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L'amico Fritz
opera Stagione teatrale 2015-2016 TEATRO DANTE ALIGHIERI Pietro Mascagni L’amico Fritz Fondazione Ravenna Manifestazioni Comune di Ravenna Ministero dei Beni e delle Attività Culturali e del Turismo Regione Emilia Romagna Teatro di Tradizione Dante Alighieri Stagione d’Opera e Danza 2015-2016 L’amico Fritz commedia lirica in tre atti di P. Suardon musica di Pietro Mascagni Teatro Alighieri 9, 10 gennaio con il contributo di partner Sommario La locandina ................................................................ pag. 5 Il libretto ....................................................................... pag. 6 Il soggetto .................................................................... pag. 23 L’amico Fritz, seconda opera di Mascagni di Fulvio Venturi ........................................................ pag. 25 Guida all’ascolto di Sara Dieci ................................................................ pag. 31 I protagonisti ............................................................. pag. 33 Coordinamento editoriale Cristina Ghirardini GraficaUfficio Edizioni Fondazione Ravenna Manifestazioni Si ringrazia il Teatro Municipale di Piacenza per aver concesso il materiale editoriale. Foto © Gianni Cravedi L’editore si rende disponibile per gli eventuali aventi diritto sul materiale utilizzato. Stampa Edizioni Moderna, Ravenna L’amico Fritz commedia lirica in tre atti dal romanzo omonimo di Erckmann-Chatrian musica di Pietro Mascagni libretto di P. Suardon (Nicola Daspuro) Casa Musicale Sonzogno personaggi e interpreti Suzel -
The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
Bregenz's Floating Stage
| worldwide | austria PC Control 04 | 2016 Art, technology and nature come together to deliver a great stage experience Advanced stage control technology produces magical moments on Bregenz’s floating stage The seventy-year history of the Bregenz Festival in Austria has been accompanied by a series of technical masterpieces that make watching opera on Lake Constance a world-famous experience. From July to August, the floating stage on Lake Constance hosts spectacular opera performances that attract 7,000 spectators each night with their combination of music, singing, state-of-the- art stage technology and effective lighting against a spectacular natural backdrop. For Giacomo Puccini’s “Turandot”, which takes place in China, stage designer Marco Arturo Marelli built a “Chinese Wall” on the lake utilizing complex stage machinery controlled by Beckhoff technology. | PC Control 04 | 2016 worldwide | austria © Bregenzer Festspiele/Karl Forster © Bregenzer Festspiele/Karl The centerpiece of the floating stage is the round area at its center with an extendable rotating stage and two additional performance areas below it. The hinged floor features a video wall on its under- side for special visual effects, projecting various stage setting images. The tradition of the Bregenz Festival goes back to 1946, when the event started The backdrop that Marco Arturo Marelli designed for “Turandot” consists with a performance of Wolfgang Amadeus Mozart’s musical comedy “Bastian of a 72-meter-long wall that snakes across the stage like a giant dragon. A and Bastienne” on two gravel barges anchored in the harbor. The space on the sophisticated structure of steel, concrete and wood holds the 29,000 pieces barges soon became too small, and the organizers decided to build a real stage in place. -
Karel Burian – the Guest of Budapest (1913–1924)
