DOCSLIB.ORG

SEMYON BYCHKOV & WDR Sinfonieorchester

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SEMYON BYCHKOV & WDR Sinfonieorchester PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 1 Edition Günter Profil Hänssler 9 SACD SEMYON BYCHKOV & WDR Sinfonieorchester RAKHMANINOV The Bells, Symphonic Dances STRAUSS Elektra, Eine Alpensinfonie Till Eulenspiegel´s Merry Pranks WAGNER Lohengrin VERDI Messa da Requiem PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 2 CD 1 CD 2 & 3 Sergey Rakhmaninov 1873 – 1943 Tonmeister/Recording producer: Richard Strauss 1864 - 1949 Produzent/Executive producer: "The Bells" Holger Urbach/Francois Eckert ELEKTRA op. 58 Hans-Martin Höpner for solo voices, choir and orchestra op. 35 1. I Allegro ma non tanto 6:42 Toningenieur/Sound Engineer: Klytämnestra: Felicity Palmer Tonmeister (Produktion)/ 2. II Lento 10:48 Brigitte Angershausen/Markus Hassler Elektra: Deborah Polaski Recording producer: 3. III Presto 8:22 Chrysothemis: Anne Schwanewilms Michael Haas 4. IV Lento lugubre 11:01 Tontechnik/Tape operator: Aegisth: Graham Angelika Schraml, Walter Platte Clark, Orest: Franz Grundheber Tonmeister (Mixing und Mastering)/ Symphonic Dances for orchestra op. 45 Der Pfleger des Orest: Alfred Walker Mixing and mastering producer: 5. I Non allegro – Lento – Tempo I 12:27 Die Vertraute: Christiane Hossfeld Holger Urbach 6. II Andante con moto 10:08 Die Schleppträgerin: Karen Foster 7. III Lento assai – Allegro vivace 13:20 Ein junger Diener: Arnold Bezuyen Toningenieur (Produktion)/ Ein alter Diener: Lars Woldt Recording engineer: Gesamtspielzeit / Total time: 73:04 Die Aufseherin: Irmgard Vilsmaier Martin Andrae 1. Magd: Brigitta Svendén WDR Sinfonieorchester Köln 2. Magd: Viola Zimmermann Toningenieur (Mixing und Mastering)/ Semyon Bychkov 3. Magd: Susanne Resmark Mixing and Mastering engineer: 4. Magd: Margarita de Arellano Christoph Gronarz Aufnahmen/Recordings: 5. Magd: Twyla Robinson Tontechniker (Produktion)/Tape operator: WDR Rundfunkchor Köln Dominik Glass 9/2006, Kölner Philharmonie WDR Sinfonieorchester Köln Semyon Bychkov Digitalschnitt (und Mastering)/Digital editor: Produzent/Executive producer: Karin von Groß Hans-Marin Höpner 2 3 PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 4 CD 2 CD 3 Richard Strauss 1864 - 1949 17. Orest ist tot (Chrysothemis) 2:44 Richard Strauss 1864 - 1949 13. Ob ich nicht höre? ELEKTRA op. 58 I 18. Platz da! (Junger und Alter Diener) 0:54 ELEKTRA op. 58 II (Elektra, Chrysothemis) 3:46 19. Nun muss es hier von uns geschehen 14. Tanz 1. Wo bleibt Elektra? (Mägde) 2:54 (Elektra, Chrysothemis) 2:01 1. Nun denn allein! (Orchester) 1:21 2. Ich will vor ihr mich niederwerfen 20. Wie stark du bist (Elektra) 3:10 (Elektra) 1:16 15. Elektra! Schweig und tanze! (Mägde, Aufseherin) 2:59 21. Von jetzt an will ich deine Schwester sein 2. Was willst du, fremder