Bill Fontana’s Distant Trains: A documentation of an acoustic relocation ROBERT STOKOWY Sound Studies at the University of Arts Berlin, Lietzenburger Straße 45, D-10789 Berlin Email:
[email protected] Witnessing a sound installation in person offers an opportunity (Deutscher Akademischer Austausch Dienst) scholar- to experience the qualities and elements of a work first hand and ship, he worked on the sound installation Sound in full, multisensory effect. A thorough documentation of an Surroundings. When his scholarship was extended, he exhibition and the work that goes into it is at the essence of began work on the site-specific Sound Sculpture preserving important information for future generations. Though Distant Trains, which was exhibited from 14 Septem- information can be gathered from archives, some works of sound ber 1984 to 14 October 1984, during the Internationale art are only marginally presented in the literature, making it difficult to fully grasp aspects of an artist’s technical, Bauausstellung (IBA) on the grounds of what was organisational and, most particularly, creative ways of working. once Anhalter Bahnhof (Fontana 2008). The German Instead, already existing information is often reproduced. discourse on Klangkunst offers a clear differentiation Previous documentation regarding Bill Fontana’s Sound between the terms ‘installation’ and ‘sculpture’.A Sculpture Distant Trains, exhibited in Berlin in 1984, offers an sound installation is understood as a fixed setup, which example of the possible loss of key details. This article aims to is specific to the place in which it is exhibited and present new research findings that will examine and illuminate cannot be moved without losing its initial qualities.