King Mob Echo English Section of the Situationist
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Occupy the Fun Palace Britt Eversole
thresholds 41 Spring 2013, 32-45 OCCUPY THE FUN PALACE BRITT EVERSOLE During the 1968 holiday season, a dozen people and one Santa Claus impersonator stormed Selfridges, a Daniel Burnham-designed department store on London’s posh Oxford Street. Confused customers gathered when Father Christmas and his helpers pulled goods from the shelves and began giving them away. When clerks intervened, a melee erupted, arrests ensued, and police were forced to make crying children return unpurchased toys and candy. In the aftermath, Londoners found leaflets bearing an anti-consumer diatribe against the holidays as the palliative to another year of pointless labor ending in unaffordable shopping and perfunctory celebration (Figure 1). Chiding Britons that they did not deserve Christmas because they had not worked hard enough, this year’s festivities were a “punishment…a duty to be cheerful, to play the fool, let down your hair as soon as they switch on the lights and raise the curtain.” A call to arms ended the invective: Let’s smash the whole great deception. Occupy the Fun Palace and really set the swings going. Grab the gifts and really give them. Light up Oxford Street and dance around the fire.1 This vicious potlatch was one of many guerilla actions by the English Situation- ist-inspired group King Mob, named after the 1780 Gordon Riots in which revolt- ing prison inmates freed themselves by the authority of “His Majesty, King Mob.” During the late 1960s, they assaulted British culture with pranks, profane leafleting and poster campaigns, and by vandalizing buildings and infrastructure with erudite phrases, the most famous being a thesis on an Underground embankment: SAME THING DAY AFTER DAY–TUBE–WORK–DINER [sic]–WORK–TUBE–ARMCHAIR–T.V.– SLEEP–TUBE–WORK–HOW MUCH MORE CAN YOU TAKE–ONE IN TEN GO MAD– ONE IN FIVE CRACKS UP. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
Surrealism-Revolution Against Whiteness
summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ...................... -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
The Identity Dilemma and the Road to the Pacific War by Daisuke Minami
Identity Clash: The Identity Dilemma and the Road to the Pacific War by Daisuke Minami B.A. in Political Science, May 2013, Macalester College A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfilment of the requirements for the degree of Doctor of Philosophy May 19, 2019 Dissertation directed by Eric Grynaviski Associate Professor of Political Science and International Affairs The Columbian College of Arts and Sciences of The George Washington University certifies that Daisuke Minami has passed the Final Examination for the degree of Doctor of Philosophy as of April 8, 2019. This is the final and approved form of the dissertation. Identity Clash: The Identity Dilemma and the Road to the Pacific War Daisuke Minami Dissertation Research Committee: Eric Grynaviski, Associate Professor of Poiltical Science and International Affaris, Dissertation Director Mike M. Mochizuki, Associate Professor of Political Science and International Affairs, Committee Member Michael N. Barnett, University Professor of Political Science and International Affairs, Committee Member Charles L. Glaser, Professor of Political Science and International Affairs, Committee Member ii © Copyright 2019 by Daisuke Minami All rights reserved iii Acknowledgements This dissertation would have not been possible without the help of numerous people. I owe tremendous gratitude to those who have supported me. I first would like to thank the members of my dissertation committee: Eric Grynaviski, Mike Mochizuki, Michael Barnett, and Charlie Glaser. Eric Grynaviski has been crucial at every stage of my doctoral program. As a first-year faculty mentor, he helped me weather through the first two years of the coursework and develop my research agenda. -
Three-Sided Football and the Alternative Soccerscape: a Study of Sporting Space, Play and Activism
Kent Academic Repository Full text document (pdf) Citation for published version Pollock, Benjin (2021) Three-sided Football and the Alternative Soccerscape: A Study of Sporting Space, Play and Activism. Doctor of Philosophy (PhD) thesis, University of Kent,. DOI Link to record in KAR https://kar.kent.ac.uk/86739/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Three-sided Football and the Alternative Soccerscape: A Study of Sporting Space, Play and Activism Abstract: Three teams, three goals, and one ball. Devised as an illustrative example of ‘triolectics’, Danish artist and philosopher Asger Jorn conceived of three-sided football in 1962. However, the game remained a purely abstract philosophical exercise until the early 1990s when a group of anarchists, architects and artists decided to play the game for the first time. -
