Giuseppe Verdi, Maria Callas

Total Page:16

File Type:pdf, Size:1020Kb

Giuseppe Verdi, Maria Callas Giuseppe Verdi La Traviata mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: La Traviata Country: Italy Released: 2000 Style: Opera MP3 version RAR size: 1120 mb FLAC version RAR size: 1368 mb WMA version RAR size: 1586 mb Rating: 4.7 Votes: 602 Other Formats: AAC AU MP3 AHX VOX ASF DTS Tracklist 1 P 4 - r : 1 eludio 27 Atto Primo 1-2 Libiam Ne' Lieti Calici 4:12 1-3 Si Ridesta In Ciel L'Aurora 1:15 1-4 Lunge Da Lei Per Me Non V'Ha Diletto 1:57 Atto Secondo 1-5 Annina, Donde Vieni? 4:36 1-6 Ah, Vive Sol Quel Core All'Amor Mio! 1:12 1-7 Dì Violetta! Perchè Son Io Commosso! 1:12 1-8 Avrem Lieta Di Maschere La Notte 1:01 1-9 Noi Siamo Zingarelle 2:53 1-10 Alfredo!.... Voi!.... 4:46 1-11 Invitato A Qui Seguirmi 2:38 1-12 Di Sprezzo Degno Se Stesso Rende 6:24 1-13 Preludio 4:34 Atto terzo 1-14 Annina? 1:41 1-15 Quanta Bontà... Pensaste A Me Per tempo! 1:53 1-16 Or Fate Cor 1:02 1-17 Teneste La Promessa... La Disfida 1:51 1-18 Addio Del Passato 4:11 2-1 Preludio 4:26 Atto Primo 2-2 Dell'Invito Trascorsa E' Già L'Ora 2:08 2-3 Libiam Ne' Lieti Calici 3:10 2-4 Un Dì, Felice, Eterea 3:30 2-5 E' Strano!... E' Strano!... 1:30 2-6 Ah, Fors'E' Lui Che L'Anima 2:50 2-7 Follie!... Follie... Delirio Vano E' Questo... 5:02 Atto Secondo 2-8 De' Miei Bollenti Spiriti 2:08 2-9 Pura Siccome Un Angelo 1:47 2-10 Non Sapete Quale Effetto 1:22 2-11 Un Dì, Quando Le Veneri 7:07 2-12 Ch'Ei Qui Non Mi Sorprenda 2:00 2-13 Di Provenza Il Mar, Il Suol 4:13 2-14 E' Piquillo Un Bel Gagliardo 2:44 2-15 Ogni Suo Aver Tal Femmina 6:22 Atto Terzo 2-16 Addio Del Passato, Bei Sogni Ridenti 4:10 2-17 Parigi, O Cara, Noi Lasceremo 4:20 2-18 Prendi; Questa E' L'Immagine 4:32 Notes Unica Incisione de la Traviata registrata in Studio da Maria Callas nel 1953 CD1 - Audio CD2 - CD-Rom Una realizzazione esclusiva per Deutsche Bank Other versions Category Artist Title (Format) Label Category Country Year Giuseppe Verdi Giuseppe / Maria Callas / Verdi / Maria Gabriele Santini LPC 1246 Callas / Cetra LPC 1246 Italy 1953 - La Traviata Gabriele (3xLP, Album, Santini Ltd + Box) Giuseppe Verdi, LPC 1246a, LPC Giuseppe LPC 1246a, LPC Maria Callas - 1246b, LPC Verdi, Maria Cetra 1246b, LPC UK Unknown La Traviata 1246c Callas 1246c (3xLP) German La Traviata Democratic 8 20 393-395 Callas* (3xLP, Album, ETERNA 8 20 393-395 1973 Republic Ltd + Box) (GDR) Giuseppe Giuseppe Verdi, Verdi, Maria Maria Callas, Callas, Francesco North C1246 Francesco Albanese, Ugo Cetra C1246 America (inc Unknown Albanese, Savarese - La Mexico) Ugo Traviata (3xLP, Savarese Album, RE) Giuseppe Verdi Giuseppe / Maria Callas / Verdi / Maria Gabriele Santini 91120401-0403 Callas / Opus 91120401-0403 Italy 1975 - La Traviata Gabriele (3xLP, Album, Santini Ltd, RE + Box) Related Music albums to La Traviata by Giuseppe Verdi Sir Colin Davis, The London Symphony Orchestra - Verdi - Otello Giuseppe Verdi - Falstaff Verdi, Riccardo Muti, Philharmonia Orchestra - La Traviata Giuseppe Verdi - Dietrich Fischer-Dieskau, Renata Scotto, Carlo Bergonzi, Fiorenza Cossotto, Orchestra, Coro Del Teatro Alla Scala, Roberto Benaglio, Rafael Kubelik - Rigoletto Giuseppe Verdi - Maria Callas - La Traviata Tito Gobbi - Tito Gobbi: In Seinen Weltberuhmten Glanzrollen Verdi - Maria Callas, Alfredo Kraus, Mario Sereni, Chorus & Orchestra Of The San Carlos Opera House, Lisbon, Franco Ghione - La Traviata (Live 1958 Recording) Giuseppe Verdi, Renata Scotto, Gianni Raimondi, Ettore Bastianini, Coro e Orchestra Del Teatro Alla Scala, Antonino Votto - La Traviata Alphataurus - ATTO SECONDO Maria Callas - Opera Arias.
Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Tempesta a Montecitorio Mentre Il Compagno To­ Manza Immediata Dell'ag­ Strada
    ••)'. i, e ' ., ,,' J* é * r • > 'Vi DlRLZlONfc t AMMiNlSlKAZlONfc. - KOMA >•' r Via IV Nottua., 14» |«| «7|2| «3.521 «144* «7J4S InTERURBANE: AauuaiiiraziaM «M7H gaéasiaM ft.«js Viva i lavoratori romani ^ PES3E2I D'ABBONAMENTO Anno gim lYlm. UNITA ,a»o f.VOO che hanno dato una fiera (con «4lilon« «MI lun*dl) T.3J0 1JW> RINASCITA ... ' 1400 no VIE NUOVE 1,«00 tOOtaOo «00 risposta ai nemici della Siamone tu ***t9*aunu> potute. Vnmto emr—tr 140«untal0 a news* PUBBLICITÀ': min colonna . Commercial*: CtiMtu i» 1S0 • Donavi- Costituzione e del Parla­ cale u 300. Echi rpetUcoU L 1M • Cronaca L l«o • N«eroio«t« C 130 - Finanziaria, Batch* u. soo . unti L. JBO • Rivolger* (SPI), via ,1 del Parlamento » . Roma . Tei CUT» . «S.sM e «urcurwH »n Italia ORGANO DEL PARTITO COMUNISTA ITALIANO mento repubblicano! ^^—^^—^^- • . .- . ANNO XXX (Nuova Som) - N. 21 MERCOLEDÌ* 21 GENNAIO 1953 Una copisi L. 25 - Arretrate L. 30 j IL POPOLO UNISCE LA SUA VOCE POTENTE A QUELLA DEI DEPUTATI D'OPPOSIZIONE alla provocazione di scema e al ladri ti l seggi 11 centro della Capitale e Montecitorio in stato d'assedio mentre continua nell'aula la battaglia contro i nemici della Costituzione - L'ener­ gica dichiarazione di voto di Togliatti - Compatta riuscita dello sciopero generale a Roma - Possenti manifestazioni nelle strade della città Il compagno Ingrao ferito alla testa dalla polizia di Sceiba - Drammatico tumulto alla Camera La dichiarazione del compagno Togliatti Tempesta a Montecitorio Mentre il compagno To­ manza immediata dell'ag­ strada. La Capitale è in stato gliatti pronuncia le ultime gressione subita: egli aveva d'assedio! Solo perchè passa' - PRESIDENTE: E' iscritto di incostituzionalità, che fan­ parole della sua dichiarazio­ una larga ferita alla testa vo per il Tritone sono stato a parlare l'onorevc'e Togliat­ no riflettere chiunque abbia ne, il compagno Giolitti en­ che cercava di tamponare aggredito e bastonato dalla ti.
