Stellenbosch Papers in Linguistics PLUS NUMBER 43 2014
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Beyond Life and Death Images of Exceptional Women and Chinese Modernity Wei Hu University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Beyond Life And Death Images Of Exceptional Women And Chinese Modernity Wei Hu University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Hu, W.(2017). Beyond Life And Death Images Of Exceptional Women And Chinese Modernity. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4370 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BEYOND LIFE AND DEATH IMAGES OF EXCEPTIONAL WOMEN AND CHINESE MODERNITY by Wei Hu Bachelor of Arts Beijing Language and Culture University, 2002 Master of Laws Beijing Language and Culture University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2017 Accepted by: Michael Gibbs Hill, Major Professor Alexander Jamieson Beecroft, Committee Member Krista Jane Van Fleit, Committee Member Amanda S. Wangwright, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Wei Hu, 2017 All Rights Reserved. ii DEDICATION To My parents, Hu Quanlin and Liu Meilian iii ACKNOWLEDGEMENTS During my graduate studies at the University of South Carolina and the preparation of my dissertation, I have received enormous help from many people. The list below is far from being complete. First of all, I would like to express my sincere gratitude to my academic advisor, Dr. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced fromm icrofilm the master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be ft’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9218985 Spatialization in the ‘‘Shiji” Jian, Xiaobin, Ph.D. The Ohio State University, 1992 Copyright ©1992 by Jian, Xiaobin. All rights reserved. -
Buddhist State Monasteries in Early Medieval China and Their Impact on East Asia Liqun He
Buddhist State Monasteries in Early Medieval China and their Impact on East Asia A Dissertation Presented to the Faculty of Philosophy of Heidelberg University in Candidacy for the Degree of Doctor of Philosophy Institute of East Asian Art History by Liqun He December, 2013 Dissertation Supervisors: Prof. Dr. Lothar Ledderose; Prof. Dr. Sarah E. Fraser Contents Introduction ................................................................................................................. 1 1. Research topic ........................................................................................................... 1 2. Previous research on the layout of Buddhist monasteries in Early Medieval China ....................................................................................................................................... 5 3. The significance of the topic and research methods.................................................. 9 Chapter I - Monastery Layout in Early Medieval China: Textual Evidence ...... 15 1. The introduction of Buddhism and the establishment of early monasteries in China ..................................................................................................................................... 15 2. Buddhist monasteries in the Northern and Southern Dynasties .............................. 21 3. Buddhist monastery system during the Sui and Tang Dynasties............................. 25 Chapter II - Monastery Layout in Early Medieval China: Archaeological Evidence .................................................................................................................... -
Concepts and Contexts in East Asia
CONCEPTS AND CONTEXTS IN EAST ASIA Hallym Academy of Sciences Vol. December4 2015 Vol.4 Copyright © 2015 by Hallym Academy of Sciences Printed by Sowha Subscription orders and inquiries may be sent to editors at [email protected]. ISSN 2287-7916 CONCEPTS AND CONTEXTS IN EAST ASIA Vol.4 2015 Contents Revisiting the East Asian Origin of the Concept “Empire”: n The Imperial Country and the Heavenly Court, the Awesomen Heavenly Emperor and the Empire Samsung LEE 5 Yanagi Sōetsu’s Vision of an Ideal Society: With Reference to n His Views on Nationalism, Anarchism, and Guild Socialismn Mari NAKAMI 43 Freedom in Community: Ōsugi Sakae’s Concept of Freedom n Masaya HIYAZAKI 63 Donghak’s Transformation and Experimentation of Confuciann Publicity n So-jeong PARK 79 The Utopianism of “Manse”: The Restoration of Sovereignty n and Visions of a New World in the March First Movement n Bodurae KWON 99 On the Representation of Chinese and Western Literary Traditions and Intellectual-Cultural Trends in Late Qing Fictionn Kean-Fung GUAN 137 December 2015. Vol.4 / pp.5-42 Revisiting the East Asian Origin of the Concept “Empire”: The Imperial Country and the Heavenly Court, the Awesome Heavenly Emperor and the Empire 1Samsung LEE* Abstract This article attempts a critical review of the existing understanding of the East Asian origins of the concept of “empire,” by addressing two major issues. First, it has long been known that the term “empire” appears in The Nihon Shoki, the official historical record of ancient Japan, in a diplomatic petition that King Seong of Baekje sent to Japan. -
