Yazoo Don't Go (Re-Mixes) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Yazoo Don't Go (Re-Mixes) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Don't Go (Re-Mixes) Country: UK Released: 1982 Style: Electro, Synth-pop MP3 version RAR size: 1743 mb FLAC version RAR size: 1965 mb WMA version RAR size: 1599 mb Rating: 4.3 Votes: 306 Other Formats: MOD MPC AU DMF VQF ADX AA Tracklist Hide Credits Don't Go (Re-Mix) (Extended Version) A1 3:59 Written-By – Clarke* Don't Go (Re-Re-Mix) (Extended Version) A2 4:09 Written-By – Clarke* Winter Kills (Not Re-Mixed) (Not Extended) B 3:53 Written-By – Moyet* Companies, etc. Phonographic Copyright (p) – Mute Records Copyright (c) – Sonet Publishing Produced At – Blackwing Studios Distributed By – Rough Trade Distributed By – Spartan Lacquer Cut At – Tape One Mastered At – Gedmal Galvanic Ltd. Credits Lacquer Cut By – JA* Photography By – Joe Lyons Producer – Alison Moyet (tracks: B), Daniel Miller (tracks: A1, A2), Eric Radcliffe, Vince Clarke (tracks: A1, A2) Notes Produced at Blackwing Studios, London Distributed by Rough Trade & Spartan © Sonet Publishing ℗ Mute Records Barcode and Other Identifiers Matrix / Runout (Runout, A-side, etched. Var. 1): YAZ 001 T A2 GG JA TAPE ONE Matrix / Runout (Runout, B-side, etched. Var. 1): 21" YAZ 001 B1 JA TAPE ONE Matrix / Runout (Runout, A-side, etched. Var. 2): JA TAPE ONE YAZ 001 T A2 SPARTAN GG2 Matrix / Runout (Runout, B-side, etched. Var. 2): JA TAPE ONE GG2 2̶1̶ YAZ 001 B1 SPARTAN Matrix / Runout (Runout, A-side, etched. Var. 3): YAZ 001 T A2 GG6 JA TAPE ONE Matrix / Runout (Runout, B-side, etched. Var. 3): 21" YAZ 001 B1 JA TAPE ONE GG6 Other versions Category Artist Title (Format) Label Category Country Year Don't Go (7", Single, 7 YAZ 001 Yazoo Mute 7 YAZ 001 UK 1982 M/Print) 7 YAZ 001 Yazoo Don't Go (7", Single) Mute 7 YAZ 001 UK 1982 INT 426.806, 12 Don't Go (Re-Mixes) (Cass, Mute, INT 426.806, 12 Yazoo Germany 1982 YAZ 001 Single, P/Mixed) Mute YAZ 001 MUT 15086 Yazoo Don't Go (Re-Mix) (12") CGD MUT 15086 Italy 1982 Don't Go (1999 Mixes & 7243 8 96485 2 2 Yazoo Original Version) (CD, Mute 7243 8 96485 2 2 France 1999 Single, Car) Comments about Don't Go (Re-Mixes) - Yazoo Morlurne Label images from pwestman (now disabled), while not the right size, were much more accurate in their color representation. Label images from WeirDave have been brightened too much. Suggest new label images of correct size and color. Rocky Basilisk Is your vinyl copy's color is dark blue as the image provided by pwestman or light blue as the one provided by WeirDave?Could they be two different release with the same catalog number?Mine is dark blue. Related Music albums to Don't Go (Re-Mixes) by Yazoo Fad Gadget - One Man's Meat (Remix) Erasure - Ship Of Fools Yazoo - Nobody's Diary Yazoo - Don't Go Yazoo - You And Me Both Erasure - Victim Of Love (Remix) Robert Rental - Double Heart Yazoo - Upstairs At Eric's.

Copy Link

Recommended publications

Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep.
