October 2015

Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more

Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything

TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V

Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price

This brochure is available in alternative formats. Please contact the Box Office if this would be of assistance to you. Telephone: 020 7935 2141, or Email: [email protected].

The right is reserved to substitute artists and vary programmes if necessary.

Wigmore Hall • John Gilhooly OBE Director The Wigmore Hall Trust • Registered Charity No.1024838

Cover: Bertrand Chamayou © Marco Borggreve

Benjamin Ealovega

2 Thursday 1 October 7.30 pm 1 IMS Prussia Cove Erich Höbarth violin Maia Cabeza violin

Jonian Ilias Kadesha violin Yannick Andrea Wolfgang Krautzer Thomas Riebl viola Andrea Burger viola Chiara Enderle cello Vashti Hunter cello Susan Tomes piano Erich Höbarth Maia Cabeza Jonian Ilias Kadesha Mozart Piano Trio in Bb K502 Brahms String Quintet in F Op. 88 Schubert String Trio in Bb D471 Dvorˇák Piano Quintet in A Op. 81 Jannette Kneisel This year’s annual IMS Prussia Cove autumn tour brings together Susan Tomes and Erich Höbarth with young musicians who have progressed through the IMS seminars. Thomas Riebl Andrea Burger Chiara Enderle Founded over 40 years ago by the great Hungarian violinist Sándor Végh, IMS is now under the artistic

Irene Zandel Gene Smirnov directorship of cellist Steven Isserlis and continues to nurture Robert Philip outstanding performers of chamber music.

£30 £25 £20 £15 £10 Chamber Music Season Vashti Hunter Susan Tomes

Friday 2 October 7.30 pm

2 Magdalena Kožená mezzo-soprano Mitsuko Uchida piano Schumann Gedichte der Königin Maria Stuart Wolf Mörike Lieder: Begegnung; Neue Liebe; Nimmersatte Liebe; Das verlassene Mägdlein; Elfenlied; Verborgenheit; Wo find ich Trost?; Auf ein altes Bild; Nixe Binsefuss; Lebe wohl; Abschied Dvorˇák Love Songs Op. 83 Schoenberg Brettl-Lieder Central Europe and the cultural concerns of Romanticism served as the crucibles for the creation of the works in this unmissable recital. Magdalena Kožená and Mitsuko Uchida launch their programme with Schumann’s compassionate response to poems attributed to Mary Queen of Scots before probing the psychological depths of Wolf’s Lieder. They also explore the lyrical delights of Dvorˇák’s Czech Love Songs and high-octane vitality of Schoenberg’s eight cabaret songs of 1901.

£50 £40 £30 £25 £15 Song Recital Series/Celebrating Magdalena Kozˇená

JustinPumfrey/Decca

Harald Hoffmann/Deutsche Grammophon

Magdalena Kozˇená Mitsuko Uchida

3 Saturday 3 October 1.00 pm – 2.00 pm 3 Stile Antico FAMILY CONCERT For ages 5 plus Marco Borggreve Join us for this interactive performance for families with vibrant vocal ensemble Stile Antico. Hear some magical music, most of which is over 400 years old, and join in together with some activities alongside presenter Isabelle Adams.

Adults £10 Children £8 Wigmore Hall Learning Event Stile Antico

Saturday 3 October 7.30 pm

Llyˆr Williams piano Beethoven Piano Sonata No. 11 in Bb Op. 22; Piano Sonata No. 22 in F Op. 54;

Benjamin Ealovega Piano Sonata No. 21 in C Op. 53 ‘Waldstein’; Andante favori WoO. 57 Llyˆ r Williams’s acclaimed Wigmore Hall Beethoven exploration resumes. The Guardian praised the Welsh pianist’s ‘commanding technique, cool grasp of the vast intellectual span of the music and sense of wisdom beyond his years’ during his first survey of Beethoven’s complete piano sonatas, a view reinforced since by the evolving insights of his interpretations.

£36 £30 £25 £20 £15

London Pianoforte Series/ Llyˆ r Williams Beethoven Piano Sonata Cycle Llyˆ r Williams

Sunday 4 October 11.30 am 4 Vertavo String Quartet Haydn String Quartet in D minor Op. 103 (unfinished) Dvorˇák Selection from Cypresses Brahms String Quartet in A minor Op. 51 No. 2 Brahms completed his Op. 51 string quartets during a productive summer stay in Tutzing, Bavaria in 1873, effectively breaking his duck as a string quartet composer with two works of extraordinary invention. The Vertavo String Quartet, founded in Norway in 1984, prefaces the A minor quartet’s performance with the two movements of Haydn’s last adventure in string quartet writing and pieces from Dvorˇák’s lyrical Cypresses.

£13 concs £11 incl. programme and coffee/sherry/juice

Supported by Oliver and Helen Prenn Sunday Morning Coffee Concert

Pictured right: Vertavo String Quartet

4 Sunday 4 October 12.00 noon – 4.00pm Silver Sunday: Musical Pictures As part of Silver Sunday, we invite people living with dementia and their family, friends or carers to join us for an afternoon

in the beautiful spaces of The Wallace Collection and Wigmore © Silver Sunday 2014 Hall. We will first explore some of the Collection’s works of art and then use this as inspiration to create music together with workshop leader Julian West and musicians from the Royal Academy of Music.

Free (ticket required) In partnership with The Wallace Collection, Westminster Arts and The Royal Academy of Music

Wigmore Hall Learning Event

Sunday 4 October 7.30 pm

Belcea Quartet 20th Anniversary Concert Series Belcea Quartet Haydn String Quartet in G Op. 77 No. 1 Bartók String Quartet No. 1 Op. 7 Beethoven String Quartet in C# minor Op. 131 Wigmore Hall has played a central part in the Belcea Quartet’s artistic world since the group’s foundation two decades ago. Its twentieth anniversary concert series begins with an essential Belcea programme, comprising the uplifting ingenuity of Haydn’s late String Quartet in G Op. 77 and Bartók’s First String Quartet. The latter’s contrapuntal writing echoes aspects of Beethoven’s Op. 131, among the greatest of all chamber music works. The Belcea Quartet returns to the Hall on 11 October and 19 December with two further concerts in its twentieth anniversary series.

