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DPRESSE-2011.Indd 1 17/05/11 11:29 PRESS DOSSIER
DPRESSE-2011.indd 1 17/05/11 11:29 PRESS DOSSIER "Mythes de la Méditerranée" 16 monumental sculptures by artist Anna Chromy Exhibited in Saint-Tropez From July 1st to October 10th, 2011, www.annachromy.com contact presse : valérie penven – tel. +33 (0)6 11 93 96 37 – @ :[email protected] SUMMARY Press Release Interview d'Anna Chromy • Eurydice • Alcyon • Europe • Sisyphus • Olympic Spirit • Prometheus • The Cloak of Conscience Biography d'Anna Chromy www.annachromy.com contact presse : valérie penven – tel. +33 (0)6 11 93 96 37 – @ :[email protected] "Mythes de la Méditerranée" 16 monumental sculptures by artist Anna Chromy Exhibited in Saint-Tropez From July 1st to October 10th, 2011, the of the contemporary multi-cultural spirit. Town of Saint-Tropez will play host in its most remarkable sites to sixteen An artist of Bohemian origin, Anna Chromy monumental sculptures in bronze and grew up in Austria, then moved to Paris Carrara marble by artist Anna Chromy. where she fell in love with the City of Light. She now lives in Monaco and works in her Following the huge success of her studio in Pietrasanta in Italy. In Carrara, she exhibitions in Paris, Place Vendôme, in is currently working on the "Cloak of Athens, Greece, then in Bejing in China, Conscience", sculpted directly in the artist Anna Chromy has chosen Saint- Michaelangelo marble quarry, one of the Tropez in which to exhibit her "Myths of the largest marble sculptures ever produced Mediterranean", universal themes revisited since those of Michelangelo in a single from the perspective of our contemporary block and the first to be emptied from the history undergoing far-reaching change. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Must-See Exhibitions to Welcome You Back to London's Galleries Tabish Khan 27 April 2021
Londonist Must-See Exhibitions To Welcome You Back To London's Galleries Tabish Khan 27 April 2021 Must-See Exhibitions To Welcome You Back To London's Galleries Welcome to our pick of the best exhibitions to see right now in London's galleries. Due to social distancing, advance booking is required for many of these. Lucy Sparrow: Bourdon Street Chemist at Lyndsey Ingram, Mayfair. Until 8 May, free. Image: Courtesy of Lucy Emms/Lyndsey Ingram/sewyoursoul National Felt Service: The Queen of Felt is back, and this time Lucy Sparrow has created an entire pharmacy. Pop in and buy soft, cuddly versions of Lemsip, Xanax, and de rigueur antiseptic wipes. The attention to detail is superb — and will bring a smile to any visitor's face. We prescribe this as the perfect antidote to the year we've just had. Rebecca Manson: Dry Agonies of a Baffled Lust at Josh Lilley, Fitzrovia. Until 22 May, free. Image: Courtesy Josh Lilley. Leaf At First Sight: It's as if an explosion of leaves caught up in the wind has been frozen in time. These ceramic sculptures by Rebecca Manson are so lifelike, I hold my breath as I take a closer look — lest my exhalation disturbs it. Other leaves wrap around a rake, while sunflowers sprout in these spectacularly crafted works, whose level of detail is leaf mind-blowing. Sensing the Unseen: Step into Gossaert's 'Adoration' at The National Gallery, Room 1. 17 May - 13 June, free. Image: The National Gallery, London Step Into A Painting: Ever stood in front of a painting and wished you could step inside? The National Gallery invites us to do just that, with Jan Gossaert's The Adoration of the Kings. -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE -
Alison Wilding
!"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New -
Rachel Whiteread Is Britain's Greatest Living Artist
The Guardian December 14, 2012 Rachel Whiteread is Britain's greatest living artist Her magnificent sculptures conjure up vanished lives, lost voices and forgotten loves – and sit easily alongside modern masters By Jonathan Jones London stone … Rachel Whiteread's Ghost. Photograph: Sarah Lee for the Guardian I just want to take a moment to salute Britain's greatest living artist. A few weeks ago I was in an American art museum looking at the modern masters. Pablo Picasso and Richard Serra share space with Sol LeWitt and Jackson Pollock in the tremendous collections of the National Gallery of Art in Washington DC. But not far from Barnett Newman's Stations of the Cross paintings, an unexpected thing from home caught my eye. It was like seeing a ghost. In fact, I was seeing Ghost – a sculpture by Rachel Whiteread that I first encountered, what, 20 years ago, in the London whose Dickensian chill it reproduces. Ghost is a cast of an entire room in an old-fashioned, perhaps Victorian, house. It is the solid trace of all the air that a room once contained. Empty space has become solid. Because it is solid, it is closed. Nothing can get in or out. On this side of the white surfaces of the massive block, engraved with negative images of fireplace, door, window and light switch, we wonder at the dark invisible silence within. Vanished lives, lost voices, forgotten loves are trapped in that fossilised room like prehistoric creatures in limestone. Ghost is the closest living relative of Whiteread's destroyed artistic masterpiece House. -
