Xmal Deutschland Fetisch Mp3, Flac, Wma
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Nachtplan-2017 03 04
Nr. 84 03/04 2017 fast 240 Ausfl ugsziele! Parties & Konzerte in der Region Ruhrgebiet-Düsseldorf-Köln-Krefeld-Leverkusen-Münster-Wuppertal-Aachen-Bonn www.nachtplan.info 1 | np Hallo zusammen, diese Ausgabe ist die letzte. Aber keine Sorge, nur die letzte im 14. Jahr des Bestehens. Das ist eine lange Zeit und damals hätte niemand im Traum daran gedacht, dass sich das gefaltete Blatt mal so entwickelt. Vielen Dank euch allen, 21/22. 04. 2017 Leser, Clubbetreiber, Veranstalter, Bands, DJs, Agenturen, Label, Shops, Promo- ter, für diese Zeit und den großartigen Support. Das Frühjahr steht in den Startlöchern und die Kalender der Clubs sind voll mit schönen Konzerten und tollen Parties. Und der Sommer wirft auch schon längst seine Schatten weit voraus und schafft Vorfreude auf viele feine Erlebnisse an der frischen Luft. Viel Vergnügen Andreas und das nachtplan-Team Inhalt Impressum Empfehlungen des Hauses 06, 07 Termine, Redaktion & Anzeigenschaltung: Charts 11 Andreas Behnke Dem Doktor seine Seite 25 [email protected] Musik-Tipp 28 DJ – Mixe 29 Mobil: 0170 – 2 83 82 16 Der tote Winkel 31 Planlos durch die Nacht 33 Coverphoto © RomanKasperski.de deadline – FilmTipp 35 Model: Devils Outlaw Bodystyler – Interview 38 Kalender 13, 15, 17, 19, 21, 43, 45, 47, 49, 51 Layout: Brigitta Settels Adressen 53, 54 Druckerei: www.color-offset-waelter.de np | 2 3 | np EMPFEHLUNGEN DES HAUSES: EMPFEHLUNGEN DES HAUSES: Konzert-Tipp März Konzert-Tipp März alternation.pl KRACHBAR XI E-tropolis Festival mit Monolith, Yura Yura, mit Front 242, Covenant, Agonoize, Neurotic- Weltschmerz fish, Solar Fake, Solitary Experiments, Fader- head, Tyske Ludder, (X)-RX, In Strict Confidence, Sa., 11.03.2017 The Invincible Spirit, Centhron, Cryo, Amnistia, Oberhausen, Druckluft Wulfband Beginn 22 Uhr Sa., 18.03.2017 | Oberhausen, Turbinenhalle AK: 10,- € (kein Vorverkauf) Einlass: 13 Uhr | Beginn: 14 Uhr VK. -
WECON LX3V-4AD Module
WECON LX3V-4AD Module Wecon Technology Co., Ltd. Website: http://www.we-con.com.cn/en Technical Support: [email protected] Skype: fcwkkj Phone: 86-591-87868869 LX3V-4AD Extension Module 1. Introduction The LX3V-4AD special module has four input channels.The input channels receive analog signals and convert them into a digital value.This is called an A/D conversion, the maximum resolution is 12 bits. The selection of voltage or current based input/output is by user wiring.Analog ranges of -10 to 10V DC (resolution:5mV), and/or 4 to 20mA, -20 to 20mA(resolution:20µA) may be selected. Data transfer between the LX3V-4AD and the LX3V main unit is by buffer memory exchange. There are 32 buffer memories (each of 16 bits) in the LX3V-4AD. LX3V-4AD consume 5V voltage from LX3V main unit or active extension unit,90mA current of power supply. 2. Dimensions ① Extension cable and connector ② Com LED:Light when communicating ③ Power LED:Light when connect to 24V ④ State LED:Light when normal condition ⑤ Module name ⑥ Analog signal output terminal ⑦ Extension module interface ⑧ DIN rail mounting slot ⑨ DIN rail hook ⑩ Mounting holes(φ4.5) - 2 - 3. Terminal layouts ① The analog input is received through a twisted pair shielded cable. This cable should be wired separately from power lines or any other lines which may induce electrical noise. ② If a voltage ripple occurs during input, or there is electrically induced noise on the external wiring, connect a smoothing capacitor of 0.1 to 0.47µF, 25V. ③ If you are using current input, connect the V+ and I+ terminals to each other. -
Tx2n-4Ad-Tc Special Function Block User's Guide