100 Ferenc János Szabó Institute of Musicology, Research Centre for the Humanities Hungarian Academy of Sciences, Budapest Karel Burian – the Guest of Budapest (1913–1924) Abstract | In the present article the last third of Karel Burian’s career is discussed, not only because it is perhaps a less known period of Burian’s biography, but also because it is close- ly connected with Hungarian culture. In these years he appeared in Budapest as a regular guest of the Royal Hungarian Opera mainly as a Wagner singer but also in French, Italian and Hungarian operas, and celebrated his thirty-year jubilee as an opera singer also in Bu- dapest. After a chronological overview, certain special aspects of Burian’s Hungarian activity are examined, e. g. his Hungarian naturalization (the so called ‘Hungarian divorce’) and the political context of his appearances at the end of the First World War. Keywords | Karel Burian – First World War – Hungarian divorce – Hungary – Naturalization – Opera, Scandals – Richard Wagner 1 Introduction1 Even today, the name of the Czech Heldentenor Karel Burian sounds familiar not only in his na- tive land, but also among the opera lovers in Hungary. Despite the fact that it was required to sing in Hungarian on the stage of the Royal Hungarian Opera, the most successful Wagner tenor of the fi rst quarter of the 20th century in Budapest was a foreign singer: Karel Burian. In the present article I discuss the last ten years of his career, not only because it is perhaps a less known period of Burian’s biography, but also because it is closely connected with Hungarian musical culture. -
Composers Mascagni and Leoncavallo Biography
Cavalleria Rusticana Composer Biography: Pietro Mascagni Mascagni was an Italian composer born in Livorno on December 7, 1863. His father was a baker and dreamed of a career as a lawyer for his son, but following the good reception obtained by Mascagni’s first compositions was persuaded to allow him to study music at the Milan Conservatoire, where his teachers included Amilcare Ponchielli and Michele Saladino, and where he shared a furnished room with his fellow-student Giacomo Puccini. His first compositions won him financial support to study at the Milan Conservatory. He was of a rebellious nature and intolerant of discipline, and in 1885 he left the Conservatoire to join a modest operetta company as conductor. He became part of the Compagnia Maresca and, together with his future wife, Lina Carbognani, settled in Cerignola (Apulia) in 1886, where he formed a symphony orchestra. Here Mascagni composed at a single stroke, in only two months, the one-act opera Cavalleria rusticana, based on the short story by Verga, which was to win him the first prize in the Second Sonzogno Competition for new operas. The innovative strength of the opera and the resounding worldwide success which followed its first performance (1890, Teatro Costanzi, Rome) marked the beginning of an artistic life rich in achievements and satisfactions, both as composer and as conductor. He became increasingly prominent as a conductor and in 1892 conducted his opera I Rantzau around Europe. Further successes included Amica (1905) and Isabeau (1911), alongside such failures as Le maschere (1901). In 1915 he experimented with writing for cinema in Rapsodia satanicawith Nino Oxilia. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Mala Vita Melodramma in Tre Atti
MALA VITA MELODRAMMA IN TRE ATTI versi di Nicola Daspuro musica di Umberto Giordano testi a cura di Agostino Pio Ruscillo COMUNE di FOGGIA Teatro comunale «U. Giordano» 2002 AVVERTENZA INDICE Ripubblichiamo qui senza varianti, se non di ordine tipografico, il libretto stampato in occasione della prima rappresentazione dell’opera; di seguito la descrizione del frontespizio: MALA VITA / MELODRAMMA IN TRE ATTI / versi di / N. DASPURO / musica di / UMBERTO GIORDANO / R. Teatro Argentina / Sta- INTRODUZIONE gione Carnevale-Quaresima 1892 / IMPRESA DEL MARCHESE Mala vita di Daspuro-Giordano: melodramma GINO MONALDI / [fregio] / MILANO / EDOARDO SONZOGNO, EDI- TORE / 14 - Via Pasquirolo - 14 / 1892. tardoromantico nel contenitore del teatro musicale verista 5 Durante la fase di collazione tra il libretto (LI) e lo spartito (SP) della Indicazioni bibliografiche 19 riduzione per canto e pianoforte (a cura di Alessandro Longo, Mila- no, Sonzogno, 