Fiona Rae Complete Bio (Excl.Press) Sept 2016.Pages
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DPRESSE-2011.Indd 1 17/05/11 11:29 PRESS DOSSIER
DPRESSE-2011.indd 1 17/05/11 11:29 PRESS DOSSIER "Mythes de la Méditerranée" 16 monumental sculptures by artist Anna Chromy Exhibited in Saint-Tropez From July 1st to October 10th, 2011, www.annachromy.com contact presse : valérie penven – tel. +33 (0)6 11 93 96 37 – @ :[email protected] SUMMARY Press Release Interview d'Anna Chromy • Eurydice • Alcyon • Europe • Sisyphus • Olympic Spirit • Prometheus • The Cloak of Conscience Biography d'Anna Chromy www.annachromy.com contact presse : valérie penven – tel. +33 (0)6 11 93 96 37 – @ :[email protected] "Mythes de la Méditerranée" 16 monumental sculptures by artist Anna Chromy Exhibited in Saint-Tropez From July 1st to October 10th, 2011, the of the contemporary multi-cultural spirit. Town of Saint-Tropez will play host in its most remarkable sites to sixteen An artist of Bohemian origin, Anna Chromy monumental sculptures in bronze and grew up in Austria, then moved to Paris Carrara marble by artist Anna Chromy. where she fell in love with the City of Light. She now lives in Monaco and works in her Following the huge success of her studio in Pietrasanta in Italy. In Carrara, she exhibitions in Paris, Place Vendôme, in is currently working on the "Cloak of Athens, Greece, then in Bejing in China, Conscience", sculpted directly in the artist Anna Chromy has chosen Saint- Michaelangelo marble quarry, one of the Tropez in which to exhibit her "Myths of the largest marble sculptures ever produced Mediterranean", universal themes revisited since those of Michelangelo in a single from the perspective of our contemporary block and the first to be emptied from the history undergoing far-reaching change. -
Rachel Whiteread
RACHEL WHITEREAD Born in Ilford, Essex in 1963 Lives and works in London, UK Eduction 1985–1987, Slade School of Art, London, England 1982–1985, Brighton Polytechnic, Brighton, England Solo Exhibitions 2017-2018 Rachel Whiteread, Tate Britain, London, England 2017 Place (Village), Victoria and Albert Museum of Childhood, London, England Rachel Whiteread, Galleria Lorcan O’Neill, Rome, Italy 2015 Rachel Whiteread: Looking In, Luhring Augustine, New York, NY Rachel Whiteread: Looking Out, Luhring Augustine Bushwick, Brooklyn, NY 2014 Rachel Whiteread, Gagosian Gallery, Geneva, Switzerland Rachel Whiteread: Study for Room, Museo d’Arte Moderna di Bologna, Bologna, Italy 2013 Rachel Whiteread: Detached, Gagosian Gallery, London, England 2011 Rachel Whiteread: Long Eyes, Luhring Augustine, New York, NY Rachel Whiteread: Looking On, Galleria Lorcan O’Neill Roma, Rome, Italy 2010 Rachel Whiteread: Drawings, Armand Hammer Museum of Art and Culture Center, Los Angeles, CA; Nasher Sculpture Center, Dallas, TX; Tate Britain, London, England* Rachel Whiteread, Gagosian Gallery, London, England Rachel Whiteread, Galerie Nelson-Freeman, Paris, France 2009 Rachel Whiteread, Portland Art Museum, Portland, OR WWW.SAATCHIGALLERY.COM RACHEL WHITEREAD 2008 Rachel Whiteread, Gagosian Gallery, Beverly Hills, CA Rachel Whiteread, Museum of Fine Arts, Boston, MA 2007 Rachel Whiteread August Seeling Prize Exhibition, Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany Rachel Whiteread, Centro de Arte Contemporáneo de Málaga, Málaga, Spain Rachel Whiteread, Galleria -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
Damien Hirst E Il Mercato Dell'arte Contemporanea: La Carriera Di Un Young British Artist
