Drone Technopolitics: a History of Race and Intrusion on the U.S.-Mexico Border, 1948-2016
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Recreating Borders Through Art in the Mercosul Anne-Laure Amilhat Szary
Latin American Borders on the Lookout: Recreating borders through art in the Mercosul Anne-Laure Amilhat Szary To cite this version: Anne-Laure Amilhat Szary. Latin American Borders on the Lookout: Recreating borders through art in the Mercosul. Reece Jones & Corey Jonhson. Placing the Border in Everyday Life, Ashgate, pp.346-378, 2014, Border Regions Series, 978-1-4724-2455-6. halshs-01002993 HAL Id: halshs-01002993 https://halshs.archives-ouvertes.fr/halshs-01002993 Submitted on 8 Jun 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. PLACING THE BORDER IN EVERYDAY LIFE Proof Copy 9781472424549.indb 1 2/3/2014 12:27:21 PM SERIES PAGE TO FOLLOW Proof Copy 9781472424549.indb 2 2/3/2014 12:27:21 PM Placing the Border in Everyday Life Edited by REECE JONES University of Hawai‘i at Manoa, USA COREY JOHNSON University of North Carolina at Greensboro, USA Proof Copy 9781472424549.indb 3 2/3/2014 12:27:21 PM © Reece Jones and Corey Johnson 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. -
Designing Unmanned Aircraft Systems: a Comprehensive Approach
Designing Unmanned Aircraft Systems: A Comprehensive Approach Jay Gundlach Aurora Flight Sciences Manassas, Virginia AIAA EDUCATION SERIES Joseph A. Schetz, Editor-in-Chief Virginia Polytechnic Institute and State University Blacksburg, Virginia Published by the American Institute of Aeronautics and Astronautics, Inc. 1801 Alexander Bell Drive, Reston, Virginia 20191-4344 NOMENCLATURE Item Definition A area; availability; ground area covered in a mission; radar antenna area, m2; conversion between radians and minutes of arc Aa achieved availability Abound bounded area for a closed section 2 Ad IR detector sensitive area, m 2 Aeff effective antenna area, length Ai inherent availability AO operational availability; UA availability 2 Ap propeller disk area, length ARate area coverage rate Ar effective collection area of optical receiver ASurf surface area AR aspect ratio ARWet wetted aspect ratio AR0 aspect ratio along spanwise path a UA acceleration; maximum fuselage cross-section width; speed of sound; detector characteristic dimension awa radar mainlobe width metric awr radar mainlobe width metric ax acceleration along the x direction (acceleration) B acuity gain due to binoculars; boom area; effective noise bandwidth of receiving process, Hz 21 BDoppler Doppler bandwidth (time ) BN effective noise bandwidth of the receiving process 21 BT radar signal bandwidth (time ) BSFCSL brake specific fuel consumption at sea level b web length; wing span; maximum fuselage cross- section height bw wing span b0 span without dihedral C cost of contractor -
Two Years After Snowden
TWO YEARS AFTER SNOWDEN PROTECTING HUMAN RIGHTS IN AN AGE OF MASS SURVEILLANCE (COVER IMAGE) A student works on a computer that is projecting former U.S. National Security Agency contractor Edward Snowden as he appears live via video during a world affairs conference in Toronto © REUTERS/Mark Blinch 2 TWO YEARS AFTER SNOWDEN JUNE 2015 © REUTERS/Zoran Milich © REUTERS/Zoran “The hard truth is that the use of mass surveillance technology effectively does away with the right to privacy of communications on the Internet altogether.” Ben Emmerson QC, UN Special Rapporteur on counter-terrorism and human rights EXECUTIVE SUMMARY On 5 June 2013, a British newspaper, The exposed by the media based on files leaked by Guardian, published the first in a series Edward Snowden have included evidence that: of revelations about indiscriminate mass surveillance by the USA’s National Security Companies – including Facebook, Google Agency (NSA) and the UK’s Government and Microsoft – were forced to handover Communications Headquarters (GCHQ). their customers’ data under secret orders Edward Snowden, a whistleblower who had through the NSA’s Prism programme; worked with the NSA, provided concrete evidence of global communications the NSA recorded, stored and analysed surveillance programmes that monitor the metadata related to every single telephone internet and phone activity of hundreds call and text message transmitted in of millions of people across the world. Mexico, Kenya, and the Philippines; Governments can have legitimate reasons GCHQ and the NSA have co- for using communications surveillance, for opted some of the world’s largest example to combat crime or protect national telecommunications companies to tap security. -
Transcultural Performance Art, Political Intention, and the Aesthetic
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 5-3-2018 Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez- Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra William R. Stark University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Stark, William R., "Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez-Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra" (2018). Doctoral Dissertations. 1775. https://opencommons.uconn.edu/dissertations/1775 Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez-Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra William R. Stark University of Connecticut, 2018 This dissertation analyzes socio-cultural and socio-political concerns that characterize performance art in the United States (U.S.) from the late 1980s to 2015. Of particular interest to my research are performance artists who cross cultural borders and challenge normative cultural paradigms, celebrate cultural hybridity, and challenge the epistemological value of national, cultural, ethnic, and racial borders. My research examines the ways that multimedia performance artists Guillermo Gómez-Peña (1955 – Mexico City, D.F.), Coco Fusco (1960 – New York, NY), Roberto Sifuentes (1967 – Los Angeles, CA), Violeta Luna (Mexico City, D.F., Mexico) and the performance troupe La Pocha Nostra (1993-) articulate aesthetic projects with political intention to establish sociocultural and sociopolitical critiques of hegemonic discourses. I examine the central role of the U.S.-Mexico border and border thinking in texts and performances from the 1980s to 2015. -
+ – . Evidentiary Realism Exhibition Presented by NOME Gallery +
. Evidentiary Realism exhibition presented by NOME Gallery + Fridman Gallery in NYC. February 28 – March 31, 2017 287 Spring St, New York, NY 10013. Artists talk moderated by Hrag Vartanian and opening 5-9pm on Feb. 28th More information on the website EvidentiaryRealism.net Artists: Nora Al-Badri & Jan Nikolai Nelles, Amy Balkin, Josh Begley, James Bridle, Ingrid Burrington, Harun Farocki, Hans Haacke, Thomas Keenan & Eyal Weizman, Navine G. Khan-Dossos, Mark Lombardi, Kirsten Stolle, Suzanne Treister. Curated and organized by Paolo Cirio. Evidentiary Realism features artists engaged in investigative, forensic, and documentary art. The exhibition aims to articulate a particular form of realism in art that portrays and reveals evidence from complex social systems. The truth-seeking artworks featured explore the notion of evidence and its modes of representation. Evidentiary Realism reflects on post-9/11 geopolitics, increasing economic inequalities, the erosion of civil rights, and environmental disasters. It builds on the renewed appreciation of the exposure of truth in the context of the cases of WikiLeaks, Edward Snowden, the Panama Papers, and the recent efforts to contend with the post-factual era. Contemporary sharing and processing of information in an open global collaborative environment entails an amplified sense of reality. Leaks, discoveries, and facts are collectively verified and disseminated among numerous distribution networks. Techniques of presentation and engaging the public have been evolving in the same direction—through reconfiguration of media and languages, the evidence is presented in a variety of strategies and artifacts in dialogue with contemporary art practices. Evidentiary Realism focuses on artworks that prioritize formal aspects of visual language and mediums; diverging from journalism and reportage, they strive to provoke visual pleasure and emotional responses. -
Air University Review: September-October 1973, Volume
AIR U N I V E R S IT V PROFESSIONAl JOURNAlrcificw Of THE UNITED STATES AIR FORCE T H E T he Threat, F oreicn Policy, and Cost Control: P.ARAMETERS FOR F o RCE P l ANNINC................................................................................................... 2 Col. Edward Stellini, USAF Keyn o t e of the 1970s: Joint Ven t c r es lnto Spa c e ................................................................16 Phillip O. Davis William G. Holder Air Force Review Swords, P lowsh.ares, .and Procress....................................................................................... 3 0 Lt. Gen. Kenneth W. Schultz, USAF D rone Remo t el y Pil o t e d Veh icl es and Aer ospac e Power...............................................44 Lt. Col. E. J. Kellerstrass, USAF SuPERSONIC D e LIVERY OF CoNVENTIONAL W ea PONS—F a CT OR F a NCY?.................................. 55 Charles S. Epstein Ner ve Cen t er for Spa c e Defen se...................................................................................................... 66 Maj. Sainuel C. Beainer, USAF In My Opinion T he Unit Co mma n der and the Bureaucracy............................................................... 63 Lt. Col. Arthur C. Mussman, USAF T he Nixo n Doctrine—a New Era in Foreign Policy? ...............................................89 Maj. H. A. Staley, USAF Books and Ideas W here There’s P.ain Theres Hope: M il it a r y Pr o fessio n a l ism in the Dock .......................................................................................................93 -
Aerospace Propulsion
Unmanned Aerial Vehicle Propulsion by Sean Brown A PROJECT submitted to Oregon State University University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Mechanical Engineering (Honors Associate) Presented February 27th, 2015 Commencement June 2015 2 4 ©Copyright by Sean Brown February 27th, 2015 All Rights Reserved 5 Unmanned Aerial Vehicle Propulsion by Sean Brown A PROJECT submitted to Oregon State University University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Mechanical Engineering (Honors Associate) Presented February 27th, 2015 Commencement June 2015 6 TABLE OF CONTENTS Table of Contents ............................................................................................................................. 8 1 Introduction ............................................................................................................................ 12 2 Propulsion Systems ................................................................................................................ 12 2.1 Piston-Propeller.............................................................................................................. 12 2.2 Gas turbine ..................................................................................................................... 12 2.2.1 Turbojets ................................................................................................................ 12 2.2.2 Turboprops -
Unmanned Aerial Vehicles and Uninhabited Combat Aerial Vehicles
Defense Science Board Study on Unmanned Aerial Vehicles and Uninhabited Combat Aerial Vehicles February 2004 Office of the Under Secretary of Defense For Acquisition, Technology, and Logistics Washington, D.C. 20301-3140 This report is a product of the Defense Science Board (DSB). The DSB is a Federal Advisory Committee established to provide independent advice to the Secretary of Defense. Statements, opinions, conclusions and recommendations in this report do not necessarily represent the official position of the Department of Defense. This report is UNCLASSIFIED. OFFICE OF THE SECRETARY OF DEFENSE 3140 DEFENSE PENTAGON WASHINGTON, DC 20301-3140 DEFENSE SCIENCE BOARD MEMORANDUM FOR THE ACTING UNDERSECRETARYOF DEFENSE (ACQillSmON, TECHNOLOGY AND LOGISTICS) SUBJEcr: Reportof the DefenseScience Board Task Force on UnmannedAerial Vehicles and UninhabitedCombat Aerial Vehicles I am pleasedto forward the final report of the DSB Task Force on UnmannedAerial Vehicles (UA V) and UninhabitedCombat Aerial Vehicles (UCA V). This Task Force was tasked to evaluatethe current statusof the UA Vs and UCA Vs and provide recommendationson how to betterintegrate UA Vs and UCA Vs into the force structure. The Task Force concludedit is time for the Departmentof Defenseand the Services move forward and makeUA Vs and UCA Vs an integral part of the force structure,not an "additional asset". To do so requiresappropriate planning, appropriate budgeting, and continuedmanagement attention from the Departmentof Defenseand Serviceleadership. The Task Force's findings and recommendationsfall into eight subjectareas: Introduction of UA Vs into the force structure VA V unit productioncosts UA V mishaprates Communicationsconstraints UA V interoperability and mission management Integrationof UA Vs into national airspace Focustechnology investments Reductionof UA V combatvulnerability I endorseall of the recommendationsof the Task Force and proposethat you review the Task Force Co-Chainnen's letter and the report. -
Drone Flight and Failure: the United States’ Secret Trials, Experiments and Operations in Unmanning, 1936-1973
Drone Flight and Failure: the United States’ Secret Trials, Experiments and Operations in Unmanning, 1936-1973 By Katherine Fehr Chandler A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor David Bates, Co-Chair Professor Charis Thompson, Co-Chair Professor Samera Esmeir Professor Jake Kosek Spring 2014 Drone Flight and Failure: the United States’ Secret Trials, Experiments and Operations in Unmanning, 1936-1973 ©2014 by Katherine Fehr Chandler Abstract Drone Flight and Failure: the United States’ Secret Trials, Experiments and Operations in Unmanning, 1936-1973 by Katherine Fehr Chandler Doctor of Philosophy in Rhetoric and the Designated Emphasis in New Media University of California, Berkeley Professor David Bates, Co-Chair Professor Charis Thompson, Co-Chair I examine the precursors to contemporary unmanned combat air vehicles (UCAVs) to ask what is at stake in the designation “unmanned?” The apparent misnomer dissociates technologies and humans, occluding how international interventions, including surveillance, military support, signals intelligence, and targeted killing, are carried out through actions networked between humans and nonhumans. I use a genealogical approach to address how tensions and contradictions articulated by unmanning emerge, using the development, operation and failure of unmanned systems to complicate divisions between human and nonhuman; “us” and the enemy; immersion and distance; military and industry; and above and below. I identify two phases in the development of remote controlled and unmanned aircraft in the United States: targeting and reconnaissance. -
Canada Aviation and Space Museum Aircraft