Class Wargames Class Class Wargames Ludic Ludic Subversion Against Spectacular Capitalism
class wargames Class Wargames ludic Ludic subversion against spectacular capitalism subversion Why should radicals be interested in playing wargames? Surely the Left can have no interest in such militarist fantasies? Yet, Guy Debord – the leader of the Situationist International – placed such importance on his class invention of The Game of War that he described it as the most significant of against his accomplishments. wargames Intrigued by this claim, a multinational group of artists, activists and spectacular academics formed Class Wargames to investigate the political and strategic lessons that could be learnt from playing his ludic experiment. While the ideas of the Situationists continue to be highly influential in the development of subversive art and politics, relatively little attention has been paid to their strategic orientation. Determined to correct this deficiency, Class Wargames is committed to exploring how Debord used the capitalism metaphor of the Napoleonic battlefield to propagate a Situationist analysis of modern society. Inspired by his example, its members have also hacked other military simulations: H.G. Wells’ Little Wars; Chris Peers’ Reds versus Reds and Richard Borg’s Commands & Colors. Playing wargames is not a diversion from politics: it is the training ground of tomorrow’s cybernetic communist insurgents. Fusing together historical research on avant-garde artists, political revolutionaries and military theorists with narratives of five years of public performances, Class Wargames provides a strategic and tactical manual for overthrowing the economic, political and ideological hierarchies of early- 21st century neoliberal capitalism. The knowledge required to create a truly human civilisation is there to be discovered on the game board! richard ludic subversion against barbrook spectacular capitalism Minor Compositions An imprint of Autonomedia Front cover painting: Kimathi Donkor, Toussaint L’Ouverture at Bedourete (2004). -
Chronology of the Lettrist International and the Situationist International
Appendix 4 Chronology of the Lettrist International and the Situationist International 1951 – In April, Guy Debord meets Lettrist leader Isidore Isou and several other Lettrists at the Cannes Film Festival. – In the summer, Debord graduates from high school in Cannes, moves to Paris, and joins Isou and the Lettrists. – Throughout 1951, Debord spends much of his time at his favorite bar, Chez Moineau, where he meets several people who would become important to him during that time, including Gil Wolman, Michele Bernstein, Ivan Cht- cheglov, Eliane Papai, and Jean-Michel Mension. 1952 – In February, Wolman screens his only film L’Anticoncept. – In June, Debord screens his first film, Howls in Favor of Sade; the audience erupts in anger, halting the screening. – In October, Debord, Wolman, and two other Lettrists perpetrate the “No More Flat Feet!” scandal against Charlie Chaplin, an action Isou distanced himself from in a newspaper article. – In December, Debord, Wolman, and other Lettrists split from Isou to form the Lettrist International (LI). 1953 – In early 1953, Debord artistically manifests the LI’s contempt for wage slav- ery when he scrawls “Ne Travaillez Jamais!” (“Never Work!”) on a wall on the rue de Seine. – In October, Chtcheglov presents Debord with his poetic manifesto, “Formu- lary for a New Urbanism.” © koninklijke brill nv, leideN, 2019 | DOI: 10.1163/9789004402010_014 James Trier - 9789004402010 Downloaded from Brill.com09/30/2021 07:21:04AM via free access 422 Appendix 4 1954 – In June, the LI publishes the first issue of Potlatch, which will continue to be published semi-regularly through much of 1957, when the Situationist International is formed. -
Post-Anarchism in Grant Morrison's the Invisibles
