Grenadier Gazette 2010 V19
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Black US Army Bands and Their Bandmasters in World War I
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of Fall 8-21-2012 Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the Music Commons Lefferts, Peter M., "Black US Army Bands and Their Bandmasters in World War I" (2012). Faculty Publications: School of Music. 25. https://digitalcommons.unl.edu/musicfacpub/25 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 08/21/2012 This essay is a work in progress. It was uploaded for the first time in August 2012, and the present document is the first version. The author welcomes comments, additions, and corrections ([email protected]). Black US Army bands and their bandmasters in World War I Peter M. Lefferts This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. They underwent rapid mobilization and demobilization over 1917-1919, and were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and continued to serve after them. Pressed to find sufficient numbers of willing and able black band leaders, the army turned to schools and the entertainment industry for the necessary talent. -
Grenadier News the Autumn Newsletter of the Grenadier Guards Association
Once a Grenadier Always a Grenadier Grenadier News The Autumn Newsletter of the Grenadier Guards Association Edition 4, October 2017 Regimental Headquarters The Lieutenant Colonel: Brigadier CRV Walker, DSO Regimental Adjutant: Major GVA Baker Regimental Archivist: Captain AGH Ogden Assistant Equerry: Captain BRN Tracey Regimental Quartermaster Sergeant: WO2 (RQMS) M Betts Regimental Casualty Officer: Mr Matthew Ellmer Regimental Affairs Non-Commissioned Officer: LSgt R Haughton Regimental Property Non-Commissioned Officer: LSgt M MacMillan Association Headquarters President: Colonel REH Aubrey-Fletcher General Secretary & Regimental Treasurer: Major AJ Green Association Senior Non-Commissioned Officer: Sgt R Broomes Wellington Barracks, Birdcage Walk, LONDON, SW1E 6HQ REGIMENTAL HEADQUARTERS The Regimental Adjutant After an uneventful start to the year, on 19 April, the Regiment hosted The Queen and The Colonel for lunch at a ‘gastro-pub’ near Windsor in order to celebrate 75 years of The Queen being a Grenadier. The lunch was a great success with Her Majesty seeming to enjoy the rather different experience of being able to order from a menu. Regimental Remembrance Day took place on Sunday 21st May and was attended by The Colonel. The Guards Chapel was full and The Colonel spoke to a large number of people both after the Service and after laying the wreath at the Guards’ Memorial. 1 www.grengds.com Once a Grenadier Always a Grenadier No one can have missed the announcement that, after 65 years of loyal service, The Colonel would retire from carrying out royal engagements. This does not mean that he is stepping down as Colonel! He has said that he is very happy to continue for the moment and already has the November Council meeting firmly in his diary; however, it does mean that he will only carry out very ‘light duties’. -
Black US Army Bands and Their Bandmasters in World War I
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 3-2-2018 Black US Army Bands and Their aB ndmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, Military History Commons, Music Commons, Social History Commons, and the United States History Commons Lefferts, Peter M., "Black US Army Bands and Their aB ndmasters in World War I" (2018). Faculty Publications: School of Music. 67. https://digitalcommons.unl.edu/musicfacpub/67 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 04/02/2018 This is the third version, put on-line in 2018, of this work-in-progress. This essay was put on-line for the first time in 2012, at (https://digitalcommons.unl.edu/musicfacpuB/25/), and a second version was put on-line in 2016, at (https://digitalcommons.unl.edu/musicfacpuB/55/). The author is grateful to those who have contacted him aBout this work and welcomes further comments, additions, and corrections ([email protected]). Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts This essay sketches the story of the Bands and Bandmasters of the twenty seven new black army regiments which served in the U.S. -
