The Holy Grail and the Eucharist by Michael Martin

Total Page:16

File Type:pdf, Size:1020Kb

The Holy Grail and the Eucharist by Michael Martin The Middle Ages “Behold, I Make All Things New”: The Holy Grail and the Eucharist By Michael Martin An idealistic young ty. tion to this, his best known work. knight, an ailing and aged But what about the men who wrote Wolfram von Eschenbach, whose Parzival king, a chalice bathed in these stories? Were they, indeed, sending is based on Chrétien’s work, was a light: such, in miniature, literary messages in bottles in hopes that Bavarian knight and small land-holder. are the trappings of The Story of the some enlightened souls from the future Robert de Boron, the author of Joseph of Holy Grail. The very concept of this would be able to decipher them and Arimathea , may have been a Burgundian object, this relic, testifies to the existence reveal the “truth” to mankind? Were they knight with little scholarly training, owing of the ideal in the face of the real, and is setting up a rival to the established to his clumsy style. The Queste del Saint an avowal of the power of Truth, Beauty, Church, anticipating a “once and future Graal (The Quest of the Holy Grail ), the and Goodness in the world, despite all Church” purified of all corruption? flower of the Vulgate cycle, was almost the evidence to the contrary. A young While no theory on the whys and where - certainly written by a Cistercian cleric, but man searches through forest and waste - fores of the authors’ purposes can ever his name is unknown to us. land, through castle and hermitage for be absolutely conclusive, we can still The Grail literature is by no means a this mystery of Christ. The knight seeks make a pretty good hypothesis. Maybe, uniform whole. “There never was a Story this sacred token made an agent of mira - just maybe, they were trying to write of the Grail”, writes A. T. Hatto, “and cles and grace through contact with the down a ripping good tale. That, I think, is never could be. On the other hand there Holy Blood. Many on this quest have reason enough. were stories of as many different Grails failed. Many have died. Many have ended as there were writers or syndicates in disillusionment and despair. Yet he exploiting the potent name.” 1 Le Conte del perseveres. Graal and Parzival have as their hero Over the years an amazing number of Parzival (Perceval), a knight who devel - books have been published whose For the Christian mind of the ops from a country bumpkin, a pure fool, authors boast that they have “found the twelfth and thirteenth centuries, it was to the ideal of knighthood. Parzival is real secret of the Holy Grail.” The “real only a short step from seeing the Grail flesh and blood; he has a wife and chil - secret” ranges from a revelation that dren. He is a sinner, albeit an uncon - Jesus was “secretly” married to Mary as the vessel containing Christ’s blood scious one. On the other hand, the hero Magdalene (as made all-too popular in to seeing it as the chalice of the Mass. of the Queste is Galahad, a chaste and The Da Vinci Code ), to a description of the noble knight who, though born of sin, is Grail as a cipher for a “secret” Johannine spotless otherwise. The Queste was writ - Church, to a postulation that the Grail is ten c. 1225, a good fifty years after the in reality the Ark of the Covenant, held Conte and roughly fifteen years after to this day “in secret” by the Ethiopian Parzival . Considering the author was Coptic Church. While the conclusions The History of the Holy Grail probably a Cistercian it is no wonder found in these approaches range from What we do know about some of the Galahad is such a Christ-like figure. the ludicrous to the plausible to the irrel - writers of the Grail literature is sketchy. Boron’s tale, based on the apocryphal evant, there is something in all of them Chrétien de Troyes, the author of the Gospel of Nicodemus and other works, which suggests the Grail is the sigil for incomplete Le Conte del Graal , which is breaks ranks with all of the different some kind of arcane conspiracy theory also known as Perceval , was a poet and approaches and tells how the Grail came that the benevolent authors are just now scholar in France who has left us several to Britain. bringing to light for a benighted humani - works on the Matter of Britain in addi - The times in which the Grail literature 12 July/August 2010 StAR was written were marked by a level of fathers than to the Benedictine Rule. Also cultural cross-pollination as Europe had like the Byzantines, the bishops were celi - never known. From c. 1174, when bate, having risen from the monastic Chretien’s Le Conte del Graal was written, ranks, and often referred to Eastern to 1235, the date of the last of the authority in conflicts with Rome. 8 Most Vulgate cycle, Europe was transformed. likely the Celtic Church was Eastern via The Crusades had opened up the Gaul and the form of monasticism and European mindset. Encounters with liturgy developed by St. Martin of Tours. 