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Issue Number 2 Welcome to Issue Number 2 of the “New Look” Metro Mouthpiece
The newsletter for Metro Aberdeen Running Club members Issue 2 January 2008 www.metroaberdeen.co.uk Issue Number 2 Welcome to Issue Number 2 of the “New Look” Metro Mouthpiece. Once again I would like to apologise for the lateness of this issue, I was aiming to get out 4 editions in 2007 but several factors (excuses) meant that this plan went “t**s up”. I will be endeavouring to get back on schedule for 2008, so get those articles, race reports, jokes, funny stories, pictures and results to me for inclusion as soon as possible at [email protected] Hopefully everyone had a successfull and injury free year of running in 2007? Personally I had a decent enough year, running small personal best times at all distances raced and, most importantly, I managed to avoid serious injury. However, how I managed to avoid hurting myself never mind how I got home in one piece after Bjoern Reiss’ leaving night drinks (pictured right) I’ll never know. My excuse is that I’d been in the pub all day, without food watching the Scotland v Ukraine match so by the time I’d met up with the others I was a wee bit cumbersome on my feet. Thanks to Bjoern for the photographic evidence. Inside this issue On the back page you will find a membership renewal form for 2008. Please complete this as soon as possible and send along with your payment of £12 to: Colin MacKay, 15 Fare View, Torphins, Aberdeenshire, AB31 4DZ. Thanks for everyone who submitted race reports etc, I hope everyone enjoys reading them as much as I did. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
The Future Is in the Flesh, Article by Clinton Walker, Roadrunner, 1979.Pdf
The Future is in the Flesh Article by Clinton Walker - Roadrunner, 1979 As the echoes of the punk rock explosion fade into eternity a number of post-punk musical movements have emerged. One of the prominent of these is the electronic rock movement which rather than trying to incorporate the synthesiser into a conventional rock format is trying to create its own musical format. In this special report, Clinton Walker traces the development of electronic rock from its beginnings with the likes of Eno, Kraftwerk and the Residents through to the present rash of synthesiser bands in the U.K., the U.S.A. and, yes folks, Australia. In fact, the little publicised Australian electronic music movement is one of the liveliest in the world. Could THIS be the future of rock'n'roll? Plug yourself in, open your memory banks and let's find out, eh? I suppose Brian James really thought he’d hit the nail on the head when he formed the quasi-psychedelic outfit, Tanz Der Youth, after splitting The Damned. Clearly he had interpreted rock’n’roll’s development as moving in a circle and, accepting the punk wave as parallel to Beatlemania and the surrounding Pop Explosion of the early ‘60s, obviously the next step (after the Death of Punk) was going to be some kind of movement that equally paralleled the psychedelia that bloomed in the later 60s. This hypothesis James put into practice (via Tanz Der Youth). Apart from the fact that any rock’n'roll so calculated simply could not (artistically) succeed. -
The Damned Don't You Wish Press Release.Indd
PRESS RELEASE The Damned: Don’t You Wish That We Were Dead (15) RELEASE DATE On Blu-ray and DVD 29 May 2017 On Digital 22 May 2017 KEY TALENT INFORMATION Starring • David Vanian (lead singer, The Damned) • Captain Sensible (guitar/vocals, The Never mind the Sex Pistols… Damned) • Rat Scabies (drummer, The Damned) here’s The Damned! • Lemmy (Motorhead) • Mick Jones (The Clash) Fast Sell: • Steve Diggle (The Buzzcocks) • Chrissie Hynde (The Pretenders) A rip-roaring, hellraising account of one of the fi rst and • Chris Stein and Clem Burke (Blondie) greatest punk bands, The Damned, who ripped up the • Jon Moss (Culture Club) 70s music scene, fell apart in chaos, reformed and are still • Duff McKagan (Guns ‘N’ Roses) touring today 40 years strong! This joins Lemmy, The Filth • Glen Matlock (Sex Pistols) and the Fury and Anvil as a gleefully riotous, must watch • Nick Mason (Pink Floyd) rock-doc! • Ian MacKaye (Fugazi, Minor Threat) • Jesse Hughes (Eagles of Death Metal) From the co-director of Lemmy, featuring Chrissie Hynde, • Dexter Holland (The Off spring) Mick Jones, Lemmy, and members of Pink Floyd, Black Flag, • Jack Grisham (T.S.O.L) Guns ‘N’ Roses, Sex Pistols, Fugazi, Blondie, The Buzzcocks • David Gahan (Depeche Mode) and many more! • Don Letts • Billy Idol Synopsis: Director The story of the long-ignored pioneers of punk: The • Wes Orshoski (Lemmy) Damned. CONTACT/ORDER MEDIA The long-ignored pioneers of punk, The Damned started out as trailblazers on London’s 70s punk rock scene, being Thomas Hewson - [email protected] the fi rst British punk band to release a single, the immortal New Rose in 1976. -
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion Thursday 23rd November 2017, 10am Viewing Wednesday 22nd November 10.30am-6pm and day of sale from 9am THE OLD BREWERY BAYNTON ROAD ASHTON BS3 2EB [email protected] 0117 953 1603 www.bristolauctionrooms.co.uk Live Bidding at @BristolAuctionRooms @BristolSaleroom BUYERS PREMIUM 24% (INCLUSIVE OF VAT) PLUS VAT ON THE HAMMER PRICE AT 20% WHERE INDICATED Sale No. 191 Catalogue £2 IMPORTANT NOTICES We suggest you read the following guide to buying at Bristol Auction Rooms in conjunction with our full Terms & Conditions at the back of the catalogue. HOW TO BID To register as a buyer with us, you must register online or in person and provide photo and address identification by way of a driving licence photo card or a passport/identity card and a utility bill/bank statement. This is a security measure which applies to new registrants only. We operate a paddle bidding system. Lots are offered for sale in numerical order and we usually offer approximately 80-120 lots per hour. We recommend that you arrive in plenty of time before the lots you are wishing to bid on are up for sale. ABSENTEE BIDS If you cannot attend an auction in person, Bristol Auction Rooms can bid on your behalf, acting upon your instructions to secure an item for you at the lowest possible price as allowed by other bids and reserves. You can leave bids in person, through our website, by email or telephone - detailing your intended bids clearly, giving your price limit for each lot (excluding Buyer’s Premium and VAT). -
Spring/Summer 2017 Tutti I Bambini Hanno Cuori Dolci Come Il Miele, Falli Crescere Con Cura E Affetto
Spring/Summer 2017 Tutti i bambini hanno cuori dolci come il miele, falli crescere con cura e affetto... e ti accorgerai che sono fatti per amare. All kids have hearts as sweet as honey; grow them with care and affection...and you realize they were born to give love. L’espressione più vera dell’amore è il sorriso di un bambino felice. The truliest demonstration of love is the smile of a happy child. D’estate il bambino pensa a giocare, sognando castelli di sabbia e l’azzurro del mare. During summer the child always thin- ks about playing, dreaming of sandca- stles and blue sea. Nanan è un mondo d’incanto. Perdercisi è una favola. Nanan is an enchanted world. Getting lost in it is like a fairy tale. I bambini devono poter credere nella magia, il vero motore della vita. Children must be fond of magic, the real driving force in life. LOOKBOOK New collection Spring Summer 2017 Corredino Pon Pon Pon Pon Nursery Collection E170211B Bib E170091B Cap E170211R E170091R E170211A E170091A E170101B Gloves E170101R E170101A E170341B Jersey sleeping bag E170341R E170341A E170041B Jersey babygro E170051B Jersey 2 pcs babygro E170191B Socks E170041R E170051R E170191R E170041A E170051A E170191A E170121B Jersey blanket E170042B Jersey babygro E170241B Jersey romper suit E170011B Jersey body E170121R E170042R E170241R E170011R E170121A E170042A E170241A E170011A 13 Corredino Chicca Chicca Nursery Collection E171448R Band E171421R E1714092R Bib Cap E1714073R E1714411R Fleece jacket Dress + body E1714162R Jersey shrug E1714041R E1714042R E1714241R Jersey babygro -
Find Doc < Fast Living: Remembering the Real Gary Holton
HYJUSYU6P3BU # eBook \ Fast Living: Remembering the Real Gary Holton Fast Living: Remembering the Real Gary Holton Filesize: 2.36 MB Reviews This book is wonderful. it absolutely was writtern very completely and valuable. Your lifestyle period will be enhance once you full reading this article pdf. (Alivia Hartmann) DISCLAIMER | DMCA IJ20J9BUDBI1 \ eBook « Fast Living: Remembering the Real Gary Holton FAST LIVING: REMEMBERING THE REAL GARY HOLTON New Haven Publishing Ltd, United Kingdom, 2013. Paperback. Book Condition: New. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. Be proud of everything that you do, or have a fucking damn good reason for doing something which you re not proud of. (Gary Holton to Danny Baker, NME, November 1984, a year before his death) A true rock n roll casualty, Gary Holton packed a lot into his thirty- three years, including fronting proto-punk legends, Heavy Metal Kids, and playing a leading role in one of the most revered TV dramas of its day. Drawing on her own recollections and first-hand accounts of others who knew him, Teddie Dahlin completes the picture of a man who never outran his demons but who, in the process, gave a lot of pleasure and some little anguish to those who surrounded him. Born in East End London, Holton became a member of the Royal Shakespeare Company at an early age before joining a touring production of Hair, prior to pursuing long-harboured musical ambitions. While Heavy Metal Kids never did reach the heights predicted for them, there was a number one solo single in Europe and an invitation to front AC/DC that was declined. -
