019), respectively. The 6th ECSD was scheduled for April 2020 but has been postponed due to the Corona pandemic by one year. In total 80 people registered and about 60 participants were online on average during the two days of the meeting (April 21 and 22, 2021). 36 talks and 15 posters were presen-ted and discussed. Some authors and co-authors took advantage of the opportunity to hand in a total of 25 extended abstracts for the proceedings published in the open access journal FOG (Freiberg Online Geoscience). The contributions are categorized into: - Device development - Scientific case studies - Aspects of training scientists to work under water The order of the contributions within these three categories is more or less arbitrary. Please enjoy browsing through the proceedings and do not hesitate to follow up ideas and questions that have been raised and triggered during the meeting. Hopefully, we will meet again in person -
Marine Technology
Question Type: Toss up Category: Technology Question Format: Multiple Choice Question: What is the name of the first oceanographic satellite? Answer W: SEASTAR Answer X: Seasat Answer Y: Jason-1 Answer Z: Aqua Correct Answer: X Question Type: Bonus Category: Technology Question Format: Multiple Choice Question: What is the Nansen bottle used for? Answer W: Collecting animal samples Answer X: Collecting plant samples Answer Y: Collecting water samples Answer Z: Collecting phytoplankton samples Correct Answer: Y Question Type: Toss up Category: Technology Question Format: Multiple Choice Question: What two people invented SCUBA? Answer W: Jacques Cousteau and Emile Gagnan Answer X: Jacques Cousteau and Jim Jarratt Answer Y: Jim Jarratt and William Beebe Answer Z: Jacques Piccard and Robert Ballard Correct Answer: W Question Type: Bonus Category: Technology Question Format: Short Answer Question: What does SCUBA stand for? Answer: Self-contained underwater breathing apparatus Question Type: Toss up Category: Technology Question Format: Multiple Choice Question: What is SONAR used for? Answer W: Finding marine animals Answer X: Mapping the seafloor Answer Y: Disrupting enemy’s SONAR Answer Z: Collecting water creatures Correct Answer: X Question Type: Bonus Category: Technology Question Format: Multiple Choice Question: What is the order of development of underwater suits? Answer W: Diving chamber, Jim Suit, diving suit, and SCUBA Answer X: Jim Suit, SCUBA, Diving chamber, and diving suit Answer Y: SCUBA, diving suit, diving chamber, and Jim Suit Answer Z: Diving chamber, diving suit, SCUBA, and Jim Suit Correct Answer: Z Question Type: Toss up Category: Technology Question Format: Multiple Choice Question: What Remote Operated Vehicle (ROV) was used to photograph the U.S. -
ARCHIVE of FRENCH SOURCES Chapter and Page of Book
OPERA IN THE AGE OF ROUSSEAU (Cambridge University Press, 2012) ARCHIVE OF FRENCH SOURCES Chapter and page English translations French of book; source of as found in the main book text French materials. Spellings conform to sources, without editorial intervention. Quotations from a source are sometimes expanded where the (Page-references below latter underpins the book’s main text but was not quoted should be preferred to directly; and sentences have sometimes been added where the those in the book, where source throws extra light on relevant matters discussed either any differences occur.) © David Charlton at the point of citation or elsewhere in the book. Epigraphs, p. [xxii]: ‘In London, Milord, one speaks only of Vous ne parlez à Londres, Milord, que de l’ordre ‘Lettres d’un public order, European interests, the public, des intérêts de l’Europe, du commerce des Anglois’, commerce of nations. In Paris we speak only Nations. Nous ne parlons à Paris que de l’Opéra, & de Observations sur la of the Opéra and the playhouse. The la Comédie. Ici le Gouvernement semble ne regarder littérature moderne, Government here apparently regards them as ces objets que comme un pur amusement, & ce sont les III (Amsterdam, pure amusement, and these are the only seuls qu’il abandonne à la critique & aux raisonnemens 1750), 208. things that it gives over to the criticism and des François. Ce sont aussi les seuls qui peuvent les reasoned arguments of French persons. fraper; ils les ont toujours sous les yeux, ils s’en These are also the only things that can croyent les souverains arbitres, ils y décident, ils y energise them: they inspect them constantly, commandent, & leurs Jugemens sont des Arrêts. -
92 March 2012 Men's Journal