9 Muslims, Arab or African, initiated As late as 1185, Giraldus Cambrensis Europeans into the wonders of algebra describes an Irish monastery in North and Aristotle among other things. Munster where a few monks “called Contact with Byzantium opened Culdees devoutly serve God.” 10 The European eyes, at times suspiciously, to a Culdees observed liturgical customs simi - different style of Christianity. This period lar to those found in the Christian East. also witnessed the careers of St. Francis But the Celtic liturgy is not Ireland’s only of Assisi, whose simplicity and devotion contribution to the milieu that creates the vastly altered European devotion, and St. background of the Grail literature. Albertus Magnus, magnanimous scholar In the Grail stories one notices some - and mentor of Aquinas. Gothic architec - thing that is atypical of other twelfth cen - ture and the sublime prayer of the Rosary tury literature: women are assigned roles Christ at the Gates , Jef Murray also found their origin at this time. 2 of authority and importance. At the Grail den at the Council of Westminster in castle a company of women process with The Real Presence and the Holy Grail 1175. 4 the Grail and offer healing. In Wolfram, Perhaps inspired by Western Christen- The withdrawal of the chalice from the Parzival receives all of his best advice dom’s contact with the liturgical practices laity may have influenced the writers of from women, until he meets the hermit of the Byzantines coupled with the the Grail literature, even if subconscious - Trevrizent. advent of the intellectual rigor of ly; but, whether or not the Grail is sup - The prestige which women held in Scholasticism, one issue that was particu - posed to be a chalice, a paten, a ciborium, Celtic society betrays a reality that did not larly relevant at this period was that of or even a stone (which may suggest an completely disappear with the Roman- the Real Presence in the Eucharist. altar) is not always clear. 5 From author to ization of Ireland by the Church. Irish Christians did not doubt whether they author we have different representations. women bore a tremendous influence on really partook of the Body and Blood of However, in the Byzantine Liturgy the religious life of the island. Abbesses Christ in Communion. What they were Communion in both kinds is from the held great esteem and authority in the wondering about was when the bread and chalice . But the writers of the Grail litera - early days of Irish Christianity; and the wine became the Divine Flesh and Blood. ture did not necessarily need to go to Asia power swayed by St Brigit, in particular, Was it at the words of Institution, or at Minor in order to find a variety of was indeed formidable. 11 Given the the Epiclesis as the Byzantines suggested? Christianity different from their own. esteem of women in Irish society, it is no As James Douglas Bruce puts it “in no They could go to Ireland. wonder that women have such an impor - other period of the Church has the doc - tant role in the Grail literature. Yet the trine of transubstantiation been so imme - The Celtic Church tendency to allude to a conspiratorial and diately the centre of theological interest Prior to the twelfth century, the Celtic clandestine “Church” that permitted the and discussion as in the later part of the Church was more akin to its Eastern than feminine participation in the Grail pro - twelfth century and the early decades of to its geographically closer Roman cession proves false, as such participation the thirteenth.” 3 Theologians were also brethren. Like the Byzantines, the early was allowed in the East as well as in concerned as to whether or not one Irish Church had a married priesthood. Ireland and Britain. 12 Although initial needed to communicate in both Species. Indeed, the apostle of the Irish, St. contact between Rome and the Celtic This subject was eventually resolved in Patrick, was the son of a deacon and the Church was not always friendly, the Celtic the ordination of the Feast of Corpus grandson of a priest. 6 “Patrem habui Church was no rogue community. On the Christi in 1246. The chalice, however, had Calpornium diaconem,” he writes, “filium contrary, the Celts “never ceased to see been gradually removed from lay com - quondam Potiti presbyteri” 7—“I had for Rome as the spiritual capital.” 13 Like the munion over the course of the twelfth father the Deacon Calpurnius, son of one pre-schism Byzantine Churches, the century in the Latin West, although some Potius, a priest.” The Irish also had a tra - Celtic Church had different cultural and places practiced intinction (dipping the dition of monasticism more compatible liturgical practices, but adhered to the Bread into the Wine) until it was forbid - with that of the North African desert same dogma as Rome.