    [Show full text]
  • Bellini's Norma
    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
    [Show full text]
  • Umberto Giordano Andre Chenier Mp3, Flac, Wma
    Umberto Giordano Andre Chenier mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Andre Chenier Country: Netherlands Released: 1987 Style: Opera MP3 version RAR size: 1125 mb FLAC version RAR size: 1458 mb WMA version RAR size: 1180 mb Rating: 4.5 Votes: 684 Other Formats: MP1 MOD AU MPC DTS MP4 AAC Tracklist A1 Akt I 29:08 A2 Akt II 27:19 B1 Akt III Beginning 28:58 B2 Akt III Conclusion 10:58 Notes Booklet in 4 language's 211 Pages Barcode and Other Identifiers Barcode: 5099704236919 Other versions Category Artist Title (Format) Label Category Country Year Giordano* - José Giordano* - José Carreras, Éva Carreras, Éva Marton, Giorgio Marton, Giorgio CBS Zancanaro, 54DC5007-8 Zancanaro, Masterworks, 54DC5007-8 Japan 1987 Hungarian State Hungarian State CBS/Sony Orchestra, Giuseppe Orchestra, Patanè - Andrea Giuseppe Patanè Chénier (2xCD) Giordano* - José Giordano* - José Carreras, Eva Carreras, Eva Marton*, Giorgio Marton*, Giorgio Zancanaro, CBS M2 42369 Zancanaro, M2 42369 Germany 1987 Hungarian State Masterworks Hungarian State Orchestra, Giuseppe Orchestra, Patanè - Andrea Giuseppe Patanè Chenier (3xLP + Box) Umberto Giordano, Umberto Giordano, José Carreras, Eva José Carreras, Eva Marton*, Hungarian Marton*, State Orchestra, Hungarian State Hungarian State M2K 42369 Orchestra, CBS M2K 42369 Europe 1987 Radio And Television Hungarian State Chorus*, Giuseppe Radio And Patanè - Andrea Television Chorus*, Chénier (2xCD, Giuseppe Patanè Album, Box) Related Music albums to Andre Chenier by Umberto Giordano José Carreras -
    [Show full text]
  • VERDI Also Available Simon Boccanegra
    8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 12 VERDI Also Available Simon Boccanegra O GOB TIT BI 8.111334-35 8.111240-41 1 g 957 Recordin Tito Gobbi • Boris Christoff Victoria de los Angeles • Giuseppe Campora 8.111284-85 8.111332-33 Rome Opera House Chorus and Orchestra Gabriele Santini 8.110119-20 12 8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 2 Great Opera Recordings pleads for death and Amelia is moved by his great love, whom he had thought dead. Boccanegra forgives him, seeking to heal old enmities. £ He returns, as a ghost, to avenge outrage. The lights & Shouts are heard outside and calls to arms, the start of begin to go out in the piazza outside. Boccanegra, Giuseppe the rebellion against the Doge, who bids Gabriele join his however, is relieved at Fiesco’s appearance and can friends. The latter demurs, now loyal to Boccanegra and announce peace between them. He tells him that his own VERDI rewarded with the hand of Amelia. daughter and Fiesco’s grand-daughter is Amelia Grimaldi. (1813 - 1901) Act 3 ¢ Fiesco weeps at the revelation. He hears in Boccanegra’s words the voice of Heaven. Boccanegra * From the Doge’s palace Genoa can be seen, seeks to embrace him, the father of his beloved Maria. Simon Boccanegra illuminated as for a festival. The shouts of the crowd are Fiesco tells Boccanegra of the poison. The latter is Opera in a Prologue and Three Acts heard, praising the Doge. growing weaker and collapses onto a seat, as Amelia, Text by Franceso Maria Piave as modified by Arrigo Boito ( A captain of the bowmen gives Fiesco back his sword Gabriele, ladies, gentlemen, senators and pages with and tells him he is free.