£36 £30 £25 £20 £15 Chamber Music Season

Evy Ottermans

Belcea Quartet

5 Monday 5 October 1.00 pm

5 Sandrine Piau soprano Susan Manoff piano Mendelssohn Neue Liebe; Nachtlied; Hexenlied Bouchot Galgenlieder Sandrine Expilly/Naïve Strauss Die Nacht; Morgen; Ständchen Debussy Chansons de Bilitis Britten The Salley Gardens; There’s none to soothe; I wonder as I wander Sandrine Piau’s crystalline tone, extraordinary attention to detail and ability to respond in an instant to the emotional demands of the music in her repertoire belong to her richly stocked portfolio of artistic attributes. Her programme explores everything from the nocturnal imagery of songs by Mendelssohn and Strauss to the highly charged eroticism of Debussy’s Chansons de Bilitis. Sandrine Piau Susan Manoff

All seats £15

BBC Radio 3 Lunchtime Concert

Monday 5 October 7.30 pm

Magdalena Kožená mezzo-soprano Mitsuko Uchida piano Repeat of concert on 2 October JustinPumfrey/Decca See page 3 for full details

£50 £40 £30 £25 £15

Mathias Bothor/Deutsche Grammophon Song Recital Series/ Celebrating Magdalena Kožená Magdalena Kozˇená Mitsuko Uchida

Tuesday 6 October 1.00pm 6 YCAT Lunchtime Concerts 2015 /16 Trio Isimsiz Kaupo Kikkas Ravel Piano Trio in A minor Brahms Piano Trio in C minor Op. 101 Formed in 2009 at the Guildhall School of Music & Drama, during 2015 Trio Isimsiz gives recitals at the Barbican, Peasmarsh Festival with Anthony Marwood, and the Festspiele Mecklenburg-Vorpommern. They have worked with Ferenc Rados at IMS Prussia Cove and with the Gould Piano Trio in Aldeburgh.

£13 concs £11

Young Classical Artists Trust (Reg. Charity No. 326490) YCAT is grateful for support from the Paul Woodhouse Fund, the Anthony Nesbitt Fund, the Goulding Murray Fund and the legacy of Richard Oake for this series.

Trio Isimsiz

6 Tuesday 6 October 7.30pm

Vadim Repin violin

Andrei Korobeinikov piano Irene Zandel Schnittke Violin Sonata No. 1 Prokofiev Violin Sonata No. 2 in D Op. 94bis Bartók Rhapsody No. 1

Brahms Capriccio in F# minor Op. 76 KASSKARA/Deutsche Grammophon No. 1; Capriccio in B minor Op. 76 No. 2; Capriccio in C Op. 76 No. 8; Capriccio in C# minor Op. 76 No. 5 Brahms Violin Sonata No. 2 in A Op. 100 With total command of his instrument and a limitless supply of intensely focused passion in performance, Vadim Repin ranks in company with the great names in violin playing. The Russian-born musician’s interpretations, acclaimed for their subtlety of expression and sheer vitality, are sure to project the strength Vadim Repin Andrei Korobeinikov and depth of his artistic personality in this recital.

£36 £30 £25 £20 £15

CAVATINA Free tickets for 8–25 year olds at selected concerts, supported by CAVATINA Chamber Music Trust Chamber Music Trust www.cavatina.net with ongoing support from John Lyon’s Charity. To book this concert as part of Wigmore Hall’s young people’s programme, please contact the Box Office and quote ‘CHAMBER ZONE’. Chamber Music Season

Wednesday 7 October 7.30 pm

7 Ian Bostridge tenor Steven Isserlis cello

Julius Drake piano Sim Canetty-Clarke Sim Canetty-Clarke Bach Arias: Es dünket mich, ich seh dich kommen from Cantata BWV175; Geliebter Jesu from Cantata BWV16; Woferne du den edlen Friedenn from Cantata BWV41 Britten Cello Suite No. 3 Op. 87 Bach/Britten Five Spiritual Songs Lachner In die Ferne; Waldvöglein; Nachts in der Kajüte Bennett Tom O’Bedlam’s Song Schubert Auf dem Strom Ian Bostridge Julius Drake An artistic partnership both inspired and inspiring arrives at Wigmore Hall for this recital. Steven Isserlis, Ian Bostridge and Julius Drake evoke the remarkable Jean-Baptiste Millot performing legacy of Mstislav Rostropovich, Peter Pears and Benjamin Britten in their choice of repertoire, complete with Schubert’s ‘Auf dem Strom’ and Britten’s exquisite arrangements of Five Spiritual Songs by Johann Sebastian Bach.

Returns only Song Recital Series/Chamber Music Season Steven Isserlis

7 Thursday 8 October 11.00 am – 12 noon 8 Stile Antico KEY STAGE 2 SCHOOLS CONCERT A repeat of the Family Concert on 3 October, for schools. Join Marco Borggreve us for this interactive performance with vibrant vocal ensemble Stile Antico. Hear some magical music, most of which is over 400 years old, and join in together with some activities alongside presenter Isabelle Adams.

£3.50 Wigmore Hall Learning Event Stile Antico

Thursday 8 October 7.30 pm Škampa Quartet Schubert String Quartet in D minor D810 Ivan Pinkava ‘Death and the Maiden’ Shostakovich String Quartet No. 3 in F Op. 7 Life’s end and intimations of mortality flow through both works in the Škampa Quartet’s programme. Schubert’s ‘Death and the Maiden’ confronts the composer’s dark mood and depression following a stay in Vienna’s General Hospital in 1824, while Shostakovich’s Third Quartet appears to speak for the victims of Stalin’s Great Terror and, in its sublime final Adagio, presents death as a welcome escape from earthly suffering.

£36 £30 £25 £20 £15 Škampa Quartet

Friday 9 October 7.30 pm

9 Robert Levin fortepiano

Mozart Piano Piece in C (fragment, completed by Robert Levin); Ascherman Four Preludes K284a: No. 1 in C, modulating to Bb; Piano Sonata in Bb K333; Four Preludes K284a: No. 2 in Bb, modulating to Eb; Piano Sonata in Eb K282; Four Preludes K284a: No. 3 in Eb, modulating to C minor; Overture to Die Entführung aus dem Serail K384 (piano reduction by Mozart); Four Preludes K284a: No. 4 in C; Piano Sonata in C K330 Robert Levin’s distinguished work as fortepianist, scholar and conductor has done much to influence modern approaches to the interpretation of Mozart’s compositions. His deep knowledge of the composer’s music and the context in which it was created can be heard in this recital with the inclusion of Mozart’s modulating preludes, carefully connecting one key to the next.