Recommended publications
  • Article RIP581.Pdf
    INTRODUCTION What is he? I do not mean the force alone- The grace and versatility of the man! Is it not Lancelot? -Tennyson, The Idylls of the Xing. There is scarcely anyone in our time to whom the name "Lancelot" does not have a familiar sound. The average person's acquaintance with the deeds of this noble knight is likely to come from motion pictures that, while trying to portray the impossible, have such promising titles as "The Sword of Lancelot," "The Knights of the Round Table," and "Camelot," this last being an insipid version of T. H. White's enormously successful and still widely read Tlze Otzce and Future Kitzg. It is only the more serious student of English letters who derives his knowledge of Lancelot and Guinevere from the reading of Malory's Le Morte Darthrtr or Tennyson's Tlze Idylls of the Kitzg. Among these readers, Lancelot is generally recognized as King Arthur's most gallant knight and the unswerving but secret lover of Queen Guinevere, an austere and almost saintly man whom passion stirs only when he is in the direct service of his love. Lancelot's prominence throughout the last centuries is a strange phenom- enon, especially when we consider that another great Arthurian lover, Tristan, whose philosophy of love corresponds much more to our modern ideal, would most likely be forgotten if it were not for the music of Wagner. And who would seriously believe that Lancelot, the foreigner, barely eked out an existence in the literature of late medieval England while the figure of the indigenous Gawain towered gigantically over the literary horizon of that era? Perhaps ir would be even more startling to discover that Lancelot as a knight of the Round Table and as a lovcr of Queen Guinevcre is a com- paratively late addition to the Arthurian legend.
    [Show full text]
  • The Portrayal of Zorn in Hartmann Von Aue's
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Regulski, Carol Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Author: Carol Regulski The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement.
    [Show full text]
  • By Greg Stafford
    Book of Armies By Greg Stafford Layout: David Zeeman Assistance from: Chris John Payne, Sven Lugar, Jeff Richard, Philippe Auirbeau, Gianfranco Geroldi, Daren Hill Special thanks to the emergency eschille: Chip Hausman, Robert Saint John, Martin Miller, Taheka Harrison, Newton Phyllis, Bob Schroeder, Ben Quamt All photos, pictures and illustrations are original or from royalty-free sources, such as ClipArt.com (www.clipart.com), Liam’s Pictures from Old Books (www.fromoldbooks.org/), and the Historic Tale Construction Kit (www.adgame-wonderland.de/type/bayeux.php) by Björn Karnebogen This book is a fan production of Greg Stafford Publications, under license from Nocturnal Media, LLC. © 2009 by Greg Stafford. All rights reserved. Reproduction without written permission of the author is expressly forbidden, except for the purpose of reviews, and for any record sheets, which may be reproduced for personal use only. 1 Table of Contents Introduction ..................................................................5-8 Tribal Picts .........................................................................49-50 A Pict Army .......................................................................49 Interpreting the Army Tables ..................................................6-7 Leaders & Alternatives ......................................................50 Passions for Opponents ..............................................................7 Lowland Troops ................................................................ 50 Cultural Specialties
    [Show full text]
  • Vault of the Old Guard 2 TABLE of CONTENTS Plateoftheforgiving4 Defenderoftheoldways8
