Page 1 of 149 a Few Good Men 3/3/2008
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Supplemental Movies and Movie Clips
Peters Township School District Movies & Movie Clips Utilized to Supplement Curriculum Peters Township High School (Revised August 2019) Movie Rating of Movie Course or Movie Clip American History Academic & Forrest Gump PG-13 AP US History Scenes 9:00 – 9:45, 27:45 – 29:25, 35:45 – 38:00, 1:06:50, 1:31:15 – 1:30:45, 1:50:30 – 1:51:00 are omitted. American History Academic & Selma PG-13 Honors Scenes 3:45-8:40; 9:40-13:30; 25:50-39:50; 58:30-1:00:50; 1:07:50-1:22; 1:48:54- ClearPlayUsed 2:01 American History Academic Pleasantville PG-13 Selected Scenes 25 minutes American History Academic The Right Stuff PG Approximately 30 minutes, Chapters 11-12 39:24-49:44 Chuck Yeager breaking sound barrier, IKE and LBJ meeting in Washington to discuss Sputnik, Chapters 20-22 1:1715-1:30:51 Press conference with Mercury 7 astronauts, then rocket tests in 1960, Chapter 24-30 1:37-1:58 Astronauts wanting revisions on the capsule, Soviets beating us again, US sends chimp then finally Alan Sheppard becomes first US man into space American History Academic Thirteen Days PG-13 Approximately 30 minutes, Chapter 3 10:00-13:00 EXCOM meeting to debate options, Chapter 10 38:00-41:30 options laid out for president, Chapter 14 50:20-52:20 need to get OAS to approve quarantine of Cuba, shows the fear spreading through nation, Chapters 17-18 1:05-1:20 shows night before and day of ships reaching quarantine, Chapter 29 2:05-2:12 Negotiations with RFK and Soviet ambassador to resolve crisis American History Academic Hidden Figures PG Scenes Chapter 9 (32:38-35:05); -
List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
Aaron Sorkin's THE FARNSWORTH INVENTION
FLAT EARTH THEATRE THE FARNSWORTH INVENTION Page 1 of 3 FOR IMMEDIATE RELEASE May 14, 2015 CONTACT: Lindsay Eagle, Marketing and Publicity Chair [email protected] (954) 2603316 Brilliant Minds Go Head to Head to Invent Groundbreaking Technology in: Aaron Sorkin’s THE FARNSWORTH INVENTION WHAT: Flat Earth Theatre presents Aaron Sorkin’s THE FARNSWORTH INVENTION WHEN: THREE WEEKS ONLY: Friday, June 12th @ 8pm; Saturday, June 13th @ 8pm; Sunday, June 14th @ 2pm; Friday, June 19th @ 8pm; Saturday, June 20th @ 8pm; Sunday, June 21st @ 2pm; Monday, June 22nd @ 7:30pm; Thursday, June 25th @ 8pm; Friday, June 26th @ 8pm; and Saturday, June 27th @ 8pm WHERE: The Arsenal Center for the Arts, 321 Arsenal Street, Watertown, MA, 02472 TICKETS: $20 in advance; $25 at the door; $10 student rush PRESS NIGHT: Sunday, June 14th @ 2pm FOR PRESS TICKETS: Contact Lindsay Eagle, [email protected] or (954) 2603316 WATERTOWN, MA (May 14, 2015) Brilliant minds go head to head in THE FARNSWORTH INVENTION by Emmy Award–winning playwright and screenwriter Aaron Sorkin, creator of The West Wing and The Social Network. Upstart inventor Philo Farnsworth faces off against media mogul David Sarnoff in a nailbiting race to be the first to develop one of the twentieth century's most influential inventions: television. Directed by 2015 IRNE Award winner and fringe powerhouse Sarah Gazdowicz, THE FARNSWORTH INVENTION continues Flat Earth’s 2015 season “Progress and Peril,” stories of scientific progress and the lives it has ruined. Philo Farnsworth, a child prodigy raised on a farm in rural Idaho, has overcome adversity to create the world’s first electronic television. -
Princess Diana, the Musical Inspired by Her True Story
PRINCESS DIANA, THE MUSICAL INSPIRED BY HER TRUE STORY Book by Karen Sokolof Javitch and Elaine Jabenis Music and Lyrics by Karen Sokolof Javitch Copyright © MMVI All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Heuer Publishing LLC. Inquiries concerning rights should be addressed to Heuer Publishing LLC. This work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. All organizations receiving permission to produce this work agree to give the author(s) credit in any and all advertisement and publicity relating to the production. The author(s) billing must appear below the title and be at least 50% as large as the title of the Work. All programs, advertisements, and other printed material distributed or published in connection with production of the work must include the following notice: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” There shall be no deletions, alterations, or changes of any kind made to the work, including the changing of character gender, the cutting of dialogue, or the alteration of objectionable language unless directly authorized by the publisher or otherwise allowed in the work’s “Production Notes.” The title of the play shall not be altered. -
Law and Resistance in American Military Films