MEN’S JOURNAL 92 MARCH 2012 The Challenger Deep could be the first manned craft to reach the bottom of the Mariana Trench. H79;JE J>;8EJJEC E<J>;I;7 Graham Hawkes has devoted most of the past three decades to designing, building — and finding someone to pay for — a submarine capable of cruising the deepest reaches of the ocean. Now, with Richard Branson’s money and his own refined technology, he’s about to reach his goal — if James Cameron, Google’s Eric Schmidt, and even his ex-wife don’t beat him to it. Xo ADAM HIGGINBOTHAM f^eje]hWf^iXo DAN WINTERS n a neon-lit garage overlooking the marina in Point the death of its most dedicated patron. It’s a quest that has shadowed Richmond, California, the stubby white form of Hawkes’ life to such an extent that he now struggles to remember how an experimental submarine with wings and a tail long it’s been since he started. “The holy grail of my profession? To — a child’s idea of a spacecraft — rests on a galva- get to the bottom of the ocean? To solve that problem? Let’s see,” he nized trailer. The blunt-nosed hull is 17 feet long says, calculating the time past. “Twenty-five years.” and just large enough to accommodate a single And yet, since the Virgin initiative was announced last April, others man. It encloses a glossy black cylinder of wound have come forward to outline their own plans to visit Challenger Deep, carbon fiber that ends in a thick glass dome engi- including one financed by the director James Cameron and another neered to withstand the eight tons per square inch involving one of Hawkes’ ex-wives. -
RODIN: TRUTH, FORM, LIFE Selections from the Iris and B
Fairfield University DigitalCommons@Fairfield RODIN: TRUTH, FORM, LIFE: Selections from the Iris and B. Gerald Cantor Collections - RODIN: TRUTH, FORM, LIFE: Selections from Ephemera the Iris and B. Gerald Cantor Collections Spring 2020 RODIN: TRUTH, FORM, LIFE Selections from the Iris and B. Gerald Cantor Collections Wall Labels Fairfield University Art Museum Follow this and additional works at: https://digitalcommons.fairfield.edu/rodin-cantor-ephemera This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. When Rodin sat for this photograph in ca. 1880, he was about 40 years old and about to begin work on The Gates of Hell and The Burghers of Calais. Rodin in his studio in Meudon, about 1902. A study for the Monument to Balzac is on the right in the photo. Rodin’s studio at Meudon about 1900, with the plaster version of The Gates of Hell. Balzac in Dominican Robe Modeled 1893, cast 1981 Georges Rudier Foundry (published by Musée Rodin, edition of 12, numbered 9/12) Bronze Lent by Iris Cantor In this sculpture, Rodin elongates Balzac’s fgure and also introduces some indications of his life and career in the monk’s robe (his preferred apparel when writing), and the pile of books and papers at his feet. -
World's Columbian Exposition, 1893 : Official Catalogue. Part X
> * * ■ . * * • / Official Catalogue /» OF EXHIBITS^ W ORIsD’S COLUMBIAN Exposition Department K. FlNB f\RTS» Chicago W. B. GONKEY COMPANY, PUBLISHERS TO THE EXPOSITION (A 1893 606 9 4 * f , i World’s Columbian Exposition 1893 ♦ OFFICIAL CATALOGUE Pf\RT X. ART GALLERIES and ANNEXES Department K. FINE ARTS Painting, Sculpture, Architecture,, DE.GORATION HALSEY G. IV&S, Chief » —— . .. • • • - ^ Edited by The Department of Publicity and Promotion M. P. HANDY, Chief CHICAGO: W. B. CONKEY COMPANY, PUBLISHERS TO THE World's Columbian exposition, 1693. 4 Entered according to Act of Congress in the year A. D. 1893, in the office of Librarian of Congress at Washington, D. C., by The World’s Columbian Exposition, For the exclusive use of W. B. Conkey Company, Chicago. This Catalogue presents the lists of exhibitors and exhibits as they were installed or accepted for installation, according to information filed with the editor of the Catalogue at the time of going to press. Additional entries, withdrawals, or changes in location of exhibits, will be noted in a subsequent edition. W. B. CONKEY COMPANY PRINTERS AND BINDERS CHICAGO. DEPARTMENT OF FINE ARTS. (K> HALSEY C. IVES, CHIEF. CHARLES M. KURTZ, ASSISTANT CHIEF. SARA T. HALLOWELL, ASSISTANT. LOUIS J. MILLET, SUPERINTENDENT OF ARCHITECTURAL AND DECORATIVE EXHIBITS GEORGE CORLISS, SUPERINTENDENT OF GALLERIES. I 6 DEPARTMENT K.—FINE ARTS. GROUP 143.—ENGRAVINGS AND ETCHINGS; PRINTS. FOR ETCHINGS NEW YORK. Carleton T. Chapman. C. F. W. Mielatz. Samuel Colman. C. A. Platt. James D. Smillie. PHILADELPHIA. Hermann Faber. Max Rosenthal. Bernhard Uhle. BOSTON. W. B. Closson. S. R. Koehler. Charles A.