1892) sono state registrate varianti significative e se- Note al testo 21 gnalate opportunamente nelle Note al libretto. LIBRETTO Elenco dei personaggi 31 Atto primo 33 Atto secondo 53 Atto terzo 71 Note al libretto 81 Grafica di copertina: Free point Impaginazione: RAgo Interpreti della rappresetnzione in epoca moderna © 1892, EDOARDO SONZOGNO (Foggia, Teatro «U. Giordano», 12 e 14 dicembre 2002) 95 © 2002, CASA MUSICALE SONZOGNO di Piero Ostali Via Bigli, 11 – 20121 Milano INTRODUZIONE Mala vita di Daspuro-Giordano: melodramma tardoromantico nel contenitore del teatro musicale verista. «Cominciato Napoli 8 Dicembre 1890».1 Con questa frase il ventitreenne Umberto Giordano, neodiplomato in compo- sizione presso il Conservatorio di S. Pietro a Majella di Napo- li, nella classe del maestro Paolo Serrao,2 segna indelebilmente il manoscritto degli abbozzi di Mala vita. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Second Uncorrected Proof ~~~~ Copyright
Into the Groove ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd i ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:57:47 PM Studies in German Literature, Linguistics, and Culture ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd ii ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:58:39 PM Into the Groove Popular Music and Contemporary German Fiction Andrew Wright Hurley Rochester, New York ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd iii ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:58:39 PM This project has been assisted by the Australian Government through the Australian Research Council. The views expressed herein are those of the author and are not necessarily those of the Australian Research Council. Copyright © 2015 Andrew Wright Hurley All Rights Reserved. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded, or reproduced in any form or by any means, without the prior permission of the copyright owner. First published 2015 by Camden House Camden House is an imprint of Boydell & Brewer Inc. 668 Mt. Hope Avenue, Rochester, NY 14620, USA www.camden-house.com and of Boydell & Brewer Limited PO Box 9, Woodbridge, Suffolk IP12 3DF, UK www.boydellandbrewer.com ISBN-13: 978-1-57113-918-4 ISBN-10: 1-57113-918-4 Library of Congress Cataloging-in-Publication Data CIP data applied for. This publication is printed on acid-free paper. Printed in the United States of America. -
Ariadne Auf Naxos Soile Isokoski ∙ Sophie Koch Jochen Schmeckenbecher ∙ Johan Botha
RICHARD STRAUSS ARIADNE AUF NaXOS SOILE ISOKOSKI ∙ SOPHIE KoCH JOCHEN SCHMECKENBECHER ∙ JOHAN BOTHA ORCHESTER DER WIENER STAATSOPER conducted by CHRISTIAN THIELEMANN staged by SVEN-ERIC BECHTOLF WIENER STAATSOPER RICHARD STRAUSS ARIADNE AUF NaXOS Orchestra Orchester der Wiener Staatsoper Here is one of the truly overwhelming successes in recent opera Conductor Christian Thielemann history: Christian Thielemann’s sensational return to the Vienna State Stage Director Sven-Eric Bechtolf Opera to conduct his first-ever performances there of Richard Strauss, with an ideal cast in an acclaimed production of Ariadne auf Naxos. “A triumph [...] world stars and ensemble shine” (Die Presse). “Strauss Primadonna (Ariadne) Soile Isokoski in all his glory”(Wiener Zeitung). “Festival standard [...] electrifying The Composer Sophie Koch excitement” (Kronen Zeitung). A Music Teacher Jochen Schmeckenbecher The Tenor (Bacchus) Johan Botha Director Sven-Erich Bechtolf “has again delved deeply into music Zerbinetta Daniela Fally and text”, observed the opera magazine Opernnetz in its rave review Harlequin Adam Plachetka of the performance captured here. “In Rolf Glittenberg’s beautiful Scaramuccio Carlos Osuna Jugendstil salon, he is constantly in touch with the heartbeat of the Truffaldin Jongmin Park story [...] For Bechtolf it is the subtle development of the characters Brighella Benjamin Bruns and their relationships with each other, as well as the work’s delicate The Dancing Master Norbert Ernst irony, that remain of paramount importance. As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one The Major-Domo Peter Matić blossoming phrase after another. Daniela Fally sings the gruellingly Lackey Marcus Pelz difficult part of Zerbinetta with great flexibility, acting it with nonchalant A Wigmaker Won Cheol Song coquettishness. -
