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Leonard Slatkin at 70: the DSO's Music Director Was Born for The
Leonard Slatkin at 70: The DSO’s music director was born for the podium By Lawrence B. Johnson Some bright young musicians know early on that they want to be a conductor. Leonard Slatkin, who turned 70 Slatkin at 70: on September 1, had a more specific vision. He believed himself born to be a music director. Greatest Hits “First off, it was pretty clear that I would go into conducting once I had the opportunity to actually lead an orchestra,” says Slatkin, music director of the Detroit Symphony Orchestra since 2008 and occupant of the same post with the Orchestre National de Lyon since 2011. “The study process suited my own ethic and, at least for me, I felt relatively comfortable with the technical part of the job.” “But perhaps more important, I knew that I would also be a music director. Mind you, this is a very different job from just getting on the podium and waving your arms. The decision making process and the ability to shape a single ensemble into a cohesive whole, including administration, somehow felt natural to me.” Slatkin arrived at the DSO with two directorships already under his belt – the Saint Louis Symphony (1979-96) and the National Symphony in Washington, D.C. (1996-2008) – and an earful of caution about the economically distressed city and the hard-pressed orchestra to which he was being lured. But it was a challenge that excited him. “Almost everyone warned me about the impending demise of the orchestra,” the conductor says. “A lot of people said that I should not take it. -
Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’S Award-Winning Production of Mozart’S –Idomeneo–
FOR IMMEDIATE RELEASE February 26, 2019 Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’s Award-Winning Production of Mozart’s –Idomeneo– Lauded Company Makes Ed Mirvish Theatre Debut with Sumptuous Sound, Breathtaking Ballet, and Lavish Scenery Toronto, ON – Opera Atelier is delighted to present their award-winning production of Mozart’s Idomeneo from April 4–13, 2019 at the Ed Mirvish Theatre starring Canadian soprano superstar Measha Brueggergosman, who returns to the Toronto opera stage after an absence of 10 years, in her internationally acclaimed performance as Elettra. Brueggergosman is joined by a luminary cast featuring some of North America’s finest singers including tenor Colin Ainsworth in the title role, mezzo-soprano Wallis Giunta (Young Singer of the Year, 2018 International Opera Awards) as Idamante, soprano Meghan Lindsay as Ilia, bass-baritone Douglas Williams as Neptune, baritone Olivier Laquerre as Arbace, and baritone Bradley Christensen as the Priest. Brimming with Mozart’s show-stopping arias, deeply emotional ensembles, and spectacular ballet, Idomeneo tells the story of the Greek hero who is forced to choose between the life of his son and a terrible promise he has made to the god of the sea. “Idomeneo demands a unique juxtaposition of an extremely formal dramatic and musical structure coupled with an emotional intensity that foreshadows the Romantic movement,” says Opera Atelier Founding Co-Artistic Director Marshall Pynkoski, who also directs the opera. “In Opera Atelier’s production, every element - superbly rendered music, fully-integrated ballet, and historically-informed design - combine to tell this timeless story with precision and clarity.” “We have restored the ballet that closes Idomeneo,” adds Opera Atelier Co-Artistic Director and Choreographer Jeannette Lajeunesse Zingg. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
October 2015
October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats. -
Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert. -
Orquesta Filarmónica De Buenos Aires