4. “A Thought Thinking Itself:” Post-anarchism in Grant Morrison’s The Invisibles Lewis Call* Grant Morrison’s The Invisibles (1994-2000) tells the tale of a diverse band of anarchist freedom fighters. Morrison’s narrative follows the adventures of a cell within a centuries-old revolutionary organization called the Invisible College. The leader of this cell is King Mob, a bald, pierced fetishist, who resembles Morrison more than a little. Three of King Mob’s fellow “Invisibles” present as women: the cross-dressing Brazilian shaman Lord Fanny, a slightly insane time-travelling redhead called Ragged Robin, and an African-American former cop who calls herself Boy. The cell’s newest recruit is Jack Frost, a foul-mouthed working-class punk from Liverpool. Together these Invisible revolutionaries fight against an interdimensional authoritarian conspiracy called the “Outer Church.” This Outer Church works towards a world in which political, economic and religious institutions unite to create a system of total authority. Meanwhile, the Invisible College works towards the opposite end: a left- libertarian world based upon individual freedom, inclusive diversity, and universal access to the means of happiness (including sex, drugs, and magic). The Invisibles can thus be read as an inspirational story of anti-authoritarian rebellion: a strange, beautiful, anarchist fairy tale. Yet, The Invisibles is much more than that. Morrison’s comic is also a post-anarchist cultural artifact. Post-anarchism is a radical form of anarchist theory that first emerged in the 1980s. It draws on twentieth century post-structuralism and post- modernism to extend anarchism’s critical power beyond its traditional targets, capitalism and the state. -
Constructed Situations: a New History of the Situationist International
ConstruCted situations Stracey T02909 00 pre 1 02/09/2014 11:39 Marxism and Culture Series Editors: Professor Esther Leslie, Birkbeck, University of London Professor Michael Wayne, Brunel University Red Planets: Marxism and Science Fiction Edited by Mark Bould and China Miéville Marxism and the History of Art: From William Morris to the New Left Edited by Andrew Hemingway Magical Marxism: Subversive Politics and the Imagination Andy Merrifield Philosophizing the Everyday: The Philosophy of Praxis and the Fate of Cultural Studies John Roberts Dark Matter: Art and Politics in the Age of Enterprise Culture Gregory Sholette Fredric Jameson: The Project of Dialectical Criticism Robert T. Tally Jr. Marxism and Media Studies: Key Concepts and Contemporary Trends Mike Wayne Stracey T02909 00 pre 2 02/09/2014 11:39 ConstruCted situations A New History of the Situationist International Frances Stracey Stracey T02909 00 pre 3 02/09/2014 11:39 For Peanut First published 2014 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © the Estate of Frances Stracey 2014 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3527 8 Hardback ISBN 978 0 7453 3526 1 Paperback ISBN 978 1 7837 1223 6 PDF eBook ISBN 978 1 7837 1225 0 Kindle eBook ISBN 978 1 7837 1224 3 EPUB eBook Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. -
Anarchism, Individualism and Communism: William Morris's Critique of Anarcho-Communism
Loughborough University Institutional Repository Anarchism, individualism and communism: William Morris's critique of anarcho-communism This item was submitted to Loughborough University's Institutional Repository by the/an author. Citation: KINNA, R., 2012. Anarchism, individualism and communism: William Morris's critique of anarcho-communism. IN: Prichard, A. ... et al (eds). Liber- tarian Socialism: Politics in Black and Red. Houndsmill, Basingstoke: Palgrave Macmillan, pp.35-56. Additional Information: • This is a book chapter. It is reproduced with permission of Palgrave Macmillan. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: www.palgrave.com Metadata Record: https://dspace.lboro.ac.uk/2134/12730 Version: Accepted for publication Publisher: Palgrave MacMillan ( c Alex Prichard, Ruth Kinna, Saku Pinta and Dave Berry) Please cite the published version. This item was submitted to Loughborough’s Institutional Repository (https://dspace.lboro.ac.uk/) by the author and is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ 3 Anarchism, Individualism and Communism: William Morris’s Critique of Anarcho- communism Ruth Kinna Introduction William Morris’s commitment to revolutionary socialism is now well established, but the nature of his politics, specifically his relationship to Marxism and anarchist thought, is still contested. Perhaps, as Mark Bevir has argued, the ideological label pinned to Morris’s socialism is of ‘little importance’ for as long as his political thought is described adequately. Nevertheless, the starting point for this essay is that thinking about the application of ideological descriptors is a useful exercise and one which sheds important light on Morris’s socialism and the process of ideological formation in the late nineteenth-century socialist movement.