À Jacques Chirac
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Juniors Hommes
CHAMPIONNATS DU MONDE ROUTE UCI 16 au 24 septembre 2017 DOSSIER DE PRESSE Bergen, NORVEGE BERGEN (NORVEGE) Bergen est une ville du Sud-Ouest de la Norvège, capitale du comté de Hordaland. Elle est la deuxième ville du pays avec ses 280’000 habitants. C’est une cité internationale possédant le charme et l’atmosphère d’un petit village. “Porte d’entrée des Fjords de Norvège”, Bergen est classée patrimoine mondial par l’UNESCO et a le statut de Ville Européenne de la Culture. La côte de la région de Bergen est parsemée de milliers de petites îles. L’archipel et les majestueux fjords forment un paysage très varié. La ville est comme un spectaculaire amphithéâtre grimpant sur les flancs de la montagne, surplombant la mer et entourant ses visiteurs. La tradition et l’histoire se côtoient avec une scène culturelle très dynamique. L’héritage de la période hanséatique va de pair avec le statut actuel de Bergen comme Ville Européenne de la Culture. Les deux sont très visibles lorsqu’on se promène dans la ville. Bergen est protégée de la Mer du Nord par les îles Askøy, Holsnøy (la municipalité de Meland) et Sotra (les municipalités de Fjell, Sund et Øygarden). De par sa proximité avec la Mer du Nord et les Fjords, Bergen et sa région sont habituées à des conditions climatiques variées. Du ciel bleu clair à la joie de la pluie, les habitants de l’Ouest de la Norvège vivent avec la nature. Grâce au Gulf Stream (“courant du golfe”), le climat est bien meilleur que la latitude ne l’indique. -
Feminist Scholarship Review: Women in Theater and Dance
Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•... -
Spitting in the Soup Mark Johnson
SPITTING IN THE SOUP INSIDE THE DIRTY GAME OF DOPING IN SPORTS MARK JOHNSON Copyright © 2016 by Mark Johnson All rights reserved. Printed in the United States of America. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or photocopy or otherwise, without the prior written permission of the publisher except in the case of brief quotations within critical articles and reviews. 3002 Sterling Circle, Suite 100 Boulder, Colorado 80301-2338 USA (303) 440-0601 · Fax (303) 444-6788 · E-mail [email protected] Distributed in the United States and Canada by Ingram Publisher Services A Cataloging-in-Publication record for this book is available from the Library of Congress. ISBN 978-1-937715-27-4 For information on purchasing VeloPress books, please call (800) 811-4210, ext. 2138, or visit www.velopress.com. This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). Art direction by Vicki Hopewell Cover: design by Andy Omel; concept by Mike Reisel; illustration by Jean-Francois Podevin Text set in Gotham and Melior 16 17 18 / 10 9 8 7 6 5 4 3 2 1 CONTENTS Introduction ...................................... 1 1 The Origins of Doping ............................ 7 2 Pierre de Coubertin and the Fair-Play Myth ...... 27 3 The Fall of Coubertin’s Ideal ..................... 41 4 The Hot Roman Day When Doping Became Bad ..................................... 55 5 Doping Becomes a Crime........................ 75 6 The Birth of the World Anti-Doping Agency ..... 85 7 Doping and the Cold War........................ 97 8 Anabolic Steroids: Sports as Sputnik .......... -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Read the Full Volume Here
– practice, education and research Volume 9(2), 2018 Contents Editorial .......................................................................................................................................................................................................................................................................................3 Research Articles Sarah Holmes: Bodily Text and the Written Word of Pilates: A Theoretical Approach to How the Ballerina’s Body Concealed and Revealed Problematic Ideologies in an Exercise Practice ...................................................................................................................4 