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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Tempesta a Montecitorio Mentre Il Compagno To Manza Immediata Dell'ag Strada
••)'. i, e ' ., ,,' J* é * r • > 'Vi DlRLZlONfc t AMMiNlSlKAZlONfc. - KOMA >•' r Via IV Nottua., 14» |«| «7|2| «3.521 «144* «7J4S InTERURBANE: AauuaiiiraziaM «M7H gaéasiaM ft.«js Viva i lavoratori romani ^ PES3E2I D'ABBONAMENTO Anno gim lYlm. UNITA ,a»o f.VOO che hanno dato una fiera (con «4lilon« «MI lun*dl) T.3J0 1JW> RINASCITA ... ' 1400 no VIE NUOVE 1,«00 tOOtaOo «00 risposta ai nemici della Siamone tu ***t9*aunu> potute. Vnmto emr—tr 140«untal0 a news* PUBBLICITÀ': min colonna . Commercial*: CtiMtu i» 1S0 • Donavi- Costituzione e del Parla cale u 300. Echi rpetUcoU L 1M • Cronaca L l«o • N«eroio«t« C 130 - Finanziaria, Batch* u. soo . unti L. JBO • Rivolger* (SPI), via ,1 del Parlamento » . Roma . Tei CUT» . «S.sM e «urcurwH »n Italia ORGANO DEL PARTITO COMUNISTA ITALIANO mento repubblicano! ^^—^^—^^- • . .- . ANNO XXX (Nuova Som) - N. 21 MERCOLEDÌ* 21 GENNAIO 1953 Una copisi L. 25 - Arretrate L. 30 j IL POPOLO UNISCE LA SUA VOCE POTENTE A QUELLA DEI DEPUTATI D'OPPOSIZIONE alla provocazione di scema e al ladri ti l seggi 11 centro della Capitale e Montecitorio in stato d'assedio mentre continua nell'aula la battaglia contro i nemici della Costituzione - L'ener gica dichiarazione di voto di Togliatti - Compatta riuscita dello sciopero generale a Roma - Possenti manifestazioni nelle strade della città Il compagno Ingrao ferito alla testa dalla polizia di Sceiba - Drammatico tumulto alla Camera La dichiarazione del compagno Togliatti Tempesta a Montecitorio Mentre il compagno To manza immediata dell'ag strada. La Capitale è in stato gliatti pronuncia le ultime gressione subita: egli aveva d'assedio! Solo perchè passa' - PRESIDENTE: E' iscritto di incostituzionalità, che fan parole della sua dichiarazio una larga ferita alla testa vo per il Tritone sono stato a parlare l'onorevc'e Togliat no riflettere chiunque abbia ne, il compagno Giolitti en che cercava di tamponare aggredito e bastonato dalla ti. -
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation. -
Umberto Giordano Andre Chenier Mp3, Flac, Wma
Umberto Giordano Andre Chenier mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Andre Chenier Country: Netherlands Released: 1987 Style: Opera MP3 version RAR size: 1125 mb FLAC version RAR size: 1458 mb WMA version RAR size: 1180 mb Rating: 4.5 Votes: 684 Other Formats: MP1 MOD AU MPC DTS MP4 AAC Tracklist A1 Akt I 29:08 A2 Akt II 27:19 B1 Akt III Beginning 28:58 B2 Akt III Conclusion 10:58 Notes Booklet in 4 language's 211 Pages Barcode and Other Identifiers Barcode: 5099704236919 Other versions Category Artist Title (Format) Label Category Country Year Giordano* - José Giordano* - José Carreras, Éva Carreras, Éva Marton, Giorgio Marton, Giorgio CBS Zancanaro, 54DC5007-8 Zancanaro, Masterworks, 54DC5007-8 Japan 1987 Hungarian State Hungarian State CBS/Sony Orchestra, Giuseppe Orchestra, Patanè - Andrea Giuseppe Patanè Chénier (2xCD) Giordano* - José Giordano* - José Carreras, Eva Carreras, Eva Marton*, Giorgio Marton*, Giorgio Zancanaro, CBS M2 42369 Zancanaro, M2 42369 Germany 1987 Hungarian State Masterworks Hungarian State Orchestra, Giuseppe Orchestra, Patanè - Andrea Giuseppe Patanè Chenier (3xLP + Box) Umberto Giordano, Umberto Giordano, José Carreras, Eva José Carreras, Eva Marton*, Hungarian Marton*, State Orchestra, Hungarian State Hungarian State M2K 42369 Orchestra, CBS M2K 42369 Europe 1987 Radio And Television Hungarian State Chorus*, Giuseppe Radio And Patanè - Andrea Television Chorus*, Chénier (2xCD, Giuseppe Patanè Album, Box) Related Music albums to Andre Chenier by Umberto Giordano José Carreras - -
The Genius of Valhalla: the Life of Reginald Goodall Online