    CREDITS Producer: Realmwarp Media (@RealmwarpM) Author: Sean Shannon Editing: Ryan Langr Layout and Graphic Design: Ryan Langr, Using Fallen Camelot template design by Anne Gregersen (@AnneofManyNames) Cover Art: (c) 2015 Dean Spencer. Used with Permission. All rights reserved. Other Interior Art: Publisher’s Choice Quality Stock Art (c) Rick Hershey/Fat Goblin Games. Sample file Vault of the Old Guard 2 TABLE OF CONTENTS PlateoftheForgiving 4 DefenderoftheOldWays8 CoatoftheAvenger 4 FavoroftheLake8 Mentor’sHelm 4 TheLastStand 9 QuestingSaddle 4 Turncoat’sCoat9 PainofTruth 4 PersistentVestments9 BridgingSpike 5 BladeofPromises9 BladeofLastWill 5 HelmoftheEternalQuest9 UnwaveringCharm 5 ResilientDefender9 WardsProtector 5 Swift to Wrath 10 PendantofGracefulFailing 5 Hunter’sBow 10 HammerofVengeance 5 LoveNeverReached10 Redeemer’sChain 6 CompanionsPendant 10 Fool’sScarf 6 LegalInformation11 PragmaticBlade 6 Aspirant’sBlade 6 WarningRings 6 QuestingBlade 6 CeasingofSwords 6 FeyTouchedSword 7 Challenger’sBlade 7 Rescuer’sBeacon 7 KnightsBane 7 TheReadyingRing 7 TheManualofKnighthood 7 DefendersBoots 8 SampleLoyalBands 8 file BurningSpite 8 GloryPlate 8 Requester’sBand 8 Vault of the Old Guard 3 Plate of the Forgiving Questing Saddle Armor (plate), rare Wondrous item, very rare You have a +1 bonus to AC while wearing While riding a mount that is wearing this this armor. Additionally, you have saddle, your journey becomes much safer. resistance to all damage you take from a As long as you know the exact location of friendly creature. your destination, you are immune to effects of divination magic that would scry This is the armor of Sir Accolon, who was your location or cause you to lose your killed by Arthur when he had been way. Your mount ignores difficult terrain, tricked by the fae to see Accolon as a foe.
    [Show full text]
  • Le Morte Darthur: King Arthur and the Knights of the Round Table Pdf
    FREE LE MORTE DARTHUR: KING ARTHUR AND THE KNIGHTS OF THE ROUND TABLE PDF Sir Thomas Malory,Stephanie Lynn Budin | 768 pages | 27 Oct 2015 | Thunder Bay Press | 9781626864634 | English | United States Le Morte d'Arthur - Wikipedia Interspersed throughout the story are a variety of colorful characters and circumstances which illustrate the important moments in the history of his kingdom. At the beginning of the epic, Uther Pendragon is King of all England. He lusts after Igrainewife of the Duke of Tintagil. They eventually conceive a child together, named Arthur, who is raised by a surrogate family and is prophesized by the sorcerer Merlin to become High King and to unite the kingdom. Chaos ensues after the death of Uther, and the throne remains empty until a young Arthur pulls the sword Excalibur from a stone, which makes him King of all England. Naturally, there is dissention among the other lesser kings, who think Arthur is unworthy of his position. This leads to war, and young King Arthur prevails. Meanwhile, Arthur learns his true identity and accepts his fate. Unfortunately, he has already conceived a child with his half-sister. The child, Mordred, is destined to destroy Arthur and his kingdom. In the meantime, King Arthur establishes a code of ethics for the Knights of the Round Table, which helps maintain the peace of the kingdom until it is unfortunately divided from within. Book I, as mentioned, heralds the birth of Arthur and his rise to power. Their tale ends when the brothers tragically kill each other over a case of mistaken identity.
    [Show full text]
  • The Symbolism of the Holy Grail
    University of Richmond UR Scholarship Repository Honors Theses Student Research 1962 The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach Karin Elizabeth Nordenhaug Follow this and additional works at: https://scholarship.richmond.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Nordenhaug, Karin Elizabeth, "The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach" (1962). Honors Theses. 1077. https://scholarship.richmond.edu/honors-theses/1077 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES ~lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll3 3082 01028 5079 r THE SYMBOLISM OF THE HOLY GRAIL A COMPARATIVE ANALYSIS OF THE GRAIL In PERCEVAL ou LE CONTE del GRAAL by CHRETIEN de TROYES and PARZIVAL by WOLFRAM von ESCHENBACH by Karin Elizabeth Nordenhaug A Thesis prepared for Professor Wright In partial fulfillment of the requirements of the Honors Program And in candidacy for the degree of Bachelor of Arts Westhampton College University of Richmond, Va. May 1962 P R E F A C E If I may venture to make a bold comparison, I have often felt like Sir Perceval while writing this thesis. Like. him, I set out on a quest for the Holy Grail.