[Show full text]
Ad Extremum Terrae
Ad Extremum Terrae Anthology of Dystopias and of Ways of Loving T C Kid Through this collection of texts, narratives are seen as opportunities rather than destinies; an invitation to multiple futures rather than to a fixed fate. It is a concession to continue, change and speculate around resolved or unresolved threads. By walking through poems that are meant to be songs, sliding on misplaced words and getting lost in incoherent paths, otherness is seen as a liquid territory. This anthological attempt naively rethinks our shapes, identities, ways of loving and clum- sily tries to exceed human-centered logics. We hope it is inviting enough to meander through a mutating space that could be as small as a village and as infinite as the Internet network. A group of physicists researching on string theory and other possible unified theo- ries were trying to determine how many dimensions the universe has, with the hope of finding alternative ways to preserve our dying planet. Ecologists, on their side, were attempting to give sovereignty back to nature as a radical solution to the water shortage announced for 2050. Both parties decided to unite forces to subject humanity to a massive structural revolution. The process of intervening both at the cosmological and planetary level triggered a second big bang, this time involving dimensions. All dimensions were subjected to interac- tions that led to the merging of some, the splitting of others and the disappearance of a few of them. The result was a highly non-linear mix of known time and space with other previously unknown dimensions that led to a host of unexpected phenomena.
[Show full text]
Open PDF 326KB
Digital, Culture, Media and Sport Committee Oral evidence: Economics of music streaming, HC 868 Tuesday 23 February 2021 Ordered by the House of Commons to be published on 23 February 2021. Watch the meeting Members present: Julian Knight (Chair); Kevin Brennan; Steve Brine; Alex Davies-Jones; Clive Efford; Julie Elliott; Damian Green; Damian Hinds; John Nicolson; Giles Watling; Mrs Heather Wheeler. Questions 580 to 709 Witnesses I: Paul Firth, Director of International Music, Amazon; Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer, Spotify; and Elena Segal, Global Senior Director of Music Publishing, Apple Inc. Examination of witnesses Witnesses: Paul Firth, Horacio Gutierrez and Elena Segal. Q580 Chair: This is the Digital, Culture, Media and Sport Select Committee and our latest hearing into the economics of music streaming. We are joined today by Paul Firth, Director of International Music at Amazon, Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer at Spotify, and Elena Segal, Global Senior Director of Music Publishing at Apple. Thank you, Paul, Horacio and Elena, for joining us today. Before our first question, I will go to our members to get their interests. Kevin Brennan: I am a member of the Musicians’ Union and PRS for Music. Alex Davies-Jones: I am a member of the Musicians’ Union. Chair: Is there anyone else? No, okay. Our first questions come from John Nicolson. John Nicolson: Thank you so much for joining us today. Horacio, may I start with you, please? We have been hearing a lot about Spotify in the course of this hearing and what we hear consistently from musicians is that they feel they are exploited, underpaid and earning far too little for the amount of work that they put in.
[Show full text]
How Sleep Fuels Performance with Jeff Kahn Jen Fisher
How sleep fuels performance with Jeff Kahn Jen Fisher (Fisher): Sometimes I get the question, “if I only focus on one thing for my well-being, what should it be?”. This may seem like a hard question, but for me it's not. I always have the same answer. It's sleep. I'm a passionate advocate for sleep because it's foundational to every part of your well-being. Despite its importance, our society and our workplace culture still favors busyness and sleep deprivation over quality, rest, and recovery. This is the WorkWell Podcast series. Hi, I'm Jen Fisher, Chief Well-being Officer for Deloitte, and I'm so pleased to be here with you today to talk about all things well-being. I'm here with Jeff Kahn. He's the co-founder and CEO of Rise Science, a sleep technology company that uses science and data to improve sleep. Jeff, welcome to the show. Jeff Kahn (Jeff): It is an absolute pleasure to be here and talk about a topic that I am in love with, so thanks for having me. Fisher: You and me both. This is going to be a great conversation, but let's start with you and tell me how you fell in love with sleep. Jeff: It started about 10 years ago back in engineering school. Up late at night pounding the books, up early in the morning and just exhausted like everyone else. It was like maybe my sleep has something to do with how I feel. Also, back in 2010, it just wasn't clear yet that this is, I mean the science was clear, but it wasn't clear yet in the mass market that this was a thing to focus on.