A Survey of Teaware-Related Materials in the Literature of Song Dynasty
International Journal of Education, Culture and Society 2020; 5(4): 62-69 http://www.sciencepublishinggroup.com/j/ijecs doi: 10.11648/j.ijecs.20200504.11 ISSN: 2575-3460 (Print); ISSN: 2575-3363 (Online) The Traces of Objects – A Survey of Teaware-related Materials in the Literature of Song Dynasty Li Yang Cultural Communication and Design, Zhejiang University of Finance & Economics Dongfang College, Jiaxing, China Email address: To cite this article: Li Yang. The Traces of Objects – A Survey of Teaware-related Materials in the Literature of Song Dynasty. International Journal of Education, Culture and Society . Vol. 5, No. 4, 2020, pp. 62-69. doi: 10.11648/j.ijecs.20200504.11 Received : April 22, 2020; Accepted : June 11, 2020; Published : July 6, 2020 Abstract: I write this essay to re-examine the history of "objects" and trace the historical trajectory of them as an "experiencer," which provides much food for thought on Chinese's current way of life. This kind of thinking does not mean recapturing the attitude of the Song people towards tea ware, but means researching the evolution of "tea ware" from Tang to Song and the influence of the evolution on the present. This may be a valuable guide to exploring the philosophy of Medieval China. Firstly, in this study, the corpus of ancient books in Song Dynasty is established with the utilization of literature investigation. In this process, the basic concepts and theoretical problems in tea ware ancient books in Song Dynasty have been sorted out and discussed with the utilization of relevant theoretical research methods, including philology, linguistics, history, bibliography, editology, art and so on. -
Mortuary Art in the Northern Zhou China (557-581 Ce): Visualization of Class, Role, and Cultural Identity
MORTUARY ART IN THE NORTHERN ZHOU CHINA (557-581 CE): VISUALIZATION OF CLASS, ROLE, AND CULTURAL IDENTITY by Jui-Man Wu BA, Tunghai University, 1993 MA, Taipei National University of the Arts, 2000 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Jui-Man Wu It was defended on April 2, 2010 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Barbara McCloskey, Associate Professor, History of Art and Architecture Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Jui-Man Wu 2010 iii MORTUARY ART IN THE NORTHERN ZHOU CHINA (557-581 CE): VISUALIZATION OF CLASS, ROLE, AND CULTURAL IDENITY Jui-Man Wu, PhD University of Pittsburgh, 2010 The period of Six Dynasties (221-581CE) has traditionally been thought of as a time when “the Five Barbarians brought disorder to China.” During this period, present-day Northern China was ruled by non-Han leaders, including the Xianbei, a pastoral people from China’s northern frontier who founded the Northern Zhou Dynasty. In addition, Chinese historical texts from the Six Dynasties refer to “merchant barbarians” generally assumed to be Sogdians, who lived in oasis states in Central Asia in present-day Uzbekistan and came to China across the Silk Road. -
Chinese Wind Divination in the Period of Song Renzong Reign.Uppsala, Dept of Archaeology and Ancient History
Yaqi Fu Chinese wind divination in the period of Song Renzong Reign (1022-1063 CE) Master’s thesis in Global Environmental History 1 2 Abstract Fu, Yaqi. 2015. Chinese wind divination in the period of Song Renzong Reign.Uppsala, Dept of Archaeology and Ancient History. This thesis examines Chinese wind divination in the period of Song Renzong Reign (1022-1063) from two different paths: one is by interpreting the Wind Orientation Divination method based on my text analysis of Wujing Zongyao武经总要; the other path is by elaborating Wind Sensing Divination method in Qiusheng Fu with its links to Meihua Yishu梅花易数 and I Ching. Through these two paths, I try to build an understanding of Chinese wind divination in Song Renzong Reign. Keywords: Qiusheng Fu, Meihua Yishu, Wujing Zongyao, wind divination, Song