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea DAMIEN HIRST E IL MERCATO DELL'ARTE CONTEMPORANEA: LA CARRIERA DI UN YOUNG BRITISH ARTIST Relatore Prof. Stefania Portinari Laureanda Martina Pellizzer Matricola 816581 Anno Accademico 2012 / 2013 1 INDICE INTRODUZIONE p. 3 CAPITOLO 1 ALCUNE RIFLESSIONI SUL MERCATO DELL'ARTE CONTEMPORANEA: ISTITUZIONI E STRUTTURE DI PROMOZIONE E VENDITA 1 L'Evoluzione del sistema delle gallerie e della figura del gallerista p. 3 2. Il ruolo dei musei p. 19 3 Il ruolo dei collezionisti p. 28 4 Le case d'asta p. 36 CAPITOLO 2 DAMIEN HIRST: DA A THOUSAND YEARS (1990) A FOR THE LOVE OF GOD (2007) 1 Il sistema dell'arte inglese negli anni Novanta: gli Young British Artist …........p. 41 2 Damien Hirst una carriera in ascesa, da “Frezze” alla retrospettiva presso la Tate Modern p. 47 3 I galleristi di Damien Hirst p. 67 CAPITOLO 3 IL RUOLO DEL MERCATO DELL'ARTE NELLA CARRIERA DI DAMIEN HIRST 1 L'asta di Sotheby's: “Beautiful inside my head forever” p. 78 2 Rapporto tra esposizione e valore delle opere dal 2009 al 2012..............................p. 97 CONCLUSIONI p. 117 APPENDICE p. 120 BIBLIOGRAFIA p. 137 2 INTRODUZIONE Questa tesi di laurea magistrale si pone come obiettivo di analizzare la carriera dell'artista inglese Damien Hirst mettendo in evidenza il ruolo che il mercato dell'arte ha avuto nella sua carriera. Il primo capitolo, dal titolo “Alcuni riflessioni sul mercato dell'arte contemporanea”, propone una breve disanima sul funzionamento del mercato dell'arte contemporanea, analizzando in particolar modo il ruolo di collezionisti, galleristi, istituzioni museali e case d'asta, tutti soggetti in grado di influenzare notevolmente la carriera di un artista, anche se in maniera differente. -
Tate Papers - the 'Comic Sublime': Eileen Agar at Ploumanac'h
Tate Papers - The 'Comic Sublime': Eileen Agar at Ploumanac'h http://www.tate.org.uk/research/tateresearch/tatepapers/05autumn/walke... ISSN 1753-9854 TATE’S ONLINE RESEARCH JOURNAL The 'Comic Sublime': Eileen Agar at Ploumanac'h Ian Walker Fig.1 Eileen Agar 'Rockface', Ploumanach 1936 Black and white photograph reproduced from original negative Tate Archive Photographic Collection 5.4.3 © Tate Archive 2005 On Saturday 4 July 1936, the International Surrealist Exhibition in London came to an end. In that same month, the Architectural Review magazine announced a competition. In April, they had published Paul Nash's article 'Swanage or Seaside Surrealism'.1 Now, in July, the magazine offered a prize for readers who sent in their own surrealist holiday photographs – 'spontaneous examples of surrealism discerned in English holiday resorts'. The judges would be Nash and Roland Penrose .2 At face value, this could be taken as a demonstration of the irredeemable frivolity of surrealism in England (it is difficult to imagine a surrealist snapshot competition in Paris judged by André Breton and Max Ernst ). But in a more positive light, it exemplifies rather well the interest that the English had in popular culture and in pleasure. Holidays were very important in English surrealism and some of its most interesting work was made during them. This essay will examine closely one particular set of photographs made by Eileen Agar in that month of July 1936 which illustrate this relationship between surrealism in England and pleasure. Eileen Agar had been one of the English stars of the surrealism exhibition, even though she had apparently not thought of herself as a 'surrealist' until the organizers of the show – Roland Penrose and Herbert Read – came to her studio and declared her to be one. -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Art and Design (Short Course) Unit 2: Externally Set Assignment in Art and Design