5gsQm (Read free ebook) The Genius of Valhalla: The Life of Reginald Goodall Online [5gsQm.ebook] The Genius of Valhalla: The Life of Reginald Goodall Pdf Free John Lucas ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #4884408 in Books Boydell Press 2009-10-15Original language:EnglishPDF # 1 9.00 x .80 x 6.10l, .94 #File Name: 1843835177264 pages | File size: 79.Mb John Lucas : The Genius of Valhalla: The Life of Reginald Goodall before purchasing it in order to gage whether or not it would be worth my time, and all praised The Genius of Valhalla: The Life of Reginald Goodall: 0 of 0 people found the following review helpful. Inflated Wagnerian RepBy reading manThis biography is as interesting for its account of British musical life during Goodall's lifetime as it is for the facts about him.Although he's remembered by many as a colleague and associate of Britten, as well as a conductor of Britten's music, I think it's fair to say his lasting fame is as a Wagnerian.The glowing reviews he received for his Wagner performances are quoted by Lucas, as well as miscellaneous remarks about his prowess in this music from letters and remarks.The problem is that the recorded evidence doesn't corroborate those reviews and remarks, at least not to this listener.Let's consider his "live" performances.The PARSIFAL with Jon Vickers is ludicrous. Wagner's last masterpiece in slow-motion would be an apposite description. It makes you wonder why Jon Vickers held Goodall in such high esteem. -
Download Booklet
Richard Wagner (181 –188) Library The Mastersingers of Nuremberg Photo Music drama in three acts Arts & Libretto by the composer, English translation by Frederick Jameson, Music revised by Norman Feasey and Gordon Kember agner Hans Sachs, cobbler Norman Bailey bass-baritone Lebrecht © Veit Pogner, goldsmith Noel Mangin bass W Kunz Vogelgesang, furrier David Kane tenor Konrad Nachtigal, tinsmith Julian Moyle bass Sixtus Beckmesser, town clerk Derek Hammond-Stroud baritone Fritz Kothner, baker David Bowman bass Balthasar Zorn, pewterer John Brecknock tenor Ulrich Eisslinger, grocer David Morton-Gray tenor Augustin Moser, tailor Mastersingers Dino Pardi tenor Hermann Ortel, soapmaker James Singleton bass CHARD Hans Schwarz, stocking weaver Gerwyn Morgan bass Hans Foltz, coppersmith Eric Stannard bass RI Walther von Stolzing, a young knight from Franconia Alberto Remedios tenor David, Sachs’ apprentice Gregory Dempsey tenor Eva, Pogner’s daughter Margaret Curphey soprano Magdalene, Eva’s nurse Ann Robson mezzo-soprano Nightwatchman Stafford Dean bass Sadler’s Wells Opera Chorus Sadler’s Wells Opera Orchestra Leonard Hancock assistant conductor Reginald Goodall COmpacT DISC ONE Time Page Time Page 1 Prelude 10: �p ��� ��� 11 ‘By silent hearth, one winter’s day’ 9:01 �p 91� Walther, Sachs, Beckmesser, Kothner, Vogelgesang, Nachtigal Act I 12 ‘To make your footsteps safe and sure’ :22 �p 99�� 2 ‘As to thee our Saviour came’ :00 �p ��� ��� Kothner, Walther, Beckmesser Congregation TT 74:34 3 ‘Oh stay! A word! one single word!’ 9:� �p ��� ��� -
VERDI Also Available Simon Boccanegra
8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 12 VERDI Also Available Simon Boccanegra O GOB TIT BI 8.111334-35 8.111240-41 1 g 957 Recordin Tito Gobbi • Boris Christoff Victoria de los Angeles • Giuseppe Campora 8.111284-85 8.111332-33 Rome Opera House Chorus and Orchestra Gabriele Santini 8.110119-20 12 8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 2 Great Opera Recordings pleads for death and Amelia is moved by his great love, whom he had thought dead. Boccanegra forgives him, seeking to heal old enmities. £ He returns, as a ghost, to avenge outrage. The lights & Shouts are heard outside and calls to arms, the start of begin to go out in the piazza outside. Boccanegra, Giuseppe the rebellion against the Doge, who bids Gabriele join his however, is relieved