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Thomas E Niemann a GREAT PARTY in the MAKING. TWO

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Thomas E Niemann a GREAT PARTY in the MAKING. TWO I COULD SHIMMY LIKE SISTER' .ATE * BASIS STREET BLUES « JADA * ,>.4t A REAL KIND OS' DADDY ♦ SAW M-vi ffi»S5*S£ TAILGATE RAMBLINGS, Vol. 1, No. 3 EDITOR - Alan C. Webber ART - Thomas E Niemann A GREAT PARTY IN THE MAKING. TWO GREAT DIXIELAND JAZZ BANDS, ROARING 20*S MOTIF, DOOR PRIZES AND SPECIAL SURPRISES. $2.50 PER MEMBER. $3.50 NON-MEMBERS. COME ONE COME ALL!lilt IT’S GOING TO BE A BALL!! (See Story Page 10) ST. LOUIS BLUES » SEE SEE RIDER ♦ AFTER YOU'VE GONE « JAZZ M E BLUES ♦ OSTRICH WALK ♦ MAMA'S GONE. GOOD-BY MANASSAS FESTIVAL LINE-UP first time in 15 years. Georg also just happened to show up at the '69 festival, Fat Cat's lineup for this year's two- and on both occasions the verbal ex­ beat taffy pull at Manassas is a pleasant changes between Condon, Bill Davison mix of old familiar faces and fresh faces. and Brunis were colorful to say the Complete cast of character's according least. So was the music, thoughtfully to the latest word from Portly Pussy is interspersed between the vaudeville as follows: routines. Trumpets: Wild Bill Davison, Wallace The records are: Davenport (a New Orleanian Fat Cat swears "Jazz As It Should Be Played" Jazzo­ is one of the world's best), and Tom Saun­ logy JS-50 ($4.35 to P.R.J.C. Members) ders, lead horn with the Surfside Six. and "Eddie Condon's Strolling Reunion Clarinets; Herb Hall (brother of the Commodores" Fat Cat 114 ($4.60 to late Edmund Hall), Joe Muranyi (formerly P.R.J.C. Members) with the Armstrong All-Stars), and Tommy Wild Bill Davison, Tommy Gwaltney, Gwaltney. and Brunis make up the front-line on Trombones: Herb Gardner, Spiegle Wil­ both sessions, and Bethesda's Bill cox (played with Bix, Tram and Goldkette Goodall plays bass on both occasions. in the 1920's), and Slide Hnrris. Don Ewell and Frank Marshall of Piano: Art Kodes (Mr.Barrelhouse him­ Manassas play piano and drums res­ self), Jean Kittrell (MrnrjnmJ' Lush, lovely pectively on the Jazzology release. and plays, tool) and John Eaton. John Eaton and Cliff Leeman take over Bass: Jack Lesberg, Van Perry, and their slots on the Fat Cat collection. Bill Goodall. And Mr. Condon directs, gags, and Drums: Cliff Leeman and Hodes1 long­ strums his four-string guitar when time sidekick, Freddie Moore. the mood strikes him on both records. Guitar: Butch Hall and, would you bel­ Though the per forma ncesjwere live ieve it, Eddie "Himself" Condon. and unrehearsed, the tunes are vener­ At intervals while these stellar pers­ able jam favorites and everybody knew onages are scratching themselves off-stage the routines cold. The Manassas audi­ the Original Washington Monumental Jazz ences were enthusiastic and the Con- Band and, from Wilmington, "Tex" Wyndham's donites responded in kind. The '68 Red Lion Jazz Band will hold the floor. session is particularly fiery, with Remember, to get ycur P.P.J.C. discount Wild Bill at his slashing, bashing you must mail your check for $1+ to Box h58, best. Tommy Gwaltney is a master of Manassas, Va. no later than Nov.26. Other­ many moods, and on these platters he wise you pay £6 at the door like the rest plays in a wry, spiky fashion that fits of the peasantry. well into his brash "Chicago" surround­ ings. WAX IN MY EARS Brunis obligingly trotted out all the cliches, instrumental and verbal, New prices to P.R.J.C. Members on which have kept his faithful fans in G.H.B. and Jazzology Records: $4.35 for stitches for the past 35 years or so either mono or stereo, reflecting George and which sometimes disguise the fact Buck's decision to price both at $5.95 that he is still one hell of a fine reta il. trombonist of the old slip-and-slide George, incidentally, is going to school. But we laughed, and we loved try to make this year's Manassas Jazz it. He also loused up the balance on Fes tival. the jazzology session somewhat by stick­ Old Manassas Festival hands and ing his horn into the mike when he soloed. Eddie Condon fans generally may be Someone who hadn't fallen under the interested to know that the groups spell of this particular subdivision of Eddie fielded at Manassas in '68 and traditional jazz at a tender age could '69 are now out on record, available easily knock both records: The tunes to P.R.J.C. Members through Ye Editor are hackneyed (three are repeated on at discount prices. both records); the recording balance The '68 proceedings reunited Georg on both records leaves something to be Brunis with the Condon retinue for the desired; and