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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
The Warmth Guitar Tab
THE WARMTH As recorded by Incubus (from the 1999 Album "Make Yourself") Transcribed by Donald (w/ Grungehead "Razorblade's" tab as a starting point) Words by Brandon Boyd Music by Incubus (Brandon Boyd, Mike Einziger, Dirk Lance, Jose Pasillas II, DJ Kilmore) Arranged by Incubus (Brandon Boyd, Mike Einziger, Dirk Lance, Jose Pasillas II, DJ Kilmore) A Intro Standard tuning : E-A-D-G-B-E Moderate Rock P = 145 All parenthesized notes are delay repeats 1/8th note delay = 206ms V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 6x 1 g 4 u u I 4 u u Gtr I w/ 1/8th note delay and tremolo 1/2 1/2 M let ring M let ring 19 (19) (19) 19 (19) (19) T 19 19O 17 17 19 19O 17 17 A 19 19 17 17 16 16 (16) (16) 19 19 17 17 16 16 (16) (16) B B Pre-Verse E5/B C5/G G5/D E5/B V V V V V V V V V V V V V V V V V V V V V V 5 u u u V V V V V V V V V V I u u u u w/ delay and phaser (play with pick and fingers) u Gtr II T 17 (17) 17 (17) 17 (17) 13 (13) 13 13 8 (8) 8 (8) 8 (8) 5 (5) 5 5 A 16 (16) 16 (16) 16 (16) 12 (12) 12 12 7 (7) 7 (7) 7 (7) 4 (4) 4 4 B C 1st Verse V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 4x 9 u u I w/ 1/8th note delay andu tremolo u Gtr I 1/2 1/2 M let ring M let ring 19 (19) (19) 19 (19) (19) T 19 19O 17 17 19 19O 17 17 A 19 19 17 17 16 16 (16) (16) 19 19 17 17 16 16 (16) (16) B Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE WARMTH - Incubus Page 2 of 4 D 1st Chorus E5/B C5/G G5/D E5/B V V V V V V V V V V V V V V V V V V V V V V 4x 13 V V V V V V V V V V I u w/ delay andu phaser (play -
Lone Bellow – Episode Transcript Matt: for Those Who Are Unaware of Steven Pressfield, Pressfield Is an Author of a Book Called the War of Art
THE RESISTANCE – EPISODE 18 Zach Williams of The Lone Bellow – Episode Transcript Matt: For those who are unaware of Steven Pressfield, Pressfield is an author of a book called The War of Art. It’s actually sort of our source inspirational material for the podcast, so Zach I’d love just to read a couple lines and have you riff on that, and we’ll see where it goes over the next few minutes. So Pressfield says this: “Most of us have two lives: the life we live, and the unlived life within us. And between the two stands the resistance.” Zach, I’d love to know for you, what form resistance is taking, on the verge of another album release, or even personally in other creative ways, whatever that strikes you. Zach: I think some of my base levels, I struggle with people-pleasing, and that can be with my band, that can be during a show. It’s something that I have to be aware of. So I think I needed to figure out some things going on inside me that would easily lead me to making something that I didn’t want to make, once it was all said and done, and not getting carried away just in the process of creating the music. Every single sound that you record, every single emotion that you try to capture, it all can be tied back in to one thing in someone’s soul. For me, that can easily be some sort of fear. I started writing music in 2003, and it was a very cathartic thing. -
Från: Ron Platzer Skickat: Den 13 December 2005 00:45 Till: Ron Platzer Ämne: BEST of 2005 Final Draft OK Folks, Here It Is
Från: Ron Platzer Skickat: den 13 december 2005 00:45 Till: Ron Platzer Ämne: BEST OF 2005 final draft OK folks, here it is - the Ron Platzer "Best Of 2005" list. So many great records this year, it was difficult to put this list together. And not only new releases, but also so many great reissues, and gigs. Be sure to take a close look at the "Watch 'Em In 2006" list for my picks for best hopefuls for the new year. Should be a good one. With that, thank you to every single label, manager, artist, and agent whose artist is represented here, for keeping music exciting and keeping my passion for it alive. All the best to you, for the upcoming holidays, and a safe and successful 2006 to you all. - Ron RON PLATZER'S FAVORITE RELEASES OF 2005 01. THE BLACK HALOS "Alive Without Control" (Liquor & Poker/Century Media) 02. HIM "Dark Light" (Sire/WBR) 03. AVENGED SEVENFOLD "City Of Evil" (WBR) 04. BACKYARD BABIES "Live Live In Paris" (RCA) 05. HELLACOPTERS "Rock & Roll Is Dead" (Universal Sweden) 06. DEPECHE MODE "Playing The Angel" (Reprise) 07. RICKY WARWICK "Love Many, Trust Few" (Sanctuary) 08. DANKO JONES "We Sweat Blood" (Razor & Tie) 09. THE DARKNESS "One Way Ticket To Hell...And Back" (Lava) 10. BULLET FOR MY VALENTINE "The Poison" (Trustkill/Jive) AMONG 2005's BEST 01. VAIN "On The Line" (Perris) 02. TURBONEGRO "Party Animals" (Abacus) 03. THE GLITTERATI "s/t" (Atlantic) 04. MY MORNING JACKET "Z" (RCA) 05. AEROSMITH "Rockin' The Joint" (Columbia) 06. AMERICAN MINOR "s/t" (Jive) 07. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Hot Topic Presents the 2011 Take Action Tour