Edexcel GCSE Art and Design (Short Course) Unit 2: Externally Set Assignment in Art and Design June 2010 – Examination Paper Reference Preparatory period: Approximately 20 hours Sustained focus: 10 hours 5FA04–5GC04 You do not need any other materials. Instructions • This paper should be given to the teacher-examiner for confidential reference AS SOON AS IT IS RECEIVED in the centre in order to plan for the candidates’ preparatory studies period. • This paper is also available on the Edexcel website from January 2010. • Centres are free to devise their own preparatory period of study prior to the 10 hours of sustained focus. • The paper may be given to candidates as soon as it is received, at the centre’s discretion. Edexcel GCSE (Short Course) in Art and Design: Fine Art (5FA04) Edexcel GCSE (Short Course) in Art and Design: Three-Dimensional Design (5TD04) Edexcel GCSE (Short Course) in Art and Design: Textile Design (5TE04) Edexcel GCSE (Short Course) in Art and Design: Photography – Lens and Light-based Media (5PY04) Edexcel GCSE (Short Course) in Art and Design: Graphic Communication (5GC04) Turn over M37313A ©2010 Edexcel Limited. *M37313A* 6/6/6/6/4/ M37313A_GCSE_Art_Design_Unit_2_S1 1 07/10/2009 11:23:57 Candidate guidance Your teacher will be able to teach, guide and support you as you prepare your personal response. You may also complete preparatory work without direct supervision. The preparatory period The process of producing work for assessment may begin once you receive this paper. You should develop your response to the theme in a personal, creative way. The preparatory period consists of approximately 20 hours. -
Jane Simpson
JANE SIMPSON Born in London, 1965 Lives and works in London Education 1990 - 93 Royal Academy Schools, London, Postgraduate Diploma 1985 - 88 Chelsea School of Art, London, BA Hons, Fine Art Degree Residencies and Awards 2001 Artist in residency, The Shoreditch Town Hall Trust, London 2000 Professor, Konsthögskolan, Stockholm 1999 IAPSIS fellow to Göteborg, Sweden (based in Valand School of Art) 1998 - 99 Visiting Professor, Kunstakademi, Trondheim Solo Exhibitions 2011 A Wolf in Sheep’s Clothing, Four All Saints, London 2008 My Inheritance and Other Bloody Tales, Gering & López Gallery, New York 2006 still, Still Llife, Galería Javier López, Madrid 2005 A Three Way conversation with myself, New Art Centre Sculpture Park & Gallery, Roche Court, Salisbury 2004 Tableau, CAC - Centro de Arte Contemporáneo, Málaga Somewhere (between freezing and melting) there lies passion, Sandra Gering Gallery, New York 2003 En algún lugar (entre el hielo y el deshielo) se encuentra la pasión, Galería Javier López, Madrid 2002 Fresh, fresher, Gagosian Gallery, London 2001 One in the Other, London 2000 Asprey Jacques, London Fresh, Galería Javier López, Madrid Stenashalle, Göteborgs Konstmuseum, Göteborg, Sweden 1999 It only takes a minute (to reach a natural high), Norrtälje Konsthall, Sweden 1998 Folly, The Approach, London 1996 Material Girl, Laurent Delaye, London 1994 Jane Simpson Invites You, Marc Jancou Gallery, London 1993 Eager to Please, Jibby Beane Gallery, London Colective exhibitions 2012 Gravity and Disgrace: Rachel Howard, Jane Simpson and Amelia Newton Whitelaw, Blain | Southern, London 2011 Aphasic Disturbance, Chelsea space, Chelsea College of Art and Design, London 2010 The House of Fairy Tales -exquisite trove, Newlyn Art Gallery, Newlyn; Millenium, St.