Brunis goofs badly on the intro he himself made a standard part We cannot vouch editorially for the of "Sister Kate." musical ability, or lack of it, of any But if Davison's cock-of-the-walk of the musicians listed. You'll have cornet raises goose pimples on your to find that out for yourselves. flesh; if hard-driving ensemble boosts Musicians who would like to jam your temperature; and if you remember occasionally: the thrill of getting off the subway Trumpet/cornet: Walter Babb, 765- at Sheridan Square and racing up one 7175; Elwyn J. Darden, 671-9687; Robert block to Nick's...then both these Harris, 768-2465; Joseph Hochstein, records are for you. 538-6739; John "Scotty" Lawrence, 548- The Happy Jazz Band of San Antonio, 5198; Dick Mankin, 971-5056; Tony Texan specialists in the Lu Watters Newstead, 265-9440; Dan Priest, OL 6- idiom, are in the throes of bringing 5217; Bob Redding, 493-4333; John out their nineth LP, to be called Thomas, 461-7234. "The College Street Caper." From the Clarinet: Rudy Adler, 345-1584; advance tapes it sounds pretty good, Chuck Brown, 262-3206; Ken Domer, 528- i'll have a limited number on hand 7758; Jim Hamilton, 385-9796; Greg by January 1, at a special price to Harrison, 474-0146; Larry Kopp, 384- P.R.J.C. Members of $3 each (stereo). 5116; Steve Rwass, 811-2930; Dan If you want one reserved,- phone me Lederer, 768-6255; Gene Stutzman, 725- at 530-5378. Only catch is that 0575; Steve Vento, 588-3057. you'll have to pick up the record Tenor sax: Dan Lederer, 768-6255; at my home -- 5818 Walton Road, Gene Stutzman, 725-0575; and Steve Bethesda, Md. Vento, 588-3057. (Other clarinetists A1 Webber listed earlier undoubtedly can also do the Bud Freeman bit; they just don't admit it on their application forms). TO PLAY'S THE THING Trombone: Jim Adkins, 528-5682; Harold Farmer, 942-5435; Dick Mankin Just a year ago your worthy Prez, (valve trombone), 971-5056; A1 Webber, Tom Niemann, and I were digging deep 530-5378. into a bottle of Gilbey's, trying to Piano: Del Beyer, 256-3399; Jack come up with a scheme which would: Clifford, 671-1737; Ed Fishel, 536-8065; bring into contact one with another Ralph Huss, 333-9397; Lewis Lederer, the people who enjoy playing Dixie­ 560- 5292; Tom Niemann, 461-7640; Sam land and allied traditional jazz Smith, 543-5850; Gary Wilkinson, 223- styles chiefly as a hobby; bring this 0147. group into contact with the record Bass: Stan Booth, 536-8348; Robert collectors and other enthusiasts who Harris (tuba) 768-2465; Steve Mangiapane, liked to listen to this sort of jazz. 937-2464. The Potomac River Jazz Club was Banjos Jerry Addicott, 530-1290.; the eventual outcome of this parti­ Don Helm, 649-4010. cular intake of juniper berry. Guitar: Norman E. Williams, 893- Many of the present PRJC frater­ 8310. (Condon, where are you when we nity (150 members to date) have indi­ need you?) cated in their application forms that - Drums: Ossie Barr, 525-7036; they enjoy getting together with sympa­ Fraser Battey, 356-8442; Carlos Conde, thetic souls and booze to jam. 534-8453; George Green, 530-3530; Don A somewhat smaller core have stated Ramos, 532-4075; Jim Robertson, 768- that they would like to join, or to 6954; Sam Smith, 543-5850; Ken Under­ organize, weekend jazz bands. wood, 591-9310. As a service to PRJC members, play­ Miscellaneous: Johnson McRee, kazoo ing and non-playing, who would like to and vocals, 703 368-3637; George Mercer, throw jam sessions in their basements washboard, spoons, swinette, 529-4823. or elsewhere, and who would like to So much for the, jammers. The follow­ try their hands at organizing bands, ing hard core Dixie freaks would like to we print herewith both groups, with join, or organize, weekend jazz bands, their home telephone numbers. with all the heartache, domestic tur- - 3- moil, and sweat that entails. Good was, all lined up on the top of Dutch luck to 'em. I've been down that Hill for the triumphal circus parade road! through town. Trumpet/cornet: Walter Babb, 765- Up front was the shining band wagon, 7175; Tony Hagert, 524-2707; Joe with the circus band hitting away at Hochstein, 538-6739; Dick Mankin, the traditonal circus marches. Just 971-5056; John Thomas, 461-7234 as the parade started an excited kid, (Ed. note: Thomas already belongs one Johnny Hartwig, came running up to at least five bands; a gutsy guy- and shouted, "Listen to the band at or maybe hungry! the back-it's playing all kinds of Clarinet: Chuck Brown, 262-3206; music!" Steve Kwass, 811-2930; Ken Doner, 528- Johnny was one of the star students 7758; Greg Harrison, 474-0146.
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