John a . Lawrence, Jazz Musicologist
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Red Hot Songs
Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's -
Echols, E. Wendell (Edward Wendell Glenn), 1926-2010
ECHOLS, E. WENDELL (EDWARD WENDELL GLENN), 1926-2010. E. Wendell Echols papers, 1942-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Echols, E. Wendell (Edward Wendell Glenn), 1926-2010. Title: E. Wendell Echols papers, 1942-2005 Call Number: Manuscript Collection No. 1207 Extent: 1 linear ft. (2 boxes) Abstract: This collection contains the papers of E. Wendell Echols from 1942-2005, including correspondence, printed material, and material related to Echols's involvement with the George H. Buck, Jr. Jazz Foundation, Audiophile Records, Jazzology Records, and Circle Records. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2011. Citation [after identification of item(s)], E. Wendell Echols papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Sarah Quigley, November 2011. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. E. Wendell Echols papers, 1942-2005 Manuscript Collection No. 1207 and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. If you are concerned about language used in this finding aid, please contact us at [email protected]. -
Glenn Miller 1939 the Year He Found the Sound
GLENN MILLER 1939 THE YEAR HE FOUND THE SOUND Dedicated to the Glenn Miller Birthpace Society June 2019 Prepared by: Dennis M. Spragg Glenn Miller Archives Alton Glenn Miller (1904-1944) From Glenn Miller Declassified © 2017 Dennis M. Spragg Sound Roots Glenn Miller was one of the foremost popular music celebrities of the twentieth century. The creative musician and successful businessman was remarkably intuitive and organized, but far from perfect. His instincts were uncanny, although like any human being, he made mistakes. His record sales, radio popularity, and box-office success at theaters and dance halls across the nation were unsurpassed. He had not come to fame and fortune without struggle and was often judgmental and stubborn. He had remarkable insight into public taste and was not afraid to take risks. To understand Miller is to appreciate his ideals and authenticity, essential characteristics of a prominent man who came from virtually nothing. He sincerely believed he owed something to the nation he loved and the fellow countrymen who bought his records. The third child of Lewis Elmer Miller and Mattie Lou Cavender, Alton Glen Miller was born March 1, 1904, at 601 South 16th Street in Clarinda, a small farming community tucked in the southwest corner of Iowa. Miller’s middle name changed to Glenn several years later in Nebraska. His father was an itinerant carpenter, and his mother taught school. His older brother, Elmer Deane, was a dentist. In 1906 Miller’s father took his family to the harsh sand hills of Tryon, Nebraska, near North Platte. The family moved to Hershey, Nebraska, in the fall of 1912 and returned to North Platte in July 1913, where Glenn’s younger siblings John Herbert and Emma Irene were born. -
PAUL KELLER TIMELINE / DISCOGRAPHY 1977 Discovered Jazz at the Foxhead Inn Ada, MI