Mensch? (Chrysothemis, Elektra) 2:22 3. Allein (Elektra) 4:03 (Elektra) 4:34 (Elektra) 7:15 4. Agamemnon (Elektra) 5:18 3. Wer bist denn du? Gesamtspielzeit/Total time: 40:55 5. Elektra! (Chrysothemis) 2:27 Gesamtspielzeit/Total time: 66:16 (Orest, Elektra) 2:14 6. Ich hab´s wie Feuer in der Brust 4. Orest! (Elektra) 1:42 (Chrysothemis) 2:31 5. O lass deine Augen mich sehn 7. Immer sitzen wir auf der Stange (Elektra) 2:53 (Chrysothemis) 2:40 6. Nein, du sollst mich nicht umarmen! 8. Was heulst du (Elektra) 1:46 (Elektra) 3:32 9. Orchesterzwischenspiel 0:48 7. Verstehst du´s, Bruder? 10. Was willst du? Seht doch, dort! (Elektra, Orest) 3:06 (Klytämnestra) 4:23 8. Seid ihr von Sinnen 11. Ich will hinunter (Klytämnestra) 5:36 (Der Pfleger) 1:30 12. Ich habe keine guten Nächte 9. Ich habe ihm das Beil nicht (Klytämnestra) 6:17 geben können! (Elektra) 1:28 13. Ein jeder (Elektra, Klytämnestra) 3:02 10. Es muss etwas geschehen sein. 14. Lässt du den Bruder nicht nach Hause? (Chrysothemis, Mägde) 0:57 (Elektra, Klytämnestra) 2:17 11. He, Lichter (Aegisth) 5:45 15. Was bluten muss (Elektra) 4:03 12. Elektra, Schwester! 16. Lichter (Klytämnestra) 1:45 (Chrysothemis) 1:47 4 5 PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 6 CD 4 CD 5, 6, 7 Richard Strauss 1864 - 1949 21. Ausklang 6:06 Richard Wagner 1813 - 1883 Aufnahmen/Recordings: Eine Alpensinfonie op. 64 22. Nacht 2:15 Lohengrin Kölner Philharmonie, 30. 05. – 14. 06.2008 Romantische Oper in drei Akten 1. Nacht 2:54 23. Till Eulenspiegels Produzent/Executive Producer: 2. Sonnenaufgang 1:16 lustige Streiche op. 28 15:51 Lohengrin Johan Botha, Tenor Siegwald Bütow 3. Der Anstieg 2:09 Elsa von Brabant Adrianne Pieczonka, Sopran 4. Eintritt in den Wald 2:48 Gesamtspielzeit/Total time: 01:03:48 Friedrich von Telramund Falk Struckmann, Bariton Aufnahmeleitung/ 5. Wanderung neben dem Bache 2:34 Ortrud Petra Lang, Mezzosopran Recording Producer, Mastering: 6. Am Wasserfall 0:14 Aufnahmen Recordings: Heinrich der Vogler Kwangchul Youn, Baß Holger Urbach 7. Erscheinung 0:44 17. - 21.12.2007 Heerrufer Eike Wilm Schulte, Bariton 8. Auf blumigen Wiesen 0:51 Kölner Philharmonie Produktionsassistenz /Assistant Producer: 9. Auf der Alm 2:18 WDR Rundfunkchor Köln Paul Weigold 10. Durch Dickicht und Produzent/Executive Producer: NDR Chor Gestrüpp auf Irrwegen 1:27 Siegwald Bütow Prager Kammerchor Toningenieur/Balance Engineer: 11. Auf dem Gletscher 0:56 Gesamteinstudierung Chöre/ Brigitte Angerhausen 12. Gefahrvolle Augenblicke 1:20 Aufnahmeleitung/Recording Producer: Choir staged by Matthias Brauer 13. Auf dem Gipfel 4:50 Holger Urbach Tontechnik/Tape Operator: 14. Vision 3:31 Bühnenmusik/Off-Stage Conductor: Walter Platte, Renate Reuter 15. Nebel steigen auf 0:18 Toningenieur/Balance Engineer: Wolfgang Lische 16. Die Sonne verdüstert sich allmählich 0:48 Markus Haßler Co-Dirigent/Assistant Conductor: 