Chatham Delivery Delivered
May 2018 News № 35 Crosses Recently Chatham Delivery Delivered A wreath in memory of William Hubbard was delivered to the Royal Engineers Boer War Memorial at Chatham Barracks, 21 April 2018 Kent on 26th April by Peter and Diana Gulland, accompanied Private by Diana’s cousins Joan and Jean who are natives of Chatham. Louis Herbert Plested As Haddenham residents it was appropriate for Peter and Diana Oxf & Bucks L I to deliver William’s wreath because he was born in Haddenham Julie West although he was brought up in Thame. Bruyelle War Cemetery, Hainault, Belgium. Diana wrote: On arrival at the Barracks we were welcomed by Corporal Jay . McLaughlin who was our host for the visit. After we had undergone a security 21 April 2018 check Jay escorted us to the memorial, a large stone arch some 40 feet in height Private which stands in front of a statue of Lord Kitchener. We located William William Chowns Hubbard’s name, listed under Drivers, and laid the wreath followed by a short Canadian Infantry service. Jay then led the party around the Barracks, which contained an Brian West impressive number of fine buildings, and into the Royal Engineers’ Museum. In Mons Communal Cemetery, Jay’s opinion, and one with which we would agree, the museum is one of the best Hainault, Belgium. of its type in the country. Covering the early history from the origins of the Royal . Engineers to modern warfare, the museum is vast. The party was particularly 21 April 2018 interested in the Sergeant Boer War and the Hugh Kidman First World War Queens Own Oxfordshire Hussars displays. -
Welsh Guards Magazine 2020
105 years ~ 1915 - 2020 WELSH GUARDS REGIMENTAL MAGAZINE 2020 WELSH GUARDS WELSH GUARDS REGIMENTAL MAGAZINE 2020 MAGAZINE REGIMENTAL Cymru Am Byth Welsh Guards Magazine 2020_COVER_v3.indd 1 24/11/2020 14:03 Back Cover: Lance Sergeant Prothero from 1st Battalion Welsh Guards, carrying out a COVID-19 test, at testing site in Chessington, Kingston-upon-Thames. 1 2 3 4 5 6 8 1. Gdsm Wilkinson being 7 promoted to LCpl. 2. Gdsm Griffiths being promoted to LCpl. 3. LSgt Sanderson RLC being awarded the Long Service and Good Conduct Medal. 4. Sgt Edwards being promoted to CSgt. 5. Gdsm Davies being promoted to LCpl. 6. Gdsm Evans 16 being awarded the Long Service and Good Conduct Medal. 7. LSgt Bilkey, 3 Coy Recce, being promoted to Sgt 8. LSgt Jones, 3 Coy Snipers, being promoted to Sgt 9 9. Sgt Simons being awarded the Long Service and Good Conduct Medal. Front Cover: 1st Battalion Welsh Guards Birthday Tribute to 10. LSgt Lucas, 2 Coy being Her Majesty The Queen, Windsor Castle, Saturday 13th June 2020 10 promoted to Sgt Welsh Guards Magazine 2020_COVER_v3.indd 2 24/11/2020 14:04 WELSH GUARDS REGIMENTAL MAGAZINE 2020 COLONEL-IN-CHIEF Her Majesty The Queen COLONEL OF THE REGIMENT His Royal Highness The Prince of Wales KG KT GCB OM AK QSO PC ADC REGIMENTAL LIEUTENANT COLONEL Major General R J Æ Stanford MBE REGIMENTAL ADJUTANT Colonel T C S Bonas BA ASSISTANT REGIMENTAL ADJUTANT Major M E Browne BEM REGIMENTAL VETERANS OFFICER Jiffy Myers MBE ★ REGIMENTAL HEADQUARTERS Wellington Barracks, Birdcage Walk, London SW1E 6HQ Contact Regimental Headquarters by Email: [email protected] View the Regimental Website at: www.army.mod.uk/welshguards View the Welsh Guards Charity Website at: www.welshguardscharity.co.uk Contact the Regimental Veterans Officer at: [email protected] ★ AFFILIATIONS HMS Prince of Wales 5th Battalion The Royal Australian Regiment Régiment de marche du Tchad ©Crown Copyright: This publication contains official information. -
The Royal British Legion Cambridgeshire &