HCFA CORPORATION LIMITED TX2N-4AD-TC SPECIAL FUNCTION BLOCK USER’S GUIDE This manual contains text, diagrams and explanations which will guide the reader in the correct installation and operation of the TX2N-4AD-TC special function block and should be read and understood before attempting to install or use the unit. Guidelines for the Safety of the User and Protection of the TX2N-4AD-TC special function block. This manual should be used by trained and competent personnel. The definition of such a person or persons is as follows: a) Any engineer using the product associated with this manual, should be of a competent nature, trained and qualified to the local and national standards. These engineers should be fully aware of all aspects of safety with regards to automated equipment. b) Any commissioning or service engineer must be of a competent nature, trained and qualified to the local and national standards. c) All operators of the completed equipment should be trained to use this product in a safe and coordinated manner in compliance to established safety practices. Note: The term ‘completed equipment’ refers to a third party constructed device which contains or uses the product associated with this manual. Notes on the Symbols Used in this Manual At various times throughout this manual certain symbols will be used to highlight points of information which are intended to ensure the users’ personal safety and protect the integrity of equipment. 1) Indicates that the identified danger WILL cause physical and property damage. 2) Indicates that the identified danger could POSSIBLYcause physical and property damage. -
Fx-4Ad User Manual
Foreword 0 This manual provides technical information on the use of the FX4ADspecial function block in connec- tion with theFX programmable controller. 0 Users should ensure that the details of this manual are studied and understood before attempting to in- stall or use theseunits. CONTENTS 1. INTRODUCTION 1 2. CONFIGURATION AND SPECIFICATIONS 2 3. WIRING 5 4. BUFFER MEMORY ASSIGNMENT 8 5. STATUS INFORMATION 12 6. OPERATION PROCEDURE 14 7. PRELIMINARY CHECKS 17 Chapter 8 is concerned with the changing of the default settings. 8. ADJUSTING GAIN AND OFFSET 18 If you don't plan to change these defaults, you can skip this section. 9. COMMANDSFROM / TO 24 10. REFERENCE 25 1. INTRODUCTION (1) Introduction Configuration (4) Unit The FX-4AD analog input unit converts up to 4 The enclosure of the FX-4AD unit resembles to channels of analog input (either voltage or cur- that of the 16 I/O point extension blocks, but rent) into .12-bit digital readings and transfers the number of 110 points occupied by theFX- the data to an FX series programmable control- 4AD is actually 8 (you can count them as either ler. Optical coupling is used to ensure that volt- input or output points). For the purposes of age surges do not damage other areas of your power consumption, the FX-4AD unit draws equipment. 30mA from the 5V supply of the base unit. Use this figure to calculate whether the base unit (2) Compatible PCs has enough power to support this and other special blocks. Versions 2.0 or later of the FX series of pro- grammable controllers (those with serial nos. -
He Said Take Care (CD, Album) at Discogs
3/2/2017 He Said Take Care (CD, Album) at Discogs Search artists, albums and more... Explore Marketplace Community Log In Register He Said – Take Care Release [r154350] Label: Enigma Records (3) – 7 754002, Mute – CDSTUMM57 Edit Release Format: CD, Album All Versions of this Release Review Changes Country: US Released: 1989 Add to Collection Add to Wantlist Genre: Electronic, Rock More Images Style: Experimental, Alternative Rock, Downtempo, Synthpop Marketplace 21 For Sale from $5.99 Buy CD Sell CD Tracklist Hide Credits 1 WatchTakeCare 8:30 2 A.B.C. Dicks Love 5:25 Share Engineer – Paul Kendall 3 Could You? 5:45 Statistics 4 Tongue Ties 6:09 5 Screen 2:04 Have: 122 Last Sold: 02 Jan 17 6 Not A Soul 5:20 Want: 14 Lowest: $3.00 Backing Vocals [Backing Singers] – Lorenza Johnson, Ruby James, Shirley Lewis Avg Rating: 4.08 / 5 Median: $7.11 7 Halfway House 5:25 Ratings: 25 Highest: $14.75 8 Get Out Of That Rain 3:13 Videos (8) Edit 9 Hole In The Sky 2:28 10 He Said: She Said 4:09 Engineer, Drums – Paul Kendall He Said ~ Watch.Take.C... Featuring [Assistance] – Daniel Miller 11 A.B.C. Dicks Love (Soft) 5:25 12 Suzanne 6:06 WrittenBy – Cohen* 13 Could You? (Too) 5:45 Companies, etc. Phonographic Copyright (p) – Mute Records Copyright (c) – Mute Records Copyright (c) – Dying Art Ltd. Glass Mastered At – Nimbus He Said ~ Watch.Take.Care Published By – Dying Art Ltd. 8:40 Published By – Writers Workshop Ltd. -
Soundbyte Will Bring You Dynamic and Diverse Content Including