ABONO 8 16 1 Orquesta Filarmónica 0 2 de Buenos Aires Enrique Arturo Diemecke | DIRECTOR CONCIERTOS Sascha Maisky | VIOLÍN Mischa Maisky | VIOLONCHELO Lily Maisky | PIANO 4 OFBA JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Enrique Avogadro DIRECTORA GENERAL María Victoria Alcaraz HOJAS GENERALES_2018.indd 1 3/23/18 17:04 Orquesta Filarmónica de Buenos Aires Enrique Arturo Diemecke | DIRECTOR MUSICAL 7 I II OFBA LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN (1770 - 1827) (1770 - 1827) OBERTURA CORIOLANO, OP. 62 SINFONIA NRO. 7 EN LA MAYOR, OP.92 CONCIERTO TRIPLE, OP.56 I. Poco sostenuto - Vivace EN DO MAYOR II. Allegretto I. Allegro III. Presto – Assai meno presto II. Largo IV. Allegro con brio III. Rondo alla Polacca VIOLONCHELO Mischa Maisky VIOLÍN Sascha Maisky PIANO Lily Maisky NOVIEMBRE JUEVES 15 20 H Enrique Arturo Diemecke DIRECTOR MUSICAL 8 9 En 2017 fue nombrado Director General Artístico y de Producción OFBA del Teatro Colón. Además, cumple su décimo segundo año como OFBA director artístico de la Orquesta Filarmónica de Buenos Aires y su trigésimo año como director artístico de la Orquesta Sinfónica de Flint, Michigan (Estados Unidos). Intérprete notable de las obras de Mahler, ha sido galardonado con una medalla de la Sociedad Mahler por sus versiones de las sinfonías completas del compo- sitor en México y Argentina. Fue Director Artístico de la Ópera de Bellas Artes de México en las décadas de los ‘80 y ‘90, donde di- rigió más de treinta producciones líricas. En 2007 dirigió Werther en el Colón y Le jongleur de Notre Dame de Massenet con Roberto Alagna para la Ópera Nacional de Montpellier. -
Weinzweig Long
John Weinzweig (1913-2006) Born in 1913 to Polish-Jewish immigrants, John Weinzweig became a noted Canadian composer, educator and advocate. He began music study at the age of 14, learning mandolin at the Workmen’s Circle Peretz School, a Jewish community school in North Toronto. During his high school years at Harbord Collegiate, Weinzweig joined the orchestra playing the violin parts on the mandolin but eventually learned the tuba, tenor saxophone, and bass. Weinzweig’s early musical training led to an interest in composition and he spent between 1934-37 studying at the University of Toronto with Healy Willan, Leo Smith, and Sir Ernest McMillan. During his time at the University of Toronto Weinzweig founded and conducted the University of Toronto Symphony Orchestra. Following the completion of his education in Toronto, Weinzweig moved to Rochester, NY to study with Howard Hanson at the Eastman School of Music. There he was first introduced to serial compositional techniques. Upon his return to Toronto, Weinzweig experimented with serialism in his Piano Suite no. 1 (1939) and in incidental music for docudrama radio programming at the growing CBC. For the remainder of his career, Weinzweig continued to use serialism as the governing structure behind his compositions even when he experimented with other musical ideas. Following a decade long tenure at the CBC (1941-51), Weinzweig’s compositional interests returned to concert music. He began composition of his Divertimenti, with Divertimento no. 1 winning an award for chamber music at the 1948 Olympics. Works such as String Quartet no. 1 and Suite for Piano no. -
2017-18 Season Announcement News Release
N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore. -
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Béla Bartók
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Tuesday, December 5, 2017 at 8:00pm Pre-concert Talk at 7:00pm This is the 871st concert in Koerner Hall Janine Jansen, violin Martin Fröst, clarinet Torleif Thedéen, cello Lucas Debargue, piano PROGRAM Béla Bartók:Contrasts, for clarinet, violin, and piano, BB 116 Verbunkos (Recruiting Dance). Moderato ben ritmato Pihenö (Relaxation). Lento Sebes (Fast Dance). Allegro vivace Karol Szymanowski: Mity (Myths), op. 30 Zrodło Aretuzy (The Fountain of Arethusa) Narcyz (Narcissus) Driady i Pan (Dryads and Pan) INTERMISSION Olivier Messiaen: Quartet for the End of Time 1. Liturgie de cristal (Crystal Liturgy) – quartet 2. Vocalise, pour l'Ange qui annonce la fin du Temps (Vocalise, for the Angel who Announces the End of Time) – quartet 3. Abîme des oiseaux (Abyss of the Birds) – clarinet 4. Intermède (Interlude) – violin, clarinet, cello 5. Louange à l’Éternité de Jésus (Praise to the Eternity of Jesus) – cello, piano 6. Danse de la fureur, pour les sept trompettes (Dance of the Fury, for the Seven Trumpets) – quartet 7. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (Tangle of Rainbows, for the Angel who Announces the End of Time) – quartet 8. Louange à l'Immortalité de Jésus (Praise to the Immortality of Jesus) – violin, piano Béla Bartók Born in Nagyszentmiklós, Hungary (now Sînnicolau Mare, Romania), March 25, 1881; died in New York, New York, September 26, 1945. Contrasts, for clarinet, violin, and piano, BB 116 (1938) This is a little acorn that grew into a three-movement classic of the repertoire. -
The Back to the Future Trilogy Available for the Very First Time on Dvd
CONSUMER MEDIA RELEASE MAY 2002 GREAT SCOTT! THE BACK TO THE FUTURE TRILOGY AVAILABLE FOR THE VERY FIRST TIME ON DVD PLANNED RELEASE DATE - AUGUST 21, 2002 Michael J Fox, Christopher Lloyd, Thomas F. Wilson, Lea Thompson, Crispin Glover One of the most eagerly awaited DVD and video collections is almost here. Presented by Steven Spielberg and Robert Zemeckis the legendary 'Back to the Future Trilogy' will be available August 21, 2002 on VHS and for the first time ever, on DVD with over 10 hours of special features including deleted scenes, outtakes, music videos and much, much more! Since it's original cinema release in the 80's, The Back to the Future Trilogy has amassed a staggering worldwide box office revenue of US$926 million. In fact, 'Back to the Future' was the worldwide highest grossing film of 1985. For generations time travel has captivated readers and movie-goers alike, and this August the most revered series of films in this genre will not only be re-lived by those who treasured the original cinema releases - but will be introduced to a whole new generation on DVD. It doesn't matter if you are a fan of the 80's, Michael J Fox, or the technology of DVD - this is an event not to be missed, being one of the most anticipated DVD releases of all-time. Back to the Future follows the amazing adventures of Marty McFly (Michael J Fox), a high-school student in the small Northern California town of Hill Valley. The fun begins when Marty’s friend and mentor, crazed scientist Doc Brown (Christopher Lloyd), invents a time machine in the form of a nuclear-powered DeLorean. -
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I UCM NEW MUSIC f~ST VAL 2011: 0 D ANl;)NEW - / I . \ 1 ~011 SOCIETY OF COMPOS5RS, 11\lc. REGION VI CONFERENCE ,-A I I , , I ' , I ' ~ ~ ~ ~' ' I NIVERSllTY OF CENTRAt MISSOURI /,) I I DEPARTMENT O~MlJSl6 APRIL 8-10, 20 1 ' J UCM New Music Festival 2011: OLD AND NEW 2011 Society of Composers, Inc. Region VI Conference Festival Featured Guest Artists: ATHENS SAXOPHONE QUARTET KCCONTINUUM April 8-10, 2011 University of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music An All-Steinway School Festival at a Glance Alf concerts will be held in Hart Recital Half Friday, April 8 Saturday, April 9 Sunday, April 11, 2010 8AM: Papers I (Utt 008) 8AM: Papers Ill (Utt 100) 8AM: Papers V (Utt 100) 10AM: Concert I 10AM: Concert IV 10AM: Concert VII 1PM: Papers II (Utt 107) 1 PM: Papers IV (Utt 100) 1 PM: Papers VI (Utt 100) 3PM: Concert II 3PM: Concert V 3PM: Concert VII 8PM: Concert Ill KCContinuum 8PM: Concert IX 8PM: Concert VI Athens Saxophone Quartet UNNERSI1Y OF CENTRAL MISSOURJ - - DEPARTMENTOF - MUS!C _5CI - Est. 1871- AN A LL-STEINWAY SCHOOL ;ociety of Composers, Inc. UCM New Music Festival 2011: OLD AND NEW April 8-10, 2011 U niversity of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music TABLE OF CONTENTS Welcome from the Chair ... ....... .. ..... ...... .. .. ...... ...... ................. ........... .......... ........ ....... ................. ... ......... 1 UCM Department of Music Faculty . ...... ....... ........ .. .... ...... ...................... .......