at Fiesco’s appearance and can friends. The latter demurs, now loyal to Boccanegra and announce peace between them. He tells him that his own VERDI rewarded with the hand of Amelia. daughter and Fiesco’s grand-daughter is Amelia Grimaldi. (1813 - 1901) Act 3 ¢ Fiesco weeps at the revelation. He hears in Boccanegra’s words the voice of Heaven. Boccanegra * From the Doge’s palace Genoa can be seen, seeks to embrace him, the father of his beloved Maria. Simon Boccanegra illuminated as for a festival. The shouts of the crowd are Fiesco tells Boccanegra of the poison. The latter is Opera in a Prologue and Three Acts heard, praising the Doge. growing weaker and collapses onto a seat, as Amelia, Text by Franceso Maria Piave as modified by Arrigo Boito ( A captain of the bowmen gives Fiesco back his sword Gabriele, ladies, gentlemen, senators and pages with and tells him he is free. -
Don Carlo Mp3, Flac, Wma
Verdi Don Carlo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Don Carlo Country: US Released: 1979 Style: Romantic MP3 version RAR size: 1589 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1632 mb Rating: 4.8 Votes: 852 Other Formats: AC3 AU XM APE ADX MMF AA Tracklist A1 Act 1. Su, Cacciator! Prontio La Belva 25:45 B1 Act 2. Scene 1. Carlo, Il Sommo Imperatore 17:38 B2 Act 2. Scne 2. Sotto Al Forti-Immensi Abeti 7:42 C1 Act 2. Scene 2. (Con't) La Regina 24:00 D1 Act 2. Scene 2. (Concl.) Restate . Presso Alla Mia Persona 11:55 D2 Act 3. Scene 1. Preludio . A Mezza Notte 15:00 E1 Act 3. Scene 2. Spuntato Ecco Il Di D'esultanza 20:15 F1 Act 4. Scene 1. Ella Giammai M'amò 30:00 G1 Act 4. Scene 1. (Concl.) Pietà! Pietà! 6:35 G2 Act 4. Scene 2. Son Io Mio Carlo 15:08 H1 Act 5. Tu Che Le Vanti 21:30 Credits Chorus, Orchestra – Chorus and Orchestra Of The Royal Opera House, Covent Garden* Composed By – Giuseppe Verdi Conductor – Georg Solti Libretto By – Camille Du Locle, Joseph Mery* Performer [A Celestial Voice] – Joan Carlyle Performer [A Friar] – Tugomir Franc Performer [A Royal Herald] – John Wakefield Performer [Count Di Lerma] – Kenneth MacDonald Performer [Don Carlo] – Carlo Bergonzi Performer [Elizabeth De Valois] – Renata Tebaldi Performer [King Philip Ii] – Nicolai Ghiaurov Performer [Princess Eboli] – Grace Bumbry Performer [Rodrigo] – Dietrich Fischer-Dieskau Performer [Tebaldo] – Jeannette Sinclair Performer [The Grand Inquisitor] – Martti Talvela Translated By [Libretto-rendered Into Italian] – A. -
CHAN 3045 Bookcover.Qxd 9/7/07 1:21 Pm Page 1
CHAN 3045 bookcover.qxd 9/7/07 1:21 pm Page 1 CHANDOS O PERA IN ENGLISH CHAN 3045(4) PETE MOO ES FOUNDATION CHAN 3045 BOOK.qxd 13/7/07 3:15 pm Page 2 Richard Wagner (1813–1883) AKG Siegfried Second Day of the Festival Play The Ring of the Nibelung Music drama in three acts Poem by Richard Wagner English translation by Andrew Porter Siegfried ......................................................................................................................Alberto Remedios tenor Mime ..........................................................................................................................Gregory Dempsey tenor Wanderer..............................................................................................................Norman Bailey bass-baritone Alberich ......................................................................................................Derek Hammond-Stroud baritone Fafner ................................................................................................................................Clifford Grant bass Erda ..............................................................................................................................Anne Collins contralto Brünnhilde........................................................................................................................Rita Hunter soprano Voice of the Woodbird ..............................................................................................Maurine London soprano Sadler’s Wells Opera Orchestra Barry Tuckwell -