Hanna Pohjola: Ruumiillinen erilaisuus: tanssi ammattina? ........................................................................................................................................24 Susanna Hannus: Dancing with the Turquoise Waters of Mexico– Embodied Experiences and Observations for Environmental Justice .........................................................................................................................38 Practice Oriented Article Marie Lykkemark: OBJECT.MIRROR.TEMPO ..................................................................................................................................................................................52 Debate Anette Sture Iversen: Aesthetic Competence and Life Skills .................................................................................................................................................64 -
Lorenzo Fabiano – Matteo Fontana IL DUELLO Absolutely Free Editore, 2017, Euro 15,00
Lorenzo Fabiano – Matteo Fontana IL DUELLO Absolutely Free Editore, 2017, euro 15,00 US Vicarello 1919 www.usv1919.it giugno 2021 L’episodio al centro di questo libro è ormai entrato nella leggenda del ciclismo: 10 giugno 1984, ultima tappa del Giro, cronometro da Soave a Verona. Laurent Fignon, maglia rosa, deve difendersi dall’ultimo attacco di Francesco Moser, secondo in classifica. Moser trionferà nella cronometro e vincerà il Giro d’Italia dopo tanti tentativi falliti. Ma il lavoro di Lorenzo Fabiano e Matteo Fontana, racconta molto di più che non la storia di quell’ormai mitico Giro: ricostruisce la storia ciclistica di Moser e Fignon ma ci fa rivivere anche il ciclismo degli anni ‘80 con le sue vicende e i suoi tanti protagonisti. FRANCESCO MOSER … Come si legge su Wikipedia: “Professionista dal 1973 al 1988, è stato soprannominato Lo Sceriffo per la capacità di gestire il gruppo durante la corsa; in carriera ha vinto un Giro d'Italia e diverse classiche, tra cui tre Parigi-Roubaix, due Giri di Lombardia, una Freccia Vallone, una Gand-Wevelgem e US Vicarello 1919 www.usv1919.it giugno 2021 una Milano-Sanremo, oltre ad un campionato del mondo su strada ed uno su pista nell'inseguimento individuale. Con 273 vittorie su strada da professionista risulta a tutt'oggi il ciclista italiano con il maggior numero di successi, precedendo Giuseppe Saronni (193) e Mario Cipollini (189); è inoltre terzo assoluto a livello mondiale alle spalle di Eddy Merckx (426) e Rik Van Looy (379) e davanti a Rik Van Steenbergen (270) e Roger De Vlaeminck (255).” Fabiano e Fontana ricordano questa enorme carriera ma concentrano la loro attenzione soprattutto sugli avvenimenti del 1983. -
Tour De France, 1986
SLAYING THE BADGER GREG LEMOND, BERNARD HINAULT AND THE GREATEST TOUR DE FRANCE RICHARD MOORE Copyright © 2012 by Richard Moore All rights reserved. Printed in the United States of America. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or photocopy or otherwise, without the prior written permission of the publisher except in the case of brief quotations within critical articles and reviews. 3002 Sterling Circle, Suite 100 Boulder, Colorado 80301-2338 USA (303) 440-0601 · Fax (303) 444-6788 · E-mail [email protected] Distributed in the United States and Canada by Ingram Publisher Services Library of Congress Cataloging-in-Publication Data Moore, Richard. Slaying the badger: Greg Lemond, Bernard Hinault, and the greatest Tour de France / Richard Moore. p. cm. ISBN 978-1-934030-87-5 (pbk.) 1. Tour de France (Bicycle race) (1986) 2. LeMond, Greg. 3. Hinault, Bernard, 1954– 4. Cyclists—France—Biography. 5. Cyclists—United States—Biography. 6. Sports rivalries. I. Title.= GV1049.2.T68M66 2012 796.620944—dc23 2012000701 For information on purchasing VeloPress books, please call (800) 811-4210 ext. 2138 or visit www.velopress.com. Cover design by Landers Miller Design, LLC Interior design and composition by Anita Koury Cover photograph by AP Photo/Lionel Cironneau Interior photographs by Offside Sports Photography except first insert, page 2 (top): Corbis Images UK; page 5 (top): Shelley Verses; second insert, page 2 (bottom): Graham Watson; page 8 (top right): Pascal Pavani/AFP/Getty Images; page 8 (bottom): James Startt Text set in Minion. -