£36 £30 £25 £20 £15 London Pianoforte Series

Robert Levin

8 Saturday 10 October 10 Friedrich Cerha Composer Focus Day Wigmore Hall celebrates the imminent ninetieth birthday of one of Austria’s greatest living composers with a day devoted to the often serene and elegiac Manu Theobald work of Friedrich Cerha. The Viennese musician made his mark in the late 1950s as co-founder with Kurt Schwertsik of the pioneering new music ensemble ‘die reihe’. Friedrich Cerha Day presents a major retrospective of the composer’s chamber works performed by close colleagues and musicians steeped in his multi-faceted art. Friedrich Cerha

Jon Super

Irene Zandel Michael Löwa

Christian Jungwirth

Ensemble Modern Boulanger Trio Andreas Schablas HK Gruber

11.30 am 6.00 pm Ensemble Modern Artists in Conversation Friedrich Cerha Musik for trombone and string Friedrich Cerha discusses his life and work as part of this quartet; Gedankensplitter for solo oboe (a selection) day-long celebration marking his imminent ninetieth birthday. (UK première); Bagatellen for string trio (This interview will be conducted with a translator.) Ensemble Modern’s association with Friedrich £4 Cerha as composer and conductor dates to the Wigmore Hall Learning Event group’s formative years in the early 1980s. The ensemble launches Wigmore Hall’s Friedrich Cerha Day with Musik, completed a decade ago, 7.30 pm and explores his miniature Bagatellen, studies in what Cerha calls the ‘togetherness and Ensemble Modern separateness’ of the string trio’s individual parts. HK Gruber chansonnier All seats £10 Friedrich Cerha Konzertante Tafelmusik for oboe, clarinet, bassoon and trumpet; Piccola comedia for bassoon, oboe, 3.00 pm trumpet, viola and percussion* (world première); Keintate for medium voice (chansonnier) and instruments Boulanger Trio *Co-commissioned by Ensemble Modern, and by Wigmore Hall Andreas Schablas clarinet with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation Friedrich Cerha Fünf Sätze for piano trio; With HK ‘Nali’ Gruber taking his customary role as Drei Stücke for cello and piano (world première); chansonnier, this concert tribute to the work of Friedrich Fünf Stücke for clarinet, cello and piano Cerha celebrates the creative energy, diverse historical Andreas Schablas and members of the Boulanger allusions and originality of contemporary Austrian music. Trio perform Friedrich Cerha’s Fünf Stücke for Keintate, first performed in 1983, recalls Cerha’s early clarinet, cello and piano, created in 2000 as a days playing second fiddle in Viennese folk bands, fiftieth birthday tribute to Heinrich Schiff. The supplied by a stream of popular tunes and intensified by Boulanger Trio, praised by the Süddeutscher the hyper-real dialect verse of Ernst Kein. Zeitung for its tonal blend and balance, opens with the composer’s Fünf Sätze, in which Cerha £30 £25 £20 £15 £10 explores the contrasts and textural combinations available to the piano trio. ALL DAY CONCERT TICKET: £30 All seats £10 Tickets to the Artists in Conversation sold separately.

Chamber Music Season/Contemporary Music Series / Friedrich Cerha Day

9 Sunday 11 October 11.30 am 11 Carducci String Quartet Beethoven String Quartet in C minor Op. 18 No. 4 Shostakovich String Quartet No. 3 in F Op. 73

Andy Holdsworth Photography The Carducci String Quartet will perform several complete cycles of Shostakovich’s string quartets in 2015, bringing experiences and discoveries gained during the journey to its interpretation of the Russian composer’s Third Quartet at Wigmore Hall. The ensemble presents his deeply moving work in company with Beethoven’s evergreen String Quartet in C minor, a piece of great charm and confidence. Carducci String Quartet £13 concs £11 incl. programme and coffee/sherry/juice Sunday Morning Coffee Concert

Sunday 11 October 7.30 pm

Belcea Quartet 20th Anniversary Concert Series Belcea Quartet Valentin Erben cello Mozart String Quartet in C K465 ‘Dissonance’ Webern Five Movements Op. 5 Schubert String Quintet in C D956 Webern’s Five Movements Op. 5, with their kaleidoscopic range of tone colours, nuanced dynamic shadings and brief breathing spaces, invite listeners to meditate on the nature of sound and silence. The Belcea Quartet surrounds these intense miniatures with Mozart’s ‘Dissonance’ Quartet and Schubert’s String Quintet, two great masterworks of the First Viennese School.

£36 £30 £25 £20 £15 Chamber Music Season

Ronald Knapp Karo Strassnik

Belcea Quartet Valentin Erben

10 Monday 12 October 1.00 pm

12 Sol Gabetta cello Polina Leschenko piano Chopin Introduction and Polonaise brillante in C Op. 3 Tchaikovsky Lensky’s Aria from Eugene Onegin Rachmaninov Cello Sonata in G minor Op. 19 Sol Gabetta’s charismatic artistry arises from her quicksilver imagination and winning emotional honesty. Music, she says, ‘provides an opportunity for us to describe life as we feel it’. The Argentine cellist is joined by young pianist Polina Leschenko, renowned for her deep sensitivity and abundant imagination.