Verdi's Simon Boccanegra: a Survey of the Discography
Verdi’s Simon Boccanegra: A survey of the discography by Ralph Moore I think of Simon Boccanegra as something of a connoisseur’s opera, insofar as it surely contains some of Verdi’s most inspired music, yet has from its premiere rightly been criticised for its labyrinthine plot – a caricature of typically operatic complications – and its consequent lack of accessibility for audiences. For that reason, the first version soon fell out of favour after its 1857 premiere, but Verdi, no doubt with justification, thought highly enough of the music to undertake a revision twenty-three years later with the help of Arrigo Boito, and the result, the 1881 version, is the one almost invariably performed today. The most important addition was the Council Chamber Scene; the opera would be much the poorer without it, but Verdi also revised a good deal of the music to render it far more ductile and atmospheric. The opera presents an admixture of personal and political turmoil such as we encounter in other mature operas like Les vêpres siciliennes and Don Carlos, but also capitalises on two archetypal themes very prevalent in Verdi’s operas and to which he frequently returned, both of which prompted the best of his music: the depiction of a loving but tortured father-daughter relationship of the kind we also see in Luisa Miller, Rigoletto and Aida and his concern for statesmanship, as exhibited in the appeals for peace, patriotism and brotherhood, rallying calls stretching right back to his earliest operas, such as Nabucco, I Lombardi, Attila and La battaglia di Legnano. -
Decca Discography
DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable. -
Printed Books, Maps & Documents, Vinyl Records & Cds (AUG21) Lot
Printed Books, Maps & Documents, Vinyl Records & CDs (AUG21) Wed, 11th Aug 2021 Lot 285 Estimate: £100 - £150 + Fees Classical Records. Collection of approx. 150 classical records / LPs and box sets. Classical Records. Collection of approximately 125 classical records / LPs, such as Ravel's Bolero with Sir Georg Solti conducting the Chicago Symphony Orchestra (Decca SXL 6813), Schubert "Die Schone Mullerin" and "Winterreise" with Dietrich Fischer-Dieskau (baritone) and Gerald Moore on piano (HMV ASD 481, ASDS 551 & ASD 552), Chopin "Nocturnes Nr. 1-10 and Nr. 11-20" with Tamas Vasary on piano (DGG 136486 and 136487), Tchaikovsky "Overture 1812", "Marche Slave" and "Romeo and Juliet" with Herbert von Karajan conducting the Berlin Philharmonic Orchestra (DGG 139029), John Williams "Changes / The Height Below" with Stanley Myers & Orchestra (gatefold LP by Cube Records TOOFA 12), Beethoven "Symphony No 5" with Herbert von Karajan conducting the Berlin Philharmonic (DGG 138804), Julian Bream "20th Century Guitar" (RCA Victor Stereo SB-6723) and others from all the popular composers on record labels such as Philips, HMV, Deutsche Grammophon Gesellschaft, Decca, Argo, Supraphon and others, together with 25 classical box sets such as Beethoven "The Nine Symphonies" with Hans Schmidt- Isserstedt conducting the Vienna Philharmonic Orchestra (5- LP Decca Stereo SXLB 6470-5), Bach Complete Organ Works featuring Lionel Rogg (three 6-LP box sets, Harmonia Mundi HM521-523), Wagner "Twilight of the Gods" in English with Rita Hunter and Alberto Remedios and Reginald Goodall conducting the English National Opera Orchestra (2-LP EMI SLS 5118), Brahms "Ein Deutsches Requiem" with Otto Klemperer conducting the Philharmonia Orchestra (2-LP EMI SLS 821) and Mozart "The Complete Piano Concertos" with Daniel Barenboim and the English Chamber Orchestra (12-LP EMI SLS 5031) Qty: Approx.