PAUL KELLER TIMELINE / DISCOGRAPHY 1977 Discovered Jazz at the Foxhead Inn Ada, MI 1978-80 Played first steady gig with Harold “Popeye” Booker and Tom Strang at the Foxhead Inn 1980 Graduated from East Grand Rapids High School 1980-82 Student University of Michigan School of Music 1982 Member of Bennie Carew and His Fabulous Two 1982-87 Member of the John Shea Trio 1985 John Shea Trio - John Shea Trio and Friends Teaspoon Records 1986-89 Member of the Eddie Russ Trio 1988 Formed and continues to co-lead the Keller/Kocher Quartet 1988-96 Performed extensively with Detroit pianists Chuck Robinette and Eddie Russ, continues to work with Bess Bonnier 1989 FORMED THE BIRD OF PARADISE ORCHESTRA 1991 Ray Kamalay and His Red Hot Peppers The Joint Is Jumpin’ Ray Kamalay 1992 Larry Nozero Kaleidoscopin’ Dominic Records 1993-present Midwest All Star at the Sacramento Jazz Jubilee 1993 Jack Brokensha Quartet Xmazz AEM Record Group 1993 Larry Nozero Grand Hotel Dominic Records 1993 The Keller/Kocher Quartet Midnight Sun Paper Bag Records 1993 Tom Saunders’ Detroit All Stars Jazz Is Jazz Parkwood Records 1993 Russell Malone Black Butterfly Columbia Records 1993 The Return of Sampler Claus (with Russell Malone) Columbia Records 1993-94 Toured with Russell Malone Quartet: US, Europe, major jazz festivals 1994 Formed and continues to lead the 7 piece Paul Keller Ensemble 1994 Larry Nozero Street of Dreams Suncoast Jazz 1994 Scott Petersen E-Dog Oriko Corona Music 1994 Janet Tenaj/Sven Anderson At Last J’s Way Jazz 1994-95 Bix Beiderbecke Memorial Jazz Festival, Davenport Iowa 1994 Voted MVP at the Montreux Detroit Jazz Festival 1995 Mr. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered. -
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S. -
Red Nichols from Wikipedia, the Free Encyclopedia
Red Nichols From Wikipedia, the free encyclopedia Background information Birth name Ernest Loring "Red" Nichols the hood man Born May 8, 1905 Ogden, Utah, US Died June 28, 1965 (aged 60) The Mint Las Vegas Genres Jazz Occupation(s) Musician, bandleader, composer Instruments Cornet Associated acts California Ramblers, Paul Whiteman Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone." Biography Early life and career Nichols was born on May 8, 1905 in Ogden, Utah. His father was a college music professor, and Nichols was a child prodigy, because by twelve he was already playing difficult set pieces for his father's brass band. Young Nichols heard the early recordings of the Original Dixieland Jazz Band, and later those of Bix Beiderbecke, and these had a strong influence on the young cornet player. His style became polished, clean and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called The Syncopating Seven. When that band broke up he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. New York would remain his base for years thereafter. In New York he met and teamed up with trombonist Miff Mole, and the two of them were inseparable for the next decade. -
Jazz Messenger
Jazz Messenger -------------------------------------------------------------------------------------------------------------------------------------- August, 2016 -------------------------------------------------------------------------------------------------------------------------------------- The ATJS Jazz Messenger is circulated mostly by e-mail, and is published as we have an important message or gather enough material to assemble a new issue. The 2016-17 season is upon us, as good an occasion as any to crank out a new issue. -------------------------------------------------------- President’s Message The 2016-17 ATJS season is about to begin. It looks like a good one, with a strong run of good area traditional jazz bands leading up to an exciting concert by a Dallas jazz band in May and our usual rousing ATJS All-Star concert in June. As always, we want everyone with an interest in traditional jazz to come to Cap City Comedy Club, have a good time, and help keep the wonderful music that is traditional jazz alive and well in the Greater Austin Area. The 2015-16 season had some highs and lows. The highs included the music. We had a very good selection of bands, highlighted by fine shows by the Thrift Set Orchestra, the Mission City Hot Rhythm Cats and the 2016 ATJS All-Stars. Our new band for the season was the fine young jazz ensemble, the Dirty River Dixie Band from the San Antonio area. The ATJS Jam Session drew over 200 onlookers and players. Attendance at ATJS events has been erratic in recent years, a continuing concern for an organization holding concerts in a venue which will comfortably hold 300 patrons. Cap City Comedy Club has been a good home for ATJS for ten seasons, and we want to stay put. -