£13 concs £11

BBC Radio 3 Lunchtime Concert

Marco Borggreve Marco Borggreve

Sol Gabetta Polina Leschenko

Monday 12 October 7.30 pm GrauSchumacher Piano Duo Bach/Kurtág Sonatina from Gottes Zeit ist die allerbeste Zeit

BWV106; Alle Menschen müssen sterben BWV643; Susanne Diesner Aus tiefer Not schrei ich zu dir BWV687 Busoni Fantasia contrappuntistica Philippe Manoury Le temps, mode d’emploi (for two pianos and live electronics)* (UK première) *Co-commissioned by Wittener Tage für neue Kammermusik 2014, SWR Experimentalstudio, and Wiener Konzerthaus, with the support of Ernst von Siemens Musikstiftung and Impuls neue Musik, and by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation German pianists Andreas Grau and Götz Schumacher formed their piano duo in the early 1980s. They were subsequently encouraged by, among others, composers such as Karlheinz Stockhausen and Wolfgang Rihm. The GrauSchumacher Piano Duo presents the UK première of Philippe Manoury’s Le temps, mode d’emploi, a fifty-minute score direct in expression and filled with big, bold musical gestures. GrauSchumacher Piano Duo £36 £30 £25 £20 £15

Free tickets for 8–25 year olds at selected concerts, supported by John Lyon’s Charity. To book this concert as part of Wigmore Hall’s young people’s programme, please contact the Box Office and quote ‘CHAMBER ZONE’. London Pianoforte Series/Contemporary Music Series

11 Tuesday 13 October 6.00pm 13 Pre-Concert Talk

Harpsichordist Trevor Pinnock joins Purcell expert Andrew Pinnock Peer Lindgreen to discuss Dido and Aeneas, before the evening performance of this celebrated opera. Returns only Wigmore Hall Learning Event/ Henry Purcell: A Retrospective Trevor Pinnock

Tuesday 13 October 7.30pm

Trevor Pinnock director, harpsichord Matthew Truscott violin

Martin Sigmund Huw Daniel violin Benjamin Ealovega

Raphaelle Photography Alfonso Leal viola Jonathan Byers cello Pippa Macmillan violone Julia Doyle Stuart Jackson Jonathan McGovern Thomas Dunford theorbo

THEATRE MUSIC: Hanya Chlala

Benjamin Ealovega Julia Doyle soprano

Andy Staples Photography. Stuart Jackson tenor Jonathan McGovern baritone Rowan Hellier Pamela Helen Stephen Michael Chance DIDO AND AENEAS: Rowan Hellier mezzo-soprano (Dido)

Jonathan McGovern baritone (Aeneas) Chris O’Donovan Pamela Helen Stephen mezzo-soprano (Sorceress) Julia Doyle soprano (Belinda and First Woman) Stuart Jackson tenor (Sailor) Michael Chance countertenor (Spirit) Tenebrae Consort (Semi Chorus) Tenebrae Consort HENRY PURCELL: A RETROSPECTIVE Purcell Theatre Music Overture from The Double Dealer; As soon as the chaos from The Marriage-Hater Match’d; Hornpipe from The Double Dealer; Man is for the woman made from The Mock Marriage; Scocca pur (for solo harpsichord); From rosy bowers from Don Quixote; Scotch tune, Minuet and Hornpipe from Amphitryon; Let the dreadful engines from Don Quixote (Purcell version in F, edited by Timothy Roberts); Chaconne from The Gordion Knot Unty’d; Songs from A Fool’s Preferment (I sigh’d, and I pin’d; ’Tis death alone; I’ll mount to yon blue Coelum; I’ll sail upon the dog-star); Lute solo; Nymphs and Shepherds from The Libertine Purcell Dido and Aeneas The politics of national identity, the royal succession and parliamentary faction, all hot topics in the late 1600s, found their way into the plots of plays and semi-operas intended to delight and entertain London’s theatre-goers. Purcell’s fine incidental music to pieces such as Shadwell’s The Libertine and D’Urfey’s A Fool’s Preferment set the scene for Dido and Aeneas, one of the most celebrated of all English operas.

Returns only Early Music and Baroque Series/Henry Purcell: A Retrospective

12 Wednesday 14 October 7.30 pm

14 Sarah Connolly mezzo-soprano piano Graham Johnson Peter Warren

Schubert Verklärung; Ammenlied; Die Sterbende; Malcoilm Crowthers Abendlied der Fürstin; Bertas Lied in der Nacht; Die junge Nonne; Ellens Gesänge I, II & III; Die Unterscheidung; Die Männer sind méchant Brahms Ständchen; Da unten im Tale; Feldeinsamkeit; Alte Liebe; Die Mainacht; Von ewiger Liebe Wolf Auch kleine Dinge; Der Mond hat eine schwere Klag’ erhoben; Gesang Weylas; Kennst du das Land; Verborgenheit; Nachtzauber; Die Zigeunerin Sarah Connolly Graham Johnson Schubert arguably set the mark against which all other Lieder composers have since been measured. Sarah Connolly’s delectable programme offers the chance to trace the arc of development of Schubert’s songs, from the remarkably eloquent ‘Verklärung’, written at the age of sixteen, to two of his Four Refrain Lieder of 1828. She also offers a selection of equally fine songs by Brahms and Wolf.

£36 £30 £25 £20 £15

Supported by the Season Patrons who have made a major contribution to the 2015/16 Wigmore Series Song Recital Series/Schubert: The Complete Songs

Thursday 15 October 6.00 pm 15 Pre-Concert Event RAZUMOVSKY ACADEMY YOUNG ARTISTS RECITAL The Razumovsky Academy provides an environment in which exceptionally gifted young musicians collaborate closely with some of the world’s finest artists and teachers. This concert offers the chance to hear potential future stars at an early stage of their careers.

Free (ticket required)

Supported by the Razumovsky Trust (Reg. Charity No. 1111848) Ida Haendel with students from the Razumovsky Academy

Thursday 15 October 7.30 pm Razumovsky Ensemble Sergei Krylov violin Felix Broede Oleg Kogan cello Robert Cassen Michail Lifits piano Hanya Chlala/ArenaPAL Stravinsky Suite italienne for violin and piano Shostakovich Piano Trio No. 2 in E minor Op. 67 Tchaikovsky Piano Trio in A minor Op. 50 Sergei Krylov Oleg Kogan Michail Lifits Three fine musicians join forces for a rich all-Russian programme which opens with Stravinsky’s colourful Suite italienne, derived from the score for the ballet Pulcinella, before moving to Shostakovich’s powerful and haunting Piano Trio No. 2, infused with Russian and Jewish folk themes.The first half is complemented by the rich invention and brooding lyricism of Tchaikovsky’s Piano Trio in A minor. £36 £30 £25 £20 £15 Promoted by the Razumovsky Trust (Reg. Charity No.1111848) Chamber Music Season

13 Friday 16 October 7.30 pm 16 Michelangelo Quartet Haydn String Quartet in D Op. 64 No. 5 ‘The Lark’

Shostakovich String Quartet No. 2 in A Op. 68 Marco Borggreve Beethoven String Quartet in E minor Op. 59 No. 2 ‘Razumovsky’ Passionate commitment, jaw-dropping virtuosity and exquisite tonal refinement belong to the long list of the Michelangelo Quartet’s qualities. The ensemble’s programme includes the second of Beethoven’s ‘Razumovsky’ Quartets, a work of ground-breaking vision and tempestuous emotions.