May 15, 2012 Vol 1 Issue 1 INTRODUCING SoundByte will bring you dynamic and diverse content including SoundExchange news, artist interviews, industry experts’ insights, and tips for performers, record labels and service providers. We hope you enjoy our first edition. www.soundexchange.com INTRODUCING SOUNDBYTE It has been a while since we last published an edition of our former SoundExchange newsletter, NewsExchange. However, our readers can rest assured that we have not hit ‘pause’ on the myriad of initiatives we’ve undertaken this past year. In fact, with so many activities underway, we thought it appropriate to re-launch the SoundExchange newsletter — with a new name, a fresh look and different approach on sharing our many organizational enhancements. IN THIS ISSUE SouNdExchaNgE REpoRt 3 REgIStER foR NEW MuSIc SEMINaR 5 BoaRd MEMBER pRofIlE: dIck huEy 6 fRoM thE aRtIStS 14 SuBMIt youR IdEaS 15 2 May 15, 2012 www.soundexchange.com Vol 1 Issue 1 SOUNDEXCHANGE REPORT SoundExchange not only appointed former general counsel, Michael huppe, as the new president, but has also made several significant additions to “staff up” across the organization. this includes a new executive team, data management, claims and communication departments. as a whole, the staff is committed to advancing initiatives that ensure digital performance royalties make their way into the hands of the creative community. these efforts include the establishment of new departments dedicated to managing metadata and resolving rights owner disputes; the rollout of simplified payee statements; and continued advocacy for royalty structures that recognize the vital role that the creators of music play for digital services. -
Analog Control Edition
FX3G/FX3U/FX3GC/FX3UC SERIES PROGRAMMABLE CONTROLLERS USER'S MANUAL Analog Control Edition Voltage / Current Input FX3G-2AD-BD FX3U-4AD FX3U-4AD-ADP FX3UC-4AD Voltage / Current Output FX3G-1DA-BD FX3U-4DA FX3U-4DA-ADP Voltage / Current Input / Output Mixture FX3U-3A-ADP Temperature Sensor Input FX3U-4AD-PT-ADP FX3U-4AD-PTW-ADP FX3U-4AD-PNK-ADP FX3U-4AD-TC-ADP Safety Precautions (Read these precautions before use.) Before installation, operation, maintenance or inspection of this product, thoroughly read through and understand this manual and all of the associated manuals. Also, take care to handle the module properly and safely. This manual classifies the safety precautions into two categories: and . Indicates that incorrect handling may cause hazardous conditions, resulting in death or severe injury. Indicates that incorrect handling may cause hazardous conditions, resulting in medium or slight personal injury or physical damage. Depending on the circumstances, procedures indicated by may also cause severe injury. It is important to follow all precautions for personal safety. Store this manual in a safe place so that it can be taken out and read whenever necessary. Always forward it to the end user. 1. DESIGN PRECAUTIONS • Make sure to have the following safety circuits outside of the PLC to ensure safe system operation even during external power supply problems or PLC failure. Otherwise, malfunctions may cause serious accidents. 1) Most importantly, have the following: an emergency stop circuit, a protection circuit, an interlock circuit for opposite movements (such as normal vs. reverse rotation), and an interlock circuit (to prevent damage to the equipment at the upper and lower positioning limits). -
Counting the Music Industry: the Gender Gap
October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free lance music industry consult ant, is a director of the board of PiPA http://www.pipacam paign.com/ and an exciting music tech startup called Delic https://www.delic.net work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist. -
Yazoo Don't Go (Re-Mixes) Mp3, Flac, Wma