    [Show full text]
  • Don Carlo Mp3, Flac, Wma
    Verdi Don Carlo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Don Carlo Country: US Released: 1979 Style: Romantic MP3 version RAR size: 1589 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1632 mb Rating: 4.8 Votes: 852 Other Formats: AC3 AU XM APE ADX MMF AA Tracklist A1 Act 1. Su, Cacciator! Prontio La Belva 25:45 B1 Act 2. Scene 1. Carlo, Il Sommo Imperatore 17:38 B2 Act 2. Scne 2. Sotto Al Forti-Immensi Abeti 7:42 C1 Act 2. Scene 2. (Con't) La Regina 24:00 D1 Act 2. Scene 2. (Concl.) Restate . Presso Alla Mia Persona 11:55 D2 Act 3. Scene 1. Preludio . A Mezza Notte 15:00 E1 Act 3. Scene 2. Spuntato Ecco Il Di D'esultanza 20:15 F1 Act 4. Scene 1. Ella Giammai M'amò 30:00 G1 Act 4. Scene 1. (Concl.) Pietà! Pietà! 6:35 G2 Act 4. Scene 2. Son Io Mio Carlo 15:08 H1 Act 5. Tu Che Le Vanti 21:30 Credits Chorus, Orchestra – Chorus and Orchestra Of The Royal Opera House, Covent Garden* Composed By – Giuseppe Verdi Conductor – Georg Solti Libretto By – Camille Du Locle, Joseph Mery* Performer [A Celestial Voice] – Joan Carlyle Performer [A Friar] – Tugomir Franc Performer [A Royal Herald] – John Wakefield Performer [Count Di Lerma] – Kenneth MacDonald Performer [Don Carlo] – Carlo Bergonzi Performer [Elizabeth De Valois] – Renata Tebaldi Performer [King Philip Ii] – Nicolai Ghiaurov Performer [Princess Eboli] – Grace Bumbry Performer [Rodrigo] – Dietrich Fischer-Dieskau Performer [Tebaldo] – Jeannette Sinclair Performer [The Grand Inquisitor] – Martti Talvela Translated By [Libretto-rendered Into Italian] – A.
    [Show full text]
  • Verdi's Simon Boccanegra: a Survey of the Discography
    Verdi’s Simon Boccanegra: A survey of the discography by Ralph Moore I think of Simon Boccanegra as something of a connoisseur’s opera, insofar as it surely contains some of Verdi’s most inspired music, yet has from its premiere rightly been criticised for its labyrinthine plot – a caricature of typically operatic complications – and its consequent lack of accessibility for audiences. For that reason, the first version soon fell out of favour after its 1857 premiere, but Verdi, no doubt with justification, thought highly enough of the music to undertake a revision twenty-three years later with the help of Arrigo Boito, and the result, the 1881 version, is the one almost invariably performed today. The most important addition was the Council Chamber Scene; the opera would be much the poorer without it, but Verdi also revised a good deal of the music to render it far more ductile and atmospheric. The opera presents an admixture of personal and political turmoil such as we encounter in other mature operas like Les vêpres siciliennes and Don Carlos, but also capitalises on two archetypal themes very prevalent in Verdi’s operas and to which he frequently returned, both of which prompted the best of his music: the depiction of a loving but tortured father-daughter relationship of the kind we also see in Luisa Miller, Rigoletto and Aida and his concern for statesmanship, as exhibited in the appeals for peace, patriotism and brotherhood, rallying calls stretching right back to his earliest operas, such as Nabucco, I Lombardi, Attila and La battaglia di Legnano.
    [Show full text]
  • Verdi's Don Carlo
    Verdi’s Don Carlo: a partial survey of the discography by Ralph Moore Introduction The CLOR discography lists 165 recordings of Don Carlo (or should that be Don Carlos? - more of that anon). A couple of live recordings in German were made before the first one in Italian, live from the Met 1950, with a cast headed by Jussi Bjőrling, then there was a whole slew of live and radio recordings throughout the 50’s from the Met and various Italian opera houses, punctuated by the first studio account conducted by Santini in Rome in 1954, with a stellar (and Stella) cast including Gobbi and Christoff. This still stands up remarkably well despite its age and some casting weakness. Santini was again at the helm for the next studio recording in 1961 with an even finer cast, then Solti recorded the Five Act version for Decca in 1965. For so great and popular an opera, Don Carlo has received very few studio recordings; Giulini followed in 1971, Karajan in 1978, Abbado in 1983-84, Levine in 1992 and Haitink in 1996. Only Abbado’s was in French, and Richard Farnes recorded an English version for Chandos in 2009. Thus, so far, we have had a grand total of only nine studio versions: seven in Italian, one in English and only one of the original French version, yet the catalogue is teeming with live performances. No survey can encompass so many, nor have I considered DVDs. However, I assess below some twenty-seven audio accounts, having restricted my choice to the nine studio recordings plus a sampling of live performances, including the three live recordings of original Five Act versions in French; the rest are variously either of the Four or Five Act versions in Italian.