In Goede En Kwade Koersdagen Voor Tuur En Jef, Mijn Flandrienkes in Goede En Kwade Koersdagen Het Huwelijk Tussen Wielersport En Marketing
In goede en kwade koersdagen Voor Tuur en Jef, mijn flandrienkes In goede en kwade koersdagen Het Huwelijk tussen wielersport en marketing MARKO HEIJL Colofon auteur: Marko Heijl met dank aan: Katrien, Wim Lagae, Jos Verschueren, Rik Vanwalleghem, Stephan Vanfleteren en Nationale Loterij uitgave: Arko Sports Media Postbus 393 3430 AJ NIEUWEGEIN T. 030 707 30 00 E. [email protected] eindredactie: Janeke de Zeeuw Creatief concept: Bart Diricx – Marko Heijl foto cover: Tom Peeters DTP en realisatie: Pencilpoint - Reclamemakers & Vormgevers, Woerden fotografie en illustraties Hoewel de uitgever zijn uiterste best heeft gedaan om alle rechthebbenden van het illustratie- en fotomateriaal te achterhalen, is het mogelijk dat hij daarbij in gebreke is gebleven. In dat geval verzoeken wij u hem daarvan in kennis te stellen. Drukwerk: Drukkerij Wilco, Amersfoort ISBN 978-90-5472-157-4 NUR 489 © 2011 marko Heijl/arko sports media, nieuwegein Behoudens uitzondering door de wet gesteld mag, zonder schriftelijke toestemming van de rechthebbende(n) op het auteursrecht, c.q. de uitgever van deze uitgave door de rechthebbende(n) gemachtigd namens hem (hen) op te treden, niets uit deze uitgave worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm of anderszins, hetgeen ook van toepassing is op de gehele of gedeeltelijke bewerking. De uitgever is met uitsluiting van ieder ander gerechtigd de door derden verschuldigde vergoedingen voor kopiëren, als bedoeld in art. 17 lid 2. Auteurswet 1912 en in het KB van 20 juni -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Dossier De Presse Souvenir Laurent FIGNON
La Pédale Combs-la-Villaise Dimanche 23 septembre 2012 CRITERIUM DE COMBS---LA-LA---VILLE-VILLE Souvenir Laurent FIGNON DOSSIER DE PRESSE La Pédale Combs-la-Villaise PREFACE : Dimanche 23 septembre, c’est dans un esprit festif que la Pédale Combs-la-Villaise organisera le quatrième Critérium de Combs-la-Ville , deuxième édition du Souvenir Laurent FIGNON . Fort du succès connu en 2011 et encouragés à faire encore mieux, nous avons décidé de monter la catégorie de l’épreuve pour encore plus de spectacle. On oubliera pas, lors du départ, Laurent FIGNON qui nous a quitté le 31 août 2010 et qui a laissé le monde du cyclisme orphelin d’un des plus grands champions qu’il est connu. Quel bel hommage rendu l’année passée, avec cent coureurs au départ et un très beau vainqueur, plein de panache qui au bout du suspens était allé chercher en solitaire sa victoire, comme l’aurait fait en son temps Laurent FIGNON lorsqu’il portait le maillot de la Pédale Combs-la- Villaise ! Bravo donc à Antoine Bravard de l’AS Corbeil-Essonnes applaudit comme il se doit sur le podium entouré de Miss Ile-de-France et de sa première dauphine. Une image qui restera. Pour la deuxième édition du Souvenir Laurent FIGNON , je tiens à remercier la municipalité de Combs-la-Ville et notre député-maire Mr Guy Geoffroy , le Conseil Général de Seine-et-Marne , ainsi que de nombreux sponsors que vous découvrirez dans ces pages. Nous donnons donc rendez-vous aux coureurs et au public dimanche 23 septembre, avec la présence de la famille de Laurent FIGNON, de Miss Ile-de-France, et une tombola exceptionnelle avec 6000 euros de lots ! Gilles Dondelinger, président de la Pédale Combs-la-Villaise La Pédale Combs-la-Villaise La Pédale Combs-la-Villaise : 80 ans de passion La Pédale Combs-la-Villaise, fondée en 1932, est loin de se soucier de son âge. -
Coppelia-Teacher-Resource-Guide.Pdf
Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go. -
East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third