August 2017 THE ROYAL BRITISH LEGION CAMBRIDGESHIRE & HUNTINGDONSHIRE NEWSLETTER SOHAM RBL BRANCH – Affiliation with East Cambridgeshire Police Cadets Soham RBL Branch have recently affiliated with the East Cambridgeshire Police Cadets. 1 Pictures from the night Branch and Cadets Officers signed the affiliation certificates. World War 1 Victoria Cross Recipients 10 April – 12 April 1917 John George Pattison VC - Pattison was 41 years old, and a private in the 50th (Calgary) Battalion, Canadian Expeditionary Force. On 10 April 1917 at the Battle of Vimy Ridge when the Canadian’s advamce was held up by an enemy machine-gun which was inflicting severe casualties. Pattison, with utter disregard of his own safety, sprang forward and jumping from shell-hole to shell-hole, reached cover within thirty yards of the enemy gun. From this point, in the face of heavy fire he hurled bombs killing and wounding some of the crew, and then rushed forward overcoming and bayoneting the surviving five gunners. Horace Waller VC - was As a 20-year-old private in the 10th Service Battalion, The King's Own Yorkshire Light Infantry. On 10 April 1917 south of Heninel, France, when with a bombing section forming a block in the enemy line. A very violent counter-attack was made by the enemy on this post, and although five of the garrison were killed, Pte. Waller continued for more than an hour to throw bombs, and finally repulsed the attack. In the evening the enemy again counter-attacked the post and all the garrison became casualties, except Pte. Waller, who, although wounded later, continued to throw bombs for another half an hour until he was killed. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)
Rotunda ROM Magazine Subject Index v. 1 (1968) – v. 42 (2009) 2009.12.02 Adam (Biblical figure)--In art: Hickl-Szabo, H. "Adam and Eve." Rotunda 2:4 (1969): 4-13. Aesthetic movement (Art): Kaellgren, P. "ROM answers." Rotunda 31:1 (1998): 46-47. Afghanistan--Antiquities: Golombek, L. "Memories of Afghanistan: as a student, our writer realized her dream of visiting the exotic lands she had known only through books and slides: thirty-five years later, she recalls the archaeoloigical treasures she explored in a land not yet ruined by tragedy." Rotunda 34:3 (2002): 24-31. Akhenaton, King of Egypt: Redford, D.B. "Heretic Pharoah: the Akhenaten Temple Project." Rotunda 17:3 (1984): 8-15. Kelley, A.L. "Pharoah's temple to the sun: archaeologists unearth the remains of the cult that failed." Rotunda 9:4 (1976): 32-39. Alabaster sculpture: Hickl-Szabo, H. "St. Catherine of Alexandria: memorial to Gerard Brett." Rotunda 3:3 (1970): 36-37. Keeble, K.C. "Medieval English alabasters." Rotunda 38:2 (2005): 14-21. Alahan Manastiri (Turkey): Gough, M. "They carved the stone: the monastery of Alahan." Rotunda 11:2 (1978): 4-13. Albertosaurus: Carr, T.D. "Baby face: ROM Albertosaurus reveals new findings on dinosaur development." Rotunda 34:3 (2002): 5. Alexander, the Great, 356-323 B.C.: Keeble, K.C. "The sincerest form of flattery: 17th-century French etchings of the battles of Alexander the Great." Rotunda 16:1 (1983): 30-35. Easson, A.H. "Macedonian coinage and its Hellenistic successors." Rotunda 15:4 (1982): 29-31. Leipen, N. "The search for Alexander: from the ROM collections." Rotunda 15:4 (1982): 23-28. -
Old Jack's Boat
OLD JACK’S BOAT / TX01: THE PEARL EARRING / POST PRODUCTION SCRIPT Post Production Script Old Jack’s Boat – TX01: The Pearl Earring By Tracey Hammett Characters appearing in this script: Jack Miss Bowline-Hitch Emily Scuttlebutt Ernie Starboard Pearl (Shelly Perriwinkle) MUSIC 1 10:00:00-0138 SCENE 1: TITLES/JACK’S INTRO/SONG IN THE TITLES OLD JACK’S BOAT TAKES A COURSE ALONG AN ANIMATED MAP. WEAVING IN AND OUT OF THE VARIOUS SITUATIONS AND CHARACTERS FROM THE STORIES. AT THE END OF THE ANIMATED JOURNEY, OLD JACK’S BOAT AT 20” RISES UP TO FORM THE ‘OLD JACKS’ BOAT LOGO. A FAST ZOOM IN TO THE BOAT’S PORTHOLE FINDS JACK EXITING HIS HOUSE ALONG WITH SALTY. 