17. Elegie 1:52 Paul Weigold 18. Stille vor dem Sturm 2:54 Tontechnik/Tape Operator: 19. Gewitter und Sturm, Abstieg 3:41 Angelika Hessberger WDR Sinfonieorchester 20. Sonnenuntergang 1:48 Semyon Bychkov 6 7 PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 8 CD 5 CD 6 Richard Wagner 1813 - 1883 12. Durch Gottes Sieg ist jetzt dein Leben mein Richard Wagner 1813 - 1883 11. Szene 5 Lohengrin I (Lohengrin) 4:09 Lohengrin II Heil! Heil dem König! (Chor) 3:20 Akt 1 Akt 2 1. Akt II Szene 1 12. O König! Trugbetörte Fürsten! Haltet ein! 1. Vorspiel 8:23 13. Szene 1 Entsetzlich! Wie tönt aus deinem Munde (Friedrich) 5:36 2. Szene 1 Einleitung 3:43 (Friedrich, Ortrud) 9:00 13. Welch ein Geheimnis muß der Held Hört! Grafen, Edle, 14. Erhebe dich, Genossin meiner Schmach! 2. Szene 2 bewahren? (König) 4:48 Freie von Brabant (Heerrufer) 4:30 (Friedrich) 4:05 Euch Lüften, die meine Klage 14. Mein Held, entgegne kühn 3. Dank, König, dir, dass du zu richten kamst 15. Was macht dich in so wilder Klage (Elsa) 3:40 dem Ungetreuen! (König) 4:09 (Friedrich) 6:21 doch vergehen? (Ortrud) 2:08 3. Elsa! – Wer ruft? (Ortrud) 4:10 15. Heil Elsa von Brabant!(Chor) 3:20 4. Szene 2 4. Entweihte Götter! Helft meiner Rache! Seht hin! Sie naht, die hart Beklagte! Gesamtspielzeit/Total time: 1:11:29 (Ortrud) 1:17 Gesamtspielzeit/Total time: 1:13:12 (Die Männer) 3:42 5. Ortrud, wo bist du? (Elsa) 2:46 5. Einsam in trüben Tagen (Elsa) 6:56 6. Wie kann ich solcher Huld dir lohnen 6. Des Ritters will ich wahren (Elsa) 2:30 (Ortrud) 7:48 7. Ohn´ Antwort ist ihr Ruf verhallt 7. Szene 3 (Die Männer, Friedrich) 4:45 Im Früh´n versammelt 8. Szene 3 uns der Ruf (Chor) 4:24 Nun sei bedankt mein lieber Schwan 8. Des Königs Wort und Will´ tu´ (Lohengrin) 5:17 ich euch kund (Heerrufer) 8:09 9. Wenn ich im Kampfe für dich siege 9. Szene 4 (Lohengrin) 3:54 Gesegnet soll sie schreiten (Chor) 5:26 10. Welch holde Wunder (Chor) 3:38 10. Zurück Elsa! 11. Nun höret mich, und achtet wohl Nicht länger will ich dulden (Ortrud) 5:09 (Heerrufer) 7:12 8 9 PH18052.Booklet.SemyonB..qxp_PH?????_Booklet_Gamben/Handel 27.11.19 16:23 Seite 10 CD 7 Aufnahmen/Recordings: 7. Recordare Jesu pie 3:45 8. Ingemisco 3:01 Richard Wagner 1813 - 1883 12. Mir schwankt der Boden! (Elsa) 6:04 9. Confutatis 5:14 Lohengrin III 13. Mein lieber Schwan (Lohengrin) 8:14 WDR Rundfunkchor 10. Lacrymosa 5:56 12. – 16. 11. 2007, Kölner Philharmonie Akt 3 Gesamtspielzeit/Total time: 1:10:34 Produzent/Executive producer: Siegwald Bütow Gesamtspielzeit/Total time 43:31 1. Vorspiel 3:21 2. Szene 1 Tonmeister/Recording producer: Holger Urbach Treulich geführt ziehet dahin (Chor) 4:24 CD 9 3. Szene 2 Toningenieur/Sound Engineer: Das süße Lied verhallt (Lohengrin) 2:05 Brigitte Angershausen Giuseppe Verdi (1813 – 1901) 4. Fühl´ ich zu dir mein Herz entbrennen Messa da Requiem II (Elsa) 5:34 Tontechnik/Tape operator: 5. Atmest du nicht mit mir die süßen Düfte? CD 8 & 9 Kaling Khouw, Angelika Hessberger 1. III. Offertorio 9:41 (Lohengrin) 4:40 2. IV. Sanctus 2:39 6. Höchstes Vertrau´n hast du mir schon Giuseppe Verdi (1813 – 1901) 3. V. Agnus dei 4:18 zu danken (Lohengrin) 7:40 Messa da Requiem CD 8 4. VI. Lux aeterna 5:58 7. Weh´ nun ist all´ unser Glück dahin! 