[Show full text]
Cognitive Linguistic Analysis of Love Metaphors in Ed Sheeran’S Songs
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COGNITIVE LINGUISTIC ANALYSIS OF LOVE METAPHORS IN ED SHEERAN’S SONGS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Dicky Wisnu Pradikta Student Number: 131214101 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COGNITIVE LINGUISTIC ANALYSIS OF LOVE METAPHORS IN ED SHEERAN’S SONGS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Dicky Wisnu Pradikta Student Number: 131214101 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Pradikta, Dicky Wisnu. (2017). Cognitive Linguistic Analysis of Love Metaphors in Ed Sheeran’s Songs. Yogyakarta: English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Sanata Dharma University. This study analyzes conceptual metaphors of love found in the lyrics of Ed Sheeran‟s songs. There are twenty-five songs selected from three albums. These three albums are chosen because they are popular. This research focuses on one research question, which is: "what source domains are used to convey love?”. Therefore, the aim of this research is to find out the conceptual metaphors of love and the source domains of love used to convey love.
[Show full text]
BEAUTIFUL NOISE Directions in Electronic Music
BEAUTIFUL NOISE Directions in Electronic Music www.ele-mental.org/beautifulnoise/ A WORK IN PROGRESS (3rd rev., Oct 2003) Comments to [email protected] 1 A Few Antecedents The Age of Inventions The 1800s produce a whole series of inventions that set the stage for the creation of electronic music, including the telegraph (1839), the telephone (1876), the phonograph (1877), and many others. Many of the early electronic instruments come about by accident: Elisha Gray’s ‘musical telegraph’ (1876) is an extension of his research into telephone technology; William Du Bois Duddell’s ‘singing arc’ (1899) is an accidental discovery made from the sounds of electric street lights. “The musical telegraph” Elisha Gray’s interesting instrument, 1876 The Telharmonium Thaddeus Cahill's telharmonium (aka the dynamophone) is the most important of the early electronic instruments. Its first public performance is given in Massachusetts in 1906. It is later moved to NYC in the hopes of providing soothing electronic music to area homes, restaurants, and theatres. However, the enormous size, cost, and weight of the instrument (it weighed 200 tons and occupied an entire warehouse), not to mention its interference of local phone service, ensure the telharmonium’s swift demise. Telharmonic Hall No recordings of the instrument survive, but some of Cahill’s 200-ton experiment in canned music, ca. 1910 its principles are later incorporated into the Hammond organ. More importantly, Cahill’s idea of ‘canned music,’ later taken up by Muzak in the 1960s and more recent cable-style systems, is now an inescapable feature of the contemporary landscape.
[Show full text]
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
[Show full text]
VOD-Records Internet-Newsletter 01/2012 (
VOD-Records Internet-Newsletter 01/2012 (www.vod-records.com) RELEASES SCHEDULED FOR END FEBRUARY VOD94: JOHN DUNCAN 1st Recordings 1978-85 V1.2 5LP/7“-Box 79,99 € 1978 - 1985 V1.2 First Recordings JOHN =`ijkI\Zfi[`e^j VOD94 DUNCAN (0./$(0/,M(%) John Duncan has been one of the most oustanding, consistently controversial and confrontational, powerful, and compelling masters of experimentation for the last 30 years. His works range from noise to conceptual installations, shortwave-radio to enviromental recordings. Over the years, Duncan has worked on many rewarding collaborations including 'Incoming' with Christoph Heemann, 'Contact' with Andrew McKenzie (of the Hafler Trio), 'Palace of Mind' with Giuliana Stefani, 'Da Sich Die Machtgier' with Asmus Tietchens, 'Nine Suggestions' with Mika Vainio and Ilpo Väisänen, 'Our Telluric Conversation' with Carl Michael von Hausswolff. Other than on his own labels AQM and Allquestions, Duncan has released records on labels such as Touch, Staalplaat, Die Stadt & Heemann's Streamline label. This Box-Set combines all of his Vinyl- and Tape-Releases produced between 1978 and 1985 on his own AQM-Label (Organic 12“, Creed & Nicki 7“, Riot Lp) with music from his 82-85-Tape-Releases Music you finish, Supplement, Move Forward (Pleasure Escape), Brutal Birthday Soundtrack, Phantom and Purge). A Bonus 7“ will be provided with earliest collaboration-recordings from 1978 & 79 performed as Doo-Doettes and CV Massage with artists like Michael Le Donne Bhennet, Dennis Duck, P. Mc Carthy, Fredrik Nilsen, Dennis Duck & Tom Recchion VOD95: JOHN BENDER Memories of mindless mechanical monologues 1976-1985 7LP-Book-like Folder-Set (w.Bonus-7“ for members) 119,99 € This outstanding deluxe Box-Set delivers an excellent and extensive overview of John Benders music-output recorded between 1976-1985 John Bender is without any doubt, the protagonist, if not the inventor of a whole musical-genre known as Cold Minimal Wave/Synth.