KHODAY ARTICLE (Do Not Delete) 4/15/2018 3:08 PM VALORIZING DISOBEDIENCE WITHIN THE RANKS: LAW AND RESISTANCE IN AMERICAN MILITARY FILMS BY AMAR KHODAY* “Guys if you think I’m lying, drop the bomb. If you think I’m crazy, drop the bomb. But don’t drop the bomb just because you’re following orders.”1 – Colonel Sam Daniels in Outbreak “The obedience of a soldier is not the obedience of an automaton. A soldier is a reasoning agent. He does not respond, and is not expected to respond, like a piece of machinery.”2 – The Einsatzgruppen Case INTRODUCTION ................................................................................. 370 I.FILMS, POPULAR CULTURE AND THE NORMATIVE UNIVERSE.......... 379 II.OBEDIENCE AND DISOBEDIENCE IN MILITARY FILMS .................... 382 III.FILM PARALLELING LAW ............................................................. 388 IV.DISOBEDIENCE, INDIVIDUAL AGENCY AND LEGAL SUBJECTIVITY 391 V.RESISTANCE AND THE SAVING OF LIVES ....................................... 396 VI.EXPOSING CRIMINALITY AND COVER-UPS ................................... 408 VII.RESISTERS AS EMBODIMENTS OF INTELLIGENCE, LEADERSHIP & Permission is hereby granted for noncommercial reproduction of this Article in whole or in part for education or research purposes, including the making of multiple copies for classroom use, subject only to the condition that the name of the author, a complete citation, and this copyright notice and grant of permission be included in all copies. *Associate Professor, Faculty of Law, University of Manitoba; J.D. (New England School of Law); LL.M. & D.C.L. (McGill University). The author would like to thank the following individuals for their assistance in reviewing, providing feedback and/or making suggestions: Drs. Karen Crawley, Richard Jochelson, Jennifer Schulz; Assistant Professor David Ireland; and Jonathan Avey, James Gacek, Paul R.J. -
Smokey Stumps in State, to Be Mugwump Candidate
Our Price — 10c Cheap A)! the news By all the fits thai fits ... that write it. rOLUME LV Virginia Military Institute, Lexington, Virginia. Friday, April 4. 1969 25 "Death" Wilson To Be Smokey Stumps In State, MI Cadet Of Year To Be Mugwump Candidate Second "classman Kenneth R. to go to Africa and "take up the i Wilson has been chosen by the white man's burden" while enjoy- LEXINGTON (Tass)—Democra- VMI, Public Relations Office as ing himself killing the local inhab- tic Party powers were rocked yes- VMI's cadet of the year. Wilson's itants. terday as famed Lexington politi- picture will now replace the statue Excusing himself from the ques- cian B. McCluer Gilliam declared of Virginia Mourning Her Dead on tioning Wilson went over to the his intentions to run in the upcom- the crest of all official Institute window where he blasted, with his ing party gubernatorial primary. publications .357 magnum, a butterfly who's "The time has come for Virginia In the words of the PRO, Wil- noisy flapping had distrubed him. to wake up!" the beloved VMI pro- son best exemplities the ViSII Returning to the interviev/, fessor said, slamming a book onto ideals—he is the Institute's model Death exclaimed that killing had the floor and waking up a few re- cadet. Wilson has so adapted him- always been part of his life—when porters who were nodding in the self to the VMI life that he can four days old, he had beaten his back row. "We must stick to ths truly say "I love it here." Bar- nurse to death with a jar of Beech- subject ot the course," he said, re- racks is not merely his home away nt baby food. -
A Few Good Men
A Few Good Men It is perhaps one of the most familiar movie catchphrases in recent history. Jack Nicholson, in full military regalia, sitting in a courtroom, shouting at Tom Cruise. “You can’t handle the truth,” he says. The truth is, the well-known movie A Few Good Men was a stage play first. And it’s back on an area stage at Little Theater of Fall River. Director Kathy Castro notes that she fell in love with the story when the movie came out. “I thought the story was sensational and so relevant; and the acting was great! It would be difficult to say how many times I’ve seen it since. Twenty-plus, easily, and each time, I learn something new. It is a masterful piece of writing, and Aaron Sorkin is a masterful storyteller.” A few years ago, Castro learned of the play version and right away wanted to direct it, putting it before the play selection committee in 2010. She notes that the play comes with great name-recognition, partly due to that already-mentioned catchphrase. The playwright also has something to do with it. Castro notes, “In these ensuing 20 years since the film, Aaron Sorkin has also become quite famous through his work on the TV series, The West Wing and his many Academy-Award nominations and wins for film screenplays. Last year he won for Social Network, and this year he was nominated again for Moneyball.” Having spent more than a year researching in preparation, Castro says she has read everything she could find on the original production of the play in 1988. -
A Few Good Men? Don't Look in the Movies