5. VII. Libera me 2:33 (Lohengrin, Elsa) 5:25 Violeta Urmana, Sopran Giuseppe Verdi (1813 – 1901) 6. Dies irae 2:31 8. Szene 3 Olga Borodina, Mezzosopran Messa da Requiem I 7. Requiem 3:00 Heil König Heinrich! Ramón Vargas, Tenor 8. Libera me 6:00 (Die Männer) 4:56 Ferruccio Furlanetto, Bass 1. I. Requiem 8:13 9. Was bringen die? (Die vier Edlen) 1:50 WDR Sinfonieorchester Köln 2. II. Dies irae 2:22 Gesamtspielzeit/Total time: 36:45 10. Macht Platz dem Helden von Brabant! WDR Rundfunkchor Köln 3.
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • 5. September 2020 Vladimir Jurowski 2 BEETHOVEN – SINFONIE NR
    5. September 2020 Vladimir Jurowski 2 BEETHOVEN – SINFONIE NR. 7 „Der Stil also, den Schönberg und seine Schule sucht, ist eine neue Durchdringung des musika- lischen Materials in der Horizontalen und in der Vertikalen, eine Polyphonie, die ihre Höhepunkte bisher gefunden hat bei den Niederländern und bei Bach, und dann weiter bei den Klassikern.“ Anton Webern 4 PROGRAMM 5 Johann Sebastian Bach Anton Webern (1685 – 1750) (1883 – 1945) Fuga (2. Ricercata) à 6 voci aus Variationen für Orchester op. 30 5. September 2020 „Ein musikalisches Opfer“ BWV 1079, für Orchester gesetzt Alfred Schnittke Samstag /19 Uhr von Anton Webern (1934 – 1998) Philharmonie Berlin Concerto grosso Nr. 1 für zwei Alban Berg Violinen, Cembalo, präpariertes (1885 – 1935) Klavier und Streichorchester Drei Bruchstücke für Gesang und › Preludio. Andante Orchester aus der Oper „Wozzeck“ › Toccata. Allegro op. 7 nach Georg Büchners › Recitativo. Lento Drama – für den Konzertgebrauch › Cadenza VLADIMIR JUROWSKI eingerichtet von Alban Berg, Be- › Rondo. Agitato – Meno mosso – Anne Schwanewilms / Sopran arbeitung für kleines Orchester Tempo I Erez Ofer / Violine von Eberhard Kloke › Postludio. Andante – Allegro – Nadine Contini / Violine › Langsam (I. Akt, Szenen 2, 3) Andante Helen Collyer / Klavier und Cembalo › Thema, sieben Variationen und Kinderchor der Staatsoper Unter den Linden Berlin Fuge (III. Akt, Szene 1) Vinzenz Weissenburger / Choreinstudierung › Langsam (III. Akt, Szenen 4, 5) Ralf Sochaczewsky / Assistent des Chefdirigenten Rundfunk-Sinfonieorchester Berlin Liebe Konzertbesucher*innen! Schön, dass Sie da sind! Lassen Sie uns gemeinsam dafür sorgen, dass das nicht nur so bleiben, sondern bald wieder zur erfreulichen Normalität werden kann! Bitte beachten Sie die allgemeine Hygiene-, Husten- und Nies-Etikette, folgen Sie der besonderen Wegführung innerhalb des Hauses und halten Sie den Mindestabstand von 1,5 Metern ein.