£36 £30 £25 £20 £15 Michelangelo Quartet Chamber Music Season

Saturday 17 October 7.30 pm 17 Wigmore Hall Chamber Ensemble in Residence

K. Leighton Nash Ensemble Chris Gloag Renata Pokupic´ mezzo-soprano Mozart String Quintet in D K593 Respighi Il tramonto for voice and string quartet Songs by Bellini and Verdi Mendelssohn String Quintet in A Op.18 In the opening concert of the Nash Ensemble’s 2015/16 Season, Mozart is represented by a masterly late string quintet, and Mendelssohn by his First Quintet, fresh and youthful in spirit.

Renata Pokupic´ sings Respighi’s Il tramonto, Renata Pokupic´ Nash Ensemble a gorgeous setting of a translated poem by Shelley, and songs by Bellini and Verdi which reveal that their composers were as at home writing for the private salon as for the public stage.

£36 £30 £25 £20 £15 Chamber Music Season/Song Recital Series /Nash Ensemble: Mozart, Mendelssohn and the Italians

Sunday 18 October 11.30 am

18 Steven Isserlis cello Richard Egarr harpsichord Satoshi Aoyagi Bach Viola da gamba Sonata No. 1 in G Marco Borggreve BWV1027; Viola da gamba Sonata No. 3 in G minor BWV1029; Viola da gamba Sonata No. 2 in D BWV1028 Two artists devoted to the art of unveiling deep truths in performance join forces. Steven Isserlis and Richard Egarr share a mutual sense of adventure and a strong desire to give fresh and meaningful life to even the most familiar of works. Steven Isserlis Richard Egarr Returns only Sunday Morning Coffee Concert

14 Sunday 18 October 7.30 pm Escher String Quartet

Mendelssohn String Quartet in E minor Op. 44 No. 2 Sophie Zhai Janácˇek String Quartet No. 1 ‘Kreutzer Sonata’ Brahms String Quartet in A minor Op. 51 No. 2 Brahms emerged from the experience of writing his String Quartet in A minor Op. 51 ready to tackle the demands of composing symphonic works, thanks not least to his score’s shrewdly balanced blend of warm lyricism, striking thematic contrasts and formal coherence. The Escher String Quartet, formerly of the BBC New Generation Artists scheme, prefaces the piece with masterworks by Mendelssohn and Janácˇek.

£36 £30 £25 £20 £15

WIGMORE HALL EMERGING TA LE N T Supported by Mayfield Valley Arts Trust Escher String Quartet Chamber Music Season

Monday 19 October 1.00 pm

19 Alexei Ogrintchouk oboe

Boris Brovtsyn violin Daniel Wass Maxim Rysanov viola Marco Borggreve Kristina Blaumane cello Haydn Divertissement in Bb HII:B4 Britten Phantasy Quartet for oboe and string trio Op. 2

Schubert String Trio in Bb D471 Alexei Ogrintchouk Boris Brovtsyn Mozart Oboe Quartet in F K370 Four distinguished artists offer a delightful programme including Mozart’s deeply expressive Oboe Quartet and Britten’s early Phantasy Quartet, written for and Irina Podushko dedicated to Léon Goossens. Schubert’s incomplete String Trio, composed in 1816, and Haydn’s high-spirited Divertissement complete a fascinating collection of works.

£13 concs £11

BBC Radio 3 Lunchtime Concert Maxim Rysanov Kristina Blaumane

Monday 19 October 7.30 pm

Thomas Hampson baritone

Wolfram Rieger piano Dario Acosta Daniel Pasche Opera composers in song, including works by Chausson Bizet, Massenet, Meyerbeer, Weber and Kienzl. Over the course of his long and distinguished career, Thomas Hampson has allied the tonal beauty and flexibility of his baritone voice to the imaginative expression of

poetic texts. The American artist’s linguistic skills, innate Thomas Hampson Wolfram Rieger curiosity and feeling for the specific emotional gravity of words and imagery have guaranteed his place among the greatest recitalists of our time, at home in everything from lyrical opera arias and German Romantic song to the music of his native land.

£50 £40 £30 £25 £15 Song Recital Series

15 Tuesday 20 October 10.00am – 3.30 pm 20 Final of the 2015 Jaques Samuel Pianos Intercollegiate Piano Competition The four finalists of this year’s competition will perform a 45–50 minute programme of their own choice including the compulsory work – Robert Schumann Romance in F# Op. 28 No. 2. The Jaques Samuel Pianos Competition has taken place annually since 1996 and is open to all students from the Guildhall School of Music & Drama, Royal Academy of Music, Royal College of Music and Trinity Laban Conservatoire of Music & Dance.

All tickets £8 (Free to the Friends of Wigmore Hall) There will be a lunch interval at 12.00 noon – 1.00 pm and the winner will be announced at 3.00 pm.

Sponsored by Fazioli and S.W. Mitchell Capital LLP

Tuesday 20 October 7.30pm The Endellion String Quartet Haydn String Quartet in Eb Op. 76 No. 6 Shostakovich String Quartet No. 8 in C minor Op. 110 Eric Richmond Beethoven String Quartet in Bb Op. 130 with Grosse Fuge Op. 133 The Endellion String Quartet ends the first concert in its Wigmore Hall series with Beethoven's Op. 130, a towering masterwork given here with its original finale, the endlessly rewarding Grosse Fuge. Haydn’s utterly delightful late Op. 76 No. 6 and Shostakovich’s intense and autobiographical Eighth String Quartet form the programme’s rich first half.