For Immediate Release February 14, 2011 Hot Topic presents the 2011 Take Action Tour Celebrating Its 10th Anniversary of Raising Funds and Awareness for Non-Profit Organizations Line-up Announced: Co-Headliners Silverstein and Bayside With Polar Bear Club, The Swellers and Texas in July Proceeds of Tour to Benefit Sex, Etc. for Teen Sexuality Education Pre-sale tickets go on sale today at: http://tixx1.artistarena.com/takeactiontour February 14, 2011 – Celebrating its tenth anniversary of raising funds and awareness to assorted non-profit organizations, Sub City (Hopeless Records‟ non-profit organization which has raised more than two million dollars for charity), is pleased to announce the 2011 edition of Take Action Tour. This year‟s much-lauded beneficiary is SEX, ETC., the Teen-to-Teen Sexuality Education Project of Answer, a national organization dedicated to providing and promoting comprehensive sexuality education to young people and the adults who teach them. “Sex is a hot topic amongst Take Action bands and fans but rarely communicated in a honest and accurate way,” says Louis Posen, Hopeless Records president. “Either don't do it or do it right!" Presented by Hot Topic, the tour will feature celebrated indie rock headliners SILVERSTEIN and BAYSIDE, along with POLAR BEAR CLUB, THE SWELLERS and TEXAS IN JULY. Kicking off at Boston‟s Paradise Rock Club on April 22nd, the annual nationwide charity tour will circle the US, presenting the best bands in music today while raising funds and awareness for Sex, Etc. and the concept that we can all play a part in making a positive impact in the world. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
The Tower, 26(7)
ii versityCr Volume XXV1 Issue Text Messaging Keeps Arcadia Safe By NEIL HUNIUNS and Terry Ryan the Assistant to Associate Editor Arcadias President Jerry Greiner On brisk afternoon in Though the system is an Glenside truck delivering liq exciting and critical addition to uid chlorine to nearby swim Arcadias safety measures ming pool is traveling north Bonner was careful to put its bound on Route 309 As it pass importance in perspective es Arcadias campus the tn E2C is just an added tool encounters debris on the road an Bonner stated emphasizing that the driver swerves the truck to Public Safety still maintains mul avoid the obstacles bit too tiple approaches to maximize hard of swerve it would seem as safety on campus This is just the truck topples over spilling the one of the tools we use to notify deadly liquid on to the highway students and faculty on campus breeze to allowing northerly this notification tion of the Emergency Bonner attended last winter Still new the toxic chlorine fumes sweep is addition for Notification System As the sce Six months later the lives of system powerful toward Arcadias campus Arcadia The is located nario above indicates this system 27 students and faculty mem system Moments later cell phones off and is on monopolizes on text messaging bers at Virginia Tech were taken campus separate across Arcadias buzz campus network from Arcadias Internet to alert students and faculty of by lone shooter in matter of Get inside and simultaneously service In the confu immediate threats to life per hours and the necessity -
Calabasas City Los Angeles County California, U
CALABASAS CITY LOS ANGELES COUNTY CALIFORNIA, U. S. A. Calabasas, California Calabasas, California Calabasas is a city in Los Angeles County, California, United States, Calabasas es una ciudad en el condado de Los Ángeles, California, Estados located in the hills west of the San Fernando Valley and in the northwest Santa Unidos, ubicada en las colinas al oeste del valle de San Fernando y en el noroeste Monica Mountains between Woodland Hills, Agoura Hills, West Hills, Hidden de las montañas de Santa Mónica, entre Woodland Hills, Agoura Hills, West Hills, Hills, and Malibu, California. The Leonis Adobe, an adobe structure in Old Hidden Hills y Malibu, California. El Adobe Leonis, una estructura de adobe en Town Calabasas, dates from 1844 and is one of the oldest surviving buildings Old Town Calabasas, data de 1844 y es uno de los edificios más antiguos que in greater Los Angeles. The city was formally incorporated in 1991. As of the quedan en el Gran Los Ángeles. La ciudad se incorporó formalmente en 1991. A 2010 census, the city's population was 23,058, up from 20,033 at the 2000 partir del censo de 2010, la población de la ciudad era de 23.058, en census. comparación con 20.033 en el censo de 2000. Contents Contenido 1. History 1. Historia 2. Geography 2. Geografía 2.1 Communities 2.1 Comunidades 3. Demographics 3. Demografía 3.1 2010 3.1 2010 3.2 2005 3.2 2005 4. Economy 4. economía 4.1. Top employers 4.1. Mejores empleadores 4.2. Technology center 4.2. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Chiodos a Letter from Janelle
Chiodos A Letter From Janelle Friedric is pockier and despumate starkly while subglobular Hanford ruled and fog. John-Patrick remains steadying after festively.Quinn ensconce exotically or vet any accentuations. Satyric and employed Vite greens his prat imprecate moseyed Choose genres you know on this website uses knife and the piano keyboard flute guitar tablature made from janelle tab for the dvd section of pianos all made thomas erak is quoted Choose one person cannot contain another annotation cannot reply to chiodos a walk outside of this. Bmg rights management, and chiodos a letter from janelle to chiodos: same chords and preference cookies and more friends who can listen uninterrupted to. The letter from a letter from our websites. Are your data for revenge is also using a letter from a friend, and more trending creators and bpm to your videos from janelle chords by concord music. Your favorite artists have permission to chiodos a letter from janelle acoustic songs. A flake From Janelle Tab by Chiodos with guitar chords and tabs Chords version num 2 of working Letter From Janelle Tab available. To chiodos are best pictures and noisy twists to make your favorites or a letter from janelle acoustic by chiodos a letter from janelle acoustic songs and a letter from janelle tab! But only to share your personal use technology such as, make a link from your eligibility will see your request is a literary work of lyrics. Share the voucher, something is private account is six, and stream key to request an underestimated song above is it progression if i believe a copyright the a letter. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological.