Lender and Tallinn Houses in Kalamaja
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Ober-Haus Real Estate Market Report 2019
REAL ESTATE MARKET REPORT 2019 / 3 PART OF Realia Group helps its customers to find the best services and solutions in all questions related to housing and building management. Our vision is to offer better living and real estate wealth to our customers. Realia Group is the largest provider of expert services specialising in the brokerage and management services of apartments, properties and commercial facilities in the Nordic countries. Our services include: • Brokerage services for consumers • Housing management • Property management services for commercial properties • Property management services for residential buildings • Project management and construction services • Financial management services • Valuation services • Energy management services • Residential leasing Realia Group consists of Realia Isännöinti Oy, Realia Management Oy, Arenna Oy, Huoneistokeskus Oy, SKV Kiinteistönvälitys Oy and Huom! Huoneistomarkkinointi Oy in Finland. A/S Ober-Haus operates in the Baltic region and Hestia in Sweden. Our customers include apartment house companies and real estate companies, private and public owners and end users of apartments and properties, fund companies, banks and many other parties operating in the real estate sector as well as consumers. All of our companies share the significance of customer experiences in the development of products and services. We are building a better customer experience by investing in customer-oriented service production, an active service culture and strong and competent operations. We want to be a customer experience driven pioneer in our field. The Realia Group's competitiveness is made up of strong brands, motivated and skillful personnel, and the ability and will to invest in working methods and processes of the future. -
Tallinn: Collage City) Architecture
Tallinn is a very composite city. Throughout its history, it has been characterized by irregular development, a varied pace of building and the continuous cultural interruptions of the modernist era: liberation from the Russian tsarist regime in 1918, a brief, 22-year period of independence KAIDO HAAGEN KAIDO followed by 50 years of Soviet occupation, the structural creation of THE BLACK HOUSE (2010) KAIDO HAAGEN KAIDO 17 Architect: Martin Aunin the 1990s and vigorous integration with the European and global world ESTONIAN MARITIME MUSEUM Address: Valguse 17 1 SEAPLANE HARBOUR (2012) in the 21st century. The latter has seen a period of economic growth Architect: KOKO architects Address: Küti 17A TIIT VEERMÄE TIIT and construction boom accompanied by advantages and drawbacks. CITY PLAZA AND EUROPEAN UNION 7 BUILDING (2004, 2006) Architect: Alver Trummal Architects Address: Tartu mnt 2, Rävala pst 4 KAIDO HAAGEN KAIDO SYNAGOGUE (2007) 12 Architect: KOKO architects Address: Karu 16 REIO AVASTE REIO RESIDENTIAL BUILDING (2007) 2 Architect: Eek & Mutso Address: Noole street 8 FORMER CARPENTER’S WORKSHOP Tallinn: OFFICE BUILDING (2008) 8 HAAGEN KAIDO Architect: KOKO architects Address: Roseni 7 SIPLANEMARTIN LÕVI PARK APARTMENT BUILDINGS BALTIC FILM AND MEDIA SCHOOL (2013) (2012) 18 13 Architect: Alver Architects Architect: Salto architects Address: Hiiu-Suurtüki 4 Collage city RATNIEKS KARLIS Address: Narva Road 27 ESTONIA (EE) — TEXT: TRIIN OJARI, ILLUSTRATION: HARMEN VAN DER HORST Despite its architectural diversity, the main (tourist) of the 21st century there were almost 30,000 inhab- buildings (including buildings of architectural im- attraction of Tallinn is still the medieval old city centre, itants living in the new suburban residential estates portance) have been demolished or reconstructed, which has been upgraded recently through building at or around the borders of the city. -
Estonian Academy of Sciences Yearbook 2018 XXIV
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEARBOOK FACTS AND FIGURES ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XXIV (51) 2018 TALLINN 2019 This book was compiled by: Jaak Järv (editor-in-chief) Editorial team: Siiri Jakobson, Ebe Pilt, Marika Pärn, Tiina Rahkama, Ülle Raud, Ülle Sirk Translator: Kaija Viitpoom Layout: Erje Hakman Photos: Annika Haas p. 30, 31, 48, Reti Kokk p. 12, 41, 42, 45, 46, 47, 49, 52, 53, Janis Salins p. 33. The rest of the photos are from the archive of the Academy. Thanks to all authos for their contributions: Jaak Aaviksoo, Agnes Aljas, Madis Arukask, Villem Aruoja, Toomas Asser, Jüri Engelbrecht, Arvi Hamburg, Sirje Helme, Marin Jänes, Jelena Kallas, Marko Kass, Meelis Kitsing, Mati Koppel, Kerri Kotta, Urmas Kõljalg, Jakob Kübarsepp, Maris Laan, Marju Luts-Sootak, Märt Läänemets, Olga Mazina, Killu Mei, Andres Metspalu, Leo Mõtus, Peeter Müürsepp, Ülo Niine, Jüri Plado, Katre Pärn, Anu Reinart, Kaido Reivelt, Andrus Ristkok, Ave Soeorg, Tarmo Soomere, Külliki Steinberg, Evelin Tamm, Urmas Tartes, Jaana Tõnisson, Marja Unt, Tiit Vaasma, Rein Vaikmäe, Urmas Varblane, Eero Vasar Printed in Priting House Paar ISSN 1406-1503 (printed version) © EESTI TEADUSTE AKADEEMIA ISSN 2674-2446 (web version) CONTENTS FOREWORD ...........................................................................................................................................5 CHRONICLE 2018 ..................................................................................................................................7 MEMBERSHIP -
Yearbook 2015
2015 AS MERKO EHITUS GROUP Consolidated Annual Report 01.01.2015 - 31.12.2015 Business name: AS Merko Ehitus Main activities: Holding companies General contracting of construction Real estate development Commercial Register No.: 11520257 Address: Järvevana tee 9G, 11314 Tallinn Postal address: Pärnu mnt 141, 11314 Tallinn Phone: +372 650 1250 Fax: +372 650 1251 E-mail: [email protected] Web site: group.merko.ee Auditor: AS PricewaterhouseCoopers Supervisory Board: Toomas Annus, Teet Roopalu, Indrek Neivelt, Olari Taal Management Board: Andres Trink, Tõnu Toomik BRIEF OVERVIEW OF THE GROUP 5 STATEMENT OF THE CHAIRMAN OF THE MANAGEMENT BOARD 13 MANAGEMENT REPORT 14 MANAGEMENT DECLARATION 80 FINANCIAL STATEMENTS 81 CONSOLIDATED STATEMENT OF COMPREHENSIVE INCOME 81 CONSOLIDATED STATEMENT OF FINANCIAL POSITION 82 CONSOLIDATED STATEMENT OF CHANGES IN EQUITY 83 CONSOLIDATED CASH FLOW STATEMENT 84 NOTES 85 NOTE 1 SUMMARY OF SIGNIFICANT ACCOUNTING NOTE 24 INTANGIBLE ASSETS 112 POLICIES 85 NOTE 25 LEASED ASSETS 113 NOTE 2 MANAGEMENT ESTIMATES 94 NOTE 26 BORROWINGS 114 NOTE 3 OPERATING SEGMENTS 96 NOTE 27 PAYABLES AND PREPAYMENTS 115 NOTE 4 COST OF GOODS SOLD 99 NOTE 28 PROVISIONS 116 NOTE 5 MARKETING EXPENSES 99 NOTE 29 OTHER LONG-TERM PAYABLES 116 NOTE 6 GENERAL AND ADMINISTRATIVE EXPENSES 99 NOTE 30 LOAN COLLATERALS AND PLEDGED ASSETS 116 NOTE 7 OTHER OPERATING INCOME 99 NOTE 31 SHARE CAPITAL 117 NOTE 8 OTHER OPERATING EXPENSES 99 NOTE 32 CONSTRUCTION CONTRACTS IN PROGRESS 118 NOTE 9 FINANCE INCOME 99 NOTE 33 RELATED PARTY TRANSACTIONS 118 NOTE 10 -
Estonian Art 1/2013 (32)
Estonian 1/2013Art 1 Evident in Advance: the maze of translations Merilin Talumaa, Marie Vellevoog 4 Evident in Advance, or lost (and gained) in translation(s)? Daniele Monticelli 7 Neeme Külm in abstract autarchic ambience Johannes Saar 9 Encyclopaedia of Erki Kasemets Andreas Trossek 12 Portrait of a woman in the post-socialist era (and some thoughts about nationalism) Jaana Kokko 15 An aristocrat’s desires are always pretty Eero Epner 18 Collecting that reassesses value at the 6th Tallinn Applied Art Triennial Ketli Tiitsar 20 Comments on The Art of Collecting Katarina Meister, Lylian Meister, Tiina Sarapu, Marit Ilison, Kaido Ole, Krista Leesi, Jaanus Samma 24 “Anu, you have Estonian eyes”: textile artist Anu Raud and the art of generalisation Elo-Hanna Seljamaa Insert: An Education Veronika Valk 27 Authentic deceleration – smart textiles at an exhibition Thomas Hollstein 29 Fear of architecture Karli Luik 31 When the EU grants are distributed, the muses are silent Piret Lindpere 34 Great expectations Eero Epner’s interview with Mart Laidmets 35 Thoughts on a road about roads Margit Mutso 39 The meaning of crossroads in Estonian folk belief Ülo Valk 42 Between the cult of speed and scenery Katrin Koov 44 The seer meets the maker Giuseppe Provenzano, Arne Maasik 47 The art of living Jan Kaus 49 Endel Kõks against the background of art-historical anti-fantasies Kädi Talvoja 52 Exhibitions Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Dénes Farkas. -
An Examination of the Role of Nationalism in Estonia’S Transition from Socialism to Capitalism
De oeconomia ex natione: An Examination of the Role of Nationalism in Estonia’s Transition from Socialism to Capitalism Thomas Marvin Denson IV Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in Political Science Besnik Pula, Committee Chair Courtney I.P. Thomas Charles L. Taylor 2 May 2017 Blacksburg, Virginia Keywords: Estonia, post-Soviet, post-socialist, neoliberalism, nationalism, nationalist economy, soft nativism Copyright © 2017 by Thomas M. Denson IV De oeconomia ex natione: An Examination of the Role of Nationalism in Estonia’s Transition from Socialism to Capitalism Thomas Marvin Denson IV Abstract This thesis explores the role played by nationalism in Estonia’s transition to capitalism in the post-Soviet era and the way it continues to impact the Estonian economy. I hypothesize that nationalism was the key factor in this transition and that nationalism has placed a disproportionate economic burden on the resident ethnic Russians. First, I examine the history of Estonian nationalism. I examine the Estonian nationalist narrative from its beginning during the Livonian Crusade, the founding of Estonian nationalist thought in the late 1800s with a German model of nationalism, the conditions of the Soviet occupation, and the role of song festivals in Estonian nationalism. Second, I give a brief overview of the economic systems of Soviet and post-Soviet Estonia. Finally, I examine the impact of nationalism on the Estonian economy. To do this, I discuss the nature of nationalist economy, the presence of an ethno-national divide between the Estonians and Russians, and the impact of nationalist policies in citizenship, education, property rights, and geographical location. -
VIRGE LOO PORTFOLIO Virgeloo.Tumblr.Com [email protected]
VIRGE LOO PORTFOLIO virgeloo.tumblr.com [email protected] SAH SAH (2015) Sah Sah explores ideas about our connectedness with environments by looking at sound as a phenomena that is able to shape our nature in a longer period of time. The title derives from an Estonian word “sahin” which describes the sound of rustling tree leaves. This inspiring natural phenomena is the core of a personal sound memory and is related to artist’s cultural background. This art project gives a peek into a Nordic mindset and investigates if a geocultural phenomena could be universally perceived. An interwoven set of works were created by visualising the characteristics of sound in a still image and using these painted images to set the sound in motion again – thus creating a circle of transitions. Sah Sah consists of ink paintings, video and sound. The sound was designed by Sander Saarmets. Sah Sah consists of series of seven large scale (95x180cm) and 45 smaller (30x20cm) ink paintings. Sah Sah video (10:10) was made in collaboration with Sander Saarmets. Video: youtu.be/_ctjiDVyq84 Works shown at solo exhibition SAH SAH 8/05 – 12/05/2015 thesahsahs.tumblr.com WORK IN PROGRESS (2015) Work in Progress focused on my creative process. By mapping various elements and activities involved in creating a finalised artwork, the audience got a glimpse into artist’s creative process. The visually organised “mind map” on a blackboard was a temporary and developing (representation of) work in progress. The exhibition space was set up like a studio, with tools and objects, unfinished potential artworks and leftovers. -
Facts About Tallinn 2019
FACTS 2019 ABOUT TALLINN TALLINN – Estonia’s Economic Centre 1 TABLE OF CONTENTS HISTORY: 1 TALLINN TALLINN 800 4 COMPETITIVENESS 5 BUSINESS 13 INFORMATION AND COMMUNICATIONS TECHNOLOGY The year 2019 marks a milestone in Tallinn’s history: on June 15, the city th 17 TOURISM celebrates its 800 anniversary, commemorating its first recorded mention in the Livonian Chronicle of Henry in 1219, in which Henry of Latvia (Henricus de 23 ECONOMY Lettis) describes the battle of Lindanise Castle (today’s Toompea Hill) between 25 FOREIGN TRADE King Valdemar II of Denmark and the Estonian forces. 27 RESIDENTIAL HOUSING AND COMMERCIAL REAL ESTATE As all good things come in pairs, and the city’s first mention in the chronicles is 32 POPULATION AND JOB MARKET not the only reason to celebrate: we share our great anniversary with the Danish 34 TRANSPORT state flag, the Dannebrog. According to a popular legend, the red-and-white 38 EDUCATION cross fell from the sky as a sign of support from God during the battle in Tallinn 41 ENVIRONMENT and secured a difficult victory for the Danes. 44 HEALTH CARE On 15 May 1248, Erik IV, the King of Denmark, granted Tallinn town rights under 46 SPORT the Lübeck Law, thereby joining Tallinn to the common legal space of German 50 CULTURE trading towns. 53 ADMINISTRATION AND BUDGET Tallinn, the famous Hanseatic town, received its town rights in 1248. Published by: Tallinn City Enterprise Department Tallinn is the best-preserved medieval town in Northern Europe. Design: Disainikorp Tallinn Old Town is included on the UNESCO World Heritage List. -
Post-Soviet Art Museums in the Era of Globalization
Kunsthaus Graz, Graz University Post-Soviet Art Museums in the Era of Globalization Contemporary Art + Institutions International conference Friday, June 18 – Saturday, June 19, 2010 June 18, 10–18, June 19, 10–15 Kunsthaus Graz, Space04 Organized by Graz University in cooperation with Kunsthaus Graz Waltraud Bayer, Graz University; Peter Pakesch, Kunsthaus Graz Conference language: English Kunsthaus Graz, Universalmuseum Joanneum, Lendkai 1, 8020 Graz T +43–316/8017-9200, Tuesday–Sunday 10am–6pm [email protected], www.museum-joanneum.at This text is published on the occasion of After 1990/91, with the end of Communist cultural the international conference policy, art museums in the former USSR were faced Post-Soviet Art Museums with stifling financial problems, new demands of an in the Era of Globalization Contemporary Art + Institutions abruptly emerging Capitalist market economy and Friday, June 18 – the urgent need to restructure as institutions. Yet, Saturday, June 19, 2010 the dismal financial and institutional conditions were accompanied by an unprecedented amount of intellectual-artistic freedom as well as by open bor- ders, unlimited access to hitherto unavailable (or tabooed) information, and direct contact with the Western art world. With traditional values and ideo- logical guidelines abandoned, new contexts, new territories, and new orders were explored. Museums proved receptive to global trends. This interdisciplinary conference will conquer new terrain – both thematically and methodologically. It addresses and analyses the fundamental transfor- mation process in the field of contemporary art – a process initiated by the now legendary auction organized by Sotheby’s in Moscow, 1988. The auction led to a politically motivated reassessment and com- mercial appreciation of art which until then had been associated with political dissent. -
PIKAKARI Nature Protection and Recreation
PIKAKARI Nature protection and recreation 1 Sea City of Tallinn is well-known for a large number of green and recreation areas as well as for environmentally friendly way of operation. We will make sure that the environment would be clean, pleasant and offers the city people a possibility for nature experiences. ere are two beaches in Põhja- Tallinn city district – Pelgurand or Stroomi beach which has been used as a bathing beach for decades, and Pikakari beach which is located near the Paljassaare Special Protection Area for birds. Both beaches have very clean water and host hundreds of people each summer. As a recognition for excellent environmental management, Pikakari beach is awarded the Blue Flag eco-label. Arvo Sarapuu Deputy Mayor of Tallinn Pikakari beach is equipped with changing cabanas, volleyball court, trash bins and with other necessities. Kids can play on two playgrounds. Sunset from the Katariina pier offers an especially wondrous view of Tallinn. Employees of the Northern Tallinn Administration have made many efforts to turn Pikakari beach into a beautiful and clean beach. However they cannot take credit for it all, as the sand, sea and sun have been present for thousands of years. Enjoy and take care of this gift for the future generations. Raimond Kaljulaid Head of Northern Tallinn District 2 Whimbrel ikakari is situated in Paljassaare and is a part of Kopli Peninsula. Kopli got its name from hundreds of years ago, when the people of Tallinn used to herd their animals in the woods and pastures of the area. In the past, this was the location of Pa fishing village and a brickyard. -
Eka Booklet.Indd
International Master's Programmes CONTENTS 3 Welcome 4 Postgraduate Studies in English 6 MA in Design and Crafts 10 MA in Animation 14 MA in Interaction Design 18 MA in Interior Architecture 22 MA in Urban Studies 26 MSc in Design and Engineering 30 Apply and Contact ESTONIAN ACADEMY OF ARTS INTERNATIONAL MASTER'S PROGRAMMES An Island of Freedom It is possible to become a good artist without an art school diploma, but it is more sensible to get an education and easier for society to trust an expert or skilled practitioner. A Master’s degree does not automatically make someone’s art or ideas bett er, but it does provide greater scope for creative development. For over 100 years, the Estonian Academy of Arts has served as the national leader in art and design, and through the work of its students and alumni has created the look of Estonia. In our current time of cross-cultural exchange, EAA seeks to share our specialised knowledge — from Blacksmithing to Animation to Urban Studies and more — with eager learners from beyond our borders. And we hope to likewise be enriched by the breadth of experiences and cultures that international students bring with them. www.artun.ee/masters One of EAA’s primary aims is to be an island of freedom in a world where those whose brains are limited by standard measures try to measure our immeasurable work. In a world ruled by Excel tables, as long as art manages to fulfi l its role as a centre of resistance there is still hope. -
Estonian-Art.Pdf
2_2014 1 News 3 The percentage act Raul Järg, Maria-Kristiina Soomre, Mari Emmus, Merike Estna, Ülle Luisk 6 I am a painting / Can't go on Discussion by Eha Komissarov, Maria-Kristiina Soomre, Marten Esko and Liina Siib 10 Long circuits for the pre-internet brain A correspondence between Niekolaas Johannes Lekkerkerk and Katja Novitskova 13 Post-internet art in the time of e-residency in Estonia Rebeka Põldsam 14 Platform: Experimenta! Tomaž Zupancˇicˇ 18 Total bass. Raul Keller’s exhibition What You Hear Is What You Get (Mostly) at EKKM Andrus Laansalu 21 Wild biscuits Jana Kukaine 24 Estonian Academy of Arts 100 Leonhard Lapin Insert: An education Laura Põld 27 When ambitions turned into caution Carl-Dag Lige 29 Picture in a museum. Nikolai Triik – symbol of hybrid Estonian modernism Tiina Abel 32 Notes from the capital of Estonian street art Aare Pilv 35 Not art, but the art of life Joonas Vangonen 38 From Balfron Tower to Crisis Point Aet Ader 41 Natural sciences and information technology in the service of art: the Rode altarpiece in close-up project Hilkka Hiiop and Hedi Kard 44 An Estonian designer without black bread? Kaarin Kivirähk 47 Rundum artist-run space and its elusive form Hanna Laura Kaljo, Mari-Leen Kiipli, Mari Volens, Kristina Õllek, Aap Tepper, Kulla Laas 50 Exhibitions 52 New books Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Kriss Soonik. Designer lingerie.