10:00:21 SCENE 2: OLD JACK’S COTTAGE JACK PULLS THE DOOR BEHIND HIM AND POINTS TO CAMERA JACK: Good day to you! JACK WINKS AND THEN STRIDES OFF DOWN THE ROAD WITH SALTY. THE MUSIC SEQUES INTO “JACK’S SONG” 10:00:28 SCENE 3: EXT VILLAGE SEES JACK WALKING THROUGH THE VILLAGE MEETING HIS VARIOUS FRIENDS. HIS FRIENDS ARE EACH ON THE WAY TO WORK. THERE IS A GENERAL AIR OF BUSY ACTIVITY AS EACH OF THE CHARACTERS GETS READY FOR 1 OLD JACK’S BOAT / TX01: THE PEARL EARRING / SHOOTING SCRIPT THEIR DAY. OLD JACK WAVES TO THEM AND THEY WAVE BACK. THE LYRICS OF THE SONG THAT JACK IS SINGING GIVE A BRIEF, FOND DESCRIPTION OF EACH OF THE CHARACTERS. AT THE END OF THIS INTRODUCTION SEQ THERE IS AN ANIMATED GRAPHIC OF A FISH THAT WIPES THROUGH FRAME. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
UK Special Forces 2030 Orbat
UK Special Forces Orbat (as shown in_open sources and media) Director Special Forces (DSF) (Major General!) Special Air Service (SAS) 22™ Special Air Service Regiment? (Lieutenant Colonel) o A (Sabre) Squadron = HQ Element (OC (Major), 2 i/c (Captain) Operations Officer, Squadron Sergeant Major (SSM), Squadron Quartermaster Sergeant (SQSM), Staff Sergeant) = Air Troop =" Boat Troop = Mountain Troop =" Mobility Troop o B (Sabre) Squadron = HQ Element (OC (Major), 2 i/c (Captain) Operations Officer, Squadron Sergeant Major (SSM), Squadron Quartermaster Sergeant (SQSM), Staff Sergeant) = Air Troop =" Boat Troop = Mountain Troop =" Mobility Troop o D (Sabre) Squadron = HQ Element (OC (Major), 2 i/c (Captain) Operations Officer, Squadron Sergeant Major (SSM), Squadron Quartermaster Sergeant (SQSM), Staff Sergeant) = Air Troop =" Boat Troop = Mountain Troop =" Mobility Troop o G (Sabre) Squadron = HQ Element (OC (Major), 2 i/c (Captain) Operations Officer, Squadron Sergeant Major (SSM), Squadron Quartermaster Sergeant (SQSM), Staff Sergeant) = Air Troop =" Boat Troop = Mountain Troop =" Mobility Troop L Squadron (Reserves) (Major) ' https://bootcampmilitaryfitnessinstitute. files. wordpress.com/2014/07/2100a-fig 1-org-of-uksf-supporting- units2.png 22 hitps://www.eliteukforces.info/special-air-service/organisation/ Counter Revolutionary Warfare (CRW) Wing (OC rank unknown) Operations Research Wing (OC rank unknown) Revolutionary Warfare Wing (RWW) (OC rank unknown) 21" Special Air Service Regiment (Reserves, under Ist Intelligence, Surveillance -
Not a Lot of People Know This – Podcast 3 – Text
Horse Guards, Whitehall, London, SW1A 2AX HCavMuseum HCavMuseum householdcavalrymuseum In this week’s podcast, the third in the series, I’m going to recount some stories about our animals – and they are not all horses… It’s a dog’s life in the Household Cavalry The Army’s love of mascots and pets is shared by the Household Cavalry, and includes a Newfoundland dog called Duke who attached himself to The Blues during the Peninsula War of 1808-1814. Duke was used by the Regiment during the advance through Spain to flush out rats from deserted farmhouses, prior to the ruins being occupied as bivouacs. Somewhat unkindly, given his ratting duties, the dog was repeatedly traded-in with locals in return for free wine. Nonetheless, Duke always managed to re-join his comrades, returned with the Regiment to England and became something of a hero: his portrait still hangs in the Officers House of Household Cavalry Regiment at Bulford. Another Blues dog, Spot, belonged to Captain William Tyrwhitt Drake and was present at the Battle of Waterloo; he was also memorialised with a painting, by William Henry Davis, painted on 5th November 1816, which hangs in the Mess at Hyde Park Barracks. That is not, however, the end of doggie tales of The Blues and Royals, for there exists in the reserve collection of the Household Cavalry Museum at Combermere Barracks an engraved silver dog collar, embellished with medal ribbons, which attests to the existence of Bob, a mongrel dog who served with The Blues before, during and after the 2nd Boer War.