    [Show full text]
  • MIRELLA PARUTTO – SOPRANO & MEZZOSOPRANO at Just Nineteen
    MIRELLA PARUTTO – SOPRANO & MEZZOSOPRANO At just nineteen she made her debut at the Teatro Verdi in Trieste as Leonora in Il Trovatore. Debuts at Milan’s Teatro alla Scala followed quickly including such roles as a Priestess in Aida directed by Antonino Votto with Giulietta Simionato , Giuseppe Di Stefano, Nicola Zaccaria and Giangiacomo Guelfi, and as Elena in Mefistofele alla Scala in 1958, replacing Anna De Cavalieri (Anne McKnight) directed by Votto. The following year saw her debut at the Boboli Gardens as Abigaille directed by Bruno Bartoletti, with Miriam Pirazzini, Gastone Limarilli and Ettore Bastianini for the Maggio Musicale Fiorentino, and at the Teatro Regio in Parma as Leonora in La forza del destino with Carlo Bergonzi, Mario Zanasi and Raffaele Arié. In 1960 she appeared at the Teatro dell'Opera in Rome as Amelia in Un ballo in maschera directed by Gabriele Santini, with Miriam Pirazzini and Plinio Clabassi, and Aida directed by Gianandrea Gavazzeni, with Antonio Zerbini and Flora Torrigiani at the Teatro Nuovo in Turin. At the Fenice in Venice he sings in Trovatore, Don Carlo, Mefistofele. In 1961 at La Scala she performed Guido Pannain's Requiem directed by Fernando Previtali. In the same year, she appeared in Trovatore in Berlin, with Ettore Bastianini, Franco Corelli and Fedora Barbieri. Among her most popular soprano roles were Aida, Leonora (in Il trovatore and La forza del destino), Abigaille, Maddalena, Amelia. From 1965 she began performing as a mezzo-soprano, making her debut at the Teatro dell'Opera di Roma in Don Carlo directed by Luchino Visconti and conducted by Carlo Maria Giulini; the roles of Adalgisa, Amneris, Ulrica, Princess Eboli, Princess of Bouillon followed.
    [Show full text]
  • Australian Ephemera Collection Finding Aid (PROMPT): Joan Sutherland and Richard Bonynge 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN SUTHERLAND, OM, AC, DBE AND RICHARD BONYNGE, AC, CBE PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA APRIL 2018 The Sutherland/Bonynge file in the Library’s PROMPT collection documents the extensive and intertwined Australian and overseas careers of opera singer Joan Sutherland, and orchestral conductor Richard Bonynge. This husband and wife team of musicians helped the career of the other by frequently performing together, her usually as principal singer under his baton. It was Bonynge who discovered Sutherland’s ability to sing the great bel canto roles and to this end he researched and conducted the operatic repertoire which most suited his wife’s unique coloratura voice. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by Sutherland/Bonynge. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. For a list of Joan Sutherland’s performances to 31 December 1990, please refer to Richard Bonynge’s A prima donna's progress : the autobiography of Joan Sutherland. ACCESS The Sutherland/Bonynge PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn2657303.