The Jazz Tradition Jeff Rupert Thursday, June 27
Music for All Summer Symposium presented by Yamaha www.musicforall.org The Jazz Tradition Jeff Rupert Thursday, June 27 Music For All Summer Symposium SURVEY OF JAZZ HISTORY Jeff Rupert I Influences and elements of early jazz A Congo Square, New Orleans. 1 Gathering place for slaves in New Orleans, from the late 1700’s. 2 Catholicism in New Orleans. 3 Slave trade abolished in 1808. 4 Emancipation proclamation in 1862. B Ragtime 1 Scott Joplin,(1867-1917), primary composer and pianist. 2 Piano music, first published in 1896. 3 Syncopated music 4 Complex march-like song forms 5 Simulating the orchestra or marching band C Country Blues 1 Migration from the country into New Orleans. 2 Blues Inflections 3 Vocal Characteristics peculiar to the blues. 4 The first blues published in 1904. “I’ve got the blues”. 5 W.C. Handy publishes “St. Louis Blues” in 1914. D Marching bands in New Orleans 1 Several popular bands, serving numerous functions The Superior, the Onward Brass Bands playing parades, funerals and concerts. 2 Marching bands syncopating, or “ragging” rhythms 3 Playing “head charts” 4 The Big 4 5 Buddy Bolden,(1877-1931), Freddie Keppard, (1890-1933). E Opera and other European influence in New Orleans. 1 Opera and Orchestras in New Orleans 2 Creoles before and after the “black codes” or Jim Crow laws.(1877-1965). Plessy vs Ferguson upheld Jim Crow laws of separate but equal in Louisiana in 1896. 3 Music in New Orleans after the black codes. 4 Instruments incorporated in early jazz. Jazz History Outline. © Jeff Rupert RUPE MUSIC Pub. -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
ARSC Journal
GIANTS OF JAZZ - DUKE ELLINGTON Time Life STL-J02 P3-14729 EAST ST LOUIS TOODLE-00 VO CALION 1926 Nov 29 CREOLE LOVE CALL VICTOR 1927 Oct 26 BLACK AND TAN FANTASIE VICTOR 1927 Oct 26 BLACK AND TAN FANTASY OKEH 1927 Nov 3 BLACK BEAUTY VICTOR 1928 Mar 26 JUBILEE STOMP VICTOR 1928 Mar 26 YELLOW DOG BLUES BRUNSWICK 1928 Jun 5 HOT AND BOTHERED OKEH 1928 Oct 1 THE MOOCHE BRUNSWICK 1928 Oct 17 SHOUT 'EM, AUNT TILLIE VICTOR 1930 Jun 4 RING DEM BELLS VICTOR 1930 Aug 26 MOOD INDIGO BRUNSWICK 1930 Oct 17 ROCKIN' IN RHYTHM OKEH 1930 Nov 8 IT DON'T MEAN A THING (IF IT AIN'T GOT THAT SWING) BRUNSWICK 1932 Feb 2 BABY, WHEN YOU AIN'T THERE BRUNSWICK 1932 Feb 4 BUGLE CALL RAG VICTOR 1932 Feb 9 MERRY GO ROUND ENGLISH COLUMBIA 1933 Feb 15 HARLEM SPEAKS ENGLISH DECCA 1933 Jul 13 IN THE SHADE OF THE OLD APPLE TREE BRUNSWICK 1933 Aug 15 MERRY GO ROUND BRUNSWICK 1935 Apr 30 TRUCKIN' BRUNSWICK 1935 Aug 19 CLARINET LAMENT (BARNEY'S CONCERTO) BRUNSWICK. 1936 Feb 27 ECHOES OF HARLEM (COOTIE'S CONCERTO) BRUNSWICK 1936 Feb 27 CARAVAN MASTER 1937 May 14 I LET A SONG GO OUT OF MY HEART BRUNSWICK 1938 Mar 3 SOPHISTICATED LADY COLUMBIA 1940 Feb 14 JACK THE BEAR VICTOR 1940 Mar 6 KO-KO VICTOR 1940 Mar 6 CONCERTO FOR COOTIE (DO NOTHIN' TILL YOU HEAR FROM ME) VICTOR 1940 Mar 15 COTTON TAIL VICTOR 1940 May 4 NEVER NO LAMENT (DON'T GET AROUND MUCH ANY MORE) VICTOR 1940 May 4 HARLEM AIR SHAFT VICTOR 1940 Jul 22 IN A MELLOTONE VICTOR 1940 Sep 5 WARM VALLEY VICTOR 1940 Oct 1 TAKE THE "A" TRAIN VICTOR 1941 Feb 15 I GOT IT BAD AND THAT AIN'T GOOD VICTOR 1941 Jun 26 PERDIDO VICTOR