    [Show full text]
  • Ariadne Auf Naxos Soile Isokoski ∙ Sophie Koch Jochen Schmeckenbecher ∙ Johan Botha
    RICHARD STRAUSS ARIADNE AUF NaXOS SOILE ISOKOSKI ∙ SOPHIE KoCH JOCHEN SCHMECKENBECHER ∙ JOHAN BOTHA ORCHESTER DER WIENER STAATSOPER conducted by CHRISTIAN THIELEMANN staged by SVEN-ERIC BECHTOLF WIENER STAATSOPER RICHARD STRAUSS ARIADNE AUF NaXOS Orchestra Orchester der Wiener Staatsoper Here is one of the truly overwhelming successes in recent opera Conductor Christian Thielemann history: Christian Thielemann’s sensational return to the Vienna State Stage Director Sven-Eric Bechtolf Opera to conduct his first-ever performances there of Richard Strauss, with an ideal cast in an acclaimed production of Ariadne auf Naxos. “A triumph [...] world stars and ensemble shine” (Die Presse). “Strauss Primadonna (Ariadne) Soile Isokoski in all his glory”(Wiener Zeitung). “Festival standard [...] electrifying The Composer Sophie Koch excitement” (Kronen Zeitung). A Music Teacher Jochen Schmeckenbecher The Tenor (Bacchus) Johan Botha Director Sven-Erich Bechtolf “has again delved deeply into music Zerbinetta Daniela Fally and text”, observed the opera magazine Opernnetz in its rave review Harlequin Adam Plachetka of the performance captured here. “In Rolf Glittenberg’s beautiful Scaramuccio Carlos Osuna Jugendstil salon, he is constantly in touch with the heartbeat of the Truffaldin Jongmin Park story [...] For Bechtolf it is the subtle development of the characters Brighella Benjamin Bruns and their relationships with each other, as well as the work’s delicate The Dancing Master Norbert Ernst irony, that remain of paramount importance. As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one The Major-Domo Peter Matić blossoming phrase after another. Daniela Fally sings the gruellingly Lackey Marcus Pelz difficult part of Zerbinetta with great flexibility, acting it with nonchalant A Wigmaker Won Cheol Song coquettishness.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Der Rosenkavalier« Launches Opera Video Stream of the Semperoper at the Easter Weekend
    Semperoper Dresden: Richard Strauss as Easter gift PRESS RELEASE Anne Schwanewilms ©Semperoper Dresden/Photo: Matthias Creutziger »Der Rosenkavalier« launches opera video stream of the Semperoper at the Easter weekend Dresden, 9 April 2020: With a production of Richard Strauss’s »Der Rosenkavalier« from the year 2000, the Semperoper Dresden is for the first time inviting music fans to enjoy star- studded opera via an online stream this Easter weekend. Director Uwe Erik Laufenberg staged the work, which premiered in Dresden in 1911, as a modern homage to the composer, a greatly beloved figure at the Semperoper. The celebrated Strauss interpreter Anne Schwanewilms appears as the Feldmarschallin under the baton of Fabio Luisi. From Maundy Thursday (April 9, 2020) to Easter Monday (April 13, 2020), this video recording from Tokyo’s NHK Hall in 2007 is available for streaming through our website semperoper.de under »Semperoper at home«. This weekend’s opera stream has been made possible by the generous granting of broadcasting rights by MDR and EuroArts. The DVD version of the performance is available for purchase. Thanks to UNITEL GmbH, »Semperoper at home«-streams will also be offered on the following weekends with a recording of Pietro Mascagni’s »Cavalleria rusticana« (April 17 - 19, 2020) and Ruggero Leoncavallo’s »Pagliacci« (April 24 – 26, 2020) from Salzburg’s Large Festival Hall in 2015. Originally director Philipp Stölzl staged this co-production between Saxon State Opera and the Salzburg Easter Festival as an operatic double bill; the Dresden premiere took place in January 2016. The star-studded cast, headed by Annalisa Stroppa and Jonas Kaufmann, perform under Christian Thielemann, Principal Conductor of the Dresden Staatskapelle.