    [Show full text]
  • 21.91 Lps, Scores, Books Pp 161-163
    LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) UNLESS OTHERWISE INDICATED 4249. CAVALLERIA RUSTICANA (Mahler). VICTORIA DE LOS ANGELES [s], FRANCO CORELLI [t], MARIO SERENI [b]. Rome Op. Orch. dir GABRIELE SANTINI . Boxed 2-LP Angel Stereo Set 3632. Cover signed by de los Angeles and Sereni. $8.00. 4244. DAS LIED VON DER ERDE (Mahler). EMI Stereo SAN 179. Single LP. CHRISTA LUDWIG [ms], FRITZ WUNDERLICH [t]. New Philharmonia and Philharmonia Orchs. dir. OTTO KLEM- PERER. Cover signed by Christa Ludwig . $7.00. 4258. IL SEGRETO DI SUSANNA (Ermanno Wolf- Ferrari). RENATA SCOTTO [s] and RENATO BRUSON . Philharmonia Orch. dir. JOHN PRITCHARD . Boxed one LP Digital CBS 36733. Cover signed by Scotto, Bruson and Pritchard. $8.00. 4241. TURANDOT (Puccini). Cetra-Everest 427/3. Three LP boxed set. Cover signed by Magda Olivero and Gina Cigna, Cigna also having signed the libretto. Minor crease upper right cover corner. $8.00. 4250. ELLY AMELING [s], DALTON BALDWIN [pno]. A BOUQUET OF SCHUBERT . Etcetera Digital Stereo ETC 1009. Cover signed by Ameling and Baldwin . $7.00. 4243. ELLY AMELING [s], DALTON BALDWIN [pno]. GERMAN ROMANTIC SONGS . Philips Stereo 9500 350. Music of Schumann, Schubert, Wolf, Reger, Strauss, Pfitzner, etc. Cover signed by Ameling and Baldwin. $7.00. 4252. TERESA BERGANZA [c]. Eng. Chamber Orch. dir. ENRIQUE G. ASENSIO . BERGANZA CHANTE LA ZARZUELA. Arias from eight zarzuelas. Cover signed by Berganza. Ensayo Stereo ZL 501. $7.00. 4246. PLACIDO DOMINGO [t]. BE MY LOVE. Love songs in various languages. Deut. Gram. Stereo 2530 700. Cover signed by Domingo . $7.00.
    [Show full text]
  • Rome Opera House, with Christoff, Gobbi, Santini, Verdi, Don Carlo Mp3, Flac, Wma
    Rome Opera House, with Christoff, Gobbi, Santini, Verdi, Don Carlo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Verdi, Don Carlo Country: UK Released: 1964 Style: Opera MP3 version RAR size: 1425 mb FLAC version RAR size: 1893 mb WMA version RAR size: 1161 mb Rating: 4.4 Votes: 453 Other Formats: VQF MOD AIFF AAC XM MP3 AUD Tracklist 1 Verdi, Don Carlo - Act I (Part Two, Conclusion) 2 Verdi, Don Carlo - Act II (Part One) Notes Orchestra and Chorus of the Opera House, Rome conducted by Gabriele Santini. MONO EMI red and gold label. First pressing. Recorded in the Opera House, Rome. The cast includes: Boris Christoff, Mario Filippeschi and Tito Gobbi. Sung in Italian. Barcode and Other Identifiers Barcode (12" LP): ALP 1290 Related Music albums to Verdi, Don Carlo by Rome Opera House, with Christoff, Gobbi, Santini, Verdi, Milanov, Barbieri, Bjoerling, Warren, Perlea - Highlights From Verdi: Aïda Giuseppe Verdi / Lamberto Gardelli • Chorus Of Vienna State Opera - Nabucco Giuseppe Verdi - Victoria De Los Angeles, Carlo Del Monte, Mario Sereni With The Rome Opera House Orchestra And Chorus Conducted By Tullio Serafin - La Traviata Highlights Verdi, Tebaldi, Bergonzi, Fischer-Dieskau, Ghiaurov, Bumbry, Solti, Chorus & Orchestra Of The Royal Opera House, Covent Garden - Don Carlo Verdi, Orchestra Of Radio Italiana, Turin - Treasured Moments From The Opera La Traviata The Rome Symphony Orchestra, Domenico Savino, Giuseppe Verdi - The Music Of Rigoletto Puccini / Victoria De Los Angeles, Jussi Bjoerling, Miriam Pirazzini, Mario Sereni, Orchestra & Chorus Of The Opera House, Rome, Gabriele Santini - Giacomo Puccini's Madame Butterfly Cristina Deutekom, Bellini, Rossini, Verdi - Cristina Deutekom singt Bellini, Rossini, Verdi Verdi / Rome Opera House Orchestra And Rome Opera House Chorus Conducted By Previtali, Moffo, Tucker, Merrill - La Traviata Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Tullio Serafin, Shakeh Vartenissian, Fiorenza Cossotto, Eugenio Fernandi, Boris Christoff - Requiem.
    [Show full text]