£36 £30 £25 £20 £15 Chamber Music Season The Endellion String Quartet

Wednesday 21 October 3.00 pm – 6.00 pm 21 Wigmore Study Group SCHUBERT’S SONGS As Wigmore Hall embarks on a major series offering the chance to hear the complete songs of Schubert, Wigmore Study Group invites you to immerse yourself with three afternoons (21, 27 & 29 October) devoted to his Lieder. Summarising his friend’s towering achievement in this sphere Joseph Spaun wrote: ‘Every one of his songs is in reality a poem on the poem he set to music’. Schubert turned to a variety of poets at different times in his life and for specific musical purposes, some great, some lesser-known writers and some his own personal friends. These sessions examine the complex layers of meaning in his writing, the many stylistic references, the innovative integration of voice and piano and the harmonic language which at times anticipates Wagner. These sessions are hosted by composer Julian Philips with pianist Laura Roberts and contributing musicologists and musicians. They include live performances by students from the Guildhall School of Music & Drama. Returns only

Wigmore Hall Learning Event /Schubert: The Complete Songs Franz Schubert Painting by Wilhelm August Rieder

16 Wednesday 21 October 7.30 pm The King’s Consort Robert King conductor

Julie Cooper soprano Taco van der Werf Rebecca Outram soprano Robin Blaze countertenor Charles Daniels tenor Matthew Brook bass-baritone PURCELL AT THE CHAPEL ROYAL Purcell Praise the Lord, O Jerusalem; How long, great God; It is a good thing to give thanks; Let mine eyes run down with tears; Rejoice in the Lord alway; Hosanna to the highest; Remember not, Lord, our offences; Full of wrath, his threat’ning breath; I will give thanks unto thee, O Lord The King’s Consort turns to a programme of Purcell’s delectable anthems for the Chapel Royal, including his deeply moving setting of lachrymose words from

the Book of Jeremiah, Let mine eyes run The King’s Consort down with tears. A stellar line-up of singers and instrumentalists perform some of the composer’s finest sacred compositions.

£36 £30 £25 £20 £15

Early Music and Baroque Series/Henry Purcell: A Retrospective

Thursday 22 October 1.00 pm 22 Lisa Peacock Thursday Lunchtime Showcase Recitals Stefan Círic´ piano Rob Brimson Mozart Piano Sonata in A K331 Schumann Kreisleriana Op. 16 Ravel La valse British-based pianist Stefan Círic´ is recognised as an exceptional talent, receiving glowing reviews and critical acclaim for his supremely accomplished performances in some of the world’s leading venues. A winner of several major international competitions, he was awarded first prize at the 60th Viotti International Piano Competition in Vercelli, Italy. Stefan Círic´’s engagements with the Sofia Philharmonic, Vienna Symphony and the London Philharmonic, received critical acclaim. Future performances include a tour of Japan and a return performance with the London Philharmonic. ‘Burnished perfection … idiomatic and authoritative’ International Piano Stefan Círic´

£13 concs £11 20% discount when you book for 3 or more concerts in this series (see further dates below) Tickets also on sale for Thursday Lunchtime Showcase Recitals on 24 September (Amir Katz), 26 November (Konstantin Scherbakov), 28 January (Thomas Gould & Diana Ketler), 25 February (Rivka Golani & Michael Hampton) and 17 March (Hélène Dautry & Bruno Rigutto)

Lisa Peacock Concert Management Ltd

17 Thursday 22 October 7.30 pm

Swiss Ambassador’s Award Concert 2015

Viviane Chassot accordion David Pia cello Helena Winkelman Präludium (world première) Bach Sonata in D BWV1028 (version for cello and accordion) Helena Winkelman Intermezzo 1 (world première) Schumann 5 Stücke im Volkston Op. 102 Helena Winkelman Intermezzo 2 (world première) Piazzolla Le Grand Tango for cello and accordion The Swiss Ambassador’s Award Concert was established in 1998 with the aim of presenting some of the most talented young Swiss musicians in the UK. Exciting new duo Viviane Chassot and David Pia are the winners of this year’s Award. Their unusual combination of instruments represents a new venture for this concert series. The prize-winning pair, who both graduated in Switzerland, currently work with eminent conductors and are frequent guests at international festivals. An exclusive programme has been put together for this tour, including the world première of several pieces written for the duo by Swiss composer Helena Winkelman.

£12 incl. programme & glass of Swiss sparkling wine at the interval This concert will be approximately 1 hour 40 minutes in duration, including an interval Supported by the Swiss Cultural Fund UK, Swiss Arts Council Pro Helvetia, Presence Switzerland and JTI

Irène Zandel

Viviane Chassot David Pia

Friday 23 October 7.30 pm

23 Bertrand Chamayou piano Ravel Pavane pour une infante défunte; Jeux d’eau; Sonatine;

Gaspard de la nuit; Valses nobles et sentimentales; Marco Borggreve Le tombeau de Couperin Rave reviews followed Bertrand Chamayou’s Wigmore Hall debut recital, praising his technical wizardry, superb musicianship and bravura pianism. In the five years since, he has established a major international career and is widely regarded to be among the finest pianists of his generation. He returns to Wigmore Hall with a recital sure to probe the full range of his artistic imagination, not least in the three fantasy pieces of Ravel’s fiendishly difficult Gaspard de la nuit. Chamayou is blessed with the rare ability to cast fresh light on even the most familiar works in this unmissable programme.

£36 £30 £25 £20 £15

London Pianoforte Series Bertrand Chamayou

18 Saturday 24 October 7.30 pm 24 Scottish Ensemble Jonathan Morton leader, artistic director Maxim Rysanov viola Sergey Akhunov 6:36 in Schubert’s company for viola and strings; Erlkönig for viola and strings Schubert Arpeggione Sonata in A minor D821 (arr. for viola and strings by Dobrinka Tabakova) Dobrinka Tabakova Fantasy Homage to Schubert Schubert/Mahler String Quartet in D minor ‘Death and the Maiden’ (for string ensemble) Ukrainian violist Maxim Rysanov joins the Scottish Ensemble and Jonathan Morton for a programme informed by Schubert’s lasting influence on composers past and present. The sublime sounds of British-Bulgarian composer Dobrinka Tabakova’s Fantasy Homage to Schubert and two strikingly inventive pieces by Sergey Akhunov mark the way to Mahler’s rich-toned arrangement of ‘Death and the Maiden’.