    [Show full text]
  • Thüringer Opernstudio Als Erfolgsmo
    Liszt Sonderausgabe 2019 Weimarer Meistersinger Eleganter Übergang: Thüringer Opernstudio als Erfolgsmo- dell | Wachsende Stimme: Catriona Morison ist Singer of the World | Das Leben im Lied: Interview mit dem Duo Timoshenko – Desseva | Debüt an der Met: Alumna Allison Oakes auf den großen Bühnen Einklang Liebe Leserinnen und Leser, Institutstitel fasst es: Gesang und Musiktheater werden hier vom ersten Studientag an in ihrer direkten Verbundenheit verstanden. Die als Einheit „Gesang ist wohl die älteste, ursprünglichste und wahrscheinlich auch begriffene Ausbildung von Stimme und Körper mündet in der Äußerung wandlungsfähigste musikalische Ausdrucksform des Menschen“, sagt auf der Bühne. Die Entwicklung neuer, zeitgemäßer Formen musikthea- uns Wikipedia. Dass sich in unserer schnelllebigen Zeit stimm- und hoch- tralischer Gestaltung sind – jenseits des akademischen Lehrangebotes, begabte junge Menschen dazu entscheiden, aus dem Singen einen aber von diesem ausgehend – mitgedacht. Und nicht zuletzt widmet Beruf zu machen und bereit sind, sich mit Geduld und Hingabe der man sich in Weimar in ganz besonderem Maße der Pflege des Kunst- Ausbildung ihrer Gesangsstimme zu widmen, zeugt von der ungebro- liedes. chenen Faszination dieses Urinstrumentes. Es gibt viele gute Gründe, sich zur Ausbildung desselben Weimar als Studienort zu erwählen. Das auf fächerübergreifenden und interdisziplinären Austausch hin orientierte Kollegium eint das Ziel eines an den individuellen Bedürf- Zahllose Gedenktafeln, die die Erinnerung an Dichter, Denker, Musiker nissen ausgerichteten, gewissermaßen maßgeschneiderten Studienver- und Künstler aller Art bis heute wachhalten, prägen das Antlitz dieser laufes. Wir holen die Studierenden zu Beginn ihres Studiums an sehr Stadt. Glanz, aber auch Elend deutscher Geschichte sind allgegen- unterschiedlichen Punkten ab und sind darauf bedacht, die best- und wärtig.
    [Show full text]
  • The Digital Concert Hall
    Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years.
    [Show full text]
  • Digital Concert Hall Where We Play Just for You
    www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
    [Show full text]
  • FY13 Annual Report View Report
    ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium.
    [Show full text]
  • Digital Concert Hall Programme 2018/2019 3
    2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.