CANADA AVIATION AND SPACE MUSEUM AIRCRAFT RYAN KDA-4 FIREBEE DRONE ROYAL CANADIAN AIR FORCE SERIAL KD-4788 INTRODUCTION The Ryan Firebee began as a series of target drones (now more commonly referred to as unmanned aerial vehicles or UAVs) 1 developed by the Ryan Aeronautical Company (later Teledyne Ryan), beginning in 1951. It was one of the first jet-propelled drones, and, eventually, one of the most successful and widely used target drones ever built. Generally referred to as the Firebee I, the initial versions possessed high subsonic speed, and were primarily intended for use in ground-to-air and air-to-air gunnery training. Later versions were developed into reconnaissance vehicles, as well as into attack and multi-mission platforms. More than 7,000 Firebee vehicles were built, with many variants being introduced. A Ryan publicity photo illustrating the first customers for the Ryan Firebee: the United States Air Force, the United States Navy, the United States Army and the Royal Canadian Air Force. - (Ryan Aeronautical Company Photo) The Royal Canadian Air Force (RCAF) became one of the first customers for the Firebee intending the target drone to be used in particular for the planned weapons testing and training on the Avro Canada CF-105 Arrow fighter program. The Firebee has the distinction of being the first UAV in the RCAF. Cover Photo Caption - The Ryan Firebee was launched from a modified Lancaster bomber in RCAF service. - (RCAF Photo) 1 / 22 ______________________________________________________________________ FIREBEE DESIGN HISTORY 2 Q-2 / KDA-1 Firebee The Firebee was the result of a 1946 United States Army Air Force (USAAF) request for a jet-powered gunnery target. -
RPV DRONES Make the Difference by Hank Basham
RPV's Make the Difference by Hank Basham Air University Review, January-February 1974 Document created: 19 September 03 What will the fighter pilot s chances be when that bird out there is the real thing, a MIG-21 . or a supersonic bomber making a run toward targets within the United States . or some other modern jet making an attack? If he is a pilot of the Aerospace Defense Command, his chances will be good because he has experience resulting from weapons firing training and evaluation against remotely piloted vehicles (RPV) at the Air Defense Weapons Center. RPV's have been around a long time, down along the northwest Florida Gulf Coast area at Tyndall Air Force Base. Here the Teledyne Ryan Firebee jet has been in operation as the prime target for pilots sharpening their air defense skills. Because this remotely piloted vehicle is the nearest thing to a hostile aircraft, pilots who train against the Firebee will have a better chance against an actual attack. Not just a clay pigeon, this bird is a real jet aircraft. It flies like one. It maneuvers like one. Returning combat pilots confirm they must train against a maneuvering jet to be really prepared. Those pilots who train at the Air Defense Weapons Center will know just what to expect when the chips are down. They'll know because they have flown against, fired against, and scored against an RPV that strongly simulated an aircraft being flown by an enemy pilot. It was seventeen years ago when the Firebee entered the air defense picture at Tyndall Air Force Base, home of the Air Defense Weapons Center, and every pilot within the Aerospace Defense Command has at one time or another pitted his skill against the elusive high-speed and high- flying target. -
Geographies of Violence
1 Geographies of Violence Site-Oriented Art and Politics at the Mexico-U.S. Border From the 1980s to the Present Paula Brailovsky Ruiz PhD Thesis University College London 2014. 2 I, Paula Brailovsky Ruiz, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract Through a series of case studies, analysed via the theoretical framework of site- specificity, this thesis explores the ways in which artists, from the 1980s to the present, have attempted to critically represent and understand more fully the socio- political fabric of the Mexico-U.S. border and the systemic violence that undergirds it. The introduction discusses the historical and political context of the thesis, establishes its methodological territory and outlines the current research of this field. Chapter One focuses on the collective Border Art Workshop/Taller the Arte Fronterizo (BAW/TAF) arguing, with reference to Mikhail Bakhtin’s concept of the carnival, that these artists tried to propose an new and more amicable narrative of the Mexican and U.S. history. Chapter Two focuses on performance artist Guillermo Gómez-Peña whose work, created at the height of the institutionalisation of multiculturalism, analysed the role of capitalism in creating and sustaining attitudes that operated along the pernicious lines of race and nationality. Chapter Three examines Ursula Biemann’s video-essay Performing the Border, where the artist analyses female deskilled labour carried out in sweatshops in northern Mexico. I examine how she attempts to represent the hypermobility of capital vis-à-vis the physical immobility of the assembly plant worker.