The Origins and Exhibition of Rachel Whiteread's 'Untitled (Room 101)'
MA.NOV.Lawrence.pg.proof.corrs:Layout 1 15/10/2010 16:18 Page 736 A substitute for history: the origins and exhibition of Rachel Whiteread’s ‘Untitled (Room 101)’, 2003 by JAMES LAWRENCE IN NOVEMBER 2003, Untitled (Room 101) (Fig.46), by Rachel Whiteread, appeared in the Italian Cast Court at the Victoria and Albert Museum, London, where it remained until the following summer. In contrast to the ornate surfaces, elegant contrapposto and fluid modelling of the surrounding casts, the new object presented a rectilinear mass of pockmarked planes and stodgy architectural details. The parenthetical title alludes to the place of final torture in George Orwell’s novel Nineteen Eighty-Four (1949) but refers specifically to the real source of the sculpture: Room 101 at Broadcasting House (Fig.45), the headquarters that George Val Myer and Francis James Watson-Hart designed for the British Broadcasting Corporation. A widespread legend held that Room 45. Broadcasting House, 2–22 101 served as Orwell’s office when he worked for the Eastern Portland Place, Service during the Second World War. Early coverage and sub- London W1. sequent discussion of Untitled (Room 101) emphasised this unsub- 1932. Designed by George stantiated literary connection – all the more resonant in 2003, the Val Myer and centenary of Orwell’s birth – and the connotations of authoritar- Francis James ian menace that flow from it.1 This article focuses on less allusive Watson-Hart. (Photograph by aspects, including the circumstances that led to the creation of the Janet Hall, 1995; sculpture; the physical conditions of its origins, form and public RIBA Library display; and the interpretive consequences of those physical traits. -
{FREE} the Art of Tracey Emin
THE ART OF TRACEY EMIN PDF, EPUB, EBOOK Chris Townsend,Mandy Merck,Etc. | 224 pages | 01 Nov 2002 | Thames & Hudson Ltd | 9780500283851 | English | London, United Kingdom The Art of Tracey Emin by Chris Townsend White Cube. Save Me , Xavier Hufkens. Sex 26 Sydney , The way you spoke to me , I Loved My Innocence , There was so much more of me , Little woman - Something I've always wanted Aste Boetto. Love Is What You Want , Lougher Contemporary. Crane , No Time for Love. The Kiss Was Beautiful , In The Art of Tracey Emin, distinguished critics from Britain and the United States address her achievement in depth for the first time, tracing Emin's influences from Egon Schiele to Judy Chicago and establishing her place in a larger tradition of postmodern and feminist art. Adopting a variety of critical approaches, contributors explore the full range of Emin's work, from photography and monoprints to installation art and videos, showing that, however raw and personal it may seem to be, it actually represents a carefully meditated response to vital issues in contemporary culture and society. Deals the truth about anal intercourse, at last: how liberating it is- but only for the purpetrator. In this case, the work explores the common experience of depression through a very personal and intimate lens. This artwork draws an important distinction between representation and presentation. This piece is not a representation of an object such as a painting or a sculpture. The art object doesn't refer to another object; it is the object itself. Some have argued that this was the key work in elevating women's experiences to the level of artistic expression. -
There Not There Group Exhibition of Works
Karl Ohiri, How to Mend a Broken Heart, 2013 Arts Council Collection, Southbank Centre, London © Karl Ohiri, courtesy the artist. There Not There ● Group exhibition of works by twelve international contemporary artists ● An enquiry into the ambiguous boundary between absence and presence ● Curated by students of The Courtauld Institute of Art’s MA Curating the Art Museum programme ● Conceived in response to the upcoming two-year closure of the Courtauld Gallery for a major redevelopment project, Courtauld Connects ● 14 June – 15 July 2018 There Not There brings together the work of twelve international contemporary artists, including Jasper Johns, Rachel Whiteread, Michael Craig-Martin and Runa Islam. Working in a variety of media including painting, photography and film, these artists interrogate the boundary between the seemingly opposite notions of absence and presence. Despite