£30 £25 £20 £15 £10 Chamber Music Season/Contemporary Music Series

Tommy Ga-Ken Wan

Irina and Pavel Kozhevnikov

Scottish Ensemble Maxim Rysanov

Sunday 25 October 11.30 am

25 Clio Gould violin Jonathan Morton violin, viola

MOZART, MADRIGALS AND MAVERICKS Tommy Ga-Ken Wan Martinu˚ Three madrigals for violin and viola Selections from Léonin Organum from Viderunt Omnes (transcr. Morton), Lassus Textless Bicinia (transcr. Morton), Bach 15 Inventions BWV772–786 (arr. Ferdinand David) and Bartók Duos for two violins Mozart Duo in G K423 Husband and wife, Scottish Ensemble’s Artistic Director Jonathan Morton and Director Emeritus

Clio Gould present a rich programme of string Clio Gould Jonathan Morton duos full of contrasts. Bookended by Martinu˚’s Three Madrigals, written for the brother and sister duo Joseph and Lilian Fuchs, and Mozart’s Duo in G composed over a century and a half earlier, the recital is completed with a series of short works by Léonin, Lassus, Bach and Bartók.

£13 concs £11 incl. programme and coffee/sherry/juice Sunday Morning Coffee Concert

19 Sunday 25 October 7.30 pm Vox Luminis Lionel Meunier artistic director EVENING AND MORNING Blow My God, my God, look upon me Purcell An Evening Hymn; In Guilty Night (Saul and the Witch of Endor) Purcell Sonata in Three Parts No. 8 in G Purcell Close thine eyes and sleep secure; No stars again shall hurt you from The Tempest Blow God spake sometime in visions Purcell Thou wakeful shepherd (A Morning Hymn) Blow God is our hope and strength Locke Curtain Tune from The Tempest Purcell Rejoice in the Lord alway; Sound the trumpet; My heart is inditing Lionel Meunier’s Vox Luminis brings a wealth of fresh ideas and insights to its Purcell interpretations, informed by extensive experience of performing works by the composer’s Central European contemporaries and deep immersion in his music. The ensemble presents a programme of sacred songs and anthems by Henry Purcell and his teacher John Blow, concluding with the majestic verse anthem My heart is inditing, written for and first performed at the Coronation of James II in 1685.

£50 £40 £30 £25 £15 Supported by the Hargreaves and Ball Trust Early Music and Baroque Series / Henry Purcell: A Retrospective

Vox Luminis

Monday 26 October 1.00 pm

26 Elizabeth Watts soprano Julius Drake piano

Marco Borggreve Liszt Enfant, si j’étais roi; S’il est un charmant Sim Canetty-Clarke gazon; Comment, disaient-ils; La tombe et la rose; Quand tu chantes bercée; Oh! quand je dors Debussy Ariettes oubliées Hahn Rêverie; Si mes vers avaient des ailes; L’incrédule; Fêtes galantes Elizabeth Watts has forged an outstanding artistic partnership with Julius Drake over the past decade. Their lunchtime recital explores three distinctive responses to the poetry of Paul Verlaine and Victor Hugo, complementing the seductive soundworld of Debussy’s Ariettes oubliées with an exquisite selection of songs by Hahn, and Liszt’s impassioned Hugo settings. Elizabeth Watts Julius Drake

£13 concs £11 BBC Radio 3 Lunchtime Concert

20 Monday 26 October 7.30 pm Ehnes Quartet

Beethoven String Quartet in F minor Jerry Davis Op. 95 ‘Serioso’ Sibelius String Quartet in D minor Op. 56 ‘Voces intimae’ Schubert String Quartet in D minor D810 ‘Death and the Maiden’ Canadian violinist James Ehnes and his eponymous string quartet present a programme of works underpinned by the highest values in chamber music composition, strikingly refined in craft and rich in invention. In honour of Sibelius’s 150th anniversary year, the quartet includes ‘Voces intimae’, a major landmark in the composer’s artistic development.

£36 £30 £25 £20 £15 Chamber Music Season Ehnes Quartet

Tuesday 27 October 3.00pm – 6.00 pm 27 Wigmore Study Group SCHUBERT’S SONGS See 21 October for full details Returns only Wigmore Hall Learning Event/Schubert: The Complete Songs

Tuesday 27 October 7.30pm

Alina Ibragimova violin Cédric Tiberghien piano

Sussie Ahlburg Mozart Violin Sonata in F K377; Violin Sonata in Bb K8; 6 Variations in G minor ‘Hélas, j’ai perdu mon amant’ K360; Violin Sonata in C K303 (K293c); Violin Sonata in C K403; Violin Sonata in F K13; Violin Sonata in C K28; Violin Sonata in Eb K26; Violin Sonata in Bb K378 Alina Ibragimova and Cédric Tiberghien return to Mozart’s complete violin sonatas as part of Wigmore Hall’s Mozart Odyssey. Their programme includes two of the so-called Auernhammer Sonatas, K377 and K378, published in Vienna in 1781 and dedicated to an exceptionally gifted amateur violinist, and the delightful variations on the popular French aria ‘Hélas, j’ai perdu mon amant’.