    [Show full text]
  • The Holy Grail in T. S. Eliot's the Waste Land
    University Of Anbar College of Education for Humanities Department of English The Holy Grail in T. S. Eliot's The Waste Land Submitted by: Iman Khider Salman Supervised By: Dr. Suhair Nafii 2018 Abstract T.S. Eliot is one of the greatest authors of modern age. His literary works that deal with the aftermath of the war enabled him to get the noble prize in literature since they embody the reality of modern society after the war. This paper contains two sections. The first section consists of an introduction about the Holy Grail, the quest for the Holy Grail through history and literary adaptation of the Holy Grail. Section two consists of T.S.Eliot‘s life and work , an introduction to Eliot‘s The Waste Land, the sources of the legend story of the Holy Grail, and the Grail quest in T.S. Eliot‘s The Waste Land in which shows how Eliot uses this underlying myth as a salvation. The quest for the Holy Grail has been found in the Arthurian stories. These stories belong to the time before the appearance of Christianity in Europe. Eliot invites this legend to give the reader a key to link the story of the Holy Grail with the wasteland in post- world war I. The conclusion sums up the finding of the study where the essential connection between the significance of the legend and T. S. Eliot‘s theme of the poem. I Contents Abstract .............................................................................................................. I Section One........................................................................................................ 2 1.1 Introduction ........................................................................................... 2 1.2 The Quest for the Holy Grail ................................................................
    [Show full text]
  • Violence and Conflict Resolution in Hartmann Von Aue's Erec and Iwein
    Violence and Conflict Resolution in Hartmann von Aue’s Erec and Iwein, Wirnt von Grafenberg’s Wigalois, and Wolfram von Eschenbach’s Parzival By Copyright 2014 Melanie Kay Piltingsrud Submitted to the graduate degree program in Department of Germanic Languages and Literatures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson: Dr. William D. Keel _________________________________ Co-Chairperson: Dr. Winder McConnell ________________________________ Dr. Leonie Marx ________________________________ Dr. Caroline Jewers ________________________________ Dr. Anne D. Hedeman Date Defended: May 15, 2014 ii The Dissertation Committee for Melanie Kay Piltingsrud certifies that this is the approved version of the following dissertation: Violence and Conflict Resolution in Hartmann von Aue’s Erec and Iwein, Wirnt von Grafenberg’s Wigalois, and Wolfram von Eschenbach’s Parzival ________________________________ Chairperson: Dr. William D. Keel _______________________________ Co-Chairperson: Dr. Winder McConnell Date approved: May 15, 2014 iii Abstract This dissertation advances research by George Fenwick Jones, Richard Kaeuper, Warren Brown, and Gerd Althoff, analyzing violence and conflict resolution in four Arthurian romances that emerged from a culture that viewed (justified) violence as a legitimate means of attaining and maintaining honor. Using Kaeuper’s analysis of the spiritual valorization of knighthood in Holy Warriors: the Religious Ideology of Chivalry (2009) and Jones’s analysis of honor in Honor in German Literature, I show functions of spirituality and the pursuit of honor in literary conflicts, discussing how virtues such as mâze and êre served as catalysts for violence as an expectation of the unwritten code of knightly virtues.
    [Show full text]
  • Personal Clothing in Wolfram's Parzival and Willehalm
    PERSONAL CLOTHING IN WOLFRAM'S PARZIVAL AND WILLEHALM: SYMBOLISM AND SIGNIFICANCE by PAULA BARRAN WEISS B.A., College of William and Mary, 1971 M.A., Cornell University, 1973 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES Department of Germanic Studies We accept this thesis as conforming - to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August, 1976 0 Paula Barran Weiss,.1976 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of German The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date O ABSTRACT This study is a discussion of the use of clothing symbolism by Wolfram von Eschenbach in Parzival and in Willehalm, investi• gating whether he did in fact use clothing symbols, how he made use of them, and suggesting some explanation for why he used them. The reasonableness of the hypothesis that clothing sym• bols were used is established by the existence of a strong symbolic tradition in the times in which Wolfram was writing, an era in which everything participated in the fundamental underlying unity of all creation and therefore had the potential for acting as symbols of those aspects to which a relationship was established.