[Show full text]
2/4/15 Slagg Brothers Rhythm & Blues, Soul
2/4/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show 1980, their eleventh single and their second number-one. Both the main guitar riff and Start 2:18 The Jam bass riff off The Beatles' 1966 song "Taxman". Backslop 2:33 Baby Earl & The Trinidads From debut album Upstairs at Eric's, 1982, on Daniel Miller’s Mute Records (The Goodbye 70's 2:33 Yazoo Normal). Second UK single by Depeche Mode, recorded at Blackwing Studios (Upstairs at New Life 3:46 Depeche Mode Eric's). 1981, written Vince Clarke. 1980, featuring brothers Neil and Tim Finn. Neil helped form Crowded House in 1985, I Got You 3:29 Split Enz and shortly joined by this brother. In 2001 it was voted 11th best New Zealand song of all time. 1985, second single from their debut album This is Big Audio Dynamite. First song to E=MC² 4:22 Big Audio Dynamite be composed completely from samples and features prominent dialog samples from the 1970 film Performance. Founded by Richard James Burgess in 1974, playing rock, punk, and jazz. Went onto Einstein A Go-Go 3:00 Landscape computer-programmed music in 1981 and reached no 5 with this. He also produced first two albums by Spandau Ballet and designed the first electronic drumset. She Sells Sanctuary 4:21 Cult 1985 from album Love Back of Love 3:15 Echo & The Bunnymen Got to No. 19 in 1982. Produced by Ian Broudie under the pseudonym Kingbird 1982, hit the Top Ten and helped English Settlement reach #5 on the album charts, Senses Working Overtime 4:34 XTC but it would also be their last Top 40 entry for a decade.
[Show full text]
Grenadier Gazette 2010 V19
GrenadierThe Gazette 2010 THE REGIMENTAL JOURNAL OF THE GRENADIER GUARDS IssueNo33 Price £5.00 IN MEMORIAM Gdsm Jamie Janes Gdsm Jamie Janes was killed by an improvised explosive device on October 5, 2009, just after arriving in theatre. He was the first Battalion and 11 Light Brigade fatality in Helmand Province. As a member of 6 Platoon, No 2 Company, he was terribly injured whilst clearing a route for his patrol and died en route to hospital near Nad-e_Ali district centre. On his second tour of Afghanistan, he was an experienced guardsman who willingly stepped forward to take on the difficult task of clearing routes; he was an example to all less experienced soldiers and gave his section and platoon great confidence. He died protecting his friends from danger. WO1 (RSM) Darren Chant On a day which no one within the serving Battalion will forget, WO1 (RSM) Chant was one of three Grenadiers murdered by a rogue Afghan policeman 3 November 2009. The policeman opened fire on a large number of British mentors at a secure Police checkpoint in the Nad-e-Ali having just returned from a joint patrol. The Sergeant Major, Sgt Matthew Telford and Gdsm James Major of the 1st Battalion were killed alongside two Royal Military Police mentors, Cpl Steve Boote and Cpl Nicholas Webster-Smith. As the senior soldier in the Battalion, WO1 (RSM) Chant had been detached from the remainder of the Battalion and been commanding the mixed team of British troops responsible for mentoring Afghan police in the area. He had joined the Regiment in 1986 and had served multiple tours of Northern Ireland, as well as Kuwait in 1990, Bosnia and previously in Afghanistan.