Renzong Master’s thesis in Global Environmental History (45 credits), supervisor: Anneli Ekblom, Defended and approved autumn term 2015-12-08 © Fu, Yaqi Department of Archaeology and Ancient History, Uppsala University, Box 626, 75126 Uppsala, Sweden 3 4 Acknowledgements This thesis initiated by the desire of investigating Chinese wind divination when I was in China, and now, it is almost finished to the end. From thinking to writing, from the first day I landed Sweden till today, the accomplishment of this thesis, there are numerous stories about my growth, a lot of places to remember, and many people to whom I need to express my heartfelt thanks and gratitude. I would like to express my sincere gratitude to Uppsala University for giving me a chance to be a student here in Sweden. -
460796 1 En Bookbackmatter 483..503
Appendix Major dynasties in the Chinese history General name Specific name(s) From To Xia 夏 2100 BC 1600 BC Shang 商 1600 BC 1100 BC Western Zhou 西周 1100 BC 771 BC Eastern Zhou 东周 770 BC 256 BC Spring and Autumn 春秋 770 BC 476 BC Warring States 战国 475 BC 221 BC Qin 秦 221 BC 206 BC Former Han 西汉 206 BC 24 AD Later Han 东汉 and 25 AD 220 AD Three Kingdoms 三国 Wei 魏 220 265 Shu 蜀 221 263 Wu 吴 222 280 Western Jin 西晋 265 316 Eastern Jin 东晋 317 420 Southern and Northern 南北 Southern Song 宋 420 479 朝 Qi 齐 479 502 Liang 梁 502 557 Chen 陈 557 589 Northern Northern Wei 北魏 386 534 Eastern Wei 东魏 534 550 Northern Qi 北齐 550 577 Western Wei 西魏 535 556 Northern Zhou 北周 557 581 Sui 隋 581 618 Tang 唐 618 907 Five Dynasties and Ten 907 960 Kingdom 五代十国 Northern Song 北宋 960 1127 (continued) © Foreign Language Teaching and Research Publishing Co., Ltd and Springer-Verlag 483 GmbH Germany 2018, H. Wu, An Historical Sketch of Chinese Historiography, China Academic Library, https://doi.org/10.1007/978-3-662-56253-6 484 Appendix (continued) General name Specific name(s) From To Southern Song 南宋 1127 1279 Liao 辽 916 1125 Jin 金 1115 1234 Western Xia (Tangut Empire) 1038 1227 西夏 Yuan 元 1271 1368 Ming 明 1368 1644 Qing 清 1644 1911 Ershisi shi 二十四史 (The twenty-four history) Title and the most popular modern edition Author(s) Shiji 史记 [The Grand Scribe’s historical records] Sima Qian 司马迁 and Sima Tan司马 (Beijing: Zhonghua shuju, 1959) 谈 (Father) Hanshu 汉书 [Book of the Former Han dynasty] Ban Gu 班固, Ban Zhao 班昭 (Sister) and Ma Xu 马续 (Zhao’s disciple) Hou Han shu 后汉书 [Book of the Later Han Fan Ye 范晔 dynasty] (Beijing: Zhonghua shuju, 1965) Sanguo zhi 三国志 [Records of the Three Chen Shou 陈寿 Kingdoms] (Beijing: Zhonghua shuju, 1964) Jinshu 晋书 [Book of the Western and Eastern Jin Fang Xuanling 房玄龄 et al. -
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Advances in Social Science, Education and Humanities Research, volume 490 Education, Language and Inter-cultural Communication (ELIC 2020) The Method of Dating Language Materials from Historical Records Chong Wang1,* 1School of Literature, Journalis m and Communication, Inner Mongolia University, Hohhot , Inner Mongolia 010070, China *Corresponding author. Email: [email protected] ABSTRACT Historical records are important source of materials for Chinese history researchers. This paper uses the research methods of "original materials" and "other materials" in ancient Chinese to propose a new classification standard for determining the age of historical materials. At the same time it comes to a conclusion: the historical materials in the "recording speech" part should be divided into two categories. One is processed by the author and belongs to the corpus of the author's era. The other is the author's citation of the predecessors' classics, which should belong to the corpus of the time recorded in the historical books. Keywords: Records of the Historian, Book of Han, corpus, age, identification of compiling books." [1] They also hold that although I. INTRODUCTION the Book of Jin is based on many other previous books It is well known that the authors of most historical on the theme, when the book was rewritten in the early records lived far from the time of the events described. Tang Dynasty, many of its original materials were The records may be deleted or revised in the process of modified and polished at great length. Therefore, from circulation. When later generations write about their the perspective of corpus, the Book of Jin cannot predecessors, the authors inevitably had to consult represent the appearance of the actual language of the numerous original materials and previous works. -
On the English Translations of Wen Yiduo's Poems
