Franz Welser-Möst Wird Mit Der Festspielnadel Geehrt
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Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Ariadne Auf Naxos Soile Isokoski ∙ Sophie Koch Jochen Schmeckenbecher ∙ Johan Botha
RICHARD STRAUSS ARIADNE AUF NaXOS SOILE ISOKOSKI ∙ SOPHIE KoCH JOCHEN SCHMECKENBECHER ∙ JOHAN BOTHA ORCHESTER DER WIENER STAATSOPER conducted by CHRISTIAN THIELEMANN staged by SVEN-ERIC BECHTOLF WIENER STAATSOPER RICHARD STRAUSS ARIADNE AUF NaXOS Orchestra Orchester der Wiener Staatsoper Here is one of the truly overwhelming successes in recent opera Conductor Christian Thielemann history: Christian Thielemann’s sensational return to the Vienna State Stage Director Sven-Eric Bechtolf Opera to conduct his first-ever performances there of Richard Strauss, with an ideal cast in an acclaimed production of Ariadne auf Naxos. “A triumph [...] world stars and ensemble shine” (Die Presse). “Strauss Primadonna (Ariadne) Soile Isokoski in all his glory”(Wiener Zeitung). “Festival standard [...] electrifying The Composer Sophie Koch excitement” (Kronen Zeitung). A Music Teacher Jochen Schmeckenbecher The Tenor (Bacchus) Johan Botha Director Sven-Erich Bechtolf “has again delved deeply into music Zerbinetta Daniela Fally and text”, observed the opera magazine Opernnetz in its rave review Harlequin Adam Plachetka of the performance captured here. “In Rolf Glittenberg’s beautiful Scaramuccio Carlos Osuna Jugendstil salon, he is constantly in touch with the heartbeat of the Truffaldin Jongmin Park story [...] For Bechtolf it is the subtle development of the characters Brighella Benjamin Bruns and their relationships with each other, as well as the work’s delicate The Dancing Master Norbert Ernst irony, that remain of paramount importance. As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one The Major-Domo Peter Matić blossoming phrase after another. Daniela Fally sings the gruellingly Lackey Marcus Pelz difficult part of Zerbinetta with great flexibility, acting it with nonchalant A Wigmaker Won Cheol Song coquettishness. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
William Christie La Creació
William Christie La Creació «Com un bedoll tremoles, dolcíssim ca, amic meu. Passes les hores soles perdut entre la neu ardent dels teus dominis. ¿Solitud, passió? No em pregunto què sento. No vull pau ni repòs. Vull només les carícies de seda del teu cos. Temo saltar la tanca que t’envolta i que, enmig del teu jardí, com sempre, se’m mengi el desdesig.» Narcís Comadira Desdesig Programa Palau Bach DILLUNS, 14.05.18 – 20.30 h Sala de Concerts Sandrine Piau, soprano Hugo Hymas, tenor Alex Rosen, baix Les Arts Florissants William Christie, director Franz Joseph Haydn (1732-1809) La Creació, Hob. XXI:2 I 54’ II 48’ Primera part 20. Recitatiu (Rafael): I Déu digué: Que la terra produeixi 21. Recitatiu (Rafael): S’obre llavors l’entranya de la terra 1. Introducció: La representació del caos. 22. Ària (Rafael): El cel lluu ara 2. Recitatiu (Rafael) i cor: En el principi Déu creà cel i terra 23. Recitatiu (Uriel): I Déu va crear l’home 3. Ària (Uriel) i cor: Llavors davant la resplendor sagrada 24. Ària (Uriel): Investit de dignitat i noblesa 4. Recitatiu (Rafael): I Déu va fer el firmament 25. Recitatiu (Rafael): I Déu va veure les coses que havia fet 5. Cor amb soprano solista (Gabriel): Amb estupor veu el prodigi 26. Cor i tercet: És acabada la gran obra 6. Recitatiu (Rafael): I Déu digué: Que les aigües… 7. Ària (Rafael): Tot girant en onades escumoses 8. Recitatiu (Gabriel): I Déu digué: Que la terra… Tercera part 9. Ària (Gabriel): I el camp ofereix la verdor fresca 10. -
Beethoven Symphonie Nr.9