    [Show full text]
  • Opera & Music | Spring 2014
    OPERA & MUSIC | SPRING 2014 THE ROYAL OPERA REPERTORY PAGE DIE FRAU OHNE SCHATTEN 2 THE COMMISSION / CAFÉ KAFKA 4 L’ORMINDO (AT SAM WANAMAKER PLAYHOUSE) 6 THROUGH HIS TEETH 7 THE CRACKLE 8 FAUST 9 JONAS KAUFMANN – WINTERREISSE 11 LA TRAVIATA 12 LE NOZZE DI FIGARO 14 TOSCA 15 DIALOGUES DES CARMÉLITES 17 BABYO / SENSORYO 19 LUNCHTIME RECITALS AND EVENTS 21 PRESS OFFICE CONTACTS 24 For all Royal Opera House press releases visit www.roh.org.uk/press DIE FRAU OHNE SCHATTEN NEW PRODUCTION Richard Strauss 14, 17, 20, 26, 29 March at 6pm; 23 March at 3pm 2 April at 6pm • Co-production with La Scala, Milan. • Generously supported by Sir Simon and Lady Robertson, Hamish and Sophie Forsyth, The Friends of Covent Garden and an anonymous donor. • Die Frau ohne Schatten will be broadcast live on BBC Radio 3 on 29 March 2014 at 5.45pm. The Royal Opera celebrates the 150th anniversary of Strauss’s birth with a new production of Die Frau ohne Schatten , one of three Strauss operas being presented at the Royal Opera House this Season, all with librettos by Hugo von Hofmannsthal on mythical themes. Elektra was revived in October 2013 and Ariadne auf Naxos will be revived in June 2014. This production of Die Frau ohne Schatten is new to the Royal Opera House, and is a co-production with La Scala, Milan, where it was first seen in 2012. German director Claus Guth makes his UK and Royal Opera debut with this production, which explores themes of the search for identity and the psychological power of dreams, and vividly illustrates the plight of the central character of the Empress, a woman trapped between two repressive worlds.
    [Show full text]
  • A Opera Catalogue Sectio#42336
    Opera Operetta Music Theatre Supplement 2009 www.boosey.com/opera Opera Operetta Music Theatre Chamber Opera Musicals Stageworks for Young Audiences Stageworks for Young Performers from Boosey & Hawkes Bote & Bock Anton J. Benjamin Supplement 2009 Edited by David Allenby Cover illustrations: John Adams: Doctor Atomic Penny Woolcock’s production for the Metropolitan Opera and English National Opera (2008) with Gerald Finley as Oppenheimer Photo: © 2008 Ken Howard/Metropolitan Opera Detlev Glanert: Caligula Christian Pade’s world premiere production for Oper Frankfurt (2006) with Ashley Holland (Caligula) Photo: Monika Rittershaus Unsuk Chin: Alice in Wonderland Achim Freyer’s world premiere production for the Bavarian State Opera (2007) with Sally Matthews (Alice) Photo: Wilfried Hösl Jacques Offenbach: Les Fées du Rhin Vocal score in the Offenbach Edition Keck (OEK) published by Boosey & Hawkes / Bote & Bock Harrison Birtwistle: The Minotaur Stephen Langridge’s world premiere production for The Royal Opera in London (2008) with John Tomlinson (The Minotaur) and Johan Reuter (Theseus) Photo: Bill Cooper Michel van der Aa: The Book of Disquiet Still from the composer’s video for his world premiere production for Linz 2009 European Capital of Culture (2009) with Klaus Maria Brandauer Photo: Michel van der Aa Published by Boosey & Hawkes Music Publishers Limited Aldwych House 71–91 Aldwych London WC2B 4HN www.boosey.com an company © Copyright 2009 Boosey & Hawkes Music Publishers Ltd Printed in England by Halstan & Co Ltd, Amersham, Bucks Designed and typeset by David J Plumb ARCA PPSTD ISBN 978-0-85162-599-7 Contents 4 Introduction 5 Abbreviations 6 Catalogue 52 Addenda 55 Title Index 56 Boosey & Hawkes Addresses Introduction This 2009 Supplement contains works added since the publication of the 2004 Boosey & Hawkes Opera Catalogue.
    [Show full text]