their differences in approach, the artists share a common fascination with the ideas of disappearance, transformation and erasure. These themes emerge from the artists’ engagement with the natural world, the urban environment and human relationships. The works in this exhibition are linked by their engagement with the act of disappearance. In Richard Long’s seminal work A Line Made By Walking (1967), the artist records the trace of his presence in nature, while he himself remains absent. Runa Islam’s 16mm film Stare Out (Blink) (1998) provides a surprising comparison, also capturing an absent presence. A young woman gazes intently at the viewer before she suddenly disappears, leaving her imprint on the viewer’s retina. These artists, like others in the exhibition, seek to expose the ambiguous line between appearance and disappearance. -
Die Berliner Philharmoniker Bei Den Festspielen in Salzburg
Salzburg hat durch die Festspiele einen Sonderstatus in der ” Musikwelt ::: Die Berliner Philharmoniker sind instrumentale Hauptdarsteller.” (Peter Csob´adi) 6 Die Berliner Philharmoniker bei den Festspielen in Salzburg Salzburg w¨ahrend der Festspiele: ein Kleinod”, meint die Ehefrau eines Ber- ” liner Philharmonikers, als wir auf die ¨osterreichische Stadt zu sprechen kom- men, in der das Orchester in den letzten Jahrzehnten h¨aufiger und l¨anger gastierten als an jedem anderen Ort. Ein- bis dreimal im Jahr war das lange der Fall (inzwischen nur zweimal), zusammengez¨ahlt bis zu einem Monat, d.h. zu Ostern etwa zweieinhalb Wochen, zwischen Ende Juli und Ende August vier bis neun Tage und von 1973 bis 1988 waren es jeweils ein paar Tage zu Pfingsten. Im Sommer folgen meist Auftritte in Luzern bei den Internationa- len Musikfestwochen, neuerdings auch in London bei den Prom-Concerts. Die Geschichte der Festspiele Es ist der Initiative von Max Reinhardt und einigen seiner Freunde - darunter Richard Strauss und Hugo von Hofmannsthal - zu verdanken, daß Salzburg fur¨ Kunstler¨ und Kunstliebhaber so wichtig geworden ist. Sie grundeten¨ die Festspiele 1920 als Hommage an Mozarts Geburtsort. Zun¨achst wurden nur Schauspiele und klassische Orchesterkonzerte gegeben, sp¨ater auch Opern, Ballette, Kammerkonzerte, Lieder- und Rezitationsabende. H¨aufig begleiteten Kongresse und Ausstellungen, Sommerkurse und Akademien die Vorfuhrun-¨ gen. Das religi¨ose Mysterienspiel Jedermann von Hugo von Hofmannsthal (lange Zeit in der Inszenierung von Max Reinhardt) steht j¨ahrlich als erstes auf dem Programm.1 Nur das im Sommer stattfindende Festival tr¨agt die Bezeichnung Salzbur- ” ger Festspiele”. Dieses wird seit 1957 fast immer von den Berliner Philharmo- nikern mitgestaltet.2 Die Osterfestspiele Salzburg” mit ein bis zwei Opern, ” 91 92 6 Die Berliner Philharmoniker bei den Festspielen in Salzburg einem Chorkonzert und zwei Orchesterkonzerten wurden 1967 auf Privati- nitiative Karajans eingerichtet, bis 1989 mit den Berliner Philharmonikern als einzigem Orchester. -
The FLAG Art Foundation Presents New Exhibition: “Attention To
The FLAG Art Foundation Pre sents New Exhibition: “Attention to Detail” The FLAG Art Foundation is pleased to announce its inaugural ex hibition, "Attention to Detail." Curated by renowned contemporary artist Chuck Close, the show includes work from a wide range of both established and emerging artists: Louise Bourgeois Brice Marden Delia Brown Tony Matelli Glenn Brown Ron Mueck Maurizio Cattelan Richard Patterson Vija Celmins Richard Pettibone Jennifer Dalton Elizabeth Peyton Thomas Demand Richard Phillips Tara Donovan Marc Quinn Olafur Eliasson Alessandro Raho Dan Fischer Gerhard Richter Tom Friedman Aaron Romine Ellen Gallagher Ed Ruscha Tim Gardner Cindy Sherman Franz Gertsch James Siena Ewan Gibbs Ken Solomon Robert Gober Thomas Struth Andreas Gursky Tomoaki Suzuki Damien Hirst Yuken Teruya Jim Hodges Fred Tomaselli Naoto Kawahara Jim Torok Ellsworth Kelly Mark Wagner Cary Kwok Rachel Whiteread Robert Lazzarini Fred Wilson Graham Little Steve Wolfe Christian Marclay Lisa Yuskavage Whether it is through conceptual or technical precision, the deceptively lifelik e nature of a hand-crafted image, a playful interpretation or distortion of a familiar object or the detailed appropriation of another artist's work, an acute focus on the minute connects these works and these artists’ approaches. These artists demonstrate a labor-intensive and exacting artistic passion in their respective processes. As Chuck Close fittingly reflects with respect to his own work, "I am going for a level of perfection that is only mine...Most of the pleas ure is in getting the last little piece perfect." Chuck Close (b. 1940, Monroe, WA) received his B.A. from the University of Washington, Seattle before studying at Yale University School of Art and Architecture (B.F.A., 1963; M.F.A.