hup:Muchivetnytioses.coidarchiveshearch/fastweb?getdoc+allyears2441b36S+10114 Archives TO'YOTAdIradly employs nose duo 23,000 Americans la Pinion January 25, 19411, Sunday ARCHIVES Arts and Leisure Desk IOW MAIM MOUT MS MIMS NIONINT 111111WEIR Asaayss sew A Few Good Men? Don't Look in the Movies By RICHARD A. SHWIDER WHY ARE IMAGES OF MEN IN movies these days so desolate when it comes to real love, real sex, real families, real children and real work? Why has the art form become so detached from what is true and good? Why has our collective imagination concerning the male sex become so perverse and hallucinogenic? In short, why has the film industry declared an open hunting season on men? If you're like me, eager for a rush of inspiration that comes from seeing a manifestation of something heroic, excellent or at least a little dignified on the silver screen, 1997 was a disappointing year for representations of manhood. "Men first! Leave the women and children behind," an impulse embodied by one of the primary characters in "Titanic," is not an uplifting message. "Under those jeans is something wonderful waiting to get out," a concept at the heart of "Boogie Nights," produces no surge of pride. Certainly there was no character around like the honorable Clark Gable in "It Happened One Night," who doesn't take advantage of the affianced Claudette Colbert ("You better go back to your bed"). Some of the worst offenders in this regard were films declared by critics to be among the year's best. Here, for example, is a short list of acclaimed pictures over the last six months that sucked the soul out of my body, registering zero on my epiphany scale. -
WHAT I LEARNED at the MOVIES ABOUT LEGAL ETHICS and PROFESSIONALISM by Anita Modak-Truran
WHAT I LEARNED AT THE MOVIES ABOUT LEGAL ETHICS AND PROFESSIONALISM By Anita Modak-Truran HOW I GOT HERE I’ve been fortunate. I practice law. I make movies. I write about both. I took up my pen and started writing a film column for The Clarion-Ledger, a Gannett-owned newspaper, back in the late 90s, when I moved from Chicago, Illinois, to Jackson, Mississippi. (It was like a Johnny Cash song… “Yeah, I’m going to Jackson. Look out Jackson Town….”) I then turned my pen to writing for The Jackson Free Press, an indie weekly newspaper, which provided me opportunities to write about indie films and interesting people. I threw down the pen, as well as stopped my public radio movie reviews and the television segment I had for an ABC affiliate, when I moved three years ago from Jackson to Nashville to head Butler Snow’s Entertainment and Media Industry Group. During my journey weaving law and film together in a non-linear direction with no particular destination, I lived in the state where a young lawyer in the 1980s worked 60 to 70 hours a week at a small town law practice, squeezing in time before going to the office and during courtroom recesses to work on his first novel. John Grisham writes that he would not have written his first book if he had not been a lawyer. “I never dreamed of being a writer. I wrote only after witnessing a trial.” See http://www.jgrisham.com/bio/ (last accessed January 24, 2016). My law partners at Butler Snow have stories about the old days when Mr. -
AFGM Program
JOIN US FOR OUR NEXT PRODUCTION SUNNYBANK THEATRE GROUP PRESENTS sunnybank IN ASSOCIATION WITH ORiGiN THEATRICAL theatre group presents in association with ORiGiN Theatrical box office opens Aug 24 - 10am Sep 20 to Oct 5 A FEW directed by Anne Ross GOOD no sexplease, we’re MENBY AARON SORKIN DIRECTED BY LESLEY DAVIS BRITfor ticketsI Sph 3345H 3964 or www.stg.org.au JULY 26 - AUGUST 11, 2013 e Crew Broadway Production Presented by Brad Wyeth David Brown, Lewis Allen Stage Manager L Robert Whitehead, Roger L. Stevens, Kathy Levin Suntory International Corporation, The Schubert Organisation Stage Manager R Laura May Stinton Stage Crew The Cast Lighting Design Joanne Sephton David Gemmell ** Please be aware that this production contains loud noises, adult themes and language not suitable Costumes Rex Wigney for children Jenny Marshall Pam Cooper Betty Peisley Cathy O’Dowd * Patrons seeking support and information about suicide prevention can contact Lifeline on 13 11 14 or Beyond Blue on 1300 224636. Lighting & Sound Lana Perrin Joanne Sephton Audio Recording Laura May Stinton Set Design Lesley Davis Set Construction Mark Westby Stuart Sephton The action takes place in various locations in Chris O’Leary Washington D.C., and on the United States Naval Base in Guantanamo Bay, Cuba Photography Kayleen Gibson It is Summer, 1986 Erin O’Sheil Program & Media Chris O’Leary Green Room Our wonderful volunteers About the playwright and the play… We would like to thank the following for helping to bring Aaron Benjamin Sorkin (born June 9, 1961) is an Academy and Emmy-award this show to life: winning American screenwriter, producer, and playwright, whose works include A Few Good Men, The American President, The West Wing, Sports Night, Studio 60 on the Sunset Strip, Charlie Wilson's War, The Social Network, Training Ship Norfolk, Wellington Point Moneyball and The Newsroom. -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home