[Show full text]
Depeche Mode Shake the Disease Mp3, Flac, Wma
Depeche Mode Shake The Disease mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Shake The Disease Country: Germany Released: 1991 Style: Synth-pop MP3 version RAR size: 1107 mb FLAC version RAR size: 1169 mb WMA version RAR size: 1940 mb Rating: 4.2 Votes: 255 Other Formats: MP3 MPC FLAC MP1 DTS MIDI DMF Tracklist Hide Credits Shake The Disease (Edit The Shake) A1 7:10 Edited By [Edit By] – John Fryer Master And Servant (Live) A2 5:35 Engineer [Engineered By] – John FryerMixed By – Depeche Mode Flexible (Pre-Deportation Mix) B1 4:38 Remix – Bert Bevans Something To Do (Metalmix) B2 7:25 Remix – Gareth Jones Companies, etc. Phonographic Copyright (p) – Mute Records Copyright (c) – Mute Records Published By – Sonet Publishing Recorded At – Hansa Mischraum Recorded At – St. Jakobshalle Mixed At – The Workhouse Studios Mixed At – Blackwing Studios Remixed At – Abbey Road Studios Remixed At – Eel Pie 2 Mastered At – TELDEC-Press GmbH Pressed By – Sonopress – D-0920 Manufactured By – Intercord Ton GmbH Marketed By – Intercord Ton GmbH Credits Producer – Daniel Miller, Depeche Mode, Gareth Jones Recorded By – Daniel Miller (tracks: A1, B1, B2), Depeche Mode (tracks: A1, B1, B2), Gareth Jones (tracks: A1, B1, B2), DRS3* (tracks: A2) Written-By – Martin Gore* Notes With thanks to Swiss Radio DRS3 A1 recorded at Hansa Studios, Berlin. Mixed at the Workhouse Studio, London. A2 recorded live in Basle, Switzerland on 30th November 1984 by Swiss Radio DRS3. Mixed at Blackwing Studios, London. B1 recorded at Hansa Studios, Berlin. Remixed at Abbey Road Studios, London. B2 recorded at Hansa Studios, Berlin.
[Show full text]
In Camera Era Mp3, Flac, Wma
In Camera Era mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Era Country: UK, Europe & US Released: 2015 Style: Post-Punk MP3 version RAR size: 1436 mb FLAC version RAR size: 1128 mb WMA version RAR size: 1831 mb Rating: 4.1 Votes: 266 Other Formats: MP4 DTS DXD AU AHX ASF FLAC Tracklist A1 Die Laughing A2 Final Achievement A3 Fragments Of Fear A4 The Attic B1 The Conversation B2 Legion B3 Co-Ordinates B4 Apocalypse C1 Scars C2 Colour In The Home C3 The Conversation C4 On The Retina D1 The Attic D2 Co-Ordinates D3 The Fatal Day Companies, etc. Published By – Universal Music Publishing Recorded At – Blackwing Studios Mixed At – Blackwing Studios Recorded At – BBC Studios Recorded At – Scala, London Recorded At – Marquee Club Credits Bass, Piano [Piano Strings] – Pete Moore Design, Layout – In Camera, Steve Webbon* Drums, Piano – Jeff Wilmott Engineer – Mike Robinson Guitar, Clarinet – Andrew Gray Photography By – Andrew Gray Piano [Additional] – Suze Chebib Producer – In Camera (tracks: A1, A2, B1, B2) Producer, Engineer – Eric Radcliffe (tracks: A1, A2, B1, B2), John Fryer (tracks: A1, A2, B1, B2) Recorded By – Stephen Gray (tracks: D1-D3) Tape Op [Tape Transfers] – Andy Pearce Voice, Piano – David Steiner Written-By – In Camera Notes A1, A2: released as In Camera - Final Achievement / Die Laughing, AD 8, 1980. A3 to B2: released as In Camera - IV Songs, BAD 19, 1980. A1 to B2: Engineered 1979-1980 B3, B4: released on In Camera - Fin, BAD 215, 1982. Recorded for the John Peel Show on BBC Radio One at B.B.C.
[Show full text]