900108 B9 booklet v4 10.09.2010 12:29 Uhr Seite 1 BEETHOVEN SYMPHONIE NR.9 Krassimira Stoyanova . Lioba Braun . Michael Schade . Michael Volle Chor und Symphonieorchester des Bayerischen Rundfunks Mariss Jansons 900108 B9 booklet v4 10.09.2010 12:29 Uhr Seite 2 LUDWIG VAN BEETHOVEN 1770–1827 Symphonie Nr. 9 d-Moll / D minor, op. 125 01 Allegro ma non troppo, un poco maestoso 15:50 02 Molto vivace – Presto 12:03 03 Adagio molto e cantabile – Andante moderato 13:37 04 Finale. Presto – Allegro assai vivace (alla Marcia) 24:08 Total time: 66:19 Krassimira Stoyanova Sopran / soprano Lioba Braun Alt / alto Michael Schade Tenor / tenor Michael Volle Bariton / baritone Chor des Bayerischen Rundfunks Michael Gläser Choreinstudierung / chorus master Symphonieorchester des Bayerischen Rundfunks Mariss Jansons Dirigent / conductor 900108 B9 booklet v4 10.09.2010 12:58 Uhr Seite 4 Live-Aufnahme / Live-recording: Vatikan (Rom), Aula Paolo VI, 27. Oktober 2007 Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Balance engineer: Gerhard Gruber Schnitt / Editing: Monica Graul, Mechthild Homburg Verlag / Publisher: Breitkopf & Härtel Stereo & Surround Mastering: Christoph Stickel, msm-Studios München Cover: C Gerhard Richter, 2010 Die „Snow-White“ Edition (2005) umfasst 100 Arbeiten, jedes der Blätter ist ein Unikat. Ausgeführt in Acrylfarbe und Bleistift auf Offsetdruck, zeigen sie Details des Gemäldes „Abstraktes Bild“, Werkverzeichnis: 890-5, (2004). Each of the 100 works that comprise the “Snow-White” edition (2005) is unique. To create -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
Opera & Music | Spring 2014
OPERA & MUSIC | SPRING 2014 THE ROYAL OPERA REPERTORY PAGE DIE FRAU OHNE SCHATTEN 2 THE COMMISSION / CAFÉ KAFKA 4 L’ORMINDO (AT SAM WANAMAKER PLAYHOUSE) 6 THROUGH HIS TEETH 7 THE CRACKLE 8 FAUST 9 JONAS KAUFMANN – WINTERREISSE 11 LA TRAVIATA 12 LE NOZZE DI FIGARO 14 TOSCA 15 DIALOGUES DES CARMÉLITES 17 BABYO / SENSORYO 19 LUNCHTIME RECITALS AND EVENTS 21 PRESS OFFICE CONTACTS 24 For all Royal Opera House press releases visit www.roh.org.uk/press DIE FRAU OHNE SCHATTEN NEW PRODUCTION Richard Strauss 14, 17, 20, 26, 29 March at 6pm; 23 March at 3pm 2 April at 6pm • Co-production with La Scala, Milan. • Generously supported by Sir Simon and Lady Robertson, Hamish and Sophie Forsyth, The Friends of Covent Garden and an anonymous donor. • Die Frau ohne Schatten will be broadcast live on BBC Radio 3 on 29 March 2014 at 5.45pm. The Royal Opera celebrates the 150th anniversary of Strauss’s birth with a new production of Die Frau ohne Schatten , one of three Strauss operas being presented at the Royal Opera House this Season, all with librettos by Hugo von Hofmannsthal on mythical themes. Elektra was revived in October 2013 and Ariadne auf Naxos will be revived in June 2014. This production of Die Frau ohne Schatten is new to the Royal Opera House, and is a co-production with La Scala, Milan, where it was first seen in 2012. German director Claus Guth makes his UK and Royal Opera debut with this production, which explores themes of the search for identity and the psychological power of dreams, and vividly illustrates the plight of the central character of the Empress, a woman trapped between two repressive worlds. -
A Opera Catalogue Sectio#42336
Opera Operetta Music Theatre Supplement 2009 www.boosey.com/opera Opera Operetta Music Theatre Chamber Opera Musicals Stageworks for Young Audiences Stageworks for Young Performers from Boosey & Hawkes Bote & Bock Anton J. Benjamin Supplement 2009 Edited by David Allenby Cover illustrations: John Adams: Doctor Atomic Penny Woolcock’s production for the Metropolitan Opera and English National Opera (2008) with Gerald Finley as Oppenheimer Photo: © 2008 Ken Howard/Metropolitan Opera Detlev Glanert: Caligula Christian Pade’s world premiere production for Oper Frankfurt (2006) with Ashley Holland (Caligula) Photo: Monika Rittershaus Unsuk Chin: Alice in Wonderland Achim Freyer’s world premiere production for the Bavarian State Opera (2007) with Sally Matthews (Alice) Photo: Wilfried Hösl Jacques Offenbach: Les Fées du Rhin Vocal score in the Offenbach Edition Keck (OEK) published by Boosey & Hawkes / Bote & Bock Harrison Birtwistle: The Minotaur Stephen Langridge’s world premiere production for The Royal Opera in London (2008) with John Tomlinson (The Minotaur) and Johan Reuter (Theseus) Photo: Bill Cooper Michel van der Aa: The Book of Disquiet Still from the composer’s video for his world premiere production for Linz 2009 European Capital of Culture (2009) with Klaus Maria Brandauer Photo: Michel van der Aa Published by Boosey & Hawkes Music Publishers Limited Aldwych House 71–91 Aldwych London WC2B 4HN www.boosey.com an company © Copyright 2009 Boosey & Hawkes Music Publishers Ltd Printed in England by Halstan & Co Ltd, Amersham, Bucks Designed and typeset by David J Plumb ARCA PPSTD ISBN 978-0-85162-599-7 Contents 4 Introduction 5 Abbreviations 6 Catalogue 52 Addenda 55 Title Index 56 Boosey & Hawkes Addresses Introduction This 2009 Supplement contains works added since the publication of the 2004 Boosey & Hawkes Opera Catalogue. -
Wagner News No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS
wagner news No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS 3 An eightieth birthday letter to the President John Crowther 4 Johan Botha 1965-2016 Karen West 6 A message from the Chairman Richard Miles 7 Editorial Ray Godson Bayreuth 2016 8 Review Parsifal Alan Ridgewell 11 Review Tristan und Isolde Andrew Brannon 13 Wagner’s bells John Crowther 16 Interview with Catherine Foster Michael Bousfield 19 Bayreuth 2016 – two diaries Anthony Spooner Neil King 27 Review Die Walküre Saffron Walden Paul Dawson-Bowling 29 Review Die Meistersinger Munich Jeremy Rowe 32 From the Archives 34 Katie Stevenson at the Proms 34 Gwyneth Jones Masterclass at Royal College of Music Paul Dawson-Bowling 35 Wagner at the Proms 2016 Katie Barnes 36 Paul Dawson-Bowling talk on “Wagner the Man” Ray Godson 38 Book Review “The Ring of Truth” by Roger Scruton Richard Miles 40 Correspondence 41 Wagner Society Contacts 42 Forthcoming Events Cover image:Christian Steiner, New York The views expressed in articles in this journal are the views of the authors of the article which do not necessarily represent the views of the editor or his colleagues on the committee of the Wagner Society Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 DAME GWYNETH: SERENELY IN COMMAND An open birthday card to our President for her eightieth birthday on 7 November 2016 John Crowther Dear Dame Gwyneth, Please allow an ordinary member of the Wagner Society to pay tribute to you on this your special birthday. I greatly admire the way in which you have supported the Society for many years, but especially in the three years since Wagner’s bicentenary. -
Sylvia Schwartz
The RCM Vocal Faculty presents a Masterclass with Sylvia Schwartz Wednesday 8th October 2014 Recital Hall 2-5pm Amy Williamson accompanied by Jo Ramadan Handel – 'Svegliatevi nel core' from Giulio Cesare Howells – 'King David' Maria Ostroukhova accompanied by Lucy Colquhoun Handel – ‘E gelosia’ from Alcina Handel – ‘As with rosy steps’ from Theodora Peter Aisher accompanied by Lucy Colquhoun Donizetti — 'Una furtiva lagrima' from L'elisir d'amore Wolf — 'Die Genesene an die Hoffnung' Angela Simkin accompanied by Paul McKenzie Handel – ‘Dopo notte’ from Ariodante Britten – ‘The Last Rose of Summer’ Nicholas Morton accompanied by Paul McKenzie Schubert – ‘Kriegers Ahnung’ Handel – ‘In tal modo...dal fulgor’ from Giulio Cesare Louise Fuller accompanied by Paul McKenzie Gluck – 'Qual vita è questa mai...Che fiero momento' from Orfeo ed Euridice Poulenc – 'Il vole' from Fiançailles pour rire Spanish soprano Sylvia Schwartz is fast becoming one of the most exciting lyric singers of her generation. In 2014-2015 and beyond her engagements include: Susanna (Le Nozze di Figaro) and Gretel (Hänsel und Gretel) at the Teatro Real, Zemlinsky’s Lyric Symphony with the Luxemburg Philharmonic, Arvo Pärt’s “Como cierva sedienta” with the Spanish National Orchestra, Hildegard in Emma & Eginhard at the Deutsche Staatsoper Berlin and Brahms’s Requiem at the Cite de la Musique in Paris. Sylvia has appeared at many of the world’s finest opera houses and festivals including La Scala Milan, Berlin Staatsoper, Wiener Staatsoper, Bayerische Staatsoper, The Bolshoi