Yazoo Don't Go (Re-Mixes) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Don't Go (Re-Mixes) Country: UK Released: 1982 Style: Electro, Synth-pop MP3 version RAR size: 1743 mb FLAC version RAR size: 1965 mb WMA version RAR size: 1599 mb Rating: 4.3 Votes: 306 Other Formats: MOD MPC AU DMF VQF ADX AA Tracklist Hide Credits Don't Go (Re-Mix) (Extended Version) A1 3:59 Written-By – Clarke* Don't Go (Re-Re-Mix) (Extended Version) A2 4:09 Written-By – Clarke* Winter Kills (Not Re-Mixed) (Not Extended) B 3:53 Written-By – Moyet* Companies, etc. Phonographic Copyright (p) – Mute Records Copyright (c) – Sonet Publishing Produced At – Blackwing Studios Distributed By – Rough Trade Distributed By – Spartan Lacquer Cut At – Tape One Mastered At – Gedmal Galvanic Ltd. Credits Lacquer Cut By – JA* Photography By – Joe Lyons Producer – Alison Moyet (tracks: B), Daniel Miller (tracks: A1, A2), Eric Radcliffe, Vince Clarke (tracks: A1, A2) Notes Produced at Blackwing Studios, London Distributed by Rough Trade & Spartan © Sonet Publishing ℗ Mute Records Barcode and Other Identifiers Matrix / Runout (Runout, A-side, etched. Var. 1): YAZ 001 T A2 GG JA TAPE ONE Matrix / Runout (Runout, B-side, etched. Var. 1): 21" YAZ 001 B1 JA TAPE ONE Matrix / Runout (Runout, A-side, etched. Var. 2): JA TAPE ONE YAZ 001 T A2 SPARTAN GG2 Matrix / Runout (Runout, B-side, etched. Var. 2): JA TAPE ONE GG2 2̶1̶ YAZ 001 B1 SPARTAN Matrix / Runout (Runout, A-side, etched. Var. 3): YAZ 001 T A2 GG6 JA TAPE ONE Matrix / Runout (Runout, B-side, etched. -
Appropriating the West in Late Qing and Early Republican China / Theodore Huters
Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 1 of 384 Bringing the World Home Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 2 of 384 3 of 384 BringingÕ the World HomeÕ Appropriating the West in Late Qing 7215 Huters / BRINGING THE WORLD HOME / sheet and Early Republican China Theodore Huters University of Hawai‘i Press Honolulu Tseng 2005.1.17 07:55 © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. -
7 1 @ = E = @ : 2 a > = AB
ELEPHANT / ISSUE 3 / SUMMER 2010 THE ART & VISUAL CULTURE MAGAZINE 16@7AB=>63@2=G:3 D / C 5 6 / < = : 7 D 3 @ 7A72@=43@@3@ AB/<:3G2=<E==2 ; 7 1 @ = E = @ : 2 A >=AB@3/:>/7<B7<5 >@7<B7<5B3FB7:3A :/5C723 £14.99, ¤19.95,£14.99, $19.99 BP BP SUMMER 2010 (BFRYHUB&RULQGG (BSB92OLYHULQGG B63 by Marc Valli ;7<=B/C@ 7< B63 :/0G@7<B6 D/C56/<Vaughan Oliver’s Extreme Regions =:7D3@Portrait by Giles Revell (BSB92OLYHULQGG ‘Fame requires every kind of excess. I mean true fame, a de- vouring neon… I mean danger, the edge of every void, the cir- cumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these ex- treme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public’s to- tal madness: even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public’s con- tempt for survivors… (Is it clear I was a hero of rock’n’roll?)’ — Don Delillo, ‘Great Jones Street’ It is diffi cult to think of Vaughan Oliver without making the aughan Oliver is mak- ing coffee with a digital radio playing in connection to music. His story seems to belong to the music the background. It is an unlikely setting: the clean and perfectly fitted kitchen of rather than the design world, following a path that’s closer to his tidy and tastefully decorated new that of a legend of rock’n’roll than a visual art one. -
2/4/15 Slagg Brothers Rhythm & Blues, Soul
2/4/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show 1980, their eleventh single and their second number-one. Both the main guitar riff and Start 2:18 The Jam bass riff off The Beatles' 1966 song "Taxman". Backslop 2:33 Baby Earl & The Trinidads From debut album Upstairs at Eric's, 1982, on Daniel Miller’s Mute Records (The Goodbye 70's 2:33 Yazoo Normal). Second UK single by Depeche Mode, recorded at Blackwing Studios (Upstairs at New Life 3:46 Depeche Mode Eric's). 1981, written Vince Clarke. 1980, featuring brothers Neil and Tim Finn. Neil helped form Crowded House in 1985, I Got You 3:29 Split Enz and shortly joined by this brother. In 2001 it was voted 11th best New Zealand song of all time. 1985, second single from their debut album This is Big Audio Dynamite. First song to E=MC² 4:22 Big Audio Dynamite be composed completely from samples and features prominent dialog samples from the 1970 film Performance. Founded by Richard James Burgess in 1974, playing rock, punk, and jazz. Went onto Einstein A Go-Go 3:00 Landscape computer-programmed music in 1981 and reached no 5 with this. He also produced first two albums by Spandau Ballet and designed the first electronic drumset. She Sells Sanctuary 4:21 Cult 1985 from album Love Back of Love 3:15 Echo & The Bunnymen Got to No. 19 in 1982. Produced by Ian Broudie under the pseudonym Kingbird 1982, hit the Top Ten and helped English Settlement reach #5 on the album charts, Senses Working Overtime 4:34 XTC but it would also be their last Top 40 entry for a decade.