£36 £30 £25 £20 £15

Supported by the Patron Friends of Wigmore Hall

This concert will be approximately 2 hours 20 minutes in duration, including an interval Alina Ibragimova and Cédric Tiberghien

Chamber Music Season / The Mozart Odyssey

21 Wednesday 28 October 7.30 pm 28 Rosenblatt Recitals 2015/16 Sumi Hwang soprano Helmut Deutsch piano Mozart Aria: Deh vieni, non tardar from Le nozze di Figaro Schubert Ganymed; Erster Verlust; Die Liebe (Klärchens Lied); Rastlose Liebe Strauss Nichts; Die Nacht; Wiegenlied; Morgen; Cäcilie Berg Sieben frühe Lieder Puccini Aria: Signore Ascolta from Turandot Rachmaninov Sing not to me, beautiful maiden;

Dreams; Here it’s so fine Sumi Hwang Helmut Deutsch Puccini Aria: Si, mi chiamano Mimi from La bohème Sumi Hwang makes her Rosenblatt Recitals debut this season. With a voice described as having ‘pearly clarity, the intonation just, and the tone even and pretty across its range’ (Washington Post), the Korean soprano has gone on to perform across the world on the concert and opera platforms following her first prize win at the 2014 Queen Elisabeth Competition in Belgium. ‘Not only did people hear a singer, they also saw a performer who lived the music … though she is still young, she has a mature, well-tuned, and light voice’ La Scena

£30 £26 £22 £18 £16 Tickets also on sale for Rosenblatt Recitals on 21 September (Russell Thomas), 11 November (Quinn Kelsey) and 1 December (Dorottya Láng)

Thursday 29 October 11.00 am – 4.00 pm 29 Friday 30 October 11.00 am – 4.00 pm Musical Portraits HALF TERM COURSE

FOR YOUNG PEOPLE WITH Benjamin Ealovega AUTISTIC SPECTRUM DISORDERS Following the success of our long-running summer course, we have introduced more opportunities for young people with Autistic Spectrum Disorders to be inspired by paintings in the National Portrait Gallery, and create art works and music with Wigmore Hall Learning’s resident ensemble Ignite. For more information, and to apply for a place, contact Turtle Key Arts on 020 8964 5060 or email [email protected]

Free (application required)

In partnership with the National Portrait Gallery and Turtle Key Arts Wigmore Hall Learning Event

Thursday 29 October 3.00 pm – 6.00 pm Wigmore Study Group SCHUBERT’S SONGS See 21 October for full details Returns only Wigmore Hall Learning Event /Schubert: The Complete Songs

22 Thursday 29 October 7.30 pm

Christoph Prégardien tenor

Christoph Schnackertz piano Rosa Frank Schubert An Emma; Der Jüngling am Bache (D192); Der Liebende; Der Traum; Die Laube; Hoffnung (D251); Ritter Toggenburg; Edone; Die Liebesgötter; Der Hirt; Bei dem Grabe meines Vaters; Der Alpenjäger (D524); Nach einem Gewitter; Trost; Nachtstück; Nachtviolen; Auflösung Schubert has occupied the centre ground of Christoph Prégardien’s recital repertoire for over three decades.

The German tenor’s penetrating interpretations flow from Christoph Prégardien Christoph Schnackertz his sophisticated engagement with words and music. He and Christoph Schnackertz present such familiar songs as ‘Der Hirt’ and ‘Nachtviolen’ in company with rarely performed early treasures, ‘An Emma’ and ‘Der Liebende’ outstanding among them.

£36 £30 £25 £20 £15 Free tickets for 8–25 year olds at selected concerts, supported by John Lyon’s Charity. To book this concert as part of Wigmore Hall’s young people’s programme, please contact the Box Office and quote ‘CHAMBER ZONE’. Song Recital Series/Schubert: The Complete Songs

Friday 30 October 7.30 pm

30 Jan Lisiecki piano Mozart Piano Sonata in A K331 Liszt Trois études de concert S144 Mendelssohn Variations sérieuses in D minor Op. 54 Chopin 12 Études Op. 25 Born in Canada in 1995 to Polish parents, Jan Lisiecki has been described by The New York Times as ‘a pianist who makes every note count’. He returns to Wigmore Hall to perform Mozart’s famous Piano Sonata in A K331, best known

for its concluding Rondo ‘Alla Turca’, and crowns his programme with the work Mathias Bothor/Deutsche Grammophon he recently recorded for Deutsche Grammophon, Chopin’s Études Op. 25.

£36 £30 £25 £20 £15 WIGMORE HALL EMERGING TA LE N T Supported by Mayfield Valley Arts Trust

London Pianoforte Series Jan Lisiecki

Saturday 31 October 7.30 pm

31 Lucy Crowe soprano

Malcolm Martineau piano Tina Foster

Russell Duncan

Marco Borggreve Lucy Wakeford harp Schubert An den Mond (D193); Heidenröslein; An die Sonne (D439); Iphigenia; Lob der Tränen; Marie; Der Fluss; Nachtviolen; Du bist die Ruh; Ellens Gesang III (Ave Maria); Die Männer sind méchant

Debussy Rondel chinois; Jane; La fille aux cheveux de Lucy Crowe Malcolm Martineau Lucy Wakeford lin; Rondeau; Flots, palmes et sables; Les papillons; Séguidille; Coquetterie posthume; Tragédie; Mandoline; En sourdine; Fantoches; Clair de lune; Pantomime Lucy Crowe’s charismatic stage presence, dazzling musicianship and pristine vocal clarity have won admirers worldwide and made her a firm favourite with Wigmore Hall’s audience. The lyric soprano, recently described as ‘astonishing’ by The New York Times, joins Malcolm Martineau for a recital in the Hall’s Schubert song series.

23 How to get to Wigmore Hall

Wigmore Hall, 36 Wigmore Street, London W1U 2BP Box Office Tel: 020 7935 2141 John Gilhooly OBE Director The Wigmore Hall Trust, Registered Charity No. 1024838

Wigmore Hall is situated in the heart of London’s West End and is easily accessible by public transport or car.

Tubes Bond Street (Central & Jubilee lines) and Oxford Circus (Bakerloo, Central & Victoria lines) tube stations are both close by.

Buses A large number of buses travel along Oxford Street, which is approximately five minutes walk from Wigmore Hall.

Car Parking There is limited street parking after 6.30 pm (Mon – Sat) and all day Sunday in permitted areas. Alternatively there are public car parks in Cavendish Square, Harley Street and Marylebone Lane, all of which are less than a five minute walk from the Hall. Wigmore Hall participates in the Theatreland Parking Scheme which gives all Wigmore concert-goers 50% discount on their parking. Please contact the box office for further details or visit our website.

Restaurant and Bars Full information on pre-concert and interval refreshments can be found at www.wigmore-hall.org.uk/restaurant or by calling 020 7258 8292. Table reservations can be made by calling the Box Office on 020 7935 2141.

OXFORD CIRCUS

BOND STREET

Benjamin Ealovega