International Golf Greenkeepers Association
Award-winning magazine of the British and International Golf Greenkeepers Association July 2004-£3.80 INTERNATIONAL Open Championship Preview - Royal Troon Golf Club | Mowing | Disease Analysis Sorts divots, tees, cuts and stripes in one go The Hayter Harrier 56 is a quick, yet precise, solution to your tee problems. The Harrier 56 - a perfect finish to a tee The classic Hayter Harrier 56 roller rotary mower is capable of picking up tees and divots quickly and effortlessly. The split ribbed roller with a differential aids manoeuvrability around the tee, and gives the traditional striped finish. No tools are needed to adjust the height of cut, which can go as low as 13mm (1/2") giving you total control over each tee. Built in front fins on the deck noticeably improve the cutting quality and collection ability and the large capacity grassbag is easy to remove and fit. The Harrier 56 can be used all year round and will minimise compaction of tees particularly during the winter months. So versatile, the Harrier 56 can be used in so many areas around the club, you'll wonder how you managed without one. HAYTER For more information, call 01279 723444, email [email protected] or visit our MAKERS OF THE FINEST MOWERS website: www.hayter.co.uk. A guide to Advertisers' Index who's who ADVERTISER TELEPHONE PAGE at BIGGA BERKSHIRE COLLEGE OF AGRICULTURE 01628 824444 25 President CHARTERHOUSE 01428 661222 6 Sir Michael ENVIRONMENTAL TURF TECHNOLOGY 01524 381999 6 July 2004 Bonallack, OBE GOLF FINANCE 01620 893530 21 Your next issue of Greenkeeper -
DEC 2020 / Jan 2021
Founded 1967 There have definitely been a few silent nights for the club this year but, hopefully, we will be back to Hark the Herald by spring. Newsletter of the Traditional Car Club of Doncaster December 2020/January 2021 Email special due to Covid 19 virus 1 Editorial Hello again, I hope that I find you all safe and well, even if a bit restricted. The review of this last year won’t take long, I’ve not done much or been anywhere much but am still here so it’s not all bad. If the vaccine roll out works better than some other things, the prediction is some return to ‘normal’ by East- er. Must admit that I see a conflict between normal and our club but I know what they mean. Spring is the time that we really start to get going with Breakfast meetings, Drive it day and show plan- ning can really pick up so we may be back in full flow at our usual time, we will see. A reminder that the committee is proposing to carry over subs to 2021 as we were effectively shut for most of this year. We have found a way to carry on with Tradsheet and our members only Facebook page has kept us informed and entertained. The website has been running throughout and has visitors from all over the world looking to see what we are up to. In that respect, we have carried on as best we can and have fared better than some clubs that have all but disappeared for the time being. -
Yazoo Don't Go (Re-Mixes) Mp3, Flac, Wma
Yazoo Don't Go (Re-Mixes) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Don't Go (Re-Mixes) Country: UK Released: 1982 Style: Electro, Synth-pop MP3 version RAR size: 1743 mb FLAC version RAR size: 1965 mb WMA version RAR size: 1599 mb Rating: 4.3 Votes: 306 Other Formats: MOD MPC AU DMF VQF ADX AA Tracklist Hide Credits Don't Go (Re-Mix) (Extended Version) A1 3:59 Written-By – Clarke* Don't Go (Re-Re-Mix) (Extended Version) A2 4:09 Written-By – Clarke* Winter Kills (Not Re-Mixed) (Not Extended) B 3:53 Written-By – Moyet* Companies, etc. Phonographic Copyright (p) – Mute Records Copyright (c) – Sonet Publishing Produced At – Blackwing Studios Distributed By – Rough Trade Distributed By – Spartan Lacquer Cut At – Tape One Mastered At – Gedmal Galvanic Ltd. Credits Lacquer Cut By – JA* Photography By – Joe Lyons Producer – Alison Moyet (tracks: B), Daniel Miller (tracks: A1, A2), Eric Radcliffe, Vince Clarke (tracks: A1, A2) Notes Produced at Blackwing Studios, London Distributed by Rough Trade & Spartan © Sonet Publishing ℗ Mute Records Barcode and Other Identifiers Matrix / Runout (Runout, A-side, etched. Var. 1): YAZ 001 T A2 GG JA TAPE ONE Matrix / Runout (Runout, B-side, etched. Var. 1): 21" YAZ 001 B1 JA TAPE ONE Matrix / Runout (Runout, A-side, etched. Var. 2): JA TAPE ONE YAZ 001 T A2 SPARTAN GG2 Matrix / Runout (Runout, B-side, etched. Var. 2): JA TAPE ONE GG2 2̶1̶ YAZ 001 B1 SPARTAN Matrix / Runout (Runout, A-side, etched. Var. 3): YAZ 001 T A2 GG6 JA TAPE ONE Matrix / Runout (Runout, B-side, etched.