Saison 2017/18 Établissement Public Salle De Concerts Grande-Duchesse Joséphine-Charlotte
Saison 2017/18 Établissement public Salle de Concerts Grande-Duchesse Joséphine-Charlotte Philharmonie Luxembourg Orchestre Philharmonique du Luxembourg Saison 2017/18 Nous remercions nos partenaires qui, Partenaires d’événements: en associant leur image à la Philharmonie et à l’Orchestre Philharmonique du Luxembourg et en soutenant leur programmation, permettent leur diversité et l’accès à un public plus large. Partenaire officiel: Partenaire automobile exclusif: Partenaires média: Sommaire / Inhalt / Content Une extraordinaire diversité 4 Découvrir la musique Musek erzielt (4–8 ans) 216 Bienvenue! 6 L’imagination au pouvoir Philou F (5–9 ans) 218 POST Luxembourg – Partenaire officiel 11 Artiste en résidence: Jean-François Zygel 118 Philou D (5–9 ans) 222 Dating 122 Familles (6–106 ans) 226 Les dimanches de Jean-François Zygel 124 Miouzik F (9–12 ans) 230 Orchestre Lunch concerts 126 Miouzik D (9–12 ans) 232 La beauté d’un cheminement artistique Yoga & Music 128 iPhil (14–18 ans) 236 Directeur musical: Gustavo Gimeno 16 résonances 130 Workshops 240 Grands rendez-vous 20 PhilaPhil 132 Aventure+ 24 Fondation EME 135 Fräiraim & Partenaires L’heure de pointe 30 Fräiraim 246 Fest- & Bienfaisance-Concerten 32 Jazz, World & Chill Solistes Européens, Luxembourg – Retour aux sources Une métaphore musicale de la démocratie Cycle Rencontres SEL A 250 Artiste en résidence: Paavo Järvi 36 Orchestre en résidence: Solistes Européens, Luxembourg – Grands orchestres 40 JALCO & Wynton Marsalis 140 Cycle Rencontres SEL B 252 Grands chefs 44 Jazz & beyond -
Zur Sonne, Zur Freiheit? Ein Neuer Gesetzlicher Rahmen Soll Den Eigenverbrauch Von Solarstrom Leichter Machen
woxx déi aner wochenzeitung l’autre hebdomadaire 1466/18 ISSN 2354-4597 2.20 € 09.03.2018 Zur Sonne, zur Freiheit? Ein neuer gesetzlicher Rahmen soll den Eigenverbrauch von Solarstrom leichter machen. Bringt die neue Fotovoltaik-Initative endlich die Energiewende? Regards S. 6 EDITO NEWS REGARDS 0 1 4 6 6 Rechts der Mitte S. 2 Bye bye Ceta p. 3 Polderland unter S. 14 Mit Fred Keup auf der ADR-Liste hat Tandis que la gauche crie victoire suite Statt Sachthemen anzusprechen, uns der Rechtspopulismus endgültig à un jugement de la justice européenne werden die niederländischen erreicht. Statt Lösungen hat er nur sur les tribunaux d’arbitrage, le véritable Kommunalwahlen für identitäre 5 453000 211009 hohle Phrasen zu bieten. impact reste à voir. Stimmungsmache genutzt. 2 NEWS woxx | 09 03 2018 | Nr 1466 EDITORIAL Rechtspopulismus NEWS Biedermann und Brandstifter Joël Adami Die ADR hat sich mit Fred Keup einen und die französische Décroissance- Rechtspopulisten ins Boot geholt, Bewegung thematisiert. „Unkontrollier- der sich als Verteter der „politischen tes Wachstum“ ist seine Tarnvokabel Mitte“ geriert. Seine Rhetorik ist für „zuviele Ausländer*innen kommen brandgefährlich. nach Luxemburg“. Das zeigt sich be- sonders deutlich daran, dass er immer, Nach kurzem Verwirrspiel mit den wenn er nach seinen Vorstellungen von Medien – sowas sichert immer erhöh- einer zukünftigen Wirtschaftspolitik ge- te Aufmerksamkeit – wurde letzten fragt wird, ein Wunschbild beschreibt, Freitag bekannt, dass die ADR und die das dem aktuellen luxemburgischen Initative „Wee 2050 / Nee 2015“ mitei- Wirtschaftsmodell sehr nahe ist: Mit nander kooperieren. Vermutlich wird wenig Arbeitsplätzen viel Profit erwirt- auch der RTL-Redakteur Dan Hardy, der schaften, das realisiert vor allem der vor allem durch reißerische Reporta- Finanzsektor.