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Translation 8-25-2015 Why get lost in translation? On the English translations of Wen Yiduo's poems Choi Yung NG Follow this and additional works at: https://commons.ln.edu.hk/tran_etd Part of the Applied Linguistics Commons, and the Translation Studies Commons Recommended Citation Ng, C. Y. (2015). Why get lost in translation? On the English translations of Wen Yiduo's poems (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://commons.ln.edu.hk/tran_etd/14 This Thesis is brought to you for free and open access by the Department of Translation at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. WHY GET LOST IN TRANSLATION? ON THE ENGLISH TRANSLATIONS OF WEN YIDUO’S POEMS by NG Choi Yung A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Translation Lingnan University 2015 ABSTRACT Why Get Lost in Translation? On the English Translations of Wen Yiduo’s Poems by Ng Choi Yung Master of Philosophy The debate over the translatability of poetry has been a long-standing issue for decades. Relatively few discussions, however, have focused on the concrete reasons of poetry being translatable (or untranslatable). Moving beyond traditional ways of elucidating the matter through theoretical argument, this study aims to investigate the question of poetry translation in a more solid, empirical manner by looking into linguistic and language-based aesthetic differences between Chinese and English, in particular their prosodic features and capacities. -
Heavenly Patterns Daniel Patrick Morgan
Heavenly Patterns Daniel Patrick Morgan To cite this version: Daniel Patrick Morgan. Heavenly Patterns. Monographs in Tang Official Historiography: Perspectives from the Technical Treatises of the History of Sui (Sui shu), 2019. halshs-01404116 HAL Id: halshs-01404116 https://halshs.archives-ouvertes.fr/halshs-01404116 Submitted on 28 Nov 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Monographs in official Tang history, ed. Chaussende, Morgan, & Chemla Heavenly Patterns Daniel Patrick Morgan* “Heavenly patterns” (tianwen 天文), as distinct from “sequencing” (li 曆), is the branch of the astral sciences that takes place out- doors—that devoted to the sky (vs. data), to anomaly (vs. regularity), and to interpretation (vs. predictive modeling). This, at least, is how it began. Things were different by the seventh century, when Li Chunfeng 李淳風 (602–670) joined the Book of Jin and History of the Five Dynasties monograph projects. What began as a diffuse corpus of pseudepigrapha dedicated to zhan 占 “omen-reading” had since changed at the hands (and in service) of the li man: its focus was shifting from unaided omen-watching (hou 候) to instrument-based measurement (ce 測); measurement brought sphere-cosmology and mathematics into observational practice; and with that came the epistemic and authorial culture of li. -
Rituals and Music in the Northern Zhou Dynasty
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 103 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017) Rituals and Music in the Northern Zhou Dynasty Xing Tang School of Liberal Arts Northwest Minzu University Lanzhou, China Abstract—The ritual system in the Northern Zhou Dynasty Zhou · Hu Sizheng, Yuwen Yong also praised Hu Sizheng’s (including the Western Wei Dynasty) mainly was established in “management with means and asked royal princes to learn accordance with Rites of Zhou. But it didn’t completely imitate it. from him and follow the rite of Shuxiu” [3] (P432). Yuwen It not only didn’t recover five traditional rites entirely but also Yong always followed the rites by himself after he set them, so had innovative characteristics in the construction of the ritual the ritual system gradually was carried out in the royal court. system. This special ritual system also has the culture of both At same time, he appointed Xin Yanzhi and Kou Zhi, who ethnic groups and Han people. It had reflected the legal status of were familiar with these rites, to take office at local offices, Yuwen Division, Xianbei Tribe to win their support and enhance and asked them to carry out the rite system in these places [4] its government. On the base of Rites of Zhou, the music system (P489). of Northern Zhou also absorbed the music systems of the Northern Wei and Southern States. With the combination of its But from the records of Book of Sui · Rituals, the real national music and tradition, it had made an innovation and purpose of the Northern Zhou was to fully promote the formed its distinctive characteristics.