    [Show full text]
  • Julius Evola • the Mystery of the Grail
    THE MYSTERY OF THE GRAIL JULIUS EVOLA INITIATION AND MAGIC IN THE QUEST OF THE SPIRIT Contents Foreword VI! Part One: Approaching the Mystery of the Grail 1. The Literary Prejudice 3 2. The Ethnological Prejudice 6 3. Concerning the Traditional Method 9 4. The Historical Context of the Mystery of the Grail 12 Part Two: Principles and Prior Events 5. The Olympian Cycle 17 6. On the "Hero" and the "Woman" 19 7. The Hyperborean Theme 23 8. The Tradition in Ireland 25 9. The Arthurian Cycle 31 10. The Imperial Saga and the Universal Ruler 38 11. Frederick, Prester John, and the Tree of the Empire 43 12. Dante: The Greyhound and the Dux 50 v Part Three: The Cycle of the Grail 13. The Sources of the Grail 57 14. The Virtues of the Grail 64 15. The Luciferian Stone 72 16. The Test of Pride 75 17. The Thunderbolt and the Lance 82 18. The Mystery of the Lance and of Revenge 89 19. The Dolorous Stroke 93 20. The Fisher King 101 21. The Seat of the Grail 104 22. Initiatory Adventures of the Grail's Knights 108 23. The Grail as a Ghibelline Mystery 119 Part Four: The Legacy of the Grail 24. The Grail and the Knights Templar 127 25. The Grail, the Cathars, and the Love's Lieges 138 26. Dante and the Love's Lieges as a Ghibelline Militia 144 27. The Grail and the Hermetic Tradition 150 28. The Grail and the Rosicrucians 158 Epilogue: The Inversion of Ghibellini~m 166 Index 177 vi Foreword by H.
    [Show full text]
  • 306 Terms 2015 to Midterm
    Terms for English 306 8.20.2015 Important Genre Definitions for Arthurian Legends Taken from http://web.cn.edu/kwheeler/lit_terms_A.html HISTORIA (plural: historiae): This Latin word gives us the modern word history, but the connection between the two terms is tenuous. Most modern readers think of a history or a historical treatise as a scholar's attempt at creating a factual or scholarly narrative of events from humanity's past. Some ancient texts do fit this model to a certain extent, such as certain biographies (Plutarch's Lives) or Sallust's The Jugurthine War. Other classical works have a veneer of factuality, but may disguise deliberate propaganda or accidental (but distorting) authorial assumptions, such as Julius Caesar's The Conquest of Gaul or the Venerable Bede's Ecclesiastical History of the English People. However, in ancient times, the word historia meant roughly the same thing as the modern English word "story" (i.e., any narrative whether factual or fictional). Latin writers, especially in medieval times, might on occasion use the word historia refer to history, to legends, to vitae, mythology, folklore, hearsay, gossip, and rumors. The term has no necessary connection with factuality, and this often confuses those students (and sometimes even amateur scholars!) working with medieval or Arthurian material, since many of the Arthurian works such as Geoffrey of Monmouth's History of the Kings of Britain are technically historiae rather than histories in our sense of the word. See also annals and contrast with historical novel. MYTH: While common English usage often equates "myth" with "falsehood," scholars use the term slightly differently.
    [Show full text]
  • The Women of the Holy Grail
    University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2007 Searching for the Feminine: The omeW n of the Holy Grail Teresa Marie Lopez University of Tennessee - Knoxville Recommended Citation Lopez, Teresa Marie, "Searching for the Feminine: The omeW n of the Holy Grail. " Master's Thesis, University of Tennessee, 2007. https://trace.tennessee.edu/utk_gradthes/768 This Thesis is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Teresa Marie Lopez entitled "Searching for the Feminine: The omeW n of the Holy Grail." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Laura Howes, Major Professor We have read this thesis and recommend its acceptance: Mary Dzon, Stanton Garner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) To the Graduate Council: I am submitting herewith a thesis written by Teresa Marie Lopez entitled "Searching for the Feminine: The Women of the Holy Grail." I have examined the final paper copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English.
    [Show full text]